Songs like Sex With Exes by Matt Easton
Based on a tempo of (+/- 10%) and a similar genre
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Matt Easton
Sex With Exes
105 bpm • E min • 03:48 • -5.42db
18% Popularity • 74% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 74% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Tim McMorris
Music My Life
105 bpm • F Maj • 04:19 • -7.73db
28% Popularity • 74% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 74% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Lox Chatterbox
We're All Mad Here
105 bpm • C# min • 04:08 • -6db
11% Popularity • 74% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 74% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Luke Christopher
Need That Love
105 bpm • B min • 05:08 • -5.93db
18% Popularity • 67% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 67% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Packy
I Already See It
106 bpm • G Maj • 03:50 • -5.99db
21% Popularity • 67% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 67% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 19% Positiveness
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Willis
What a Day
103 bpm • C# min • 02:58 • -9.98db
19% Popularity • 79% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 79% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Easton
Bonafide Passion Fiend
105 bpm • C# Maj • 04:02 • -8.96db
1% Popularity • 61% Danceability • 55% Energy • 13% Liveness
7% Instrumentalness • 26% Positiveness
1% Popularity • 61% Danceability • 55% Energy • 13% Liveness
7% Instrumentalness • 26% Positiveness
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Demrick
Smoke
107 bpm • D Maj • 04:00 • -7.55db
15% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Lachow
D.Y.B & Bonus Track
104 bpm • D Maj • 04:41 • -10db
12% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Nifty
Sippin'
107 bpm • D min • 04:32 • -4.32db
18% Popularity • 69% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 69% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Travis Mills
Young & Stupid
107 bpm • C# min • 03:06 • -4.34db
36% Popularity • 78% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 78% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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P.MO
Come Home
107 bpm • E Maj • 02:50 • -7.52db
38% Popularity • 75% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 75% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Matt Easton
Blue
104 bpm • E min • 02:54 • -11.37db
17% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Stony
Feel Good
103 bpm • C# min • 02:59 • -5.53db
6% Popularity • 72% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 72% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Sincerely Collins
Possible
108 bpm • G Maj • 03:35 • -7.09db
19% Popularity • 67% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 67% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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B.o.B
Roll Up
109 bpm • A# Maj • 02:48 • -8.17db
48% Popularity • 82% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 82% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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PJ Simas
Ocean Drop
109 bpm • G# Maj • 04:12 • -9.06db
25% Popularity • 77% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 77% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Marvin Baker
Good Times
101 bpm • C# Maj • 03:24 • -7.98db
8% Popularity • 73% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 73% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Matt Easton
How I Feel About You
103 bpm • G# Maj • 03:38 • -9.59db
11% Popularity • 77% Danceability • 54% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
11% Popularity • 77% Danceability • 54% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
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Willis
So Long
100 bpm • A min • 03:20 • -8.05db
40% Popularity • 80% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 80% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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D.Worthy
Anticipation (Prod By The XX)
100 bpm • F Maj • 04:23 • -8.92db
27% Popularity • 72% Danceability • 86% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
27% Popularity • 72% Danceability • 86% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
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Neako
The Dawn
100 bpm • A min • 02:04 • -6.69db
38% Popularity • 66% Danceability • 83% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
38% Popularity • 66% Danceability • 83% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
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Lox Chatterbox
CocaÃna
110 bpm • A# min • 03:18 • -3.73db
11% Popularity • 94% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 94% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Vibrant Sound
Gravity ( Gotta Fly)
110 bpm • B min • 03:55 • -6db
18% Popularity • 72% Danceability • 66% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 72% Danceability • 66% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Easton
Feel the Love
110 bpm • G# Maj • 05:02 • -10.83db
4% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Hendersin
To the Sky
100 bpm • G# Maj • 03:48 • -5.35db
37% Popularity • 92% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 92% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Marc Goone
Meshuganah
100 bpm • F# min • 01:57 • -7db
8% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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The Kings Dead
Proud of Me
100 bpm • F min • 02:56 • -7db
31% Popularity • 66% Danceability • 85% Energy • 69% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 66% Danceability • 85% Energy • 69% Liveness
0% Instrumentalness • 47% Positiveness
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Quinn XCII
Fight Song
100 bpm • A Maj • 03:23 • -7db
30% Popularity • 74% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 74% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Abstract
Do the Math
100 bpm • A# min • 03:42 • -7.79db
23% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Easton
Save a Day
110 bpm • C Maj • 03:21 • -11.48db
1% Popularity • 73% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 73% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Christopher
Roll With Me
100 bpm • F Maj • 03:17 • -5.12db
20% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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YONAS
This Goes out to You
100 bpm • F# Maj • 03:32 • -5.87db
31% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Mike Craftsman
This Town
100 bpm • C Maj • 03:28 • -8db
11% Popularity • 77% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 77% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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TomPepe
The River Runs Deep
100 bpm • F Maj • 05:50 • -6.86db
33% Popularity • 79% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 79% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Emir Duru
Stay With Me
100 bpm • F min • 02:49 • -6db
20% Popularity • 94% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 94% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Matt Easton
Lovers
100 bpm • F min • 04:00 • -8.71db
3% Popularity • 79% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
3% Popularity • 79% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Tray Jack
One Night
100 bpm • G Maj • 03:14 • -8.06db
12% Popularity • 84% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 84% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Giard
What Did We Do
100 bpm • C Maj • 03:54 • -7db
30% Popularity • 72% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 72% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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The Good Husbands
Utopian House Party
100 bpm • A Maj • 04:02 • -8.83db
24% Popularity • 87% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 87% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Cityreal
Around Here
99 bpm • G Maj • 03:22 • -7db
12% Popularity • 73% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 73% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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PJ Simas
Live Life Away
99 bpm • G# Maj • 04:01 • -6.57db
22% Popularity • 83% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 83% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Easton
Through the Night
100 bpm • G# Maj • 03:48 • -7.2db
6% Popularity • 67% Danceability • 77% Energy • 34% Liveness
2% Instrumentalness • 32% Positiveness
6% Popularity • 67% Danceability • 77% Energy • 34% Liveness
2% Instrumentalness • 32% Positiveness
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Hendersin
One, Two, Three
99 bpm • E min • 03:43 • -7.61db
19% Popularity • 88% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 88% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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The Kings Dead
The Reunion
99 bpm • D min • 02:59 • -7.07db
29% Popularity • 65% Danceability • 65% Energy • 54% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 65% Danceability • 65% Energy • 54% Liveness
0% Instrumentalness • 18% Positiveness
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Pro Zig
The Play
112 bpm • D min • 02:51 • -8db
25% Popularity • 71% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 71% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Da Kid Emm
How We Ride
99 bpm • G Maj • 04:17 • -4.98db
10% Popularity • 55% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 55% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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The Dean's List
Mainstream
98 bpm • D min • 02:48 • -6.93db
14% Popularity • 77% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 77% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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J-Wright
Left Alone
98 bpm • C Maj • 04:40 • -12.79db
15% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Tayyib Ali
Tomorrow
98 bpm • C# min • 03:26 • -6.21db
14% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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E-Dubble
Dogface Go
98 bpm • G Maj • 03:42 • -9.59db
30% Popularity • 77% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 77% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Nifty
Get Ghost
98 bpm • C# Maj • 03:33 • -5db
23% Popularity • 76% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 76% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Fozzey & VanC
Stuck in This
98 bpm • B min • 03:45 • -8.89db
22% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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PJ Simas
Sun Set Down
98 bpm • F# min • 03:41 • -5.64db
18% Popularity • 84% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 84% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Christopher
This Old World
98 bpm • C# min • 03:53 • -3.1db
20% Popularity • 76% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 76% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Russ
Area 51
98 bpm • F# Maj • 03:40 • -1.64db
28% Popularity • 56% Danceability • 96% Energy • 79% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 56% Danceability • 96% Energy • 79% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Easton
Soul Plans
98 bpm • A Maj • 02:46 • -6.93db
1% Popularity • 55% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
1% Popularity • 55% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Miracle
Endless Summer
113 bpm • F# Maj • 04:09 • -4.87db
12% Popularity • 67% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 67% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Packy
Groovy Chick
113 bpm • F# Maj • 03:36 • -6.97db
19% Popularity • 92% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 92% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Dopize
Quest
97 bpm • A# min • 03:58 • -12.22db
16% Popularity • 49% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 49% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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The Kings Dead
B M W
113 bpm • F Maj • 02:56 • -6.4db
17% Popularity • 52% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 52% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Savier
Plan The Escape
114 bpm • C# Maj • 03:55 • -6.39db
11% Popularity • 57% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 57% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 42% Positiveness
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B.o.B
Plain Jane
114 bpm • E min • 03:00 • -9.18db
19% Popularity • 78% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 78% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Ground Up
Next Year
114 bpm • F# Maj • 03:33 • -11.24db
