Songs like Settle For My Love by Patrice Rushen
Based on a tempo of (+/- 10%) and a similar genre
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Patrice Rushen
Settle for My Love - Remastered Version
126 bpm • G# min • 05:13 • -9.02db
44% Popularity • 67% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 67% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Anita Ward
Ring My Bell
126 bpm • F min • 08:11 • -13.07db
62% Popularity • 78% Danceability • 56% Energy • 3% Liveness
9% Instrumentalness • 97% Positiveness
62% Popularity • 78% Danceability • 56% Energy • 3% Liveness
9% Instrumentalness • 97% Positiveness
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The Isley Brothers
That Lady, Pts. 1 & 2
126 bpm • F min • 05:34 • -9db
55% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Chicago
Street Player - 2003 Remaster
126 bpm • A# min • 09:10 • -5.16db
44% Popularity • 76% Danceability • 83% Energy • 8% Liveness
27% Instrumentalness • 84% Positiveness
44% Popularity • 76% Danceability • 83% Energy • 8% Liveness
27% Instrumentalness • 84% Positiveness
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The Gap Band
You Dropped A Bomb On Me
126 bpm • A Maj • 05:12 • -11.18db
60% Popularity • 79% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
60% Popularity • 79% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Curtis Mayfield
Pusherman
127 bpm • A# Maj • 05:00 • -9.56db
60% Popularity • 85% Danceability • 67% Energy • 11% Liveness
9% Instrumentalness • 91% Positiveness
60% Popularity • 85% Danceability • 67% Energy • 11% Liveness
9% Instrumentalness • 91% Positiveness
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The Brothers Johnson
The Real Thing
127 bpm • A min • 03:55 • -9.06db
34% Popularity • 80% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 80% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Midnight Star
No Parking (On the Dance Floor)
125 bpm • C Maj • 04:29 • -5.01db
24% Popularity • 92% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 92% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Patrice Rushen
Haven't You Heard - 12" Version
128 bpm • F# min • 07:18 • -9.23db
27% Popularity • 89% Danceability • 69% Energy • 6% Liveness
44% Instrumentalness • 96% Positiveness
27% Popularity • 89% Danceability • 69% Energy • 6% Liveness
44% Instrumentalness • 96% Positiveness
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Michael Jackson
P.Y.T. (Pretty Young Thing)
127 bpm • B min • 03:59 • -9.41db
73% Popularity • 89% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 89% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The O'Jays
I Love Music
128 bpm • C min • 06:53 • -8db
51% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Gerry Gibbs
Lonely Days
124 bpm • C# Maj • 06:54 • -18.13db
1% Popularity • 63% Danceability • 25% Energy • 8% Liveness
81% Instrumentalness • 38% Positiveness
1% Popularity • 63% Danceability • 25% Energy • 8% Liveness
81% Instrumentalness • 38% Positiveness
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Chick Corea
Minnie Lights Out
128 bpm • F min • 05:11 • -9.46db
2% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Gwen McCrae
Keep the Fire Burning
128 bpm • C min • 05:44 • -13.81db
54% Popularity • 89% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 89% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Patrice Rushen
Haven't You Heard
128 bpm • F# min • 06:45 • -8.31db
50% Popularity • 88% Danceability • 70% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
50% Popularity • 88% Danceability • 70% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
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Chicago
Street Player - Dance Mix
124 bpm • C# Maj • 08:44 • -5.67db
39% Popularity • 76% Danceability • 89% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
39% Popularity • 76% Danceability • 89% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
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Michael Jackson
Get on the Floor
124 bpm • C Maj • 04:37 • -11.44db
53% Popularity • 81% Danceability • 89% Energy • 3% Liveness
34% Instrumentalness • 89% Positiveness
53% Popularity • 81% Danceability • 89% Energy • 3% Liveness
34% Instrumentalness • 89% Positiveness
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The O'Jays
Back Stabbers
124 bpm • A# Maj • 03:06 • -11.61db
59% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
59% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
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Rufus & Chaka Khan
Any Love
124 bpm • G min • 04:52 • -14.45db
33% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Con Funk Shun
Got To Be Enough
124 bpm • C Maj • 05:46 • -12db
36% Popularity • 92% Danceability • 52% Energy • 5% Liveness
16% Instrumentalness • 98% Positiveness
36% Popularity • 92% Danceability • 52% Energy • 5% Liveness
16% Instrumentalness • 98% Positiveness
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Diana Ross
The Boss
124 bpm • E min • 04:01 • -4.22db
57% Popularity • 64% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 64% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Ready For The World
Oh Sheila
129 bpm • C Maj • 04:00 • -10db
53% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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CHIC
Everybody Dance - 12" Mix
129 bpm • F Maj • 08:27 • -8.02db
42% Popularity • 76% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 85% Positiveness
42% Popularity • 76% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 85% Positiveness
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G.Q.
