Songs like Set In Stone by Guy Sebastian
Based on a tempo of (+/- 10%) and a similar genre
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Missy Higgins
Everyone's Waiting
78 bpm • F# Maj • 03:52 • -7.58db
41% Popularity • 38% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 38% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jesse McCartney
Just So You Know
78 bpm • A# Maj • 03:53 • -4.88db
56% Popularity • 57% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 57% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Guy Sebastian
Set In Stone
78 bpm • E Maj • 03:41 • -6.64db
39% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Blue
If You Come Back
78 bpm • A# Maj • 03:27 • -4db
61% Popularity • 58% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 58% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Manuel
Say It - The Voice Australia 2020 / Gran...
78 bpm • C# Maj • 03:46 • -7.01db
24% Popularity • 40% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 40% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Shires
Daddy's Little Girl
78 bpm • B Maj • 03:09 • -8.81db
46% Popularity • 43% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 43% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Sam Fischer
This City Remix
78 bpm • B Maj • 03:17 • -7.95db
51% Popularity • 46% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 46% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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MKTO
Wasted
77 bpm • F# Maj • 03:04 • -7.42db
52% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Moffatts
So in Love
79 bpm • B Maj • 03:38 • -3.03db
42% Popularity • 55% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 55% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Nick Jonas
Until We Meet Again
77 bpm • G# Maj • 03:17 • -5.86db
43% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Lupe Fiasco
Blur My Hands
80 bpm • A# min • 05:27 • -5.86db
34% Popularity • 43% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 43% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
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Natasha Bedingfield
Love Like This
77 bpm • G min • 03:42 • -3.9db
61% Popularity • 78% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 78% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Script
Never Seen Anything "Quite Like You" - A...
80 bpm • F# Maj • 03:48 • -8.01db
55% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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LeAnn Rimes
But I Do Love You
80 bpm • C Maj • 03:21 • -7db
41% Popularity • 59% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 59% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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All-4-One
When I Needed An Angel
80 bpm • C Maj • 03:44 • -7.65db
35% Popularity • 62% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 62% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Taylor Swift
Everything Has Changed
80 bpm • F# Maj • 04:05 • -6.76db
62% Popularity • 62% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 62% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Reece Mastin
Timeless
76 bpm • G Maj • 04:00 • -3.83db
18% Popularity • 43% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 43% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Mercury4
5 Years From Now
76 bpm • F# min • 03:45 • -5.04db
16% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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![Take My Hand (The Wedding Song) [feat. Will Anderson] cover art](https://i.scdn.co/image/ab67616d00001e023a1df2d7303fa538cab4debb)
Emily Hackett
Take My Hand (The Wedding Song)
76 bpm • D# Maj • 03:58 • -10.01db
47% Popularity • 59% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 59% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Bella Taylor Smith
The Voice Within - The Voice Australia 2...
80 bpm • D Maj • 01:56 • -9.61db
32% Popularity • 26% Danceability • 30% Energy • 74% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 26% Danceability • 30% Energy • 74% Liveness
0% Instrumentalness • 11% Positiveness
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Lachie Gill
I Guess I'm In Love - The Voice Australi...
80 bpm • D Maj • 01:32 • -6.81db
25% Popularity • 54% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 54% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Guy Sebastian
Elephant
81 bpm • C min • 03:59 • -3.4db
21% Popularity • 76% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 76% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Tarryn Stokes
The Scientist - The Voice Australia 2023...
81 bpm • C Maj • 02:03 • -7.32db
25% Popularity • 44% Danceability • 43% Energy • 65% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 44% Danceability • 43% Energy • 65% Liveness
0% Instrumentalness • 8% Positiveness
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Rachel Platten
You Belong
82 bpm • C Maj • 03:02 • -12.27db
42% Popularity • 37% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 37% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Amy Shark
I Said Hi
74 bpm • F# Maj • 02:50 • -4db
53% Popularity • 39% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 39% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Bella Taylor Smith
Never Enough - The Voice Australia 2021 ...
82 bpm • G# Maj • 01:33 • -9db
28% Popularity • 34% Danceability • 42% Energy • 95% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 34% Danceability • 42% Energy • 95% Liveness
0% Instrumentalness • 22% Positiveness
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Calum Scott
Only You
82 bpm • E Maj • 03:45 • -5db
42% Popularity • 55% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 55% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Lachie Gill
It'll Be Okay - The Voice Australia 2022...