9% Popularity • 74% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 74% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Easton
Happy Thoughts
114 bpm • C Maj • 01:38 • -11.14db
4% Popularity • 62% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 62% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Brandon Beal
Cashflow
97 bpm • C Maj • 03:32 • -5db
9% Popularity • 80% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 80% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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The Kings Dead
All My Life
113 bpm • E Maj • 02:31 • -7.11db
24% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Mayko Greenleaf
Big Spender (Digitally Remastered)
114 bpm • A Maj • 03:59 • -9.35db
11% Popularity • 61% Danceability • 54% Energy • 32% Liveness
3% Instrumentalness • 40% Positiveness
11% Popularity • 61% Danceability • 54% Energy • 32% Liveness
3% Instrumentalness • 40% Positiveness
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PJ Simas
Call Me Crazy
96 bpm • C# min • 03:52 • -7.48db
38% Popularity • 81% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 81% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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TomPepe
BrightSide
96 bpm • G Maj • 03:35 • -7.07db
17% Popularity • 81% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 81% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Matt Easton
Nothing Is Ordinary
96 bpm • D Maj • 03:41 • -11.49db
0% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Asher Roth
Be Right
96 bpm • G# Maj • 04:00 • -5.96db
19% Popularity • 74% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 74% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Linguistics
Life's Good
96 bpm • E min • 03:30 • -9db
27% Popularity • 65% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 65% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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William Bolton
Fading
96 bpm • E min • 03:30 • -6.74db
24% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Lachow
Action Figures
95 bpm • F Maj • 03:56 • -7db
27% Popularity • 85% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 85% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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E-Dubble
What It Do
95 bpm • F min • 04:02 • -4.72db
49% Popularity • 81% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 81% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Swilson
What It's Like
95 bpm • A min • 03:25 • -5.56db
4% Popularity • 66% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 66% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Wilderness Crew
Perfect Match
95 bpm • C# min • 03:14 • -8.11db
24% Popularity • 92% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 92% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Nick Weaver
Work
95 bpm • D# min • 02:24 • -9.01db
20% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Dylan Owen
Ghosts
95 bpm • G# Maj • 04:42 • -9db
19% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Lachow
Cadillacs & Videos
116 bpm • B min • 03:34 • -6.27db
18% Popularity • 80% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 80% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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E-Dubble
Coming of Age
95 bpm • A Maj • 04:53 • -5db
30% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Andy Frost
Feels Like Yesterday
95 bpm • C# Maj • 02:41 • -6.37db
17% Popularity • 91% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 91% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Easton
Jet Life
95 bpm • A# Maj • 04:02 • -6.62db
28% Popularity • 26% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 26% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Scipio aka XO
Welcome 2 La
94 bpm • C# Maj • 04:02 • -7.19db
18% Popularity • 45% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 45% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dylan Owen
The Best Fears of Our Lives
95 bpm • D Maj • 04:53 • -10.11db
17% Popularity • 68% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 68% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
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P.MO
Train Girl
94 bpm • C# Maj • 04:08 • -15db
10% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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E-Dubble
Plan A
95 bpm • A min • 03:24 • -7.72db
41% Popularity • 86% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 86% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Kinetics
Strangers
94 bpm • A Maj • 03:48 • -8.3db
10% Popularity • 52% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 52% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Classified
Heavy Head
94 bpm • A Maj • 03:36 • -6.39db
18% Popularity • 56% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 56% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Stupid Kids
Rainclouds
94 bpm • G# Maj • 03:22 • -9.03db
10% Popularity • 70% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan Owen
Ghosts Revisited
95 bpm • G# Maj • 05:32 • -12db
8% Popularity • 64% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 64% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Asher Roth
Pull It
117 bpm • A Maj • 04:47 • -8.64db
23% Popularity • 63% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 63% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Lance Grey
Highlife
94 bpm • F min • 03:32 • -8.03db
27% Popularity • 63% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 63% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Kid Quill
A Song to Sing
94 bpm • D Maj • 03:05 • -7.21db
42% Popularity • 74% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 74% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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The Kings Dead
Satellite Kids
118 bpm • G# min • 03:39 • -7.24db
16% Popularity • 84% Danceability • 63% Energy • 95% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 84% Danceability • 63% Energy • 95% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Easton
Rock With Me
94 bpm • E min • 05:05 • -6.44db
11% Popularity • 42% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 42% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Witt Lowry
Kindest Regards
118 bpm • C# Maj • 04:54 • -10.83db
48% Popularity • 66% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 66% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
