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Seven
Songs like
Seven
by
Carla Bley
Based on a tempo of (+/- 10%) and a similar genre
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Albert Ayler
Summertime
137 bpm • A# Maj • 08:47 • -16db
37% Popularity • 45% Danceability • 19% Energy • 30% Liveness
57% Instrumentalness • 29% Positiveness
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Tomasz Stanko Quartet
Soul of Things, Var. 1
137 bpm • G Maj • 05:39 • -23.05db
13% Popularity • 38% Danceability • 9% Energy • 10% Liveness
72% Instrumentalness • 5% Positiveness
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Carla Bley
Ladies In Mercedes
137 bpm • D Maj • 05:41 • -23.36db
11% Popularity • 39% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
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Bobo Stenson Trio
Golden Rain
137 bpm • A# Maj • 05:12 • -23db
17% Popularity • 44% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Manu Katché
Slowing The Tides
137 bpm • G min • 05:36 • -16.46db
8% Popularity • 39% Danceability • 24% Energy • 10% Liveness
67% Instrumentalness • 13% Positiveness
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Immanuel Wilkins
Part 2. Saudade
138 bpm • E min • 07:24 • -9.18db
17% Popularity • 38% Danceability • 53% Energy • 64% Liveness
45% Instrumentalness • 21% Positiveness
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Glen Moore
Pepé Linque
138 bpm • A min • 04:24 • -17.99db
16% Popularity • 64% Danceability • 21% Energy • 10% Liveness
65% Instrumentalness • 29% Positiveness
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Tom Harrell
Sail Away
139 bpm • C Maj • 05:15 • -21.1db
19% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Eberhard Weber
Maurizius
135 bpm • F Maj • 08:13 • -24db
18% Popularity • 25% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Carla Bley
Businessmen
138 bpm • E Maj • 05:38 • -9.18db
6% Popularity • 23% Danceability • 83% Energy • 44% Liveness
8% Instrumentalness • 26% Positiveness
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Alboran Trio
Nic's Road
135 bpm • A min • 06:25 • -20db
14% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
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Anat Fort Trio
En If
135 bpm • A Maj • 05:54 • -21.11db
24% Popularity • 41% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Tomasz Stanko Quartet
Song For Sarah
135 bpm • E min • 05:30 • -17.57db
12% Popularity • 43% Danceability • 13% Energy • 28% Liveness
89% Instrumentalness • 7% Positiveness
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Abdullah Ibrahim
Calypso Minor - Original Mix
139 bpm • G# Maj • 06:23 • -13.39db
15% Popularity • 66% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 27% Positiveness
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John Surman
Invisible Threads
135 bpm • C Maj • 05:39 • -15.13db
9% Popularity • 52% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Carla Bley
Houses & People
139 bpm • C# min • 07:25 • -17.37db
18% Popularity • 44% Danceability • 32% Energy • 37% Liveness
86% Instrumentalness • 27% Positiveness
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George Coleman
Amsterdam After Dark
135 bpm • C# Maj • 08:29 • -13.7db
15% Popularity • 56% Danceability • 42% Energy • 33% Liveness
67% Instrumentalness • 71% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
25% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Paul Motian Band
Pithecanthropus Erectus
134 bpm • C# Maj • 07:04 • -15db
8% Popularity • 40% Danceability • 32% Energy • 12% Liveness
68% Instrumentalness • 26% Positiveness
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Ron Miles
The Rumor
134 bpm • E min • 04:30 • -14db
24% Popularity • 56% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Charlie Haden
Silence
134 bpm • F min • 05:49 • -17.7db
14% Popularity • 20% Danceability • 2% Energy • 5% Liveness
92% Instrumentalness • 3% Positiveness
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Carla Bley
Holiday In Risk
134 bpm • C# min • 03:09 • -13.19db
