Songs like Setting the Trap by J Bateman
Based on a tempo of (+/- 10%) and a similar genre
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J Bateman
Odette Enters
149 bpm • C Maj • 01:31 • -10.03db
1% Popularity • 15% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Chase Holfelder
Lost in the Woods
148 bpm • C Maj • 03:01 • -5.44db
12% Popularity • 35% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 35% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Angelica Hale
Impossible
148 bpm • A# Maj • 03:10 • -9.21db
26% Popularity • 59% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 59% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Ministry of Magic
House Song
150 bpm • A Maj • 02:24 • -4db
23% Popularity • 58% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 58% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Jonatha Brooke
It's Love That Holds Your Hand
148 bpm • C Maj • 04:00 • -6.3db
22% Popularity • 57% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 57% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Micah Harmon
A Million Dreams
148 bpm • G# Maj • 04:27 • -10.91db
12% Popularity • 45% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 45% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Broadway Kids Against Bullying
I Have a Voice
148 bpm • F# Maj • 03:54 • -12db
25% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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J Bateman
Keystone Kat
147 bpm • C min • 01:23 • -10.5db
0% Popularity • 43% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 46% Positiveness
0% Popularity • 43% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 46% Positiveness
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Idina Menzel
Defying Gravity
152 bpm • F# Maj • 03:46 • -4.32db
44% Popularity • 30% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Regina Belle, Jeffrey Osborne, Robbie Buchanan, Lex de Azevedo, David Zippel
Far Longer Than Forever
146 bpm • G# Maj • 03:46 • -13.62db
31% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Harmonious World Ensemble
Opening Chants
146 bpm • G Maj • 01:43 • -16db
32% Popularity • 18% Danceability • 21% Energy • 45% Liveness
4% Instrumentalness • 9% Positiveness
32% Popularity • 18% Danceability • 21% Energy • 45% Liveness
4% Instrumentalness • 9% Positiveness
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Jeff Bennett
The Morning Report
153 bpm • G# Maj • 01:36 • -8.52db
33% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Kari Kimmel
It's Not Just Make Believe
145 bpm • G Maj • 03:06 • -5.73db
28% Popularity • 56% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 56% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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J Bateman
No Dogs in the Kitchen
145 bpm • A Maj • 01:48 • -20.4db
0% Popularity • 37% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 16% Positiveness
0% Popularity • 37% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 16% Positiveness
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Idina Menzel
Dream Girl - Nile Rodgers Remix
152 bpm • B min • 03:44 • -5.53db
26% Popularity • 57% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 57% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Janelle Monáe
All Dolled Up
154 bpm • A# Maj • 03:48 • -3.51db
34% Popularity • 76% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 76% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Michele Brourman
No One Has To Be Alone
144 bpm • C Maj • 05:05 • -6db
9% Popularity • 60% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cozi Zuehlsdorff
Just One Day
154 bpm • C Maj • 04:01 • -5.01db
24% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Theater Stars Band
Bridge of Light
144 bpm • F Maj • 04:04 • -9db
30% Popularity • 51% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Katja Zoch
Bad Days Ahead
144 bpm • A# Maj • 03:09 • -12.4db
14% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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David Ogden Stiers
Things Are Not What They Appear
143 bpm • D# Maj • 02:19 • -12db
26% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Star Darlings
Wish Now
155 bpm • C Maj • 03:52 • -5db
37% Popularity • 61% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 61% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Evans
The Mob Song
143 bpm • A# min • 02:28 • -7.1db
46% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Cozi Zuehlsdorff
What It's Like to Be Me
155 bpm • C# min • 02:13 • -6.76db
18% Popularity • 63% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 63% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Kelly Clarkson
Couldn't Be Better - Pop Version
143 bpm • B Maj • 03:11 • -4.71db
41% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Pentatonix
Any Way You Want It (World Championship ...
