Songs like Seventeen - feat. Norah Jones by Sharon Van Etten
Based on a tempo of (+/- 10%) and a similar genre
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Sharon Van Etten
Your Love is Killing Me
121 bpm • D Maj • 06:18 • -6.27db
36% Popularity • 40% Danceability • 71% Energy • 11% Liveness
37% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 71% Energy • 11% Liveness
37% Instrumentalness • 12% Positiveness
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TORRES
Three Futures
121 bpm • G Maj • 04:04 • -11.5db
34% Popularity • 54% Danceability • 29% Energy • 9% Liveness
20% Instrumentalness • 21% Positiveness
34% Popularity • 54% Danceability • 29% Energy • 9% Liveness
20% Instrumentalness • 21% Positiveness
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This Is The Kit
Bullet Proof
121 bpm • C# Maj • 04:10 • -11db
35% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
35% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
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Wolf Alice
Delicious Things
121 bpm • D Maj • 05:04 • -5.61db
28% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 28% Positiveness
28% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 28% Positiveness
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Karen O
YO! MY SAINT (Radio Version)
121 bpm • G# Maj • 03:44 • -6.27db
42% Popularity • 35% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 35% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Jesus and Mary Chain
Just Like Honey
121 bpm • G# Maj • 03:02 • -10.5db
58% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
58% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
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Sharon Van Etten
Seventeen - Norah Jones
121 bpm • A# Maj • 04:53 • -6db
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bill Callahan
One Fine Morning
120 bpm • G Maj • 08:45 • -17db
33% Popularity • 51% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
33% Popularity • 51% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Midlake
Roscoe
122 bpm • G# min • 04:46 • -8.3db
49% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Damien Jurado
A.M. AM
120 bpm • C# Maj • 03:16 • -8db
37% Popularity • 57% Danceability • 78% Energy • 18% Liveness
23% Instrumentalness • 68% Positiveness
37% Popularity • 57% Danceability • 78% Energy • 18% Liveness
23% Instrumentalness • 68% Positiveness
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Timber Timbre
Hot Dreams
122 bpm • A Maj • 04:53 • -8.77db
39% Popularity • 55% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 33% Positiveness
39% Popularity • 55% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 33% Positiveness
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The Barr Brothers
Defibrillation
120 bpm • A Maj • 05:33 • -12db
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
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Sharon Van Etten
Comeback Kid
120 bpm • C Maj • 03:02 • -5.21db
42% Popularity • 54% Danceability • 93% Energy • 3% Liveness
57% Instrumentalness • 36% Positiveness
42% Popularity • 54% Danceability • 93% Energy • 3% Liveness
57% Instrumentalness • 36% Positiveness
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Matt Berninger
Distant Axis
120 bpm • D Maj • 04:25 • -10db
35% Popularity • 61% Danceability • 47% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
35% Popularity • 61% Danceability • 47% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Mazzy Star
Look On Down From The Bridge
120 bpm • C Maj • 04:47 • -19.32db
64% Popularity • 37% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
64% Popularity • 37% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
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John Grant
Outer Space
120 bpm • G# Maj • 03:14 • -6.44db
32% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
32% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Still Corners
The Trip - 2023 Remaster
120 bpm • D Maj • 06:13 • -5.13db
61% Popularity • 69% Danceability • 79% Energy • 16% Liveness
3% Instrumentalness • 42% Positiveness
61% Popularity • 69% Danceability • 79% Energy • 16% Liveness
3% Instrumentalness • 42% Positiveness
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Fiona Apple
Under The Table
120 bpm • C Maj • 03:21 • -8.14db
56% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
56% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Sharon Van Etten
One Day
120 bpm • E Maj • 04:43 • -7db
44% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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This Is The Kit
Keep Going
120 bpm • E Maj • 06:39 • -14.33db
44% Popularity • 57% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 57% Positiveness
44% Popularity • 57% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 57% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
49% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Future Islands
Back in the Tall Grass
123 bpm • C Maj • 04:15 • -9.05db
46% Popularity • 82% Danceability • 50% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
46% Popularity • 82% Danceability • 50% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
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Sharon Van Etten
Serpents
123 bpm • F# min • 03:02 • -4.81db
46% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Bedouine
Dusty Eyes
119 bpm • E Maj • 04:37 • -11.82db
38% Popularity • 49% Danceability • 27% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
38% Popularity • 49% Danceability • 27% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
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Andrew Bird
Oh No
120 bpm • C min • 04:20 • -10db
23% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lisa Hannigan
Fall
119 bpm • D# Maj • 02:59 • -12.64db
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Nick Cave & The Bad Seeds
Breathless
119 bpm • C Maj • 03:13 • -9.47db
53% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Kevin Morby
Harlem River
119 bpm • C# min • 09:15 • -10.25db
52% Popularity • 61% Danceability • 47% Energy • 10% Liveness