4% Popularity • 47% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Ted Greene
Watch What Happens
140 bpm • C min • 02:30 • -24.07db
38% Popularity • 55% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Walter Smith III
Shine
140 bpm • D Maj • 01:40 • -12.72db
33% Popularity • 62% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 46% Positiveness
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Kyle Eastwood
Unforgiven
134 bpm • G Maj • 03:53 • -15.88db
10% Popularity • 49% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Maria Kannegaard Trio
Don't Worry
141 bpm • F# Maj • 05:33 • -14.82db
13% Popularity • 44% Danceability • 24% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
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Joshua Redman
Chicago Blues
134 bpm • D# Maj • 04:53 • -11.63db
37% Popularity • 63% Danceability • 30% Energy • 18% Liveness
22% Instrumentalness • 27% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Myra Melford
Night of Sorrow
133 bpm • E min • 06:43 • -24.43db
9% Popularity • 38% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Bobo Stenson Trio
Doubt Thou The Stars
133 bpm • G min • 07:57 • -22.11db
18% Popularity • 46% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Branford Marsalis Quartet
Muldoon
133 bpm • A# min • 04:16 • -18.3db
35% Popularity • 43% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
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Stan Getz
Con Alma
141 bpm • F# Maj • 08:05 • -17db
29% Popularity • 44% Danceability • 32% Energy • 9% Liveness
63% Instrumentalness • 47% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
36% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Carla Bley
One Banana More
134 bpm • C Maj • 01:23 • -17.34db
33% Popularity • 30% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 27% Positiveness
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Jack Bruce
Part One (Number Six)
142 bpm • A# Maj • 04:59 • -11.79db
1% Popularity • 36% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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McCoy Tyner Trio
Sunset - 2018 Digitally Remastered
132 bpm • D Maj • 04:43 • -22.01db
27% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Espoo Big Band
Permanent Wave - Live
132 bpm • G Maj • 10:48 • -13.51db
1% Popularity • 35% Danceability • 33% Energy • 23% Liveness
53% Instrumentalness • 9% Positiveness
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Abdullah Ibrahim
Kofifi Blue
142 bpm • C min • 02:38 • -15.81db
18% Popularity • 50% Danceability • 38% Energy • 14% Liveness
88% Instrumentalness • 21% Positiveness
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Stan Getz
I'm Late, I'm Late
132 bpm • G# min • 08:08 • -13db
16% Popularity • 56% Danceability • 41% Energy • 38% Liveness
46% Instrumentalness • 53% Positiveness
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Carla Bley
Life Goes On: And Then One Day
133 bpm • F Maj • 09:02 • -19.98db
13% Popularity • 49% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Eric Legnini Trio
Portrait in Black and White "Zingaro"
132 bpm • D# Maj • 02:38 • -19.09db
47% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
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Toshiko Akiyoshi
Hakone Twilight
132 bpm • G# Maj • 05:34 • -19.8db
18% Popularity • 56% Danceability • 18% Energy • 18% Liveness
70% Instrumentalness • 37% Positiveness
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Eric Legnini
Night Birds
132 bpm • D min • 03:36 • -14.34db
14% Popularity • 75% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 50% Positiveness
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Wallace Roney
I Will Always Love You
132 bpm • B min • 05:19 • -18.12db
9% Popularity • 58% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Espoo Big Band
Fresh Impression - Live
132 bpm • A# Maj • 08:35 • -14.37db
0% Popularity • 37% Danceability • 49% Energy • 76% Liveness
21% Instrumentalness • 22% Positiveness
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Carla Bley
Death Of Superman / Dream Sequence#1 - F...