143 bpm • G Maj • 01:56 • -5db
35% Popularity • 60% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 60% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Aaron Lohr
After Today
142 bpm • F Maj • 02:21 • -8.57db
48% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Mandy Moore
The Girl Who Has Everything
142 bpm • C Maj • 02:38 • -7.57db
31% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Marius de Vries
I Wanna Dance With Somebody (Who Loves M...
142 bpm • F Maj • 01:00 • -13.27db
28% Popularity • 36% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
28% Popularity • 36% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
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Mitchel Musso
Stand Out
142 bpm • F Maj • 02:55 • -4.48db
18% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jordyn Kane
Start of Something Right
142 bpm • E Maj • 03:08 • -12db
32% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Pentatonix
Any Way You Want It
143 bpm • D Maj • 02:30 • -7.9db
30% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Michelle Nicastro, Lex de Azevedo, Clive Romney, Larry Bastian
The Magic Of Love
157 bpm • C Maj • 02:38 • -16db
21% Popularity • 30% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 30% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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J Bateman
The Submarine
141 bpm • F Maj • 01:35 • -16.19db
0% Popularity • 17% Danceability • 23% Energy • 22% Liveness
88% Instrumentalness • 6% Positiveness
0% Popularity • 17% Danceability • 23% Energy • 22% Liveness
88% Instrumentalness • 6% Positiveness
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Ginnifer Goodwin
Charmings vs. Evil Queen
141 bpm • A Maj • 01:47 • -6.34db
33% Popularity • 41% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 41% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Allstar Weekend
I Just Can't Wait to Be King
157 bpm • D Maj • 03:31 • -5.08db
21% Popularity • 53% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 53% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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PattyCake
Cinderswift
141 bpm • G Maj • 04:26 • -7.29db
14% Popularity • 44% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 44% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Everlife
Look Through My Eyes
158 bpm • A Maj • 03:10 • -2.86db
16% Popularity • 41% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 41% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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The Hollywood Symphony Orchestra and Voices
Looking Through Your Eyes
158 bpm • A# Maj • 04:06 • -13.16db
13% Popularity • 26% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 26% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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J Bateman
Borromeo
141 bpm • F Maj • 01:40 • -13.05db
0% Popularity • 21% Danceability • 21% Energy • 8% Liveness
24% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 21% Energy • 8% Liveness
24% Instrumentalness • 4% Positiveness
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Tammy Tuckey
Remember the Magic
140 bpm • D Maj • 03:34 • -9db
10% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Lanning, Lex de Azevedo, Clive Romney, Larry Bastian
You Gotta Love It
140 bpm • C# Maj • 03:03 • -10.53db
11% Popularity • 66% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 66% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Cathy Heller
Together We Rock
140 bpm • A Maj • 02:41 • -5.55db
15% Popularity • 78% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 78% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Mr Dooves
Through My Own Eyes - Acapella
140 bpm • A Maj • 01:20 • -5.12db
29% Popularity • 72% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 72% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Ginnifer Goodwin
Powerful Magic
140 bpm • D Maj • 03:04 • -8db
37% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Jordin Sparks
Road to Paradise
140 bpm • C min • 03:41 • -4.74db
28% Popularity • 59% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 59% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Maddie Wilson
Disney Villain Medley: Cruella De Vil / ...
