Songs like Seven and Change(S) by Pete Kuzma
Based on a tempo of (+/- 10%) and a similar genre
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Pete Kuzma
Bus Ride to Gulu
138 bpm • D# min • 06:27 • -15db
35% Popularity • 68% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
35% Popularity • 68% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Ravid
Calm Upon You (Hang Solo)
138 bpm • D min • 05:01 • -24.79db
38% Popularity • 55% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
38% Popularity • 55% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
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David Charrier
Handpanophone
138 bpm • F Maj • 04:35 • -12.44db
30% Popularity • 52% Danceability • 43% Energy • 5% Liveness
94% Instrumentalness • 51% Positiveness
30% Popularity • 52% Danceability • 43% Energy • 5% Liveness
94% Instrumentalness • 51% Positiveness
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Michael Hewett
Nagual
138 bpm • D Maj • 04:12 • -20.12db
21% Popularity • 50% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 50% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Kumea Sound
Aureola
139 bpm • G Maj • 04:49 • -20.71db
34% Popularity • 33% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
34% Popularity • 33% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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SHIVARASA
They Feel, They Know
137 bpm • G# Maj • 10:00 • -17.11db
34% Popularity • 18% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Pete Kuzma
Seven and Change(S)
138 bpm • D# min • 07:09 • -14.61db
23% Popularity • 78% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
23% Popularity • 78% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Zen That Beat
Opening
138 bpm • C Maj • 03:36 • -34.03db
43% Popularity • 19% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Cellomano
Unwinding
137 bpm • F min • 05:00 • -26.73db
37% Popularity • 15% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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Dub Sutra
Monks n Flute
139 bpm • E Maj • 02:22 • -16db
33% Popularity • 14% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Chequerboard
Dunes
137 bpm • G# min • 07:46 • -17db
36% Popularity • 43% Danceability • 25% Energy • 35% Liveness
95% Instrumentalness • 11% Positiveness
36% Popularity • 43% Danceability • 25% Energy • 35% Liveness
95% Instrumentalness • 11% Positiveness
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Erothyme
Thousand Hands of God
140 bpm • B min • 06:03 • -13.24db
31% Popularity • 24% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Living Room
The Whale
140 bpm • A min • 02:52 • -27.24db
42% Popularity • 52% Danceability • 16% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
42% Popularity • 52% Danceability • 16% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Musiqueen
Fluorescent Jellyfish
136 bpm • C Maj • 06:03 • -30.95db
37% Popularity • 63% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 63% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Antonio Spaziani
Never Say Impossible
140 bpm • E Maj • 03:30 • -12.1db
28% Popularity • 59% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
28% Popularity • 59% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
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Pete Kuzma
Walk to the Marmara
140 bpm • G Maj • 11:06 • -12.16db
36% Popularity • 79% Danceability • 50% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
36% Popularity • 79% Danceability • 50% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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Lis Addison
IndigoDragonfly
136 bpm • D Maj • 07:57 • -21.42db
32% Popularity • 21% Danceability • 22% Energy • 13% Liveness
83% Instrumentalness • 9% Positiveness
32% Popularity • 21% Danceability • 22% Energy • 13% Liveness
83% Instrumentalness • 9% Positiveness
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Josh Brill
Drift
140 bpm • A min • 09:56 • -24.69db
13% Popularity • 66% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 45% Positiveness
13% Popularity • 66% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 45% Positiveness
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The Human Experience
Slow Down - Instrumental
140 bpm • D Maj • 03:43 • -10.92db
38% Popularity • 60% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
38% Popularity • 60% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Keisuke Sakai
Banryoku
136 bpm • F# Maj • 06:37 • -15.98db
16% Popularity • 65% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
16% Popularity • 65% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
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Dr. Toast
Untouchable Number
136 bpm • C Maj • 04:14 • -13.84db
23% Popularity • 69% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
23% Popularity • 69% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Pete Kuzma
Lullaby for Little Spoon
140 bpm • C Maj • 06:24 • -12.31db
41% Popularity • 72% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 72% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Binary One
Insitarament
136 bpm • G# Maj • 04:00 • -25.08db
40% Popularity • 53% Danceability • 3% Energy • 36% Liveness
63% Instrumentalness • 17% Positiveness
40% Popularity • 53% Danceability • 3% Energy • 36% Liveness
63% Instrumentalness • 17% Positiveness
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Nada Sadhana
Song In G
140 bpm • G Maj • 11:16 • -15.9db
20% Popularity • 62% Danceability • 20% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
20% Popularity • 62% Danceability • 20% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
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Little Gems
Shhhh Pulse
140 bpm • C Maj • 05:57 • -22.4db
