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Set Me As A Seal
Songs like
Set Me As A Seal
by
The University Of Utah Singers
Based on a tempo of (+/- 10%) and a similar genre
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Philip Stopford
In My Father’s House
111 bpm • A Maj • 06:12 • -25.63db
16% Popularity • 19% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
Set Me As A Seal
111 bpm • D Maj • 02:37 • -20.93db
14% Popularity • 25% Danceability • 15% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
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Dale Warland Singers
Wayfarin' Stranger
111 bpm • C Maj • 04:06 • -27db
9% Popularity • 23% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 6% Positiveness
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The Aeolians of Oakwood University
Mizpah
110 bpm • D Maj • 01:51 • -23.51db
16% Popularity • 23% Danceability • 14% Energy • 15% Liveness
39% Instrumentalness • 7% Positiveness
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Southwestern Seminary Oratorio Chorus
Awake The Harp
110 bpm • D Maj • 02:10 • -16.07db
18% Popularity • 47% Danceability • 38% Energy • 28% Liveness
66% Instrumentalness • 70% Positiveness
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Moses Hogan
Hear My Prayer
110 bpm • D# Maj • 02:33 • -16.68db
11% Popularity • 24% Danceability • 17% Energy • 15% Liveness
4% Instrumentalness • 7% Positiveness
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Emory & Henry College Concert Choir
I Sing Because Im Happy (Arr. Kenneth Pa...
112 bpm • G# Maj • 03:56 • -21db
17% Popularity • 35% Danceability • 12% Energy • 23% Liveness
62% Instrumentalness • 30% Positiveness
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The University Of Utah Singers
Sure On This Shining Night
111 bpm • C# Maj • 04:49 • -20.07db
20% Popularity • 19% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Atlanta Master Chorale
Unclouded Day
109 bpm • G Maj • 02:22 • -21.68db
11% Popularity • 31% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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John Ireland
Communion Service in C Major: Kyrie
113 bpm • C Maj • 01:04 • -32db
37% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Pieter Van Dijk
Chariots (Live)
114 bpm • A min • 02:25 • -20.87db
8% Popularity • 39% Danceability • 48% Energy • 74% Liveness
0% Instrumentalness • 16% Positiveness
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Moses Hogan
Elijah Rock
113 bpm • D# Maj • 02:28 • -24db
9% Popularity • 34% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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The National Lutheran Choir
At the Round Earth's Imagined Corners
114 bpm • A# Maj • 01:47 • -23.94db
12% Popularity • 28% Danceability • 1% Energy • 22% Liveness
60% Instrumentalness • 10% Positiveness
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The University Of Utah Singers
I Can Tell The World
110 bpm • F Maj • 02:50 • -13.68db
10% Popularity • 35% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Jake Runestad
Alleluia (Live)
114 bpm • B Maj • 03:04 • -22.25db
7% Popularity • 28% Danceability • 13% Energy • 89% Liveness
18% Instrumentalness • 4% Positiveness
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William Walker
Hallelujah (Arr. J.S. Applonie for Choir...
108 bpm • A Maj • 01:47 • -17.51db
12% Popularity • 34% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Eleanor Daley
In Remembrance
107 bpm • E Maj • 03:07 • -28db
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Mārtiņš Brauns
The Red-White Flag
107 bpm • F Maj • 01:25 • -26.52db
16% Popularity • 25% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Georg Friedrich Daumer
Sieh, Wie Ist Die Welle Klar
115 bpm • D# Maj • 01:03 • -29.24db
18% Popularity • 23% Danceability • 5% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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The University Of Utah Singers
Elijah Rock
114 bpm • A min • 03:01 • -19.83db
25% Popularity • 31% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
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St Cyprian's Episcopal Singers
Saint Patrick's Breastplate
116 bpm • G min • 06:34 • -22.54db
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
41% Instrumentalness • 22% Positiveness
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Michael John Trotta
Dies Irae
107 bpm • B min • 03:00 • -20.93db
22% Popularity • 25% Danceability • 11% Energy • 16% Liveness
17% Instrumentalness • 12% Positiveness
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The Wartburg Choir
Set Me as a Seal
107 bpm • D Maj • 02:55 • -22.02db
12% Popularity • 18% Danceability • 16% Energy • 16% Liveness
88% Instrumentalness • 9% Positiveness
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Dale Warland Singers
Mass - Frank Martin: III. Credo
106 bpm • A min • 05:45 • -29db
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
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Brian Tate
Hold Me, Rock Me
106 bpm • D# Maj • 03:31 • -27.36db
13% Popularity • 28% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
Nelly Bly
115 bpm • C# Maj • 02:33 • -22.16db
1% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Eric Whitacre
This Marriage
116 bpm • C# min • 03:31 • -26.5db
14% Popularity • 21% Danceability • 4% Energy • 20% Liveness
1% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Joyful, Joyful, We Adore Thee
106 bpm • G Maj • 02:47 • -13db
23% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Singers - Minnesota Choral Artists & Matthew Culloton
How Can I Keep from Singing
106 bpm • F# Maj • 03:10 • -25.01db
13% Popularity • 20% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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Shawn Kirchner
Sweet Rivers
105 bpm • D Maj • 04:05 • -18.65db
11% Popularity • 18% Danceability • 12% Energy • 12% Liveness
28% Instrumentalness • 8% Positiveness
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Eric William Barnum
The Sounding Sea
105 bpm • G Maj • 04:55 • -22.59db
8% Popularity • 27% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
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Amabilis Singers
River in Judea
117 bpm • D Maj • 04:34 • -24.17db
16% Popularity • 27% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: III. Sure On This Shining Nig...
