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Sergeant Pepper's Lonely Hearts Club Band
Songs like
Sergeant Pepper's Lonely Hearts Club Band
by
Louis Clark & The Royal Philharmonic Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Louis Clark & The Royal Philharmonic Orchestra
Sergeant Pepper's Lonely Hearts Club Ban...
116 bpm • C Maj • 05:54 • -14.12db
17% Popularity • 32% Danceability • 31% Energy • 41% Liveness
48% Instrumentalness • 13% Positiveness
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Mantovani y Su Gran Orquesta
Moon River
116 bpm • C Maj • 02:40 • -15.93db
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Arthur Fiedler
Hey Jude
116 bpm • C Maj • 04:32 • -15.81db
7% Popularity • 33% Danceability • 37% Energy • 5% Liveness
72% Instrumentalness • 12% Positiveness
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Frank Mills
The Poet And I
116 bpm • F Maj • 03:40 • -15db
30% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
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Royal Philharmonic Orchestra
Every Breath You Take
116 bpm • A Maj • 03:56 • -16.18db
16% Popularity • 60% Danceability • 47% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
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Andre Kostelanetz
The Sounds of Silence
116 bpm • F Maj • 03:14 • -13db
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
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The Royal Philharmonic Concert Orchestra/Paul Bateman
Alfie
117 bpm • A# Maj • 02:51 • -13.26db
19% Popularity • 19% Danceability • 20% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
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Louis Clark & The Royal Philharmonic Orchestra
All You Need Is Love
117 bpm • G Maj • 02:47 • -16db
30% Popularity • 28% Danceability • 29% Energy • 43% Liveness
10% Instrumentalness • 39% Positiveness
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Scarborough Faire
To Every Season Turn, Turn, Turn
117 bpm • A# Maj • 04:51 • -13.17db
18% Popularity • 49% Danceability • 30% Energy • 11% Liveness
41% Instrumentalness • 50% Positiveness
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Henry Salomon y su Orquesta
Los Paraguas de Cherburgo - De "Los Para...
115 bpm • C min • 02:23 • -16.23db
36% Popularity • 28% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 35% Positiveness
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London String Orchestra
Lucy in the Sky with Diamonds
117 bpm • C Maj • 03:14 • -16.31db
4% Popularity • 32% Danceability • 23% Energy • 29% Liveness
93% Instrumentalness • 34% Positiveness
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Antonio Cortazzi
Oblady Oblada
117 bpm • C Maj • 03:04 • -12.82db
11% Popularity • 76% Danceability • 58% Energy • 19% Liveness
83% Instrumentalness • 97% Positiveness
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John Deacon
You're My Best Friend
117 bpm • C Maj • 02:55 • -13.58db
19% Popularity • 45% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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George Martin
Yellow Submarine Suite
117 bpm • E min • 10:55 • -13.91db
10% Popularity • 26% Danceability • 31% Energy • 17% Liveness
82% Instrumentalness • 13% Positiveness
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Jerry Livingston
Cinderella: The Work Song (arr. for orch...
117 bpm • G Maj • 02:51 • -20.77db
30% Popularity • 44% Danceability • 15% Energy • 7% Liveness
83% Instrumentalness • 40% Positiveness
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Manhattan Strings
How Deep is Your Love
115 bpm • F min • 02:44 • -16db
21% Popularity • 86% Danceability • 36% Energy • 9% Liveness
80% Instrumentalness • 82% Positiveness
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Henry Salomon y su Orquesta
Harry Lime - De: "El Tercer Hombre"
115 bpm • G Maj • 02:57 • -9.17db
8% Popularity • 61% Danceability • 40% Energy • 11% Liveness
77% Instrumentalness • 59% Positiveness
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Antonio Cortazzi
With a little help from my friends
115 bpm • F# min • 02:33 • -13.29db
9% Popularity • 76% Danceability • 33% Energy • 12% Liveness
77% Instrumentalness • 55% Positiveness
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Peter Pupping
Michelle
118 bpm • F min • 03:02 • -12.58db
13% Popularity • 78% Danceability • 29% Energy • 9% Liveness
76% Instrumentalness • 54% Positiveness
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VSOP - Vienna Symphonic Orchestra Project
Orinocco Flow
118 bpm • C Maj • 03:29 • -12.23db
19% Popularity • 68% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Anders Soldh
Mulan (arr. A. Soldh): Mulan: I'll Make ...