33% Popularity • 36% Danceability • 4% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
33% Popularity • 36% Danceability • 4% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
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Phaeleh
Three
140 bpm • C# Maj • 03:46 • -19.74db
32% Popularity • 42% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 42% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Zach Wirchak
Breathe
140 bpm • C Maj • 01:52 • -14.79db
48% Popularity • 65% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
48% Popularity • 65% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Pete Kuzma
Waiting in Vain
140 bpm • G# Maj • 08:03 • -12.92db
3% Popularity • 60% Danceability • 37% Energy • 6% Liveness
75% Instrumentalness • 35% Positiveness
3% Popularity • 60% Danceability • 37% Energy • 6% Liveness
75% Instrumentalness • 35% Positiveness
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Keisuke Sakai
Nodoka
136 bpm • C Maj • 04:05 • -20.71db
15% Popularity • 74% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 74% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Popp
Salbnuß
140 bpm • A min • 06:10 • -21db
24% Popularity • 57% Danceability • 9% Energy • 12% Liveness
81% Instrumentalness • 18% Positiveness
24% Popularity • 57% Danceability • 9% Energy • 12% Liveness
81% Instrumentalness • 18% Positiveness
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Stevin McNamara
Song of the Sun (Part 2 - Gat)
140 bpm • C Maj • 06:22 • -15.02db
22% Popularity • 75% Danceability • 34% Energy • 8% Liveness
82% Instrumentalness • 26% Positiveness
22% Popularity • 75% Danceability • 34% Energy • 8% Liveness
82% Instrumentalness • 26% Positiveness
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Shaman's Dream
Breathing In
140 bpm • C Maj • 05:59 • -23db
36% Popularity • 16% Danceability • 41% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 41% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
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Kevin Wrenn
Flight of the Risen
135 bpm • D# Maj • 03:25 • -10.4db
12% Popularity • 41% Danceability • 44% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
12% Popularity • 41% Danceability • 44% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Pete Kuzma
Paint It Black
136 bpm • B Maj • 06:35 • -11.23db
1% Popularity • 75% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 56% Positiveness
1% Popularity • 75% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 56% Positiveness
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Rob Lewis
The Sea
141 bpm • D Maj • 03:55 • -13.13db
33% Popularity • 22% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
33% Popularity • 22% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Zach Wirchak
Goodnight
135 bpm • D Maj • 02:59 • -14.41db
37% Popularity • 42% Danceability • 29% Energy • 7% Liveness
70% Instrumentalness • 24% Positiveness
37% Popularity • 42% Danceability • 29% Energy • 7% Liveness
70% Instrumentalness • 24% Positiveness
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Carl Borg
Afterlight
135 bpm • G Maj • 04:26 • -23.42db
35% Popularity • 19% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
35% Popularity • 19% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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Al Gromer Khan
Agori Dance
135 bpm • F min • 07:07 • -22.27db
24% Popularity • 67% Danceability • 34% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
24% Popularity • 67% Danceability • 34% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Eskimotion
Ocean
142 bpm • F# Maj • 02:49 • -28.81db
44% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
44% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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SHIVARASA
Azadi
135 bpm • G# Maj • 10:10 • -13.73db
29% Popularity • 22% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 22% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Kumea Sound
Spring Melody
134 bpm • G Maj • 02:38 • -18.2db
48% Popularity • 36% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
48% Popularity • 36% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Holloway
Bloom
134 bpm • D Maj • 06:19 • -22.3db
35% Popularity • 18% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Pete Kuzma
Mornings at CafecÃto
142 bpm • C Maj • 04:01 • -23.37db
39% Popularity • 47% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
39% Popularity • 47% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Hippidion
Nuevo Lunes
142 bpm • E min • 01:56 • -26.62db
37% Popularity • 67% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
37% Popularity • 67% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Jin Yerei
Introspección
142 bpm • A# min • 04:24 • -18.48db
36% Popularity • 72% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 40% Positiveness
36% Popularity • 72% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 40% Positiveness
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Al Gromer Khan
Blue Raga
134 bpm • B min • 05:50 • -26.62db
24% Popularity • 26% Danceability • 5% Energy • 14% Liveness
65% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 5% Energy • 14% Liveness
65% Instrumentalness • 4% Positiveness
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Ty Burhoe
Spirits
134 bpm • C Maj • 02:42 • -21.15db
26% Popularity • 30% Danceability • 17% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
26% Popularity • 30% Danceability • 17% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
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Bliss Looper
Ethereal Peace
134 bpm • C# Maj • 03:13 • -32.52db
45% Popularity • 20% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Pete Kuzma
Snowfall
134 bpm • B Maj • 05:17 • -20.84db
12% Popularity • 53% Danceability • 22% Energy • 38% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 53% Danceability • 22% Energy • 38% Liveness
