Songs like Servants' Chorus (Don Pasquale) by Choir and Orchestra of the Budapest State Opera
Based on a tempo of (+/- 10%) and a similar genre
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Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Act II, No. 20....
137 bpm • F Maj • 04:05 • -20db
18% Popularity • 38% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 26% Positiveness
18% Popularity • 38% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 26% Positiveness
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Choir and Orchestra of the Budapest State Opera
Servants' Chorus (Don Pasquale)
137 bpm • A Maj • 04:04 • -21db
8% Popularity • 40% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 40% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Orquesta Sinfónica Y Coro De La RAI De Roma
Sinfonía
136 bpm • D Maj • 04:22 • -14db
18% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
18% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Vincenzo Bellini
Norma, Акт I, Сцена 1: "Casta Di...
136 bpm • E Maj • 04:40 • -24.53db
30% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Franz von Suppé
Suppé: Leichte Kavallerie: Overture
138 bpm • A Maj • 07:06 • -19db
9% Popularity • 28% Danceability • 21% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 28% Danceability • 21% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
28% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
28% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
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Franck Pourcel
Vals de las Flores
138 bpm • D Maj • 05:42 • -12.47db
23% Popularity • 26% Danceability • 26% Energy • 9% Liveness
27% Instrumentalness • 28% Positiveness
23% Popularity • 26% Danceability • 26% Energy • 9% Liveness
27% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Bach, JS: Orchestral Suite No. 3 in D Ma...
138 bpm • D Maj • 04:56 • -25.19db
24% Popularity • 17% Danceability • 8% Energy • 10% Liveness
38% Instrumentalness • 9% Positiveness
24% Popularity • 17% Danceability • 8% Energy • 10% Liveness
38% Instrumentalness • 9% Positiveness
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Manuel de Falla
El Amor brujo: Quadre Primer: Danza del ...
136 bpm • E min • 04:05 • -20.98db
18% Popularity • 32% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
18% Popularity • 32% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Giovanni Paisiello
Nel cor più non mi sento
138 bpm • F Maj • 02:57 • -24.64db
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Hamburg Symphony Orchestra
Pavana para una infanta difunta
136 bpm • G Maj • 07:01 • -34.34db
18% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589 (Rev. Negri): ...
136 bpm • D Maj • 02:13 • -14db
16% Popularity • 46% Danceability • 42% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
16% Popularity • 46% Danceability • 42% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
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Francesco Ciléa
Dormi O Pastorello (Andrea Lecouvreur)
135 bpm • G min • 06:43 • -18.8db
1% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
1% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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The Oscar's Orchestra
Coro de los Gitanos de Il Trovatore (De ...
135 bpm • G Maj • 02:59 • -14.95db
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Manuel de Falla
El Amor Brujo: Danza ritual del fuego
135 bpm • E min • 04:14 • -23.21db
5% Popularity • 28% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
5% Popularity • 28% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
135 bpm • D Maj • 02:08 • -32.26db
27% Popularity • 19% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
27% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Riccardo Broschi
Artaserse: Son qual nave
135 bpm • C# Maj • 07:31 • -14db
13% Popularity • 50% Danceability • 38% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
13% Popularity • 50% Danceability • 38% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
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Waldo De Los Ríos
El barbero de Sevilla, Act I: Largo al f...
135 bpm • C Maj • 05:00 • -6.25db
17% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Dôme épais le...
135 bpm • B Maj • 04:44 • -23.83db
26% Popularity • 27% Danceability • 6% Energy • 25% Liveness
65% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 6% Energy • 25% Liveness
65% Instrumentalness • 4% Positiveness
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Alfredo Kraus
L'elisir d'amore "Una Furtiva Lágrima"
135 bpm • A# min • 04:32 • -8db
13% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Choir and Orchestra of the Budapest State Opera
Triumphal March & Chorus Act.2 (Aida)
140 bpm • D# Maj • 11:44 • -20.87db
11% Popularity • 32% Danceability • 8% Energy • 15% Liveness
48% Instrumentalness • 19% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 15% Liveness
48% Instrumentalness • 19% Positiveness
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Rafael Frühbeck de Burgos
El Tambor de Granaderos: "Preludio"
140 bpm • D Maj • 05:17 • -13.83db
14% Popularity • 49% Danceability • 40% Energy • 43% Liveness
68% Instrumentalness • 55% Positiveness
14% Popularity • 49% Danceability • 40% Energy • 43% Liveness
68% Instrumentalness • 55% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Act II, No. 18....
