Songs like Seventy-Six Trombones from the Music Man - 1995 Remaster by Meredith Willson
Based on a tempo of (+/- 10%) and a similar genre
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Meredith Willson
Seventy Six Trombones from The Music Man...
122 bpm • A# Maj • 03:07 • -15.14db
2% Popularity • 50% Danceability • 34% Energy • 20% Liveness
87% Instrumentalness • 25% Positiveness
2% Popularity • 50% Danceability • 34% Energy • 20% Liveness
87% Instrumentalness • 25% Positiveness
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James Saxon
I Shall Scream!
122 bpm • C Maj • 02:39 • -17.26db
23% Popularity • 64% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 64% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
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Stanley Holloway
With a Liitle Bit of Luck
122 bpm • C Maj • 04:07 • -7.75db
11% Popularity • 70% Danceability • 66% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
11% Popularity • 70% Danceability • 66% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
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Deborah Grant
One Brick at a Time
122 bpm • D Maj • 03:54 • -13db
21% Popularity • 77% Danceability • 55% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 77% Danceability • 55% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
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Howard Keel
June Bride
122 bpm • F Maj • 03:13 • -11.44db
9% Popularity • 40% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 40% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Oscar Hammerstein II
Do-Re-Mi
122 bpm • D Maj • 06:34 • -13.61db
19% Popularity • 58% Danceability • 13% Energy • 47% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 58% Danceability • 13% Energy • 47% Liveness
0% Instrumentalness • 30% Positiveness
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Meredith Willson
Belly up to the Bar, Boys
122 bpm • G# Maj • 04:30 • -6.66db
3% Popularity • 78% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 78% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Fifi D'Orsay
Ah, Paris! / Broadway Baby
122 bpm • G Maj • 03:18 • -18db
14% Popularity • 58% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 58% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Walter Bobbie
Guys and Dolls
122 bpm • G min • 02:58 • -15.59db
33% Popularity • 80% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 80% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 82% Positiveness
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Jule Styne
Gypsy: Mr. Goldstone, I Love You
122 bpm • C Maj • 02:22 • -9.6db
8% Popularity • 60% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 60% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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The Original Broadway Cast Of 'Curtains'
He Did It
122 bpm • C# Maj • 03:07 • -18.32db
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Frederick Loewe
My Fair Lady: Get Me to the Church on Ti...
123 bpm • C Maj • 02:42 • -12.4db
14% Popularity • 60% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 60% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Meredith Willson
The Music Man: Till There Was You (arr. ...
122 bpm • A Maj • 02:16 • -20.48db
1% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cy Coleman
Sweet Charity: Finale
123 bpm • A# Maj • 01:23 • -8.73db
11% Popularity • 44% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 44% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Shirley Jones
Many A New Day
121 bpm • D Maj • 03:06 • -13db
29% Popularity • 60% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 60% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Frank Loesser
Standing on the Corner
123 bpm • C Maj • 02:39 • -16.6db
13% Popularity • 64% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 64% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Ragtime Ensemble
Prologue: Ragtime
121 bpm • F Maj • 09:24 • -10db
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Meredith Willson Orchestra
The Music Man: Seventy-Six Trombones
123 bpm • A# Maj • 03:10 • -12.33db
6% Popularity • 37% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
6% Popularity • 37% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Meredith Willson
Act One Finale
121 bpm • G# Maj • 01:10 • -7.13db
3% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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The Hooverville-ites
We'd Like To Thank You, Herbert Hoover
121 bpm • G Maj • 02:43 • -5.76db
13% Popularity • 71% Danceability • 58% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 71% Danceability • 58% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
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Kathryn Grayson
We Open in Venice - Extended Version
123 bpm • G# Maj • 02:18 • -11db
15% Popularity • 79% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 79% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Imelda Staunton
Some People
123 bpm • F Maj • 03:22 • -7.45db
22% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Nick Ullett
The Sun Has Got His Hat On - Original Ca...