81 bpm • G Maj • 02:09 • -4.89db
25% Popularity • 46% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 46% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
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Guy Sebastian
Bloodstone
81 bpm • G# Maj • 03:24 • -3.08db
38% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Fischer
This City
74 bpm • B Maj • 03:15 • -7.34db
65% Popularity • 61% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 61% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Matt Cardle
When We Collide
82 bpm • D Maj • 03:46 • -5.52db
41% Popularity • 44% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 44% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Lee Kernaghan
Spirit of the Anzacs
74 bpm • G Maj • 03:53 • -5.78db
38% Popularity • 42% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 42% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Bella Taylor Smith
Nice To Know Ya
82 bpm • G Maj • 02:47 • -4.16db
24% Popularity • 41% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 41% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lachie Gill
BELONG
83 bpm • C# min • 03:42 • -9.32db
19% Popularity • 42% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 42% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Sebastian
Take Me Back
83 bpm • G Maj • 03:47 • -5.39db
12% Popularity • 64% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 64% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Keith Urban
One Too Many
83 bpm • E Maj • 03:23 • -6.5db
61% Popularity • 70% Danceability • 54% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 70% Danceability • 54% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Ashley Marina
You'll Always Be My Hero
83 bpm • F# min • 03:23 • -8.14db
39% Popularity • 34% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 34% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Ronan Keating
All For Love
73 bpm • B Maj • 04:44 • -6.37db
15% Popularity • 32% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 32% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Nathan Grisdale
Mum
73 bpm • E Maj • 04:08 • -12db
27% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Guy Sebastian
Perfection
83 bpm • C Maj • 03:29 • -7.88db
16% Popularity • 38% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 38% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Ryann Darling
I Choose You
73 bpm • C Maj • 05:41 • -10.26db
50% Popularity • 55% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 55% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Charice
Sometimes Love Just Ain't Enough
84 bpm • A# Maj • 04:27 • -10.76db
48% Popularity • 41% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 41% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Missy Higgins
Ten Days
84 bpm • F Maj • 03:46 • -6.88db
43% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Illy
Then What
73 bpm • E min • 03:02 • -4.7db
34% Popularity • 70% Danceability • 72% Energy • 55% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 70% Danceability • 72% Energy • 55% Liveness
0% Instrumentalness • 96% Positiveness
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Mitch James
motions
84 bpm • D Maj • 03:33 • -7db
18% Popularity • 61% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 61% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Labrinth
Beneath Your Beautiful - Radio Edit
84 bpm • D Maj • 03:56 • -5.59db
38% Popularity • 58% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 58% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Katharine McPhee
Over It
85 bpm • G# Maj • 03:35 • -4db
46% Popularity • 46% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 46% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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The Moffatts
Like I Love U
85 bpm • G Maj • 03:22 • -2.29db
37% Popularity • 53% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 53% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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The Script
Hall of Fame
85 bpm • A# Maj • 03:22 • -4.34db
82% Popularity • 42% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
82% Popularity • 42% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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James Arthur
Say You Won't Let Go
85 bpm • A# Maj • 03:31 • -7.4db
88% Popularity • 36% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
88% Popularity • 36% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Reece Mastin
Even Angels Cry
85 bpm • A# Maj • 03:41 • -8db
17% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Niall Horan
Slow Hands
86 bpm • C Maj • 03:08 • -6.65db
78% Popularity • 74% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
78% Popularity • 74% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Guy Sebastian
Love On Display
86 bpm • E Maj • 03:03 • -4.75db
41% Popularity • 61% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 61% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Justin Timberlake
Not a Bad Thing
86 bpm • C Maj • 11:28 • -9.17db
55% Popularity • 31% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
55% Popularity • 31% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Leona Lewis
A Moment Like This
71 bpm • G# Maj • 04:17 • -3.67db
53% Popularity • 26% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 26% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Shontelle
T-Shirt
87 bpm • F# Maj • 03:54 • -6.22db
63% Popularity • 68% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 68% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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McFly
It's All Coming Back to Me Now
86 bpm • G# Maj • 02:38 • -6.51db
51% Popularity • 36% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 36% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Charice
Pyramid
88 bpm • A# Maj • 03:55 • -5.23db
57% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Guy Sebastian
Choir
87 bpm • F Maj • 02:53 • -3.65db
50% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Jake Quickenden
I Met Her on the Train
88 bpm • G# Maj • 04:22 • -5.86db
17% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Birds Of Tokyo
Anchor
88 bpm • F Maj • 03:36 • -5db
42% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Haenow
If You're Lonely
88 bpm • A Maj • 03:13 • -12.27db
9% Popularity • 50% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 50% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Tarryn Stokes
Alone - The Voice Australia 2023 Perform...
