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Seven Yellow Gypsies
Songs like
Seven Yellow Gypsies
by
Kacy & Clayton
Based on a tempo of (+/- 10%) and a similar genre
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Jessica Pratt
Mother Big River
172 bpm • G Maj • 04:19 • -12db
36% Popularity • 36% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
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The Other Years
Adaline
171 bpm • C Maj • 03:49 • -12.79db
29% Popularity • 45% Danceability • 17% Energy • 18% Liveness
16% Instrumentalness • 34% Positiveness
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Kurt Vile
How Lucky
171 bpm • F Maj • 03:23 • -9.96db
55% Popularity • 52% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Bonny Doon
Long Wave
173 bpm • A Maj • 05:23 • -11.69db
41% Popularity • 52% Danceability • 41% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Karen Dalton
Little Bit Of Rain
174 bpm • D Maj • 02:36 • -22db
53% Popularity • 43% Danceability • 6% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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Kacy & Clayton
That Sweet Orchestra Sound
173 bpm • F Maj • 02:56 • -5.96db
8% Popularity • 24% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Jeff Tweedy
A Robin or A Wren
175 bpm • C Maj • 02:48 • -10.21db
28% Popularity • 44% Danceability • 56% Energy • 9% Liveness
64% Instrumentalness • 77% Positiveness
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Shannon & The Clams
Vanishing
176 bpm • F Maj • 03:06 • -6.71db
37% Popularity • 36% Danceability • 53% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Shannon Shaw
Golden Frames
168 bpm • E Maj • 02:34 • -4.99db
24% Popularity • 28% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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S.G. Goodman
Space And Time
175 bpm • D Maj • 04:32 • -8db
52% Popularity • 34% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Reeder
Love and Hate
168 bpm • G Maj • 00:58 • -12.34db
32% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Kacy & Clayton
Let It Shine On Me
168 bpm • D Maj • 03:10 • -11.44db
14% Popularity • 31% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Lucinda Williams
Fruits Of My Labor
176 bpm • G# Maj • 04:48 • -12.31db
53% Popularity • 34% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Cut Worms
The Golden Sky
177 bpm • A Maj • 03:55 • -17.29db
23% Popularity • 28% Danceability • 18% Energy • 35% Liveness
3% Instrumentalness • 42% Positiveness
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Joan Shelley
Haven
167 bpm • C Maj • 01:44 • -18.37db
42% Popularity • 34% Danceability • 8% Energy • 11% Liveness
60% Instrumentalness • 40% Positiveness
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Nora Brown
The Very Day I’m Gone
165 bpm • B Maj • 02:56 • -17.84db
36% Popularity • 43% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Neko Case
At Last
178 bpm • A Maj • 01:35 • -10.65db
46% Popularity • 31% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Kacy & Clayton
I'll Be so Glad
177 bpm • D Maj • 02:46 • -11.67db
10% Popularity • 46% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Duff Thompson
Rock and Roll...
179 bpm • C Maj • 03:08 • -12.31db
18% Popularity • 20% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Reverend Baron
Little Hours
164 bpm • B Maj • 05:48 • -11.42db
21% Popularity • 63% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
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Ronnie Lane & Slim Chance
Roll on Babe
164 bpm • E Maj • 03:20 • -14.03db
34% Popularity • 49% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
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S.G. Goodman
The Way I Talk
164 bpm • F Maj • 03:37 • -9.13db
29% Popularity • 60% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Karen Dalton
It Hurts Me Too
181 bpm • A Maj • 03:07 • -22db
49% Popularity • 43% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 28% Positiveness
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Kacy & Clayton
The Downward Road
165 bpm • D Maj • 03:05 • -12.33db
8% Popularity • 36% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ted Lucas
It's So Easy (When You Know What You're ...