115 bpm • G Maj • 03:03 • -17db
34% Popularity • 56% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
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David Rose
Little House On The Prairie
118 bpm • G Maj • 02:57 • -12db
22% Popularity • 52% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 49% Positiveness
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The Wilderness
Sweet Caroline
118 bpm • C Maj • 03:41 • -10db
24% Popularity • 87% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
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Johnny Pearson
Old World Charm
118 bpm • D Maj • 02:29 • -16.31db
25% Popularity • 46% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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Mila Khodorkovsky
Sólo Llamé para Decirte Que Te Amo
114 bpm • C Maj • 03:43 • -6.96db
36% Popularity • 61% Danceability • 51% Energy • 15% Liveness
36% Instrumentalness • 50% Positiveness
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Roger Taylor
Under Pressure
114 bpm • D Maj • 03:56 • -14.78db
27% Popularity • 56% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 28% Positiveness
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The International Classic Rock Orchestra
Smells Like Teen Spirit
114 bpm • F min • 03:25 • -7.79db
14% Popularity • 59% Danceability • 65% Energy • 74% Liveness
15% Instrumentalness • 49% Positiveness
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Antonio Cortazzi
Yellow Submarine
114 bpm • C# Maj • 02:33 • -14.04db
7% Popularity • 83% Danceability • 35% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
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The Wilderness
No Where Man
118 bpm • E Maj • 02:21 • -12.27db
8% Popularity • 75% Danceability • 50% Energy • 8% Liveness
97% Instrumentalness • 69% Positiveness
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Neil Diamond
Flight Of The Gull
114 bpm • E Maj • 02:25 • -17.25db
37% Popularity • 52% Danceability • 26% Energy • 13% Liveness
76% Instrumentalness • 14% Positiveness
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Henry Salomon y su Orquesta
Los Siete MagnÃficos - De: "Los Siete M...
114 bpm • A# Maj • 02:00 • -11.7db
32% Popularity • 47% Danceability • 45% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
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Freddie Mercury
Killer Queen
114 bpm • A# Maj • 03:06 • -13.2db
24% Popularity • 47% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Royal Philharmonic Orchestra
Don't Stop Believing
118 bpm • E Maj • 04:28 • -14.97db
14% Popularity • 48% Danceability • 42% Energy • 9% Liveness
71% Instrumentalness • 21% Positiveness
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George Martin
Pepperland - Remastered 2009
113 bpm • G Maj • 02:20 • -12.43db
35% Popularity • 35% Danceability • 28% Energy • 24% Liveness
76% Instrumentalness • 37% Positiveness
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Jean Paul Ventura Orchestra
Llame Para Decirte Que Te Amo (I Just Ca...