123 bpm • D# Maj • 02:43 • -16db
17% Popularity • 58% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 58% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
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Lionel Bart
Consider Yourself
121 bpm • G Maj • 03:24 • -13.48db
19% Popularity • 70% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 70% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Meredith Willson
Ya Got Trouble
123 bpm • C# Maj • 03:47 • -14.46db
13% Popularity • 68% Danceability • 41% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 68% Danceability • 41% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
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Vivian Blaine
Sue Me - Remastered 2000
120 bpm • A# Maj • 02:28 • -11db
9% Popularity • 71% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 71% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Gordon Macrae
Soliloquy
123 bpm • A min • 07:51 • -14.47db
5% Popularity • 44% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
5% Popularity • 44% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Charles Strouse
Annie: You Won't Be an Orphan for Long
120 bpm • C Maj • 01:44 • -12.76db
25% Popularity • 63% Danceability • 29% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 63% Danceability • 29% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Robert Lindsay
Love Makes The World Go Round - Original...
123 bpm • A Maj • 02:06 • -17db
13% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Gloria Grahame
I Cain't Say No
124 bpm • D# Maj • 03:10 • -13.66db
30% Popularity • 72% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 72% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Meredith Willson
Seventy-Six Trombones from the Music Man...
122 bpm • D# Maj • 03:16 • -12.95db
18% Popularity • 65% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 65% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Frederick Loewe
My Fair Lady: With a Little Bit of Luck
124 bpm • C Maj • 04:05 • -11db
14% Popularity • 68% Danceability • 41% Energy • 63% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 68% Danceability • 41% Energy • 63% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmie Komack
The Game
124 bpm • A Maj • 04:32 • -14db
8% Popularity • 67% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 67% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Original Broadway Cast of 'The Unsinkable Molly Brown'
I Ain't Down Yet
119 bpm • D# Maj • 04:00 • -15db
8% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Give Them What They Want
125 bpm • A# Maj • 03:13 • -11.63db
17% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Gordon Macrae
The Farmer And The Cowman
120 bpm • C Maj • 03:52 • -13.1db
28% Popularity • 74% Danceability • 33% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 74% Danceability • 33% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
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Meredith Willson
Seventy Six Trombones
120 bpm • C Maj • 03:24 • -7.45db
1% Popularity • 49% Danceability • 65% Energy • 72% Liveness
88% Instrumentalness • 73% Positiveness
1% Popularity • 49% Danceability • 65% Energy • 72% Liveness
88% Instrumentalness • 73% Positiveness
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Sally Dexter
As Long As He Needs Me
125 bpm • E Maj • 03:16 • -15.99db
34% Popularity • 29% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 29% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Gareth Davies
Disco Far - Original Mix
125 bpm • B min • 09:13 • -0.68db
0% Popularity • 81% Danceability • 98% Energy • 5% Liveness
97% Instrumentalness • 33% Positiveness
0% Popularity • 81% Danceability • 98% Energy • 5% Liveness
97% Instrumentalness • 33% Positiveness
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Faith Prince
Marry the Man Today
125 bpm • C min • 02:35 • -18db
31% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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John Davidson
Opening (Our State Fair)
125 bpm • C Maj • 02:09 • -14.39db
12% Popularity • 73% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 73% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Charlotte Greenwood
Kansas City
125 bpm • C Maj • 02:30 • -14.43db
31% Popularity • 73% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 73% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
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Meredith Willson
Here's Love: Finale
123 bpm • A# Maj • 01:16 • -10.94db
0% Popularity • 50% Danceability • 54% Energy • 80% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 50% Danceability • 54% Energy • 80% Liveness
0% Instrumentalness • 90% Positiveness
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Stephen Sondheim
Comedy Tonight
118 bpm • G Maj • 06:12 • -15.92db
13% Popularity • 63% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 63% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Jim Dale
The Colors of My Life (Pt. I)
126 bpm • F Maj • 02:46 • -12.8db
12% Popularity • 31% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 31% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Lionel Bart
Finale (Food glorious food/Consider your...
126 bpm • D Maj • 02:59 • -13.57db
6% Popularity • 45% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 45% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Richard Adler
The Pajama Game: Seven-and-a-Half Cents
126 bpm • G Maj • 04:32 • -9.43db
14% Popularity • 58% Danceability • 55% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 58% Danceability • 55% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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Charles Strouse
Introductory Remarks / I've Never Been S...
126 bpm • F Maj • 01:19 • -25.55db
13% Popularity • 57% Danceability • 8% Energy • 11% Liveness
31% Instrumentalness • 55% Positiveness
13% Popularity • 57% Danceability • 8% Energy • 11% Liveness
31% Instrumentalness • 55% Positiveness
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Meredith Willson
76 Trombones (Willson arr. Amis)
124 bpm • C Maj • 03:41 • -18.09db
0% Popularity • 56% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 74% Positiveness
0% Popularity • 56% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 74% Positiveness
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"Me And My Girl The Musical" Ensemble
A Weekend At Hareford - Original Cast Re...