91% Instrumentalness • 19% Positiveness
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Owen Phillips
Slowly Homeward
143 bpm • C Maj • 02:35 • -30.23db
32% Popularity • 14% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 40% Positiveness
32% Popularity • 14% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 40% Positiveness
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Alex Theory
Muladhara
143 bpm • B Maj • 08:35 • -17.16db
33% Popularity • 14% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 14% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Dub Sutra
Dub Shivaya
143 bpm • B min • 07:21 • -14.76db
29% Popularity • 43% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Cellomano
Sungai
133 bpm • A min • 05:31 • -20.61db
30% Popularity • 16% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
30% Popularity • 16% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
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Nada Sadhana
Opening
143 bpm • C Maj • 08:14 • -20db
41% Popularity • 15% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
41% Popularity • 15% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Pete Kuzma
First Kisses
134 bpm • C min • 05:11 • -22.71db
9% Popularity • 50% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
9% Popularity • 50% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Ingmarlo
Morning Dew
144 bpm • G Maj • 06:00 • -24.28db
16% Popularity • 36% Danceability • 3% Energy • 32% Liveness
71% Instrumentalness • 7% Positiveness
16% Popularity • 36% Danceability • 3% Energy • 32% Liveness
71% Instrumentalness • 7% Positiveness
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Wolfgang Ohmer
World Behind The World
144 bpm • D min • 02:57 • -23.23db
46% Popularity • 58% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
46% Popularity • 58% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Baptiste Sejourne
Integration
132 bpm • D min • 05:27 • -14db
32% Popularity • 69% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
32% Popularity • 69% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Ravid
News From New Zealand
132 bpm • D min • 03:13 • -18.51db
43% Popularity • 47% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
43% Popularity • 47% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
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Cellomano
That Tree
132 bpm • D min • 06:26 • -16.67db
31% Popularity • 63% Danceability • 20% Energy • 46% Liveness
91% Instrumentalness • 29% Positiveness
31% Popularity • 63% Danceability • 20% Energy • 46% Liveness
91% Instrumentalness • 29% Positiveness
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Pete Kuzma
Luella
144 bpm • G# Maj • 04:22 • -17.17db
33% Popularity • 55% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
33% Popularity • 55% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Slow Dancing Society
Radiance
144 bpm • B Maj • 04:32 • -21db
20% Popularity • 18% Danceability • 13% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 13% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
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Wolfgang Ohmer
Ethno World
132 bpm • F Maj • 04:24 • -16.79db
31% Popularity • 68% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 30% Positiveness
31% Popularity • 68% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 30% Positiveness
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Dub Sutra
Ascentia
132 bpm • G min • 07:34 • -13.46db
35% Popularity • 69% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
35% Popularity • 69% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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MC YOGI
Shanti (Shavasana Dub) Omstrumental
132 bpm • G Maj • 07:08 • -19.09db
37% Popularity • 16% Danceability • 12% Energy • 33% Liveness
97% Instrumentalness • 2% Positiveness
37% Popularity • 16% Danceability • 12% Energy • 33% Liveness
97% Instrumentalness • 2% Positiveness
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Masood Ali Khan
Bhakti Gita
145 bpm • A Maj • 08:17 • -17.05db
36% Popularity • 38% Danceability • 10% Energy • 18% Liveness
87% Instrumentalness • 20% Positiveness
36% Popularity • 38% Danceability • 10% Energy • 18% Liveness
87% Instrumentalness • 20% Positiveness
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Pete Kuzma
A Night At the Cathedral
132 bpm • G Maj • 08:41 • -18.14db
24% Popularity • 39% Danceability • 9% Energy • 36% Liveness
76% Instrumentalness • 4% Positiveness
24% Popularity • 39% Danceability • 9% Energy • 36% Liveness
76% Instrumentalness • 4% Positiveness
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Equanimous
Integration
145 bpm • A# Maj • 02:54 • -25.74db
43% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
43% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Nada Sadhana
Closing
131 bpm • C Maj • 10:34 • -25.49db
28% Popularity • 38% Danceability • 5% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 38% Danceability • 5% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Josh Brill
Center
131 bpm • D Maj • 03:12 • -21.99db
32% Popularity • 42% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
32% Popularity • 42% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Keisuke Sakai
Mizu Sumu
146 bpm • D Maj • 04:40 • -16db
44% Popularity • 51% Danceability • 26% Energy • 23% Liveness
28% Instrumentalness • 33% Positiveness
44% Popularity • 51% Danceability • 26% Energy • 23% Liveness
28% Instrumentalness • 33% Positiveness
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Al Gromer Khan
Mahal Recall
131 bpm • C# Maj • 02:06 • -31.76db
48% Popularity • 23% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
48% Popularity • 23% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Pete Kuzma