Disco Nights (Rock Freak) - Single Remix
123 bpm • F min • 03:56 • -9.13db
38% Popularity • 78% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
38% Popularity • 78% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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The Gap Band
Early In The Morning
123 bpm • E min • 06:30 • -9.53db
47% Popularity • 72% Danceability • 83% Energy • 92% Liveness
1% Instrumentalness • 82% Positiveness
47% Popularity • 72% Danceability • 83% Energy • 92% Liveness
1% Instrumentalness • 82% Positiveness
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The O'Jays
Love Train
123 bpm • C Maj • 02:58 • -9.63db
68% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
68% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Skyy
Here's to You
122 bpm • B min • 05:20 • -11.26db
26% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Alan Fitzpatrick
Haven't You Heard (Fitzy's Half Charged ...
130 bpm • F# min • 03:04 • -6.53db
2% Popularity • 77% Danceability • 89% Energy • 7% Liveness
80% Instrumentalness • 82% Positiveness
2% Popularity • 77% Danceability • 89% Energy • 7% Liveness
80% Instrumentalness • 82% Positiveness
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CHIC
Dance, Dance, Dance (Yowsah, Yowsah, Yow...
123 bpm • A# min • 08:22 • -13db
37% Popularity • 83% Danceability • 62% Energy • 8% Liveness
20% Instrumentalness • 76% Positiveness
37% Popularity • 83% Danceability • 62% Energy • 8% Liveness
20% Instrumentalness • 76% Positiveness
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G.Q.
Disco Nights (Rock Freak)
123 bpm • F min • 05:54 • -12.23db
39% Popularity • 80% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 80% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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The Brothers Johnson
Light Up The Night
122 bpm • B min • 03:45 • -11db
38% Popularity • 88% Danceability • 71% Energy • 4% Liveness
14% Instrumentalness • 93% Positiveness
38% Popularity • 88% Danceability • 71% Energy • 4% Liveness
14% Instrumentalness • 93% Positiveness
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Cameo
It's Serious
122 bpm • G Maj • 08:09 • -10.28db
34% Popularity • 87% Danceability • 67% Energy • 4% Liveness
34% Instrumentalness • 96% Positiveness
34% Popularity • 87% Danceability • 67% Energy • 4% Liveness
34% Instrumentalness • 96% Positiveness
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Fat Larry's Band
Lookin' for Love
122 bpm • E min • 05:29 • -7db
38% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Jackson
Workin' Day and Night
130 bpm • G Maj • 05:13 • -11db
59% Popularity • 91% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 91% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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CHIC
Everybody Dance - 2018 Remaster
130 bpm • F min • 06:42 • -13.44db
53% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
53% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Skyy
Here's to You
122 bpm • B min • 05:09 • -13db
38% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Rick James
Dance Wit' Me
122 bpm • E min • 07:20 • -6.35db
40% Popularity • 76% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 76% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 91% Positiveness
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Mary Jane Girls
Candy Man
122 bpm • D# Maj • 04:30 • -12.01db
49% Popularity • 87% Danceability • 43% Energy • 2% Liveness
52% Instrumentalness • 97% Positiveness
49% Popularity • 87% Danceability • 43% Energy • 2% Liveness
52% Instrumentalness • 97% Positiveness
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Letizia Gambi
O Sole Mio
130 bpm • A Maj • 04:58 • -12.35db
0% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jamiroquai
Little L
122 bpm • A# min • 04:55 • -5.37db
65% Popularity • 88% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
65% Popularity • 88% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
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Patrice Rushen
Look Up! - Remastered
130 bpm • F# min • 03:42 • -6.71db
38% Popularity • 94% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 98% Positiveness
38% Popularity • 94% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 98% Positiveness
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Con Funk Shun
Chase Me
121 bpm • G Maj • 05:42 • -7.08db
32% Popularity • 96% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 96% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Gap Band
Early In The Morning - 12" Version
121 bpm • E min • 07:36 • -10.36db