113 bpm • C# Maj • 04:24 • -18db
21% Popularity • 70% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
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Liberace
Love Is Blue
113 bpm • G# Maj • 02:32 • -11.89db
25% Popularity • 61% Danceability • 37% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
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Ballroom Dance Orchestra
Never on Sunday
113 bpm • A# Maj • 02:34 • -11.01db
33% Popularity • 34% Danceability • 36% Energy • 18% Liveness
90% Instrumentalness • 73% Positiveness
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Philharmonic Wind Orchestra
Hercules
113 bpm • C min • 08:17 • -9db
25% Popularity • 41% Danceability • 61% Energy • 10% Liveness
79% Instrumentalness • 43% Positiveness
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London String Orchestra
Let It Be
120 bpm • C Maj • 03:57 • -18.22db
3% Popularity • 27% Danceability • 12% Energy • 20% Liveness
90% Instrumentalness • 8% Positiveness
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Scarborough Faire
If A Picture Paints A Thousand Words
112 bpm • A Maj • 03:09 • -16.24db
28% Popularity • 32% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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The Regency Philharmonic Orchestra
Greatest Day
120 bpm • C# Maj • 03:41 • -14db
6% Popularity • 38% Danceability • 28% Energy • 18% Liveness
34% Instrumentalness • 4% Positiveness
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The Television Tune Orchestra
Theme From "Miss Marple"
120 bpm • C Maj • 02:27 • -13db
24% Popularity • 40% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Orchester Ambros Seelos
Green Leaves Of Summer (Alamo)
112 bpm • D Maj • 02:17 • -16.32db
24% Popularity • 42% Danceability • 33% Energy • 35% Liveness
72% Instrumentalness • 54% Positiveness
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Philharmonic Wind Orchestra
Aladdin
119 bpm • C Maj • 09:17 • -10.49db
22% Popularity • 33% Danceability • 41% Energy • 9% Liveness
61% Instrumentalness • 32% Positiveness
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Mila Khodorkovsky
La Canción de Annie
120 bpm • C Maj • 03:02 • -6.97db
30% Popularity • 48% Danceability • 55% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
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Ricardo Caliente
New York State Of Mind
120 bpm • A min • 06:04 • -9.79db
23% Popularity • 61% Danceability • 46% Energy • 17% Liveness
80% Instrumentalness • 18% Positiveness
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Johnny Pearson
Piano Parchment - 60 Second Edit (A)
120 bpm • D Maj • 01:04 • -18db
34% Popularity • 64% Danceability • 33% Energy • 28% Liveness
92% Instrumentalness • 42% Positiveness
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Orchester Ambros Seelos
Pink Panther
112 bpm • F Maj • 02:48 • -15.18db
24% Popularity • 68% Danceability • 16% Energy • 4% Liveness
7% Instrumentalness • 25% Positiveness
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The Session
War of the Worlds
120 bpm • D min • 04:04 • -10.06db
27% Popularity • 49% Danceability • 53% Energy • 13% Liveness
79% Instrumentalness • 48% Positiveness
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Royal Philharmonic Orchestra
Stand By Me
120 bpm • G Maj • 03:38 • -11.68db
28% Popularity • 73% Danceability • 35% Energy • 7% Liveness
4% Instrumentalness • 91% Positiveness
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Nigel Kennedy
Riders on the Storm - The Doors Concerto...
112 bpm • G Maj • 08:56 • -10.21db
11% Popularity • 48% Danceability • 47% Energy • 10% Liveness
53% Instrumentalness • 36% Positiveness
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The Hipster Orchestra
Come as You Are
120 bpm • E min • 03:37 • -10.43db
35% Popularity • 52% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Johnny Pearson
All Creatures Great and Small
112 bpm • D Maj • 02:05 • -15db
30% Popularity • 56% Danceability • 36% Energy • 10% Liveness
88% Instrumentalness • 49% Positiveness
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Antonio Cortazzi
Something
120 bpm • C Maj • 03:17 • -13.7db
11% Popularity • 40% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Frank Chacksfield & His Orchestra
Warsaw Concerto
112 bpm • E Maj • 07:57 • -12.83db
17% Popularity • 31% Danceability • 27% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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The Remotes
Theme From All Creatures Great And Small
112 bpm • D Maj • 02:05 • -10.8db
22% Popularity • 63% Danceability • 51% Energy • 13% Liveness
95% Instrumentalness • 74% Positiveness
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Ray Hamilton Orchestra
Sacco e vanzetti - Here's to You
112 bpm • D# Maj • 03:01 • -9.84db
9% Popularity • 29% Danceability • 47% Energy • 58% Liveness
89% Instrumentalness • 23% Positiveness
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Bournemouth Symphony Orchestra
Bring Him Home / Finale: Do You Hear the...