126 bpm • G Maj • 04:13 • -17.05db
15% Popularity • 69% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 69% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 61% Positiveness
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Dick Latessa
(You're) Timeless to Me
118 bpm • F# min • 04:09 • -10.62db
25% Popularity • 65% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 65% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Cécile Chaminade
Scarf Dance - Pas Des Echarpes
126 bpm • G Maj • 02:50 • -17.44db
2% Popularity • 56% Danceability • 13% Energy • 58% Liveness
30% Instrumentalness • 38% Positiveness
2% Popularity • 56% Danceability • 13% Energy • 58% Liveness
30% Instrumentalness • 38% Positiveness
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Jonathan Pryce
Be Back Soon
118 bpm • C Maj • 03:19 • -16.82db
30% Popularity • 69% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Broadway Cast Recording
Kiss Me, Kate
118 bpm • A# Maj • 02:54 • -10.5db
13% Popularity • 52% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 52% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Meredith Willson
He's My Friend
120 bpm • C Maj • 02:05 • -8.34db
3% Popularity • 69% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 69% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Virginia Gibson
June Bride
127 bpm • F Maj • 03:18 • -19db
29% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Jerry Herman
Mame: Mame
127 bpm • F min • 06:16 • -11.54db
20% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Richard Adler
The Pajama Game: Finale
117 bpm • C# Maj • 00:51 • -7.12db
11% Popularity • 70% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 70% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Original Broadway Cast: Me And My Girl
Finale "Me And My Girl" - Original Cast ...
127 bpm • B Maj • 01:34 • -14.91db
15% Popularity • 43% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 43% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Stanley Holloway
Get Me To The Church On Time - Voice
117 bpm • C Maj • 05:56 • -13.18db
21% Popularity • 60% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 60% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Meredith Willson
Just Becuz
119 bpm • E Maj • 01:27 • -9.76db
3% Popularity • 76% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
3% Popularity • 76% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Russ Brown
Heart
127 bpm • G# Maj • 04:41 • -14db
16% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Lionel Bart
My Name
117 bpm • D min • 02:36 • -15.72db
7% Popularity • 74% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 74% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Judy Holliday
I'm Going Back
117 bpm • F# Maj • 03:27 • -14.02db
3% Popularity • 53% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 53% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Van Johnson
I'll Go Home with Bonnie Jean
128 bpm • G Maj • 02:52 • -12.23db
14% Popularity • 47% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 47% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Meredith Willson Orchestra
The Music Man: Marian the Librarian
117 bpm • F min • 05:54 • -16.74db
1% Popularity • 33% Danceability • 26% Energy • 8% Liveness
80% Instrumentalness • 22% Positiveness
1% Popularity • 33% Danceability • 26% Energy • 8% Liveness
80% Instrumentalness • 22% Positiveness
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Meredith Willson
Gary, Indiana
119 bpm • G# Maj • 01:25 • -14.15db
18% Popularity • 73% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 73% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Vivian Blaine
Sue Me
128 bpm • A# Maj • 02:27 • -23db
11% Popularity • 64% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 64% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Pirates Of Penzance
My Eyes Are Fully Open
117 bpm • G# Maj • 03:24 • -14.43db
20% Popularity • 64% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 64% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 50% Positiveness
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Sherman Edwards
1776: Piddle, Twiddle, and Resolve / Til...