132 bpm • A# Maj • 07:50 • -20.69db
8% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Isaiah J. Thompson
Hi-Fly
143 bpm • G min • 04:41 • -19.98db
20% Popularity • 50% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 50% Positiveness
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Lennie Tristano
Line Up
131 bpm • F min • 03:34 • -14.29db
22% Popularity • 49% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Marcin Wasilewski
Hyperballad
131 bpm • C min • 05:52 • -20.86db
22% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Tord Gustavsen Trio
Blessed Feet
144 bpm • G# Maj • 06:04 • -17db
39% Popularity • 42% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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Kit Downes
Sister, Sister
131 bpm • C# Maj • 04:21 • -28db
23% Popularity • 38% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Carla Bley
Song Of The Eternal Waiting Of Canute
144 bpm • E min • 09:47 • -15.3db
4% Popularity • 44% Danceability • 35% Energy • 68% Liveness
9% Instrumentalness • 42% Positiveness
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Melissa Aldana
The Bluest Eye
131 bpm • D Maj • 07:22 • -15db
22% Popularity • 46% Danceability • 27% Energy • 13% Liveness
78% Instrumentalness • 28% Positiveness
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Niklas Fernqvist
St. Joseph
130 bpm • B Maj • 05:04 • -20.43db
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Oscar Peterson
Eleanor Rigby - Remastered
144 bpm • F min • 03:05 • -17.59db
41% Popularity • 39% Danceability • 19% Energy • 12% Liveness
17% Instrumentalness • 41% Positiveness
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Tord Gustavsen Quartet
Staying There
130 bpm • F min • 04:52 • -15db
26% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Joe Pass
Django
130 bpm • A# min • 03:20 • -15.58db
36% Popularity • 56% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 30% Positiveness
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Carla Bley
Brooklyn Bridge
144 bpm • F# min • 06:32 • -20.06db
15% Popularity • 49% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Cedar Walton
Sophisticated Lady
130 bpm • A# min • 03:30 • -20.41db
39% Popularity • 39% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Horace Silver
Calcutta Cutie - Rudy Van Gelder Edition...
144 bpm • C Maj • 08:31 • -13db
25% Popularity • 57% Danceability • 22% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
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Oregon
Yellow Bell
145 bpm • F min • 07:06 • -20db
23% Popularity • 38% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
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Trio Viret
Saint Awawa
130 bpm • E min • 06:03 • -12.55db
23% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
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Tord Gustavsen Trio
IGN
129 bpm • G# Maj • 04:33 • -21.17db
22% Popularity • 42% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Carla Bley
Fleur Carnivore - Live
130 bpm • F Maj • 11:11 • -14.95db
5% Popularity • 44% Danceability • 26% Energy • 69% Liveness
2% Instrumentalness • 21% Positiveness
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Manu Katché
Swing Piece
129 bpm • A min • 04:54 • -14.61db
32% Popularity • 50% Danceability • 21% Energy • 13% Liveness
78% Instrumentalness • 27% Positiveness
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Abdullah Ibrahim
Nisa
129 bpm • G min • 06:36 • -12.29db
14% Popularity • 57% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 38% Positiveness
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Oregon
Vision of a Dancer
129 bpm • E min • 04:05 • -18.19db
18% Popularity • 42% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Bob Belden Project
Maiden Voyage
129 bpm • D Maj • 06:58 • -16.64db
28% Popularity • 57% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Eric Legnini Trio
Nightfall
129 bpm • B min • 03:30 • -13.2db
29% Popularity • 63% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 43% Positiveness
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Carla Bley
Oh Say Can You Do?
130 bpm • A Maj • 01:08 • -21.06db
7% Popularity • 39% Danceability • 9% Energy • 11% Liveness
20% Instrumentalness • 36% Positiveness
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Melissa Aldana
The Fool
129 bpm • F Maj • 06:50 • -15.39db
10% Popularity • 45% Danceability • 26% Energy • 11% Liveness
62% Instrumentalness • 28% Positiveness
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Maya Dunietz
Opus 1
129 bpm • C# Maj • 06:17 • -15db
16% Popularity • 44% Danceability • 35% Energy • 15% Liveness
70% Instrumentalness • 22% Positiveness
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Aaron Parks
Greetings
129 bpm • G# Maj • 06:31 • -15.87db
12% Popularity • 73% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 61% Positiveness
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Fred Nardin Trio
Prelude to Memory of T.