Icaros
132 bpm • G# Maj • 07:28 • -28.51db
11% Popularity • 29% Danceability • 9% Energy • 19% Liveness
91% Instrumentalness • 8% Positiveness
11% Popularity • 29% Danceability • 9% Energy • 19% Liveness
91% Instrumentalness • 8% Positiveness
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Garth Stevenson
Passage
131 bpm • E Maj • 06:26 • -22.73db
47% Popularity • 18% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
47% Popularity • 18% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Moshi Moshi Desu
Divine Dimension
130 bpm • E Maj • 02:20 • -19.36db
45% Popularity • 70% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
45% Popularity • 70% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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Viv E
Sahasrara
146 bpm • G Maj • 09:02 • -15.8db
14% Popularity • 64% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
14% Popularity • 64% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
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Sound Ambassador
Anahata Either
130 bpm • F# min • 08:56 • -28.2db
18% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
18% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Dub Sutra
Eastern Slide
130 bpm • D Maj • 06:59 • -12.19db
40% Popularity • 66% Danceability • 20% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
40% Popularity • 66% Danceability • 20% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
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Sunniai
Delta Aura
146 bpm • A min • 03:06 • -27.72db
41% Popularity • 25% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
41% Popularity • 25% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Calm Whale
Tantric Flow
130 bpm • B min • 09:59 • -23db
32% Popularity • 58% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 58% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Shaman's Dream
Calling Spirits
130 bpm • D Maj • 08:20 • -22.17db
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Dr. Toast
Priceless
148 bpm • C min • 04:40 • -12db
32% Popularity • 55% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
32% Popularity • 55% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
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Rara Avis
Om Prana
129 bpm • D# Maj • 08:44 • -18.65db
27% Popularity • 22% Danceability • 28% Energy • 15% Liveness
72% Instrumentalness • 3% Positiveness
27% Popularity • 22% Danceability • 28% Energy • 15% Liveness
72% Instrumentalness • 3% Positiveness
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Nada Sadhana
The Bicycle and the Boardwalk
148 bpm • A min • 08:10 • -14db
34% Popularity • 74% Danceability • 44% Energy • 14% Liveness
83% Instrumentalness • 28% Positiveness
34% Popularity • 74% Danceability • 44% Energy • 14% Liveness
83% Instrumentalness • 28% Positiveness
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HandpanSolo
Atomic Buda
128 bpm • F# Maj • 03:35 • -32.18db
38% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Pete Kuzma
Sérénité
128 bpm • C# min • 06:10 • -25.58db
12% Popularity • 20% Danceability • 16% Energy • 34% Liveness
92% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 16% Energy • 34% Liveness
92% Instrumentalness • 3% Positiveness
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DTO
Breath
128 bpm • E Maj • 04:33 • -21db
45% Popularity • 43% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
45% Popularity • 43% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Troels Hammer
Botswana Girl
128 bpm • C# Maj • 05:20 • -23.39db
36% Popularity • 53% Danceability • 11% Energy • 11% Liveness
79% Instrumentalness • 12% Positiveness
36% Popularity • 53% Danceability • 11% Energy • 11% Liveness
79% Instrumentalness • 12% Positiveness
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Lis Addison
SnakeRoot
128 bpm • F Maj • 08:04 • -20.43db
42% Popularity • 52% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 52% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Kumea Sound
To Find What We Must
128 bpm • A min • 03:19 • -16.88db
37% Popularity • 32% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
37% Popularity • 32% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Ryan Richko
Yin Yoga I
127 bpm • D Maj • 06:24 • -26.74db
22% Popularity • 17% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Pete Kuzma
Celeste
128 bpm • F# Maj • 09:20 • -19db
48% Popularity • 62% Danceability • 16% Energy • 6% Liveness
92% Instrumentalness • 27% Positiveness
48% Popularity • 62% Danceability • 16% Energy • 6% Liveness
92% Instrumentalness • 27% Positiveness
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Al Gromer Khan
Tardeo
127 bpm • D Maj • 01:42 • -37.69db
48% Popularity • 19% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Mitsch Kohn
Dawn Has Broken
127 bpm • C Maj • 03:53 • -16.2db
33% Popularity • 44% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 44% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Ancestral Elephants
Sacrisol
150 bpm • E min • 05:07 • -16.81db
29% Popularity • 39% Danceability • 35% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 39% Danceability • 35% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Kumea Sound
Distances
127 bpm • D min • 04:02 • -20.49db
41% Popularity • 44% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
41% Popularity • 44% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Morley
Sea of Oms
127 bpm • G# min • 02:48 • -36.91db
52% Popularity • 17% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 17% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Aeromancias
Piedras Encantadas
150 bpm • G min • 02:58 • -16.16db
36% Popularity • 76% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 64% Positiveness
36% Popularity • 76% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 64% Positiveness