40% Instrumentalness • 48% Positiveness
52% Popularity • 61% Danceability • 47% Energy • 10% Liveness
40% Instrumentalness • 48% Positiveness
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Sharon Van Etten
Consolation Prize
119 bpm • B min • 04:02 • -9.35db
15% Popularity • 38% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
15% Popularity • 38% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Feist
How Come You Never Go There
123 bpm • A min • 03:24 • -8.17db
45% Popularity • 78% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 78% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
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Carter Tanton
Through the Garden Gates
123 bpm • B Maj • 05:50 • -9.69db
1% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Amen Dunes
Miki Dora
124 bpm • A# Maj • 05:03 • -12db
25% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
25% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Wilco
How to Fight Loneliness
124 bpm • B min • 03:52 • -12.67db
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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Damien Jurado
Kola
124 bpm • E Maj • 02:34 • -16.02db
39% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Elliott Smith
Angeles
118 bpm • E min • 02:57 • -23.53db
59% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
59% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
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Beirut
Fisher Island Sound
124 bpm • G Maj • 02:44 • -7.75db
51% Popularity • 56% Danceability • 74% Energy • 10% Liveness
42% Instrumentalness • 15% Positiveness
51% Popularity • 56% Danceability • 74% Energy • 10% Liveness
42% Instrumentalness • 15% Positiveness
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CMAT
I Don't Really Care for You
118 bpm • G min • 04:04 • -4.18db
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Haley Bonar
Hometown
118 bpm • D Maj • 03:04 • -7.33db
24% Popularity • 48% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 48% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Deep Sea Diver
Impossible Weight - Sharon Van Etten
124 bpm • G# Maj • 03:22 • -5.79db
42% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Blake Mills
Wintersong
118 bpm • G min • 04:16 • -8.22db
40% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
40% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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Laura Veirs
July Flame
125 bpm • F# min • 03:44 • -9db
37% Popularity • 66% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 30% Positiveness
37% Popularity • 66% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 30% Positiveness
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Laura Marling
Devil's Spoke
118 bpm • D Maj • 03:38 • -9db
46% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Aimee Mann
One
124 bpm • E min • 02:53 • -13.97db
46% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Flynn
The Water
125 bpm • C Maj • 04:12 • -11.5db
48% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Cass McCombs
County Line
125 bpm • D Maj • 05:37 • -13.4db
31% Popularity • 58% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
31% Popularity • 58% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Yo La Tengo
My Heart's Not In It
125 bpm • A Maj • 02:48 • -9.8db
41% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Chastity Belt
Different Now
125 bpm • F Maj • 03:48 • -7db
47% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Future Islands
Little Dreamer
125 bpm • A# Maj • 03:55 • -10.35db
49% Popularity • 78% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 78% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Kevin Morby
No Halo
117 bpm • C Maj • 03:06 • -5.46db
35% Popularity • 52% Danceability • 73% Energy • 9% Liveness
67% Instrumentalness • 60% Positiveness
35% Popularity • 52% Danceability • 73% Energy • 9% Liveness
67% Instrumentalness • 60% Positiveness
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Sharon Van Etten
Malibu
117 bpm • C Maj • 03:23 • -8.46db
29% Popularity • 45% Danceability • 49% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
29% Popularity • 45% Danceability • 49% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
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Arcade Fire
The Suburbs (continued)
117 bpm • F# min • 01:31 • -22.32db
58% Popularity • 39% Danceability • 8% Energy • 23% Liveness
27% Instrumentalness • 5% Positiveness
58% Popularity • 39% Danceability • 8% Energy • 23% Liveness
27% Instrumentalness • 5% Positiveness
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Porridge Radio
7 Seconds
117 bpm • G Maj • 04:12 • -5.88db
40% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Unloved
When a Woman Is Around
126 bpm • D# Maj • 03:44 • -6.8db
42% Popularity • 48% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 63% Positiveness
42% Popularity • 48% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 63% Positiveness
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The War On Drugs
Living Proof
116 bpm • A Maj • 04:53 • -14.17db
49% Popularity • 60% Danceability • 16% Energy • 11% Liveness
17% Instrumentalness • 13% Positiveness
49% Popularity • 60% Danceability • 16% Energy • 11% Liveness
17% Instrumentalness • 13% Positiveness
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Phosphorescent
C'est La Vie No.2
116 bpm • C Maj • 03:25 • -10.51db
51% Popularity • 74% Danceability • 40% Energy • 8% Liveness
32% Instrumentalness • 67% Positiveness
51% Popularity • 74% Danceability • 40% Energy • 8% Liveness
32% Instrumentalness • 67% Positiveness
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Snail Mail
Pristine
126 bpm • C Maj • 04:55 • -5.51db
52% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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PJ Harvey
This Mess We're In
126 bpm • C Maj • 03:55 • -9.63db
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
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Andrew Bird
Three White Horses
116 bpm • G Maj • 03:09 • -9.53db
29% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Aimee Mann
Wise Up
126 bpm • D Maj • 03:41 • -9.44db
42% Popularity • 47% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
42% Popularity • 47% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
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The War On Drugs
Pain
116 bpm • G min • 05:30 • -4.37db
58% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Camera Obscura
The Sweetest Thing
126 bpm • C# Maj • 04:22 • -4db
36% Popularity • 40% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 40% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Angel Olsen
Shut Up Kiss Me
116 bpm • G Maj • 03:22 • -5db
54% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Amen Dunes
Song to the Siren
127 bpm • A# Maj • 03:44 • -11.52db
39% Popularity • 34% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
39% Popularity • 34% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Cass McCombs
Dreams-Come-True-Girl
116 bpm • C Maj • 05:20 • -13.09db
28% Popularity • 66% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
28% Popularity • 66% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Bess Atwell
Co-op
127 bpm • A# Maj • 03:45 • -12db
41% Popularity • 54% Danceability • 45% Energy • 8% Liveness
26% Instrumentalness • 24% Positiveness
41% Popularity • 54% Danceability • 45% Energy • 8% Liveness
26% Instrumentalness • 24% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Sharon Van Etten
Give Out
115 bpm • G# min • 04:19 • -8.89db
32% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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S. Carey
Rose Petals
128 bpm • A# Maj • 03:33 • -12db
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Big Thief
Vegas - 2023 Remaster
128 bpm • A Maj • 02:19 • -7.19db
53% Popularity • 62% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
53% Popularity • 62% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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The Big Moon
Your Light
128 bpm • G Maj • 05:07 • -8.9db
49% Popularity • 60% Danceability • 71% Energy • 24% Liveness
40% Instrumentalness • 40% Positiveness
49% Popularity • 60% Danceability • 71% Energy • 24% Liveness
40% Instrumentalness • 40% Positiveness
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Grizzly Bear
Mourning Sound
128 bpm • G Maj • 04:22 • -6db
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
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Alice Phoebe Lou
She
128 bpm • D Maj • 03:55 • -8.72db
46% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
46% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Frazey Ford
September Fields
114 bpm • C Maj • 03:27 • -10db
68% Popularity • 68% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
68% Popularity • 68% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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St. Vincent
Fast Slow Disco
114 bpm • A# min • 03:17 • -7.51db
49% Popularity • 61% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 61% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Bragg
When The Roses Bloom Again
113 bpm • C Maj • 04:07 • -9db
53% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Robyn Hitchcock
The Ghost in You
114 bpm • A Maj • 04:28 • -12.32db
36% Popularity • 70% Danceability • 23% Energy • 34% Liveness
1% Instrumentalness • 25% Positiveness
36% Popularity • 70% Danceability • 23% Energy • 34% Liveness
1% Instrumentalness • 25% Positiveness
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Marlon Williams
What's Chasing You
113 bpm • C Maj • 02:41 • -7.64db
36% Popularity • 56% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 56% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Sharon Van Etten
Peace Signs
128 bpm • D Maj • 02:53 • -6.58db
32% Popularity • 57% Danceability • 88% Energy • 8% Liveness
21% Instrumentalness • 58% Positiveness
32% Popularity • 57% Danceability • 88% Energy • 8% Liveness
21% Instrumentalness • 58% Positiveness
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Frazey Ford
Done
114 bpm • B min • 04:41 • -9db
55% Popularity • 78% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
55% Popularity • 78% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Grant Lee Buffalo
Mockingbirds
129 bpm • C# Maj • 04:40 • -10db
47% Popularity • 46% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 46% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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![Radio [Feat. Sharon Van Etten] cover art](https://i.scdn.co/image/ab67616d00001e02862d2f44036e8d90d5814e38)
Margo Price
Radio [Sharon Van Etten]
113 bpm • E Maj • 02:49 • -5.91db
36% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Neko Case
Deep Red Bells
113 bpm • B min • 04:03 • -7.43db
37% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sharon Van Etten
Remembering Mountains
128 bpm • C Maj • 03:36 • -11.74db
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Andy Shauf
Early to the Party
130 bpm • C# Maj • 04:05 • -10.72db
44% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Future Islands
Moonlight
130 bpm • C Maj • 03:38 • -12.55db
47% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
47% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
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Flock of Dimes
Everything Is Free
130 bpm • C Maj • 04:17 • -13db
40% Popularity • 65% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 65% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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Sharon Van Etten
Come Back
128 bpm • E Maj • 04:29 • -8.15db
28% Popularity • 33% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 33% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The War On Drugs
Lost In The Dream
113 bpm • G Maj • 04:09 • -11db
51% Popularity • 61% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
51% Popularity • 61% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Kurt Vile
Loading Zones
112 bpm • E min • 03:23 • -4.64db
48% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