140 bpm • A min • 02:06 • -6.7db
10% Popularity • 47% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 47% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Madalen Mills
Not The Only One
159 bpm • F# Maj • 02:00 • -12.17db
22% Popularity • 41% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 41% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Dekker
When You're On Your Own
140 bpm • A Maj • 02:14 • -10.98db
22% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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J Bateman
Coming of Age
139 bpm • A Maj • 01:35 • -8.73db
1% Popularity • 16% Danceability • 45% Energy • 9% Liveness
29% Instrumentalness • 6% Positiveness
1% Popularity • 16% Danceability • 45% Energy • 9% Liveness
29% Instrumentalness • 6% Positiveness
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Lana Parrilla
Love Doesn't Stand a Chance
140 bpm • G Maj • 02:02 • -7db
39% Popularity • 63% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 63% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Mandy Moore
Next Stop Anywhere
140 bpm • G Maj • 03:29 • -4db
38% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Scott & Ryceejo
Let It Go / Strong
139 bpm • E Maj • 04:05 • -3.81db
16% Popularity • 45% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 45% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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The Co-Writes
Crazy Girl
160 bpm • D Maj • 02:56 • -3.91db
20% Popularity • 47% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 47% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Savannah Outen
A Greater Treasure Than a Friend
139 bpm • C Maj • 03:13 • -6db
25% Popularity • 35% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 35% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Paesano
Another Cinderella Story - Score Suite
160 bpm • C Maj • 02:39 • -14.05db
15% Popularity • 44% Danceability • 22% Energy • 7% Liveness
67% Instrumentalness • 9% Positiveness
15% Popularity • 44% Danceability • 22% Energy • 7% Liveness
67% Instrumentalness • 9% Positiveness
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BBMAK
Do You Believe in Magic?
138 bpm • D Maj • 02:59 • -10db
27% Popularity • 54% Danceability • 73% Energy • 45% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 54% Danceability • 73% Energy • 45% Liveness
0% Instrumentalness • 85% Positiveness
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Natalie Watts
Like I'm Alive
161 bpm • D Maj • 03:29 • -9.51db
11% Popularity • 44% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 44% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Sandy Duncan, Howard McGillin, Liz Callaway, Dakin Matthews, Adam Wylie, J.D. Daniels, Lex de Azevedo, David Zippel
This Is My Idea
138 bpm • A# Maj • 06:09 • -18.42db
40% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Phil Collins
No Way Out (Theme from Brother Bear)
138 bpm • D Maj • 02:37 • -14.74db
37% Popularity • 29% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
37% Popularity • 29% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Anika Noni Rose
Down In New Orleans
138 bpm • C Maj • 02:26 • -5.66db
48% Popularity • 62% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 62% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Carly Simon
The More I Look Inside
137 bpm • G Maj • 04:22 • -12.33db
28% Popularity • 30% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
28% Popularity • 30% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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J Bateman
Walking on Air
137 bpm • B Maj • 01:26 • -13.24db
0% Popularity • 30% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
0% Popularity • 30% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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Madalen Mills
Square Root of Possible
162 bpm • G# Maj • 04:04 • -6.13db
30% Popularity • 45% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 45% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Idina Menzel
Let It Go
137 bpm • F min • 03:43 • -7db
39% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Debby Ryan
Best Year
137 bpm • D Maj • 03:13 • -5.06db
27% Popularity • 69% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 69% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Harmonious World Ensemble
Finale
162 bpm • A# Maj • 03:06 • -8db
34% Popularity • 14% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 14% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lucy Hale
Bless Myself
136 bpm • C Maj • 03:41 • -3.27db
46% Popularity • 54% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 54% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Leslie Bricusse
Grandma's Lullaby
136 bpm • C# Maj • 02:35 • -13.47db
22% Popularity • 44% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 44% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Casey Mattes
Disney Mashup: Let It Go / Can You Feel ...