105 bpm • C# Maj • 04:57 • -25.61db
23% Popularity • 16% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 4% Positiveness
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University of King's College Chapel Choir
Christ Our Passover
105 bpm • C min • 04:13 • -15db
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Jake Runestad
Nyon Nyon (Live)
117 bpm • E Maj • 03:11 • -20.15db
3% Popularity • 33% Danceability • 39% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
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Edward Elgar
My Love Dwelt in A Northern Land, Op. 18...
105 bpm • A min • 04:01 • -24.76db
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Jim Papoulis
Sililiza
118 bpm • G Maj • 03:33 • -14.77db
10% Popularity • 61% Danceability • 46% Energy • 82% Liveness
0% Instrumentalness • 46% Positiveness
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Millikin University Choir
Nyon Nyon
105 bpm • E Maj • 02:55 • -22.34db
21% Popularity • 36% Danceability • 27% Energy • 62% Liveness
2% Instrumentalness • 10% Positiveness
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Melchior Teschner
All Glory, Laud and Honor
118 bpm • B Maj • 02:43 • -19.73db
33% Popularity • 28% Danceability • 14% Energy • 12% Liveness
43% Instrumentalness • 24% Positiveness
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Lyle Stutzman
My God, How Endless
118 bpm • A# Maj • 01:54 • -26.81db
12% Popularity • 24% Danceability • 5% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
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The University Of Utah Singers
Jabberwocky
118 bpm • E min • 04:06 • -15.63db
24% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Cantare Houston, Kevin Riehle & Ola Gjeilo
Luminous Night of the Soul
118 bpm • C Maj • 09:09 • -21db
17% Popularity • 21% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
23% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
Come, Thou Fount of Every Blessing
119 bpm • D# Maj • 03:31 • -27.32db
8% Popularity • 21% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Herbert Sumsion
Nunc dimittis in G Major
119 bpm • E min • 02:32 • -24.51db
11% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Elektra Women's Choir
The Lake Isle of Innisfree
104 bpm • C# Maj • 03:54 • -24.21db
9% Popularity • 24% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Fr. Jean Tisserand
O Sons and Daughters
103 bpm • F# min • 03:42 • -21.57db
29% Popularity • 35% Danceability • 5% Energy • 14% Liveness
49% Instrumentalness • 36% Positiveness
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Randall Thompson
A Girl's Garden - Randall Thompson
102 bpm • D min • 03:34 • -24.62db
11% Popularity • 49% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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Faith Builders Chorale
I Will Arise
102 bpm • A# min • 01:37 • -24.78db
7% Popularity • 30% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Salt Lake Choral Artists
What Wondrous Love Is This
121 bpm • A min • 04:32 • -15.22db
8% Popularity • 25% Danceability • 17% Energy • 34% Liveness
4% Instrumentalness • 18% Positiveness
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Eleanor Daley
The Lake Isle of Innisfree
102 bpm • C# Maj • 04:00 • -28db
9% Popularity • 21% Danceability • 8% Energy • 73% Liveness
0% Instrumentalness • 11% Positiveness
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The Chapel of St. Ignatius Choir
All Are Welcome
102 bpm • F Maj • 04:43 • -18db
9% Popularity • 26% Danceability • 19% Energy • 20% Liveness
3% Instrumentalness • 37% Positiveness
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Shawn Kirchner
Cornerstone (Live)
102 bpm • C Maj • 04:04 • -16db
7% Popularity • 40% Danceability • 24% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
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Cantus
There's a Meeting Here Tonight
102 bpm • D# Maj • 03:01 • -18.44db
14% Popularity • 56% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Atlanta Master Chorale
Down in the River to Pray
121 bpm • G Maj • 03:06 • -24.9db
15% Popularity • 33% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Elaine Hagenberg
Alleluia
121 bpm • E min • 02:23 • -20.61db
10% Popularity • 18% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Robert Seagrave
Rise My Soul (Arr. S. LaBarr)
121 bpm • B Maj • 03:12 • -26.58db
9% Popularity • 27% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Eric Whitacre
Animal Crackers Vol. 1 2. The Cow
101 bpm • D# min • 01:06 • -17.69db
13% Popularity • 25% Danceability • 18% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Set Me as a Seal
101 bpm • D Maj • 02:58 • -30db
27% Popularity • 17% Danceability • 5% Energy • 14% Liveness
11% Instrumentalness • 8% Positiveness
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The University Of Utah Singers
A Boy And A Girl
101 bpm • C Maj • 04:27 • -22.63db
4% Popularity • 15% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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BYU Vocal Point
Lead, Kindly Light (Arr. James L. Steven...