112 bpm • A Maj • 05:16 • -20.44db
16% Popularity • 22% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
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Phil Collins
Tarzan (arr. A. Soldh): Tarzan: 2 Worlds...
111 bpm • D# Maj • 03:08 • -16.15db
33% Popularity • 56% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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John Fox
Lucy in the Sky
121 bpm • D Maj • 03:12 • -14.51db
9% Popularity • 23% Danceability • 31% Energy • 14% Liveness
95% Instrumentalness • 10% Positiveness
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Caravelli
San Francisco (Be Sure to Wear Flowers I...
111 bpm • D Maj • 03:01 • -12.64db
21% Popularity • 40% Danceability • 40% Energy • 11% Liveness
38% Instrumentalness • 38% Positiveness
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Royal Philharmonic Orchestra
Knowing Me Knowing You
111 bpm • F Maj • 05:29 • -21.57db
17% Popularity • 20% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Philharmonic Wind Orchestra
Fantasia - The Sorceror's Apprentice
121 bpm • A# min • 06:15 • -12.67db
19% Popularity • 49% Danceability • 43% Energy • 9% Liveness
54% Instrumentalness • 10% Positiveness
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Bobby Crush
As Time Goes
122 bpm • C min • 02:41 • -20db
13% Popularity • 38% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Al Rinker
The Aristocats: Everybody Wants to Be a ...
121 bpm • C min • 02:22 • -15.76db
30% Popularity • 38% Danceability • 26% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
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London String Orchestra
And I Love Her
111 bpm • E min • 02:40 • -15.5db
15% Popularity • 34% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Ray Conniff
The Way You Look Tonight
122 bpm • C min • 03:06 • -14db
45% Popularity • 64% Danceability • 25% Energy • 8% Liveness
9% Instrumentalness • 65% Positiveness
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Royal Philharmonic Orchestra
Here Comes The Sun
121 bpm • A Maj • 03:17 • -10.4db
13% Popularity • 48% Danceability • 56% Energy • 7% Liveness
74% Instrumentalness • 50% Positiveness
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The Regency Philharmonic Orchestra
Starlight
122 bpm • B Maj • 04:04 • -14db
9% Popularity • 56% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 28% Positiveness
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Malcolm Arnold
The Bridge On The River Kwai - The Colon...
122 bpm • D Maj • 03:02 • -15.36db
21% Popularity • 52% Danceability • 50% Energy • 13% Liveness
86% Instrumentalness • 58% Positiveness
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Fred Benedetti
And I Love Her
111 bpm • E min • 03:03 • -15.75db
16% Popularity • 55% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Sally Harmon
Yesterday
110 bpm • F Maj • 03:25 • -16.65db
8% Popularity • 30% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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John Deacon
Another One Bites The Dust
110 bpm • A Maj • 03:07 • -14db
33% Popularity • 83% Danceability • 25% Energy • 30% Liveness
81% Instrumentalness • 68% Positiveness
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Dallas String Quartet
Rolling in the Deep
110 bpm • C min • 03:38 • -5.76db
30% Popularity • 59% Danceability • 59% Energy • 9% Liveness
14% Instrumentalness • 59% Positiveness
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Go Fret
Get Back (Instrumental Guitar)
110 bpm • B Maj • 02:54 • -7.13db
32% Popularity • 80% Danceability • 41% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
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VSOP - Vienna Symphonic Orchestra Project
The Phantom of the Opera
123 bpm • F min • 04:31 • -11.37db
11% Popularity • 50% Danceability • 66% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
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Raoul
Suicide Is Painless
110 bpm • B min • 02:52 • -17.1db
12% Popularity • 57% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 48% Positiveness
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Philharmonic Wind Orchestra
Pocahontas
110 bpm • F Maj • 10:05 • -12.52db
20% Popularity • 28% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 16% Positiveness
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Brian May
Flash
110 bpm • A min • 02:26 • -14db
22% Popularity • 69% Danceability • 32% Energy • 11% Liveness
65% Instrumentalness • 30% Positiveness
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Orquestra Romanticos di Veneza
C'era un ragazzo che come me amava i Bea...