136 bpm • A Maj • 03:32 • -7.87db
10% Popularity • 54% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 54% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Rebecca Mader
Wicked Always Wins
164 bpm • A Maj • 03:11 • -8.08db
40% Popularity • 41% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 41% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Sofia Carson
Full Throttle
164 bpm • E Maj • 03:22 • -7db
27% Popularity • 50% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 68% Positiveness
27% Popularity • 50% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 68% Positiveness
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Mandy Moore
Next Stop Anywhere (Reprise)
135 bpm • G Maj • 01:33 • -6.39db
30% Popularity • 48% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 48% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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Angelica Hale
Feel the Magic
164 bpm • G Maj • 03:09 • -7.27db
16% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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RiddleTM
The Sorting Hat
135 bpm • B Maj • 03:58 • -18.08db
28% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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J Bateman
Firebeard Escape
135 bpm • A Maj • 02:46 • -12.16db
0% Popularity • 26% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
0% Popularity • 26% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Rebel Wilson
We Belong
135 bpm • F Maj • 03:34 • -6.56db
34% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Howard Ashman
The Little Mermaid Medley
134 bpm • C Maj • 09:56 • -10.39db
33% Popularity • 45% Danceability • 45% Energy • 73% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 45% Danceability • 45% Energy • 73% Liveness
0% Instrumentalness • 49% Positiveness
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Mandy Moore
Through It All
133 bpm • G Maj • 01:49 • -6.03db
33% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Lex de Azevedo, Larry Bastian, David Zippel, Larry Schwartz
Odette Flies/Derek Gallops
133 bpm • C# Maj • 01:44 • -22.19db
27% Popularity • 18% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Idina Menzel
Hope
168 bpm • A min • 03:50 • -5.77db
14% Popularity • 31% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 31% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Saltimbankya
Epilogue: A Spark Inside Us
168 bpm • D Maj • 03:27 • -4.12db
14% Popularity • 23% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 23% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Savannah
Little Wonders
168 bpm • D# Maj • 03:31 • -3.39db
13% Popularity • 36% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 36% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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SeaWorld Attraction
We're One
168 bpm • B Maj • 03:37 • -13.06db
13% Popularity • 49% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 49% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Atomic Kitten
(I Wanna Be) Like Other Girls
168 bpm • C# Maj • 02:50 • -4.58db
30% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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BYU Noteworthy
There's a Place for Us
132 bpm • F# Maj • 03:34 • -6db
26% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Walt Disney Mi Si Delta Pi Players
Party Up!
132 bpm • G Maj • 03:45 • -7db
23% Popularity • 65% Danceability • 90% Energy • 39% Liveness
1% Instrumentalness • 74% Positiveness
23% Popularity • 65% Danceability • 90% Energy • 39% Liveness
1% Instrumentalness • 74% Positiveness
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PattyCake
Avengers - Thunder
168 bpm • F Maj • 02:31 • -7.69db
12% Popularity • 57% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 57% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bridgit Mendler
When She Loved Me
132 bpm • F Maj • 03:14 • -5.87db
23% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Disney's Circle of Stars
Do You Want to Build a Snowman?
132 bpm • A Maj • 02:31 • -8db
40% Popularity • 36% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 36% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Tress MacNeille
Family
132 bpm • D# Maj • 03:42 • -14.51db
20% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Olivia Holt
Nothing’s Gonna Stop Me Now
132 bpm • E Maj • 03:51 • -3.64db
38% Popularity • 61% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 61% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Scott & Ryceejo
A Million Dreams / Daisies
132 bpm • F# Maj • 04:18 • -7.95db
14% Popularity • 35% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 35% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Amy Adams
Fairytale Life (After the Spell)
131 bpm • E Maj • 04:02 • -7.95db
29% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Fisher
Happily Ever After - Full Version
132 bpm • D Maj • 03:58 • -4.86db
52% Popularity • 48% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 48% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
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Simone
Second Star To The Right
169 bpm • C Maj • 02:58 • -14.96db
10% Popularity • 15% Danceability • 15% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 15% Danceability • 15% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
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Judy Kuhn
Just Around the Riverbend
170 bpm • C Maj • 02:46 • -12.17db
33% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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J Bateman
Desperate Measures
131 bpm • C min • 01:48 • -15.15db
0% Popularity • 34% Danceability • 42% Energy • 36% Liveness
78% Instrumentalness • 16% Positiveness
0% Popularity • 34% Danceability • 42% Energy • 36% Liveness
78% Instrumentalness • 16% Positiveness