164 bpm • G# Maj • 02:55 • -12.39db
36% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Steph Green
If Nothing Else Comes Along
163 bpm • A# Maj • 03:08 • -7.73db
36% Popularity • 27% Danceability • 54% Energy • 14% Liveness
76% Instrumentalness • 58% Positiveness
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Jackie Cohen
It Hurts
162 bpm • D Maj • 03:35 • -6.46db
11% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Evian
Country
184 bpm • A Maj • 02:47 • -8.36db
38% Popularity • 61% Danceability • 68% Energy • 15% Liveness
30% Instrumentalness • 88% Positiveness
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Neko Case
Star Witness
184 bpm • D Maj • 05:16 • -6.27db
45% Popularity • 30% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Smog
Let's Move To The Country
162 bpm • B Maj • 03:05 • -15.74db
45% Popularity • 50% Danceability • 12% Energy • 10% Liveness
11% Instrumentalness • 19% Positiveness
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Leslie Stevens
Sinner
185 bpm • D Maj • 04:22 • -12.49db
17% Popularity • 31% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Color Green
Night
158 bpm • E Maj • 05:30 • -7.73db
33% Popularity • 34% Danceability • 55% Energy • 26% Liveness
26% Instrumentalness • 34% Positiveness
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Samantha Crain
Reunion
158 bpm • F Maj • 03:00 • -7.19db
24% Popularity • 54% Danceability • 65% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Hand Habits
Under The Water
157 bpm • C Maj • 01:40 • -12db
45% Popularity • 38% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 44% Positiveness
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Loudon Wainwright III
Motel Blues
156 bpm • G Maj • 02:47 • -18db
35% Popularity • 46% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Kacy & Clayton
The South Saskatchewan River
157 bpm • C Maj • 03:43 • -9.86db
10% Popularity • 46% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
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Vetiver
The Living End
155 bpm • D# Maj • 04:47 • -14.48db
24% Popularity • 65% Danceability • 42% Energy • 11% Liveness
35% Instrumentalness • 61% Positiveness
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Joan Shelley
The Spur
155 bpm • A# Maj • 03:52 • -11db
24% Popularity • 42% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Sean Thompson's Weird Ears
Time Has Grown a Raspberry
154 bpm • E Maj • 02:44 • -13db
22% Popularity • 45% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
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The Lostines
Playing the Fool
193 bpm • A# Maj • 02:25 • -4.34db
40% Popularity • 40% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Blaze Foley
The Moonlight Song
152 bpm • C Maj • 02:40 • -15.45db
41% Popularity • 51% Danceability • 17% Energy • 13% Liveness
62% Instrumentalness • 35% Positiveness
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Courtney Marie Andrews
America
152 bpm • G# Maj • 04:11 • -14db
35% Popularity • 39% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Skyway Man
Nothing No. 1
152 bpm • A Maj • 03:56 • -10.04db
19% Popularity • 66% Danceability • 56% Energy • 15% Liveness
2% Instrumentalness • 66% Positiveness
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Arthur Russell
I Never Get Lonesome
152 bpm • C Maj • 02:17 • -9.51db
41% Popularity • 65% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Big Thief
Red Moon
151 bpm • G Maj • 04:19 • -5.39db
46% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Holly Macve
No One Has the Answers
151 bpm • A# Maj • 03:28 • -7.96db
33% Popularity • 39% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Tobacco City
Aa Blues
150 bpm • A min • 02:54 • -11.37db
20% Popularity • 50% Danceability • 54% Energy • 10% Liveness
67% Instrumentalness • 84% Positiveness
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Rose City Band
In The Rain
150 bpm • C Maj • 07:46 • -14.95db
18% Popularity • 57% Danceability • 25% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
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Dick Stusso
Back Country Warning
150 bpm • E Maj • 01:27 • -9.17db
37% Popularity • 32% Danceability • 44% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Cut Worms
Every Once In A While
150 bpm • F Maj • 04:37 • -9.2db
35% Popularity • 49% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Riley Downing
I’m Right There With You
149 bpm • A# Maj • 04:19 • -10.84db
12% Popularity • 50% Danceability • 44% Energy • 9% Liveness
10% Instrumentalness • 31% Positiveness
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Bonny Light Horseman
Lowlands
149 bpm • F Maj • 03:29 • -7.95db
29% Popularity • 49% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Paul & The Tall Trees
Then We’ll Wave (So Long)
148 bpm • C Maj • 03:01 • -7.75db
30% Popularity • 52% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Kacy & Clayton
Old Fashioned Man
147 bpm • A Maj • 03:15 • -9.36db
12% Popularity • 43% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Cat Clyde
Been Worryin'
201 bpm • F Maj • 03:02 • -8.19db
44% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Cut Worms
Last Words To A Refugee
149 bpm • G# Maj • 04:41 • -11db
29% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Loudon Wainwright III
Hollywood Hopeful
146 bpm • G Maj • 02:39 • -12.12db
35% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Bonny Light Horseman
Jane Jane
201 bpm • E min • 03:06 • -8db
33% Popularity • 38% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Angel Olsen
Big Time
204 bpm • A# Maj • 04:07 • -5.31db
42% Popularity • 29% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Kacy & Clayton
Isn't It
207 bpm • D Maj • 02:04 • -7.27db
27% Popularity • 42% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Natalie Bergman
Paint the Rain
204 bpm • E Maj • 03:32 • -7db
31% Popularity • 47% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Cut Worms
Veteran's Day
148 bpm • D Maj • 05:40 • -10db
34% Popularity • 63% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Seven Yellow Gypsies