44% Popularity • 70% Danceability • 81% Energy • 89% Liveness
1% Instrumentalness • 82% Positiveness
44% Popularity • 70% Danceability • 81% Energy • 89% Liveness
1% Instrumentalness • 82% Positiveness
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Skyy
Call Me
121 bpm • D Maj • 06:22 • -8.68db
43% Popularity • 80% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
43% Popularity • 80% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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Commodores
Lady (You Bring Me Up)
121 bpm • C min • 04:53 • -9.43db
56% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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First Choice
Let No Man Put Asunder (Shep Pettibone 1...
121 bpm • B Maj • 08:01 • -6.8db
35% Popularity • 69% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 69% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Patrice Rushen
Look Up! - Long Version
131 bpm • F# min • 04:53 • -10.47db
16% Popularity • 94% Danceability • 73% Energy • 13% Liveness
2% Instrumentalness • 99% Positiveness
16% Popularity • 94% Danceability • 73% Energy • 13% Liveness
2% Instrumentalness • 99% Positiveness
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Con Funk Shun
Too Tight
121 bpm • D Maj • 03:14 • -14.7db
36% Popularity • 92% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
36% Popularity • 92% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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Donna Summer
Bad Girls
121 bpm • D min • 04:55 • -14.51db
61% Popularity • 86% Danceability • 70% Energy • 41% Liveness
2% Instrumentalness • 97% Positiveness
61% Popularity • 86% Danceability • 70% Energy • 41% Liveness
2% Instrumentalness • 97% Positiveness
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Heatwave
The Groove Line - 12" Disco Version
120 bpm • B min • 07:28 • -9db
28% Popularity • 69% Danceability • 68% Energy • 7% Liveness
2% Instrumentalness • 68% Positiveness
28% Popularity • 69% Danceability • 68% Energy • 7% Liveness
2% Instrumentalness • 68% Positiveness
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Gladys Knight & The Pips
Bourgie', Bourgie'
120 bpm • A# Maj • 04:39 • -5.57db
36% Popularity • 67% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 67% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Cherrelle
I Didn't Mean To Turn You On
120 bpm • A Maj • 07:03 • -10.09db
46% Popularity • 77% Danceability • 82% Energy • 79% Liveness
3% Instrumentalness • 75% Positiveness
46% Popularity • 77% Danceability • 82% Energy • 79% Liveness
3% Instrumentalness • 75% Positiveness
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Patrice Rushen
Breakout! - Remastered
121 bpm • C Maj • 04:06 • -7.21db
20% Popularity • 86% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 86% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Dazz Band
Let It Whip
132 bpm • A min • 04:41 • -6.86db
58% Popularity • 82% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 82% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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CeCe Peniston
Finally
120 bpm • G Maj • 04:05 • -11.13db
63% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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The Emotions
I Don't Wanna Lose Your Love
120 bpm • C# Maj • 04:01 • -8.84db
37% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
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Rufus & Chaka Khan
Do You Love What You Feel
120 bpm • B Maj • 04:29 • -11.4db
49% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
49% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
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Letizia Gambi
And I Think of You (E Penso a Te)
120 bpm • F# min • 05:28 • -9.9db
2% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Patrice Rushen
Breakout! - 12" Version
120 bpm • C Maj • 05:48 • -6.56db
14% Popularity • 90% Danceability • 90% Energy • 7% Liveness
31% Instrumentalness • 85% Positiveness
14% Popularity • 90% Danceability • 90% Energy • 7% Liveness
31% Instrumentalness • 85% Positiveness
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Dazz Band
Let It Whip - 12" Mix
132 bpm • A min • 06:09 • -7db
30% Popularity • 83% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 83% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Teena Marie
It Must Be Magic
120 bpm • B min • 06:06 • -7db
38% Popularity • 82% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 82% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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The Brothers Johnson
Stomp!
