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Seventeen
Songs like
Seventeen
by
Troye Sivan
Based on a tempo of (+/- 10%) and a similar genre
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Chelsea Cutler
Cold Showers
119 bpm • G# Maj • 04:00 • -6.02db
44% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Robinson
Crave You
119 bpm • A min • 03:51 • -10.12db
33% Popularity • 62% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Troye Sivan
Seventeen
119 bpm • E Maj • 03:38 • -7.25db
49% Popularity • 61% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Puth
Through It All
119 bpm • E Maj • 03:26 • -8.54db
46% Popularity • 56% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Sam Smith
Say It First
120 bpm • C Maj • 04:07 • -10.29db
53% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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FINNEAS
I'm in Love Without You
120 bpm • G Maj • 03:21 • -7.58db
44% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Troye Sivan
My My My! - Acoustic
119 bpm • A# min • 03:43 • -6db
46% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ashe
Choirs
120 bpm • C Maj • 03:02 • -8.64db
32% Popularity • 71% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Liam Payne
Bedroom Floor
120 bpm • C# Maj • 03:08 • -7.15db
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Noah Cyrus
Punches
118 bpm • C Maj • 04:13 • -9db
45% Popularity • 53% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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AJ Mitchell
Say It Again
120 bpm • C# Maj • 03:26 • -7.52db
36% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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FINNEAS
Shelter
120 bpm • D# min • 03:07 • -10.04db
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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THE DRIVER ERA
Preacher Man
120 bpm • C# Maj • 03:39 • -3.93db
53% Popularity • 69% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Griff
1,000,000 X Better
120 bpm • C Maj • 03:11 • -7.87db
47% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Phoebe Ryan
James Has Changed
120 bpm • G Maj • 03:22 • -5.23db
24% Popularity • 67% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Charli XCX
1999 - Dipha Barus Remix
120 bpm • B min • 03:28 • -6.37db
19% Popularity • 69% Danceability • 85% Energy • 32% Liveness
35% Instrumentalness • 38% Positiveness
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Wallows
Are You Bored Yet?
120 bpm • G# min • 02:58 • -6.44db
82% Popularity • 68% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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DMEANOR
Fool for Loving
120 bpm • F# Maj • 03:45 • -7.33db
27% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Troye Sivan
Bloom
121 bpm • C Maj • 03:42 • -5.2db
57% Popularity • 71% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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shy martin
Good Together
120 bpm • F# Maj • 03:25 • -7.08db
47% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Charli XCX
1999 - Young Franco Remix
118 bpm • A Maj • 03:33 • -9.55db
17% Popularity • 79% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Hemmings
Saigon
117 bpm • D min • 03:41 • -5.47db
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Sebastian Javier
Nobody but Us
117 bpm • C# Maj • 03:21 • -10db
21% Popularity • 77% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander 23
Mars
117 bpm • A# Maj • 02:33 • -7.63db
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Troye Sivan
Dance To This
117 bpm • B Maj • 03:51 • -7.1db
67% Popularity • 74% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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Phoebe Ryan
Should I
121 bpm • C Maj • 03:05 • -5db
37% Popularity • 84% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Chaz Cardigan
As I'll Ever Be
117 bpm • G Maj • 02:26 • -8.44db
23% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Mokita
When I See You
117 bpm • A# Maj • 03:23 • -10.05db
40% Popularity • 65% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
66% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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bülow
Like This Guy
117 bpm • E Maj • 02:13 • -10.31db
27% Popularity • 72% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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HONNE
306 ◑
122 bpm • F# Maj • 03:55 • -7.28db
40% Popularity • 72% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Fiji Blue
Home
122 bpm • C# Maj • 02:40 • -7.89db
42% Popularity • 84% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Harry Styles
Carolina
122 bpm • E min • 03:09 • -4.02db
65% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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lovelytheband
alone time
122 bpm • A Maj • 03:52 • -11.2db
30% Popularity • 50% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Valley
sucks to see you doing better
122 bpm • C# Maj • 03:45 • -8db
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Wallows
1980s Horror Film II
116 bpm • D Maj • 03:55 • -4.96db
56% Popularity • 59% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Troye Sivan
What A Heavenly Way To Die
122 bpm • C Maj • 03:07 • -7.09db
52% Popularity • 72% Danceability • 63% Energy • 9% Liveness
9% Instrumentalness • 59% Positiveness
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Hailee Steinfeld
Afterlife
122 bpm • C# min • 03:29 • -4.73db
55% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Morgan Saint
Glass House
116 bpm • C Maj • 03:35 • -7.94db
35% Popularity • 69% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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VINCINT
Please Don't Fall in Love
116 bpm • G# Maj • 03:14 • -8.23db
31% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Conan Gray
Boys & Girls
116 bpm • A# Maj • 02:22 • -4.52db
57% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Lizzy McAlpine
Come Down Soon
122 bpm • G min • 03:44 • -10.5db
57% Popularity • 60% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Troye Sivan
Animal
122 bpm • G# Maj • 04:25 • -11.16db
46% Popularity • 34% Danceability • 31% Energy • 30% Liveness
1% Instrumentalness • 5% Positiveness
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Will Jay
By Now
115 bpm • D Maj • 02:20 • -7.75db
29% Popularity • 58% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Saro
Rampart
115 bpm • F Maj • 03:27 • -6db
26% Popularity • 64% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Sage Charmaine
June
123 bpm • G Maj • 03:03 • -3.42db
35% Popularity • 68% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Conan Gray
Eye Of The Night
123 bpm • B min • 02:21 • -3.43db
57% Popularity • 71% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Tove Lo
hey you got drugs?
