Songs like Sestina (Lagrime D'Amante Al Sepolcro Dell'Amata): III. Dara la notte il sol by Claudio Monteverdi
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Baptiste Lully
Amadis Opera In 5 Acts With Prologue / P...
81 bpm • F# min • 01:47 • -11.14db
15% Popularity • 33% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 33% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
9% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Sestina (Lagrime D'Amante Al Sepolcro De...
81 bpm • A min • 02:26 • -21db
21% Popularity • 26% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 26% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
31% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
31% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
Primo libro di Toccate: Partite Cento so...
81 bpm • G# min • 07:44 • -19db
3% Popularity • 26% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
3% Popularity • 26% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Erster Teil...
81 bpm • D# min • 06:59 • -19db
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 3. O quam tristis
80 bpm • F# min • 02:17 • -22.33db
24% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
The Fairy Queen / Act 2: One Charming Ni...
80 bpm • B min • 02:24 • -22db
26% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
26% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
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Claudio Monteverdi
Madrigali guerrieri, et amorosi: Lamento...
80 bpm • A min • 08:08 • -20.64db
8% Popularity • 15% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Jordi Savall
Altri Canti Di Marte - Altri Canti Di Ma...
80 bpm • C Maj • 04:03 • -19db
4% Popularity • 19% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 19% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Christopher Tye
Miserere mei, Deus
82 bpm • D Maj • 10:12 • -23.8db
12% Popularity • 8% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 8% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
23% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 5. Quis est homo
80 bpm • B min • 02:54 • -20.18db
20% Popularity • 19% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della beata Vergine (1610): Conce...
82 bpm • G min • 04:53 • -22.01db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: V. "Initiu...
82 bpm • C# min • 01:18 • -22db
29% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Dixit Dominus (Salmo 109), RV 594: IV. T...
82 bpm • E min • 02:54 • -18.53db
9% Popularity • 44% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
9% Popularity • 44% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Anthonello de Caserta
Amour m'a le cuer mis en tel martire (ba...
80 bpm • A# min • 07:53 • -23.35db
9% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
9% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
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Stephen Stubbs
Refrain 4 / Monteverdi: Amor dov'è la f...
80 bpm • A min • 07:53 • -28.65db
16% Popularity • 16% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto secondo: V. Tu se’ morta
82 bpm • D min • 02:27 • -23.21db
25% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Legrenzi
Exultemus omnes et laetemur, filiae Ieru...
82 bpm • A min • 03:18 • -21.19db
0% Popularity • 31% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 31% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Domine ad adiuvandum me festina, RV 593:...
82 bpm • E min • 02:49 • -21.67db
17% Popularity • 49% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 49% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Guillaume Costeley
J'ayme trop mieux souffrir la mort
80 bpm • C Maj • 02:09 • -26.87db
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
20% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Claudio Monteverdi
A quest'olmo, a quest'ombre
80 bpm • C Maj • 05:12 • -18db
9% Popularity • 25% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
9% Popularity • 25% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Caldara
Stabat Mater: XI. Christe, cum sit hinc ...
83 bpm • D Maj • 01:36 • -21.7db
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 10. Fac ut portem
79 bpm • A Maj • 03:30 • -22.23db
18% Popularity • 21% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 21% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Orlande de Lassus
Prophetiae Sibyllarum: Prologue
83 bpm • G Maj • 01:18 • -26db
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Barbara Strozzi
"Lagrime mie" (Lamento), Op. 7
83 bpm • D# min • 08:43 • -24db
9% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Rinaldo Alessandrini
Madrigals, Book VII: Sinfonia - Tempro l...
83 bpm • G Maj • 07:11 • -19.16db
0% Popularity • 21% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 21% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Josquin: Missa Gaudeamus - 05. Qui Tolli...
83 bpm • G# min • 03:54 • -22.36db
20% Popularity • 9% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 9% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Parlo, miser, o taccio?
79 bpm • F Maj • 05:47 • -20db
10% Popularity • 17% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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John Dowland
In darkness let me dwell
83 bpm • E Maj • 04:18 • -25.07db
7% Popularity • 22% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 22% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: III. E...
79 bpm • E min • 03:57 • -20.39db
18% Popularity • 18% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
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The Hilliard Ensemble
"Mille Regretz" (Després)
83 bpm • B Maj • 02:03 • -26db
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Palestrina: Sicut Lilium Inter Spinas 1
79 bpm • B min • 04:42 • -24.11db
19% Popularity • 8% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Che se tu se’il cor mio
83 bpm • B Maj • 04:17 • -24db
9% Popularity • 20% Danceability • 8% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 8% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Giulio Caccini
L'Euridice, prologo: Aria di Romanesca
79 bpm • G min • 01:17 • -33db
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Laudate pueri: Sit nomen Domini (Salmo 1...