120 bpm • G min • 06:20 • -12.67db
52% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
52% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
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Heatwave
The Groove Line
120 bpm • B min • 04:24 • -9.84db
51% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Rick James
Standing On The Top
120 bpm • G# min • 03:52 • -6.67db
36% Popularity • 90% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 90% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Patrice Rushen
Call On Me
133 bpm • C min • 06:48 • -8.15db
18% Popularity • 90% Danceability • 76% Energy • 5% Liveness
4% Instrumentalness • 98% Positiveness
18% Popularity • 90% Danceability • 76% Energy • 5% Liveness
4% Instrumentalness • 98% Positiveness
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Womack & Womack
Teardrops
133 bpm • B Maj • 03:48 • -11.24db
57% Popularity • 88% Danceability • 68% Energy • 13% Liveness
12% Instrumentalness • 97% Positiveness
57% Popularity • 88% Danceability • 68% Energy • 13% Liveness
12% Instrumentalness • 97% Positiveness
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Carol Duboc
Faces
119 bpm • D min • 03:45 • -4.97db
1% Popularity • 68% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 68% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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The Brothers Johnson
Stomp! - Single Version
120 bpm • A# Maj • 04:07 • -8.34db
59% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
59% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Michael Jackson
Don't Stop 'Til You Get Enough
119 bpm • B Maj • 06:05 • -9.88db
75% Popularity • 88% Danceability • 82% Energy • 18% Liveness
5% Instrumentalness • 95% Positiveness
75% Popularity • 88% Danceability • 82% Energy • 18% Liveness
5% Instrumentalness • 95% Positiveness
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Rick James
Give It To Me Baby
120 bpm • B Maj • 04:08 • -8.71db
64% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
64% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The S.O.S Band
Take Your Time (Do It Right)
119 bpm • E min • 07:40 • -13.92db
48% Popularity • 86% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
48% Popularity • 86% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
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Womack & Womack
Teardrops
134 bpm • G# min • 05:03 • -13.23db
56% Popularity • 88% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 88% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Blackbyrds
Don't Know What To Say
119 bpm • G# Maj • 04:06 • -10.75db
28% Popularity • 85% Danceability • 70% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 85% Danceability • 70% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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Heatwave
Boogie Nights
119 bpm • B min • 05:03 • -10.97db
58% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Jackson
Off the Wall
119 bpm • D# min • 04:06 • -13.91db
66% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
66% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Rick James
You And I
119 bpm • G# min • 08:06 • -6.65db
42% Popularity • 78% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 78% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
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Patrice Rushen
Message in the Music
134 bpm • D min • 03:01 • -7.9db
22% Popularity • 73% Danceability • 71% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 73% Danceability • 71% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
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Con Funk Shun
California 1
119 bpm • G min • 04:38 • -8.08db
23% Popularity • 81% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 81% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Gwen Guthrie
It Should Have Been You - Larry Levan Mi...