123 bpm • A Maj • 04:18 • -4.6db
44% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Charlie Puth
The Way I Am
115 bpm • A# min • 03:06 • -5.66db
61% Popularity • 76% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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joan
take me on (chilled)
115 bpm • G min • 03:23 • -9db
25% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Lorde
The Louvre
123 bpm • C Maj • 04:31 • -9.98db
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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FINNEAS
Life Moves On
115 bpm • A Maj • 04:11 • -9.93db
42% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Noah Cyrus
Sadness
115 bpm • C# min • 02:41 • -10.55db
36% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Carly Rose
birds & bees
115 bpm • D min • 03:03 • -7db
25% Popularity • 74% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Phoebe Ryan
Be Real
123 bpm • A Maj • 03:42 • -4db
24% Popularity • 54% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Regard
You - Acoustic
123 bpm • C Maj • 03:34 • -8.26db
41% Popularity • 40% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Lizzy McAlpine
Drunk, Running
124 bpm • C Maj • 04:05 • -9.59db
58% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Gracie Abrams
Stay
114 bpm • A# Maj • 02:57 • -10.5db
69% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Orla Gartland
Flatline
124 bpm • D Maj • 03:21 • -5.67db
33% Popularity • 76% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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MUNA
Motivation - Recorded at Electric Lady S...
124 bpm • D Maj • 03:26 • -8.79db
46% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Charli XCX
1999
124 bpm • G Maj • 03:09 • -4.69db
55% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Leland
Middle of Love
124 bpm • F Maj • 03:15 • -5.96db
20% Popularity • 69% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Baker Grace
Wrong Kind Of People
124 bpm • B Maj • 03:13 • -7.55db
28% Popularity • 73% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Gracie Abrams
For Real This Time
124 bpm • F# Maj • 03:13 • -8.73db
60% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Justin Timberlake
Perfect
114 bpm • B min • 02:32 • -5.43db
69% Popularity • 79% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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MUNA
Number One Fan
124 bpm • A Maj • 03:25 • -4.9db
52% Popularity • 75% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Charli XCX
1999 - Stripped
114 bpm • B min • 03:21 • -12db
23% Popularity • 75% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Leland
Lights
114 bpm • C# Maj • 03:02 • -5.81db
28% Popularity • 67% Danceability • 80% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Taylor Swift
The Archer
124 bpm • C Maj • 03:31 • -9.38db
80% Popularity • 29% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 17% Positiveness
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Avonlea
It Sucks
125 bpm • B min • 03:04 • -10db
22% Popularity • 60% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Lorde
Supercut
125 bpm • C Maj • 04:37 • -10.23db
75% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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King Princess
Hit the Back
113 bpm • G Maj • 03:23 • -5.38db
45% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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The Japanese House
Something Has to Change
125 bpm • A Maj • 03:11 • -8.86db
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Zara Larsson
Ruin My Life
125 bpm • B Maj • 03:10 • -5db
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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FINNEAS
Claudia
125 bpm • B min • 02:41 • -7.63db
49% Popularity • 81% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Sophie Rose
Two Young Lovers
113 bpm • C Maj • 02:45 • -7db
23% Popularity • 82% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Clairo
Sofia
113 bpm • C Maj • 03:08 • -9.81db
79% Popularity • 74% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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HAIM
Want You Back
113 bpm • C Maj • 03:52 • -3.93db
49% Popularity • 64% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Lorde
Sober II (Melodrama)
113 bpm • G# min • 02:58 • -11.63db
57% Popularity • 52% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Echosmith
Lonely Generation
125 bpm • D Maj • 03:26 • -4.84db
31% Popularity • 71% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Jonas
Find You
126 bpm • F# min • 03:17 • -4.08db
54% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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ROLE MODEL
hello!
126 bpm • A# Maj • 03:08 • -4.02db
53% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Zedd
Papercut
126 bpm • F min • 07:23 • -4.56db
46% Popularity • 65% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 24% Positiveness
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lovelytheband
your whatever
112 bpm • A Maj • 03:13 • -10.75db
30% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Echosmith
Shut Up and Kiss Me
126 bpm • B min • 03:08 • -7.53db
24% Popularity • 66% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
gold rush
112 bpm • A Maj • 03:05 • -10.49db
71% Popularity • 51% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 35% Positiveness
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Troye Sivan
The Good Side
112 bpm • D Maj • 04:28 • -15.49db
54% Popularity • 43% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Magaluna
Couldn't Say It Better
112 bpm • D Maj • 03:34 • -7.2db
11% Popularity • 72% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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MUNA
I Know A Place
112 bpm • F min • 04:32 • -4.63db
53% Popularity • 68% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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COIN
Cemetery
127 bpm • A Maj • 02:57 • -7.37db
52% Popularity • 65% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Louis Tomlinson
Two of Us
127 bpm • C Maj • 03:37 • -5.63db
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Ariana Grande
goodnight n go
111 bpm • C# Maj • 03:09 • -7.07db
68% Popularity • 71% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Parade of Lights
Tangled Up
128 bpm • F min • 03:32 • -6.86db
36% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Seventeen