123 bpm • E Maj • 03:11 • -14.23db
16% Popularity • 65% Danceability • 40% Energy • 25% Liveness
23% Instrumentalness • 33% Positiveness
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Go Fret
Penny Lane (Instrumental Guitar)
110 bpm • G Maj • 03:01 • -7.6db
33% Popularity • 69% Danceability • 41% Energy • 10% Liveness
88% Instrumentalness • 71% Positiveness
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Ron Goodwin
Main Titles
123 bpm • F Maj • 02:59 • -10.75db
19% Popularity • 46% Danceability • 69% Energy • 35% Liveness
92% Instrumentalness • 41% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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Antonio Cortazzi
Lady Madonna
109 bpm • D Maj • 02:18 • -12.51db
8% Popularity • 78% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
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The Intermezzo Orchestra
St Elmos Fire (Main Theme)
124 bpm • G# Maj • 03:34 • -15.64db
15% Popularity • 71% Danceability • 29% Energy • 11% Liveness
67% Instrumentalness • 27% Positiveness
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Pop Strings Orchestra
New York, New York
109 bpm • D Maj • 03:23 • -7db
28% Popularity • 47% Danceability • 59% Energy • 9% Liveness
17% Instrumentalness • 51% Positiveness
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The Regency Philharmonic Orchestra
Hands Open
124 bpm • D# Maj • 03:21 • -11db
8% Popularity • 55% Danceability • 44% Energy • 8% Liveness
95% Instrumentalness • 68% Positiveness
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Mark Northam
Forrest Gump: Opening Theme
124 bpm • D Maj • 02:26 • -22db
28% Popularity • 47% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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The International Classic Rock Orchestra
Livin On A Prayer
124 bpm • E min • 04:14 • -9.28db
9% Popularity • 28% Danceability • 40% Energy • 54% Liveness
48% Instrumentalness • 4% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Pickwick Panpipers
Unchained Melody
108 bpm • D Maj • 03:37 • -15.63db
19% Popularity • 51% Danceability • 33% Energy • 11% Liveness
41% Instrumentalness • 24% Positiveness
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Ronnie Aldrich
All Those Years Ago
125 bpm • D Maj • 03:08 • -12.7db
27% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
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The Regency Philharmonic Orchestra
Set Fire To the Rain
108 bpm • D min • 04:10 • -15.15db
16% Popularity • 46% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Fred Benedetti
From Me to You
125 bpm • C Maj • 02:44 • -11.57db
9% Popularity • 71% Danceability • 25% Energy • 8% Liveness
50% Instrumentalness • 28% Positiveness
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Michele Garruti
Indiana Jones thème principal - Du film...
125 bpm • F Maj • 04:45 • -17.45db
17% Popularity • 41% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Marvin Hamlisch
Solace - The Sting/Soundtrack Version (O...
108 bpm • F Maj • 03:35 • -12db
31% Popularity • 46% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 33% Positiveness
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Jerry Goldsmith & Alexander Courage
Star Trek: the Next Generation - Main Ti...
108 bpm • F Maj • 01:50 • -18db
25% Popularity • 29% Danceability • 17% Energy • 11% Liveness
29% Instrumentalness • 20% Positiveness
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NDR Bigband
Emotional Rescue
125 bpm • A# Maj • 05:58 • -22.31db
3% Popularity • 54% Danceability • 17% Energy • 20% Liveness
80% Instrumentalness • 43% Positiveness
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Frank Mills
The Peter Piper Theme
107 bpm • C Maj • 02:42 • -26.15db
30% Popularity • 46% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 81% Positiveness
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Sergeant Pepper's Lonely Hearts Club Band