83 bpm • D# Maj • 03:50 • -23.32db
9% Popularity • 20% Danceability • 8% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 8% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pectus....
79 bpm • C Maj • 02:53 • -23db
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: VI. ...
79 bpm • G min • 07:23 • -24db
3% Popularity • 22% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
3% Popularity • 22% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: III. O ...
79 bpm • E min • 01:50 • -18.53db
11% Popularity • 40% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 40% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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William Byrd
Mass for five voices: V. Agnus Dei
78 bpm • D# Maj • 03:37 • -24.41db
16% Popularity • 18% Danceability • 6% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 6% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
► Preview
Claudio Monteverdi
Altri canti d'amor
83 bpm • B min • 03:27 • -23.95db
12% Popularity • 16% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Christophe Ballard
J'avois crû qu'en vous aymant
78 bpm • G min • 04:40 • -24db
9% Popularity • 23% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 23% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
William Byrd
Byrd: Mass for Five Voices - 01. Kyrie
84 bpm • C# Maj • 01:35 • -24db
24% Popularity • 17% Danceability • 16% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 16% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Nisi Dominus: Cum dederit (Salmo 126), R...
84 bpm • G Maj • 04:37 • -19db
17% Popularity • 15% Danceability • 4% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
39% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
39% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Claudio Monteverdi
Quel augellin che canta
83 bpm • A# Maj • 02:06 • -23.74db
15% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
► Preview
Gregorio Allegri
Miserere: II. Tibi soli peccavi
84 bpm • F min • 02:59 • -22.78db
17% Popularity • 17% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
27% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: Selva morale e spirituale: B...
84 bpm • C Maj • 08:53 • -18.98db
3% Popularity • 19% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 19% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: XI. Inflammatus
78 bpm • A# Maj • 02:49 • -24db
33% Popularity • 31% Danceability • 7% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
33% Popularity • 31% Danceability • 7% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
21% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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Pérotin
Beata Viscera
85 bpm • G# min • 06:12 • -25db
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Se tu mi lassi, perfida, tuo danna
78 bpm • D# Maj • 02:14 • -18.26db
13% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Biagio Marini
Passacaglia à 4
85 bpm • G min • 03:11 • -18.87db
13% Popularity • 9% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 7% Positiveness
13% Popularity • 9% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, for Soprano, Alto, Strings...
77 bpm • E min • 05:10 • -27.13db
18% Popularity • 21% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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William Byrd
Byrd: Ye Sacred Muses
85 bpm • B Maj • 03:34 • -26.75db
3% Popularity • 11% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
3% Popularity • 11% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
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Count Alexander Sheremetiev
Now ye heavenly powers
77 bpm • E Maj • 03:42 • -24.35db
18% Popularity • 11% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Tallis
Lamentations of Jeremiah I
77 bpm • D min • 07:35 • -29.63db
14% Popularity • 7% Danceability • 7% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
14% Popularity • 7% Danceability • 7% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Conc...
84 bpm • G Maj • 03:58 • -18.13db
17% Popularity • 19% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 19% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Kyrie eleison ...
85 bpm • A# min • 09:30 • -18.42db
30% Popularity • 11% Danceability • 13% Energy • 28% Liveness
76% Instrumentalness • 12% Positiveness
30% Popularity • 11% Danceability • 13% Energy • 28% Liveness
76% Instrumentalness • 12% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
26% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
26% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
26% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Bernardo Pasquini
Sant'Agnese: Vaga rosa (Aria)
77 bpm • C# min • 03:34 • -26.56db
12% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
12% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
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William Byrd
Byrd: Mass for Five Voices - 11. Agnus D...
77 bpm • E Maj • 03:31 • -26db
14% Popularity • 17% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Il quarto libro de madrigali (1603): Si ...
84 bpm • G min • 02:30 • -18.41db
9% Popularity • 26% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 26% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Rinaldo Alessandrini
Madrigals, Book VII: Parlo, miser, o tac...
86 bpm • C Maj • 04:20 • -15.24db
0% Popularity • 21% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 21% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Introït et ...
77 bpm • A# Maj • 06:34 • -24.16db
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
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Giovanni Legrenzi
Ave, Regina caelorum
86 bpm • F Maj • 03:02 • -22.24db
1% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Pierre Francisque Carroubel
Spagnolette
86 bpm • D min • 03:35 • -25db
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
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Claudio Monteverdi
Quarto libro de madrigali: Io me son gio...
85 bpm • A# Maj • 02:14 • -23.78db
14% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