128 bpm • F# Maj • 01:17 • -21.23db
45% Popularity • 66% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Gianluigi Trovesi
Moonlight Serenade - Var.
128 bpm • F Maj • 01:11 • -21.96db
35% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Courtney Pine
The Morning After the Night Before
128 bpm • C min • 04:52 • -14.6db
29% Popularity • 46% Danceability • 14% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
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Carla Bley
Five Banana
128 bpm • A min • 07:51 • -11.06db
7% Popularity • 45% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
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Gary Burton Quintet
The Colours Of Chloe
147 bpm • E min • 07:12 • -18.59db
11% Popularity • 20% Danceability • 28% Energy • 9% Liveness
25% Instrumentalness • 7% Positiveness
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Espen Eriksen Trio
Anthem
128 bpm • A# Maj • 08:16 • -15.65db
38% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Joshua Redman Quartet
Faith
128 bpm • D min • 04:33 • -13.67db
22% Popularity • 54% Danceability • 20% Energy • 11% Liveness
65% Instrumentalness • 20% Positiveness
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Jakob Bro
Reconstructing A Dream
147 bpm • E min • 09:17 • -22db
19% Popularity • 27% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Duke Jordan
No problem
147 bpm • G min • 06:47 • -13db
28% Popularity • 43% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 49% Positiveness
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Charlie Haden
The Ballad Of The Fallen (Folk Song From...
127 bpm • E min • 04:19 • -14.65db
25% Popularity • 66% Danceability • 32% Energy • 32% Liveness
13% Instrumentalness • 48% Positiveness
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Mats Eilertsen
March
127 bpm • A min • 08:03 • -15.69db
15% Popularity • 39% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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Markus Stockhausen
Mona
148 bpm • G min • 05:00 • -13.4db
26% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Tord Gustavsen Quartet
The Embrace
127 bpm • D min • 04:58 • -15.1db
21% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Manu Katché
February Sun
127 bpm • C Maj • 04:42 • -22.91db
36% Popularity • 51% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Roy Haynes Quartet
Some Other Spring
127 bpm • G Maj • 03:29 • -18db
25% Popularity • 49% Danceability • 20% Energy • 36% Liveness
89% Instrumentalness • 26% Positiveness
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Michael Brecker
Sea Glass
126 bpm • C# Maj • 05:50 • -16.81db
17% Popularity • 27% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
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Carla Bley
Three Banana
126 bpm • F# Maj • 03:50 • -14.91db
7% Popularity • 55% Danceability • 25% Energy • 16% Liveness
22% Instrumentalness • 15% Positiveness
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Kit Downes
Castles Made of Sand
150 bpm • C# Maj • 04:53 • -26.84db
9% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Johnathan Blake
Shakin' The Biscuits
150 bpm • G# Maj • 04:51 • -10.91db
10% Popularity • 48% Danceability • 43% Energy • 7% Liveness
81% Instrumentalness • 63% Positiveness
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Manu Katché
Lovely Walk
126 bpm • C# Maj • 06:14 • -13.77db
15% Popularity • 66% Danceability • 37% Energy • 9% Liveness
66% Instrumentalness • 24% Positiveness
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Oded Tzur
Love Song for the Rainy Season
150 bpm • C min • 07:27 • -14db
15% Popularity • 34% Danceability • 48% Energy • 13% Liveness
60% Instrumentalness • 49% Positiveness
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Billy Childs
Dori
150 bpm • G min • 07:34 • -10.09db
12% Popularity • 41% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 48% Positiveness
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Carla Bley
A New Hymn
126 bpm • A Maj • 07:25 • -16.63db
18% Popularity • 36% Danceability • 23% Energy • 20% Liveness
92% Instrumentalness • 16% Positiveness
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Chris Potter
I Had a Dream
150 bpm • C Maj • 05:29 • -11.34db
8% Popularity • 55% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 76% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Charlie Haden
The People United Will Never Be Defeated
125 bpm • A min • 01:40 • -12.68db
20% Popularity • 44% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Seven