122 bpm • G Maj • 04:04 • -15.16db
39% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Z. Randall Stroope
Omnia Sol
122 bpm • C# Maj • 04:54 • -18.45db
21% Popularity • 26% Danceability • 15% Energy • 16% Liveness
5% Instrumentalness • 9% Positiveness
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William Daman
Southwell "Lord Jesus, Think on Me"
101 bpm • E min • 02:26 • -23db
23% Popularity • 20% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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John Alexander
Earth Song
122 bpm • F Maj • 03:49 • -24.63db
32% Popularity • 20% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
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Stellenbosch University Choir
Unclouded Day
123 bpm • G Maj • 02:29 • -20.2db
28% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jay Althouse
Homeward Bound (Arr. J. Althouse for Cho...
123 bpm • E Maj • 03:33 • -20.79db
25% Popularity • 27% Danceability • 8% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
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Stephen Foster
Under the Willow (Arr. S. LaBarr for Cho...
100 bpm • D# Maj • 05:02 • -28.38db
8% Popularity • 19% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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William Dawson
Ain't A That Good News
100 bpm • F Maj • 01:57 • -15db
12% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The University Of Utah Singers
Muie Rendera
124 bpm • E Maj • 03:56 • -25.69db
13% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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University Of Pretoria Camerata
Great God Almighty
124 bpm • F# min • 04:26 • -19.18db
19% Popularity • 30% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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The Songs of Taize Session Singers
Jesus Remember Me
125 bpm • D# Maj • 04:47 • -25db
36% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
15% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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OCP Choir
Alleluia! Alleluia! Let the Holy Anthem ...
125 bpm • A# Maj • 02:03 • -13.83db
21% Popularity • 28% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The University Of Utah Singers
Dieu! Qu'il La Fait Bon Regarder!
99 bpm • G# min • 02:02 • -34.61db
2% Popularity • 14% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Anglea
Jubilate Deo
98 bpm • E Maj • 02:27 • -21.13db
23% Popularity • 20% Danceability • 18% Energy • 17% Liveness
83% Instrumentalness • 18% Positiveness
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Jean Applonie
Jesus, Lover of My Soul (Arr. J. Apploni...
98 bpm • C Maj • 03:12 • -20db
24% Popularity • 26% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Kevin Siegfried
Shaker Songs: IV. Lay Me Low
125 bpm • G Maj • 04:01 • -35.93db
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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The Westminster Chorus
Oh Love That Will Not Let Me Go
98 bpm • D# min • 03:47 • -18.26db
13% Popularity • 17% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Dan Forrest
Good Night, Dear Heart
126 bpm • B Maj • 03:59 • -27.84db
30% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
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Cantus
Shenandoah
126 bpm • F Maj • 03:41 • -30.51db
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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The Washington and Lee University Singers
Creator Alme Siderum
126 bpm • G# Maj • 04:22 • -23.02db
9% Popularity • 21% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
The Lamb
126 bpm • B min • 05:36 • -30db
18% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
Set Me As A Seal (A New Creation)
126 bpm • D Maj • 02:37 • -26.84db
0% Popularity • 19% Danceability • 9% Energy • 9% Liveness
19% Instrumentalness • 12% Positiveness
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Eric Whitacre
Whitacre: Sleep
127 bpm • C min • 05:33 • -24.96db
39% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
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The Aeolians of Oakwood University
My Lord What a Mourning
127 bpm • E Maj • 04:50 • -24.15db
12% Popularity • 18% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Cantus
Wondrous Love
97 bpm • A Maj • 01:52 • -17db
8% Popularity • 58% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Maurice Duruflé
Notre Père, Op. 14
97 bpm • F Maj • 01:38 • -29.85db
17% Popularity • 16% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
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Zero8
It Is Well with My Soul
127 bpm • F# Maj • 03:25 • -18.62db
11% Popularity • 17% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
J'entends Le Moulin
127 bpm • G min • 03:31 • -19db
20% Popularity • 46% Danceability • 26% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
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Alexander Ewing
Jerusalem the golden
127 bpm • C Maj • 02:53 • -23.78db
12% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Jeff Lippencott
Heavy Is Our Savior’s Cross
127 bpm • C min • 06:21 • -32.15db
10% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Sydney Guillaume
Tchaka (Live)
127 bpm • A min • 04:52 • -16db
4% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
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Kim André Arnesen
Even When He is Silent
97 bpm • C Maj • 04:23 • -24db
30% Popularity • 16% Danceability • 5% Energy • 8% Liveness
20% Instrumentalness • 3% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
My God Is An Awesome God
97 bpm • F Maj • 04:55 • -13.09db
7% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Millikin University Choir
Idumea
96 bpm • G min • 04:26 • -19.83db
15% Popularity • 20% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
8% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: IV. Ngokujabula!
96 bpm • C Maj • 04:55 • -13.02db
12% Popularity • 38% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 42% Positiveness
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Set Me As A Seal