134 bpm • D Maj • 02:55 • -23db
17% Popularity • 16% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Libiamo Ne' Lieti Calici (Brindisi) - la...
134 bpm • A# Maj • 03:04 • -13db
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Christophe Rousset
Artaserse: Ouverture
134 bpm • C# Maj • 06:02 • -24db
25% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
25% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
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Tomaso Albinoni
Adagio
140 bpm • C min • 08:16 • -26.6db
35% Popularity • 14% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48 : IV. Pie Jesu (...
134 bpm • A# Maj • 03:19 • -17.84db
17% Popularity • 21% Danceability • 24% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 24% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
140 bpm • F Maj • 07:00 • -20db
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Act I, No. 2. A...
140 bpm • D Maj • 02:59 • -17.18db
17% Popularity • 45% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 45% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Nicola Porpora
Siface: Come Nave in mezzo all'onde
140 bpm • E Maj • 04:05 • -13.69db
22% Popularity • 58% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 58% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Antonín Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
140 bpm • C# Maj • 07:13 • -12db
21% Popularity • 19% Danceability • 40% Energy • 15% Liveness
9% Instrumentalness • 20% Positiveness
21% Popularity • 19% Danceability • 40% Energy • 15% Liveness
9% Instrumentalness • 20% Positiveness
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Orquesta Sinfónica De Eslovaquia
Rapsodia Hungara No 2
141 bpm • C# Maj • 09:23 • -17.53db
25% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
25% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
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Pietro Mascagni
Pheasants' Chorus (Cavalleria Rusticana)
141 bpm • A Maj • 08:09 • -25.63db
4% Popularity • 18% Danceability • 7% Energy • 16% Liveness
27% Instrumentalness • 13% Positiveness
4% Popularity • 18% Danceability • 7% Energy • 16% Liveness
27% Instrumentalness • 13% Positiveness
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José van Dam
Deh, Vieni Alla Finestra (Don Giovanni)
141 bpm • D Maj • 01:58 • -23.21db
7% Popularity • 41% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 41% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Luis Cobos
Tempo d'Italia - Remasterizado
133 bpm • C Maj • 05:15 • -14.5db
28% Popularity • 64% Danceability • 46% Energy • 14% Liveness
89% Instrumentalness • 67% Positiveness
28% Popularity • 64% Danceability • 46% Energy • 14% Liveness
89% Instrumentalness • 67% Positiveness
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Waldo De Los Ríos
Nabucco, Act III: Va pensiero, Coro de e...
141 bpm • C Maj • 04:46 • -8db
31% Popularity • 39% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 39% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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Antonio Vivaldi
L'Estate III (El Verano) de "Las Cuatro ...
141 bpm • G Maj • 02:58 • -10.1db
27% Popularity • 29% Danceability • 61% Energy • 38% Liveness
89% Instrumentalness • 42% Positiveness
27% Popularity • 29% Danceability • 61% Energy • 38% Liveness
89% Instrumentalness • 42% Positiveness
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Choir and Orchestra of the Budapest State Opera
Chorus Of The Hebrew Slaves (Nabucco)
142 bpm • C# Maj • 04:22 • -22db
31% Popularity • 20% Danceability • 3% Energy • 33% Liveness
24% Instrumentalness • 8% Positiveness
31% Popularity • 20% Danceability • 3% Energy • 33% Liveness
24% Instrumentalness • 8% Positiveness
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Manuel de Falla
El amor brujo: Danza ritual del fuego, p...
141 bpm • G Maj • 03:54 • -19.01db
32% Popularity • 24% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
32% Popularity • 24% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Gioachino Rossini
La Danza - Tarentelle Napolitaine
142 bpm • F Maj • 03:22 • -13db
15% Popularity • 42% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 42% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Traditional
Nabucco, Opera (Nabucodonosor): Coro Di ...
142 bpm • C# Maj • 04:26 • -26.38db
10% Popularity • 19% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
10% Popularity • 19% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 4, Blanziflor ...
142 bpm • E min • 01:46 • -14db
22% Popularity • 19% Danceability • 29% Energy • 76% Liveness
30% Instrumentalness • 23% Positiveness
22% Popularity • 19% Danceability • 29% Energy • 76% Liveness
30% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
142 bpm • A# Maj • 02:08 • -24.16db
35% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Jacques Offenbach: Les contes d'Hoffmann...
132 bpm • D Maj • 03:35 • -33db
22% Popularity • 22% Danceability • 1% Energy • 29% Liveness
41% Instrumentalness • 10% Positiveness
22% Popularity • 22% Danceability • 1% Energy • 29% Liveness
41% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 2: "Der H�...