119 bpm • A Maj • 07:05 • -8db
33% Popularity • 83% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 83% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Evelyn "Champagne" King
I Think My Heart Is Telling
134 bpm • A min • 04:19 • -11.93db
34% Popularity • 74% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 74% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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CHIC
Le Freak - 2018 Remaster
119 bpm • G Maj • 05:31 • -11.32db
67% Popularity • 91% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
67% Popularity • 91% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Dexter Wansel
I'll Never Forget (My Favorite Disco)
118 bpm • D min • 04:34 • -7.76db
35% Popularity • 76% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 76% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Patrice Rushen
I Was Tired of Being Alone - 12" Version
119 bpm • G# Maj • 06:04 • -7.22db
20% Popularity • 92% Danceability • 83% Energy • 3% Liveness
10% Instrumentalness • 94% Positiveness
20% Popularity • 92% Danceability • 83% Energy • 3% Liveness
10% Instrumentalness • 94% Positiveness
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Stephanie Mills
Put Your Body In It - 12" Version
118 bpm • F Maj • 06:00 • -13.68db
27% Popularity • 77% Danceability • 51% Energy • 5% Liveness
8% Instrumentalness • 90% Positiveness
27% Popularity • 77% Danceability • 51% Energy • 5% Liveness
8% Instrumentalness • 90% Positiveness
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Gwen Guthrie
It Should Have Been You
118 bpm • B min • 04:21 • -8.38db
41% Popularity • 80% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 80% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Sade
Your Love Is King
135 bpm • A Maj • 03:39 • -6.8db
69% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
69% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Evelyn "Champagne" King
Shame
134 bpm • B min • 04:38 • -6.13db
33% Popularity • 72% Danceability • 87% Energy • 11% Liveness
12% Instrumentalness • 78% Positiveness
33% Popularity • 72% Danceability • 87% Energy • 11% Liveness
12% Instrumentalness • 78% Positiveness
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James Ingram
Yah Mo B There
118 bpm • C Maj • 04:39 • -12.49db
53% Popularity • 82% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 82% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Patrice Rushen
Message in the Music (Reprise)
134 bpm • D min • 00:57 • -7.5db
38% Popularity • 76% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 76% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Rick James
Cold Blooded
118 bpm • A# min • 05:59 • -7.64db
45% Popularity • 94% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 65% Positiveness
45% Popularity • 94% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 65% Positiveness
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Madonna
Holiday
118 bpm • G Maj • 03:51 • -8.66db
63% Popularity • 81% Danceability • 70% Energy • 5% Liveness
1% Instrumentalness • 73% Positiveness
63% Popularity • 81% Danceability • 70% Energy • 5% Liveness
1% Instrumentalness • 73% Positiveness
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Stevie Wonder
All I Do
117 bpm • B Maj • 05:06 • -16.71db
56% Popularity • 85% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
56% Popularity • 85% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Evelyn "Champagne" King
Shame - 12" Disco Version
135 bpm • B min • 06:31 • -15.61db
46% Popularity • 78% Danceability • 51% Energy • 7% Liveness
27% Instrumentalness • 90% Positiveness
46% Popularity • 78% Danceability • 51% Energy • 7% Liveness
27% Instrumentalness • 90% Positiveness
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The Gap Band
Burn Rubber On Me (Why You Wanna Hurt Me...
117 bpm • B min • 05:31 • -9db
37% Popularity • 78% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 78% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Patrice Rushen
I Was Tired of Being Alone - Remastered
118 bpm • G# Maj • 03:52 • -8db
45% Popularity • 92% Danceability • 80% Energy • 3% Liveness
5% Instrumentalness • 96% Positiveness
45% Popularity • 92% Danceability • 80% Energy • 3% Liveness
5% Instrumentalness • 96% Positiveness
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Loleatta Holloway
Love Sensation
117 bpm • F Maj • 06:06 • -9.34db
45% Popularity • 70% Danceability • 76% Energy • 17% Liveness
2% Instrumentalness • 74% Positiveness
45% Popularity • 70% Danceability • 76% Energy • 17% Liveness
2% Instrumentalness • 74% Positiveness
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Midnight Star
Midas Touch
117 bpm • G min • 05:02 • -4.96db
32% Popularity • 86% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 86% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Skyy
Let's Celebrate
117 bpm • C Maj • 05:33 • -8.22db
37% Popularity • 75% Danceability • 76% Energy • 3% Liveness
9% Instrumentalness • 82% Positiveness
37% Popularity • 75% Danceability • 76% Energy • 3% Liveness
9% Instrumentalness • 82% Positiveness