88 bpm • F# Maj • 02:02 • -7.72db
28% Popularity • 44% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 44% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Anne-Marie
Perfect To Me - Acoustic
89 bpm • C# Maj • 03:33 • -9db
45% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Guy Sebastian
Before I Go
89 bpm • B min • 03:29 • -5.83db
46% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Manuel
Before I Go - The Voice Australia 2020 P...
89 bpm • C# min • 01:31 • -7.48db
24% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Shayne Ward
That's My Goal
69 bpm • D Maj • 03:38 • -5.97db
45% Popularity • 29% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 29% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Ed Sheeran
Supermarket Flowers
90 bpm • F# Maj • 03:41 • -10.52db
75% Popularity • 59% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
75% Popularity • 59% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bryan Lanning
This Is Home
90 bpm • C# Maj • 03:28 • -5.94db
31% Popularity • 61% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 61% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jesse McCartney
Beautiful Soul
90 bpm • A Maj • 03:34 • -4.34db
71% Popularity • 66% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 66% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Guy Sebastian
Undo
90 bpm • C Maj • 03:46 • -4.74db
10% Popularity • 56% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 56% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Dan + Shay
10,000 Hours
90 bpm • A# Maj • 02:47 • -4.64db
72% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Connie Talbot
Never Give Up on Us
90 bpm • E Maj • 03:48 • -5.11db
39% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Illy
Loose Ends
90 bpm • B min • 03:56 • -7db
26% Popularity • 70% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 70% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Christine Anu
Island Home - Earth Beat
90 bpm • D Maj • 03:49 • -10db
25% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jesse McCartney
Beautiful Soul - Radio Edit
90 bpm • A Maj • 03:18 • -4.35db
37% Popularity • 65% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 65% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Birds Of Tokyo
Weekend
90 bpm • G# Maj • 02:46 • -5.31db
30% Popularity • 64% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 64% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Human Nature
Broken Humans
92 bpm • B Maj • 03:03 • -6db
29% Popularity • 54% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 54% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Wall
I Like Me Better When I'm With You
92 bpm • A Maj • 03:18 • -7db
41% Popularity • 83% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 83% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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P!nk
F**kin' Perfect - Radio Edit
92 bpm • G Maj • 03:33 • -4.92db
68% Popularity • 56% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 56% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Stacie Orrico
I'm Not Missing You
92 bpm • F# Maj • 04:12 • -5.2db
45% Popularity • 69% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 69% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Sam Moran
Pool Party
92 bpm • A# Maj • 02:48 • -6.31db
23% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Mitch James
21
92 bpm • G Maj • 03:21 • -7.37db
38% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Union J
You Got It All
93 bpm • F Maj • 03:32 • -6.64db
27% Popularity • 46% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 46% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Sam Fischer
High On You
93 bpm • A# Maj • 03:13 • -9.38db
42% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Veronicas
You Ruin Me
93 bpm • F Maj • 03:51 • -5.17db
48% Popularity • 48% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 48% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Eran James
Touched By Love
93 bpm • E Maj • 03:55 • -4.95db
9% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
51% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Swift K.I.D.
Bed Of Clouds - Radio Edit
93 bpm • F# Maj • 03:50 • -5.21db
18% Popularity • 66% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 66% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
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Missy Higgins
Futon Couch
94 bpm • G Maj • 03:25 • -7.07db
42% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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The Script
Breakeven
94 bpm • A# Maj • 04:21 • -4.5db
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Meghan Trainor
Good Mornin'
95 bpm • A# Maj • 03:26 • -5db
43% Popularity • 54% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 54% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Guy Sebastian
Only Thing Missing
95 bpm • G# min • 02:41 • -4.77db
31% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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P!nk
Just Give Me a Reason
95 bpm • D Maj • 04:02 • -7.27db
84% Popularity • 78% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
84% Popularity • 78% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Busby Marou
Days Like This
95 bpm • G Maj • 03:06 • -5.39db
33% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Kaci Battaglia
Just An Old Boyfriend
95 bpm • C Maj • 03:14 • -3.82db
27% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