143 bpm • F Maj • 02:53 • -17db
32% Popularity • 40% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 40% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Mendelssohn: Symphony No. 4 in A Major, ...
131 bpm • D min • 03:35 • -8.76db
19% Popularity • 32% Danceability • 50% Energy • 29% Liveness
92% Instrumentalness • 51% Positiveness
19% Popularity • 32% Danceability • 50% Energy • 29% Liveness
92% Instrumentalness • 51% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
131 bpm • A# Maj • 02:48 • -13.7db
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Sulkhan Tsintsadze
6 Miniatures (Arr. T. Batiashvili for Vi...
131 bpm • A Maj • 02:32 • -27.51db
29% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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Orchestre Symphonique De Québec
Alleluia (Mozart W.A.)
131 bpm • F Maj • 02:34 • -22.3db
13% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Teresa Berganza
El Barberillo de Lavapiés: "Canción de...
144 bpm • A Maj • 02:52 • -6db
22% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Hollywood Symphony Orchestra
A Midsummer Night's Dream - Wedding Marc...
144 bpm • C Maj • 05:20 • -16db
21% Popularity • 36% Danceability • 21% Energy • 36% Liveness
89% Instrumentalness • 24% Positiveness
21% Popularity • 36% Danceability • 21% Energy • 36% Liveness
89% Instrumentalness • 24% Positiveness
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Orquesta Filarmonica de Rumania
El Murcielago
144 bpm • G Maj • 01:52 • -10db
29% Popularity • 28% Danceability • 23% Energy • 15% Liveness
65% Instrumentalness • 24% Positiveness
29% Popularity • 28% Danceability • 23% Energy • 15% Liveness
65% Instrumentalness • 24% Positiveness
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Escolanía del Escorial & Lorenzo Ramos
Coro a boca cerrada (Puccini)
130 bpm • A# Maj • 03:01 • -35.71db
7% Popularity • 25% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
7% Popularity • 25% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Act II, No.14. ...
144 bpm • F Maj • 02:54 • -19db
30% Popularity • 42% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
30% Popularity • 42% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
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Luis Cobos
Carmen Passion - Remasterizado
130 bpm • A Maj • 05:03 • -15.9db
17% Popularity • 61% Danceability • 53% Energy • 14% Liveness
44% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 53% Energy • 14% Liveness
44% Instrumentalness • 60% Positiveness
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Michele Garruti
La vita é bella
130 bpm • D Maj • 03:10 • -19.48db
30% Popularity • 58% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
30% Popularity • 58% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Gioachino Rossini
Obertura De Guillermo Tell (Final)
145 bpm • E Maj • 03:42 • -10.91db
42% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
42% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
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Franck Pourcel
Nabucco: va pensiero
145 bpm • F# Maj • 03:36 • -11.61db
38% Popularity • 13% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 13% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
130 bpm • A# min • 04:38 • -18db
35% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
► Preview
Reveriano Soutullo
La leyenda del beso: Intermedio
129 bpm • G min • 03:44 • -23.9db
15% Popularity • 22% Danceability • 4% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
15% Popularity • 22% Danceability • 4% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
► Preview
Luis Cobos
Il figlio di la zingarella - Remasteriz...
129 bpm • G Maj • 02:56 • -14.36db
19% Popularity • 41% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
19% Popularity • 41% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
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Franz von Suppé
Leichte Kavallerie: Overture
128 bpm • E Maj • 06:40 • -17db
11% Popularity • 32% Danceability • 30% Energy • 4% Liveness
87% Instrumentalness • 11% Positiveness
11% Popularity • 32% Danceability • 30% Energy • 4% Liveness
87% Instrumentalness • 11% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
128 bpm • G min • 03:28 • -16db
23% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
23% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Orquesta Lírica de Barcelona
El Amor Brujo (Danza del Fuego)
146 bpm • G Maj • 03:50 • -19db
10% Popularity • 31% Danceability • 8% Energy • 8% Liveness
73% Instrumentalness • 28% Positiveness
10% Popularity • 31% Danceability • 8% Energy • 8% Liveness
73% Instrumentalness • 28% Positiveness
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Leroy Anderson
The Typewriter - La Maquina De Escribir
128 bpm • G Maj • 01:58 • -17.71db
31% Popularity • 61% Danceability • 17% Energy • 8% Liveness
33% Instrumentalness • 82% Positiveness
31% Popularity • 61% Danceability • 17% Energy • 8% Liveness
33% Instrumentalness • 82% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5, Op. 73 "Emperor": ...