116 bpm • C# Maj • 04:54 • -13.74db
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Original 1955 Oklahoma! Studio Orchestra
The Farmer And The Cowman Ballet
128 bpm • G Maj • 01:25 • -11.3db
22% Popularity • 58% Danceability • 80% Energy • 73% Liveness
23% Instrumentalness • 96% Positiveness
22% Popularity • 58% Danceability • 80% Energy • 73% Liveness
23% Instrumentalness • 96% Positiveness
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Robert Morse|Rudy Vallee
Grand Old Ivy
129 bpm • C Maj • 02:13 • -13.35db
4% Popularity • 55% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 69% Positiveness
4% Popularity • 55% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 69% Positiveness
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Meredith Willson
Exit Music
126 bpm • A Maj • 01:18 • -5.87db
2% Popularity • 76% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
2% Popularity • 76% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Ken Darby Male Chorus
Bloody Mary
129 bpm • D# Maj • 01:54 • -10.37db
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Jerry Orbach
We Both Reached for the Gun
129 bpm • C# min • 03:44 • -7.65db
21% Popularity • 57% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 57% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Faith Prince
Sue Me
116 bpm • C min • 02:50 • -19db
30% Popularity • 61% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 61% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Broadway Cast Recording
Brush Up Your Shakespeare
115 bpm • C Maj • 04:51 • -11.16db
20% Popularity • 79% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 79% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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The Original Broadway Cast Of 'Curtains'
Show People
115 bpm • G Maj • 05:56 • -14.37db
27% Popularity • 66% Danceability • 29% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 66% Danceability • 29% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
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Meredith Willson
The Music Man: Seventy-Six Trombones
126 bpm • G Maj • 02:55 • -17.27db
3% Popularity • 56% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 23% Positiveness
3% Popularity • 56% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 23% Positiveness
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Julia Migenes
Sunrise, Sunset
115 bpm • F min • 03:33 • -20.54db
22% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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'Anything Goes' New Broadway Cast Ensemble
There's No Cure Like Travel / Bon Voyage
129 bpm • G Maj • 01:54 • -7.8db
31% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Walter Bobbie
Sit Down, You're Rockin' the Boat
129 bpm • A# Maj • 02:57 • -15.74db
39% Popularity • 58% Danceability • 30% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 58% Danceability • 30% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
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Stanley Holloway
Get Me to the Church on Time
115 bpm • D Maj • 02:44 • -10.17db
28% Popularity • 57% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 57% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
115 bpm • C Maj • 03:37 • -18db
18% Popularity • 48% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 48% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Meredith Willson
The Music Man: Seventy-Six Trombones (ar...
118 bpm • G min • 04:49 • -15.03db
0% Popularity • 56% Danceability • 30% Energy • 80% Liveness
48% Instrumentalness • 44% Positiveness
0% Popularity • 56% Danceability • 30% Energy • 80% Liveness
48% Instrumentalness • 44% Positiveness
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Lionel Bart
I Shall Scream
129 bpm • C# Maj • 02:49 • -18.15db
6% Popularity • 61% Danceability • 17% Energy • 48% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 61% Danceability • 17% Energy • 48% Liveness
0% Instrumentalness • 76% Positiveness
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Harriet Harris
Muqin
115 bpm • D Maj • 02:17 • -11.84db
17% Popularity • 49% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 49% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Broadway Cast Recording
Tom, Dick Or Harry
115 bpm • C min • 03:53 • -10.31db
19% Popularity • 62% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 62% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Gareth Davies
Embers
115 bpm • G Maj • 04:22 • -14.6db
0% Popularity • 62% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 62% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Stanley Holloway
Get Me to the Churche On Time
115 bpm • D Maj • 02:43 • -9db
14% Popularity • 58% Danceability • 43% Energy • 53% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 58% Danceability • 43% Energy • 53% Liveness
0% Instrumentalness • 80% Positiveness
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Meredith Willson
76 Trombones
127 bpm • C Maj • 02:48 • -13.73db
2% Popularity • 66% Danceability • 50% Energy • 19% Liveness
80% Instrumentalness • 65% Positiveness
2% Popularity • 66% Danceability • 50% Energy • 19% Liveness
80% Instrumentalness • 65% Positiveness
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Same Levene
The Oldest Established
130 bpm • G Maj • 02:36 • -20db
13% Popularity • 64% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 64% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Tim Curry
Come With Me - Broadway/Original Cast/20...
130 bpm • G Maj • 01:41 • -9.04db
32% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Julia Migenes
Now I Have Everything
114 bpm • G Maj • 02:04 • -19db
18% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Thoroughly Modern Millie Ensemble
Final Bows
114 bpm • F Maj • 02:07 • -9.34db
18% Popularity • 48% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 48% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Gwen Verdon
Who's Got the Pain?
114 bpm • D Maj • 02:53 • -11db
15% Popularity • 70% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 70% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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Meredith Willson
76 Trombones - Arr. John Woodbury
127 bpm • F Maj • 03:02 • -15.53db
6% Popularity • 52% Danceability • 43% Energy • 6% Liveness
26% Instrumentalness • 51% Positiveness
6% Popularity • 52% Danceability • 43% Energy • 6% Liveness
26% Instrumentalness • 51% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
If I Loved You
131 bpm • F Maj • 06:20 • -13db
18% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