128 bpm • D# Maj • 06:41 • -16.76db
4% Popularity • 34% Danceability • 14% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
4% Popularity • 34% Danceability • 14% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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Émile Waldteufel
España, Op. 236
128 bpm • F Maj • 06:17 • -18.66db
8% Popularity • 32% Danceability • 22% Energy • 15% Liveness
60% Instrumentalness • 39% Positiveness
8% Popularity • 32% Danceability • 22% Energy • 15% Liveness
60% Instrumentalness • 39% Positiveness
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Franck Pourcel
Marcha Turca
127 bpm • A Maj • 02:50 • -10.57db
13% Popularity • 62% Danceability • 41% Energy • 12% Liveness
42% Instrumentalness • 40% Positiveness
13% Popularity • 62% Danceability • 41% Energy • 12% Liveness
42% Instrumentalness • 40% Positiveness
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Luis Cobos
Zarzuela Suite - Remasterizado
127 bpm • A Maj • 07:55 • -6.61db
20% Popularity • 34% Danceability • 65% Energy • 10% Liveness
18% Instrumentalness • 51% Positiveness
20% Popularity • 34% Danceability • 65% Energy • 10% Liveness
18% Instrumentalness • 51% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
17% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
147 bpm • C Maj • 03:34 • -20db
46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness
46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness
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Ataúlfo Argenta
La Leyenda del Beso
148 bpm • G# Maj • 03:22 • -9.82db
15% Popularity • 25% Danceability • 22% Energy • 18% Liveness
85% Instrumentalness • 28% Positiveness
15% Popularity • 25% Danceability • 22% Energy • 18% Liveness
85% Instrumentalness • 28% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
127 bpm • D Maj • 06:11 • -16db
26% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
26% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Chor der Staatsoper Wien
Giuseppe Verdi: Der Troubadour - Vedi! L...
127 bpm • C Maj • 02:58 • -17db
10% Popularity • 51% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 51% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Robbins
The Pensione Bertollini
126 bpm • G# Maj • 01:22 • -19.89db
33% Popularity • 19% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
33% Popularity • 19% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Antonio Vivaldi
Orlando furioso, RV 728 / Act 2: "Ah fug...
126 bpm • C Maj • 02:21 • -12.62db
21% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Orquesta Filarmónica De Conciertos De Budapest
El Amor Brujo. Danza Ritual Del Fuego
126 bpm • E min • 04:22 • -19.95db
10% Popularity • 28% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
10% Popularity • 28% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Ronald Binge
Binge: Elizabethan Serenade, "The Man in...
149 bpm • F Maj • 03:34 • -20.35db
14% Popularity • 28% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
14% Popularity • 28% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
29% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sean Barrett
Life and Works: Rusalka (Act I: Song to ...
126 bpm • F# Maj • 05:50 • -25db
23% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
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Riccardo Broschi
Artaserse, Act III, Scene 1: Aria "Son q...
125 bpm • C# Maj • 08:15 • -19.6db
25% Popularity • 45% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
25% Popularity • 45% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: I. G...
125 bpm • A Maj • 02:23 • -11db
20% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
20% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann, Op. 67: Belle nui...
150 bpm • D Maj • 02:37 • -15.01db
33% Popularity • 15% Danceability • 19% Energy • 18% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 15% Danceability • 19% Energy • 18% Liveness
91% Instrumentalness • 7% Positiveness
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Hamburg Symphony Orchestra
Alborada del Gracioso
125 bpm • D Maj • 07:37 • -25db
9% Popularity • 29% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Franz von Suppé
Die schöne Galathée: Overture
124 bpm • D Maj • 07:22 • -18db
8% Popularity • 29% Danceability • 17% Energy • 32% Liveness
68% Instrumentalness • 14% Positiveness
8% Popularity • 29% Danceability • 17% Energy • 32% Liveness
68% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Keyboard Concerto in F Minor, BWV 1056: ...
124 bpm • G# Maj • 02:51 • -26.94db
22% Popularity • 57% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
22% Popularity • 57% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
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Amadeo Vives
Bohemios: Coro de Bohemios
124 bpm • G# Maj • 02:46 • -13.4db
21% Popularity • 51% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 51% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Derek Lee Ragin
Cleofide: Generoso risuegliati o core (A...
152 bpm • G# Maj • 01:33 • -18db
36% Popularity • 62% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
36% Popularity • 62% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness