Songs like Sex by William Hinson
Based on a tempo of (+/- 10%) and a similar genre
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Joel Ansett
Through
135 bpm • C# Maj • 03:28 • -10.48db
29% Popularity • 63% Danceability • 44% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
29% Popularity • 63% Danceability • 44% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
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Wingtip
Place Like This
135 bpm • F# Maj • 03:39 • -10.69db
21% Popularity • 56% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 56% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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The Band CAMINO
Berenstein
135 bpm • E Maj • 04:36 • -5.93db
48% Popularity • 42% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 42% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Betcha
Losing My Mind
135 bpm • D# Maj • 03:57 • -9db
26% Popularity • 57% Danceability • 50% Energy • 10% Liveness
3% Instrumentalness • 23% Positiveness
26% Popularity • 57% Danceability • 50% Energy • 10% Liveness
3% Instrumentalness • 23% Positiveness
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push baby
thenineteenseventyfive
135 bpm • E Maj • 04:14 • -7db
42% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Vancouver Sleep Clinic
Summer '09
135 bpm • D# min • 03:44 • -9db
33% Popularity • 48% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 48% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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j solomon
Hazel Eyes
135 bpm • G Maj • 03:46 • -18db
32% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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William Hinson
Sex
135 bpm • F Maj • 03:40 • -10db
28% Popularity • 50% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 50% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Adam Ragsdale
Blvd
135 bpm • G# Maj • 05:36 • -13.23db
31% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Rightfield
Sebastian
135 bpm • F# Maj • 03:49 • -17.42db
9% Popularity • 54% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 54% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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John Vincent III
This One's Yours
135 bpm • A# min • 04:44 • -14.3db
21% Popularity • 47% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 47% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Plested
Make A Start
136 bpm • D Maj • 03:10 • -8.63db
21% Popularity • 49% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 49% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Oh Wonder
Dust
136 bpm • F# min • 02:40 • -9.2db
24% Popularity • 60% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 60% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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ELLIANA
Nirvana
134 bpm • E Maj • 04:26 • -9.57db
39% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Silvie
Selfish Love
134 bpm • B Maj • 04:32 • -8.83db
15% Popularity • 53% Danceability • 47% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
15% Popularity • 53% Danceability • 47% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
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Christian Leave
Shadows
134 bpm • A# Maj • 03:30 • -4.76db
28% Popularity • 41% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 41% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
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Phillip LaRue
Night Swimming
134 bpm • F Maj • 03:16 • -9.33db
22% Popularity • 57% Danceability • 62% Energy • 22% Liveness
35% Instrumentalness • 40% Positiveness
22% Popularity • 57% Danceability • 62% Energy • 22% Liveness
35% Instrumentalness • 40% Positiveness
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Sam the Astronaut
Sunshine Gold - Version 2
134 bpm • D# Maj • 04:08 • -14db
25% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Overcoats
New Shoes
136 bpm • G Maj • 03:18 • -11db
29% Popularity • 58% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 58% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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The Wldlfe
New
136 bpm • D Maj • 05:21 • -12.95db
14% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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James Spaite
Killowen
136 bpm • E Maj • 03:47 • -12.11db
22% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Rockoff
Supernova
134 bpm • G Maj • 05:04 • -13db
26% Popularity • 63% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 63% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Day
Dreams Tonight
136 bpm • D Maj • 02:42 • -13.8db
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
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Rusty Clanton
I Hope It's You
134 bpm • B Maj • 03:57 • -8.96db
33% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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William Hinson
High Hopes!
133 bpm • G Maj • 02:34 • -10.34db
2% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Vacation Manor
If Only for Tonight - Midnight Version
137 bpm • D min • 04:42 • -8.77db
19% Popularity • 55% Danceability • 39% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
19% Popularity • 55% Danceability • 39% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
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Ethan DeRose
Paint Splattered Jeans (Acoustic)
133 bpm • B min • 02:45 • -13.96db
20% Popularity • 76% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 76% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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asking for a friend
Asking For A Friend
137 bpm • A min • 02:36 • -11.69db
13% Popularity • 49% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 49% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Floersch
Regarding Your Departure
133 bpm • F# Maj • 03:16 • -17.96db
19% Popularity • 50% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
19% Popularity • 50% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
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Local Natives
When Am I Gonna Lose You - Acoustic
132 bpm • B Maj • 04:11 • -6.38db
31% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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NIGHT TRAVELER
Electric Love (Native)
138 bpm • E Maj • 03:48 • -14.14db
2% Popularity • 55% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
2% Popularity • 55% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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Chelsea Cutler
New Recording 28 - Lions
132 bpm • A Maj • 04:24 • -17.3db
31% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Henry Jamison
Still Life
132 bpm • E Maj • 03:48 • -8.74db
37% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Phillip Vo
Wrong
138 bpm • A Maj • 03:36 • -8.74db
17% Popularity • 71% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 71% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Kathleen
Asking the Aspens
132 bpm • D# Maj • 02:49 • -10db
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Sleeping Lion
Stop It - Stripped
138 bpm • G# Maj • 03:30 • -11.06db
29% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Young Mister
Everything Has Its Place
132 bpm • A Maj • 04:12 • -12db
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
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Adam Melchor
Joyride
132 bpm • A Maj • 03:32 • -7db
50% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Nachbi
I'll Be Better Soon
138 bpm • C# Maj • 01:52 • -14.23db
34% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jack Gray
Take Our Time
139 bpm • D# Maj • 03:38 • -7.91db
19% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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asking for a friend
Summer Sky
139 bpm • F# Maj • 04:06 • -11db
26% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Zach Oliver
Seaside
131 bpm • C# Maj • 03:03 • -12.37db
39% Popularity • 78% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 78% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Francisco Martin
Swollen
140 bpm • A# Maj • 03:50 • -9.83db
26% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Charli Adams
Passenger Seat
140 bpm • C# Maj • 04:05 • -10.02db
16% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Oh Wonder
Don't You Worry
130 bpm • A Maj • 03:39 • -11.18db
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Lanzon
Always Forever
140 bpm • E Maj • 02:34 • -13.43db
25% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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little image
Bottles
140 bpm • B Maj • 04:30 • -7db
32% Popularity • 63% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 63% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
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Tori Templet
Right Here
140 bpm • G min • 03:38 • -14.97db
16% Popularity • 56% Danceability • 33% Energy • 22% Liveness
1% Instrumentalness • 10% Positiveness
16% Popularity • 56% Danceability • 33% Energy • 22% Liveness
1% Instrumentalness • 10% Positiveness
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Matt Maeson
Tread On Me - Stripped
140 bpm • E Maj • 03:38 • -9.06db
35% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Walden
Milestone
130 bpm • E Maj • 04:23 • -14.98db
42% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Vancouver Sleep Clinic
Fever
140 bpm • A# Maj • 03:27 • -8.76db
31% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Grady
Open
140 bpm • E Maj • 03:32 • -11.88db
36% Popularity • 52% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 52% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Arms Akimbo
Rearrange
140 bpm • D Maj • 04:31 • -12.58db
33% Popularity • 49% Danceability • 33% Energy • 68% Liveness
9% Instrumentalness • 16% Positiveness
33% Popularity • 49% Danceability • 33% Energy • 68% Liveness
9% Instrumentalness • 16% Positiveness
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Phillip LaRue
West Coast
130 bpm • F min • 04:34 • -8.73db
33% Popularity • 73% Danceability • 56% Energy • 16% Liveness
37% Instrumentalness • 26% Positiveness
33% Popularity • 73% Danceability • 56% Energy • 16% Liveness
37% Instrumentalness • 26% Positiveness
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James Spaite
Maple Whisky
140 bpm • C Maj • 03:52 • -16db
26% Popularity • 67% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 67% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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War Is Over
Angelica's Room
130 bpm • C Maj • 04:04 • -12.62db
23% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Portair
You Should Go
130 bpm • D# Maj • 04:04 • -10db
21% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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William Hinson
St. Patrick's Day (Live! At The Flat Iro...
130 bpm • E Maj • 03:58 • -10.92db
6% Popularity • 64% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
6% Popularity • 64% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Vacation Manor
Feel Something
130 bpm • C Maj • 04:11 • -8.05db
28% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Bien
Must Be Dreaming
130 bpm • A Maj • 04:05 • -10.43db
27% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jordy Searcy
Better
130 bpm • D Maj • 03:30 • -8.21db
32% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Chelsea Cutler
the stars
130 bpm • B min • 02:53 • -11.62db
47% Popularity • 56% Danceability • 38% Energy • 12% Liveness
13% Instrumentalness • 24% Positiveness
47% Popularity • 56% Danceability • 38% Energy • 12% Liveness
13% Instrumentalness • 24% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
40% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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The Band CAMINO
Young
141 bpm • C Maj • 05:40 • -5.61db
29% Popularity • 37% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 37% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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William Hinson
Identifying Trees
141 bpm • F Maj • 02:46 • -12.14db
6% Popularity • 44% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
6% Popularity • 44% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
29% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jake Howden
Lungs
142 bpm • F Maj • 04:03 • -10.8db
23% Popularity • 59% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 59% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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ayokay
California Will Never Rest
142 bpm • D Maj • 03:29 • -8.31db
23% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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EXES
Timing Is Everything
142 bpm • D Maj • 03:29 • -10db
22% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Melchor
Plan On You
142 bpm • G Maj • 03:28 • -12.72db
29% Popularity • 36% Danceability • 41% Energy • 12% Liveness
62% Instrumentalness • 49% Positiveness
29% Popularity • 36% Danceability • 41% Energy • 12% Liveness
62% Instrumentalness • 49% Positiveness
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Lou
This Forever
128 bpm • C# Maj • 04:31 • -10db
29% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Charli Adams
Seventeen Again
141 bpm • D# Maj • 03:24 • -10.9db
39% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Mōzi
Honey + Tea
128 bpm • F Maj • 03:42 • -10.56db
31% Popularity • 61% Danceability • 40% Energy • 10% Liveness
47% Instrumentalness • 34% Positiveness
31% Popularity • 61% Danceability • 40% Energy • 10% Liveness
47% Instrumentalness • 34% Positiveness
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Jeff Pianki
Song About
128 bpm • B Maj • 03:39 • -11.1db
33% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Bishop Ivy
15
128 bpm • B min • 03:17 • -8.87db
25% Popularity • 59% Danceability • 64% Energy • 46% Liveness
51% Instrumentalness • 47% Positiveness
25% Popularity • 59% Danceability • 64% Energy • 46% Liveness
51% Instrumentalness • 47% Positiveness
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Mountain Boy
From the Dust
128 bpm • C Maj • 05:40 • -13.05db
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
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MyKey
The Diver & the Girl
128 bpm • C Maj • 03:52 • -7.84db
16% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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milk.
A Little More
128 bpm • C# min • 04:20 • -10.54db
44% Popularity • 46% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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S. Grant Parker
No Fire
127 bpm • F Maj • 03:48 • -7.42db
22% Popularity • 58% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 58% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 28% Positiveness
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William Hinson
Spring Flowers
144 bpm • G Maj • 02:18 • -12.91db
8% Popularity • 31% Danceability • 16% Energy • 19% Liveness
2% Instrumentalness • 38% Positiveness
8% Popularity • 31% Danceability • 16% Energy • 19% Liveness
2% Instrumentalness • 38% Positiveness
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Young Mister
American Dream Come True
127 bpm • A Maj • 03:19 • -11db
27% Popularity • 68% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 52% Positiveness
27% Popularity • 68% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 52% Positiveness
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The Band CAMINO
Know Me
127 bpm • A Maj • 03:46 • -5.56db
35% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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MyKey
Homesick Remedy
143 bpm • G Maj • 02:24 • -11.35db
27% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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RELIC
3 AM
144 bpm • G Maj • 05:29 • -13.09db
33% Popularity • 45% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 45% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Wilderado
Sorrow - Acoustic
144 bpm • C Maj • 03:00 • -10.56db
37% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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William Hinson
Ireland
127 bpm • A Maj • 02:54 • -9.41db
25% Popularity • 85% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 85% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Austin Blue
Inconsequential
127 bpm • D Maj • 04:27 • -19.94db
18% Popularity • 46% Danceability • 15% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
18% Popularity • 46% Danceability • 15% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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The Wldlfe
2020 / Waking Up Is Hard To Do
144 bpm • D# Maj • 03:07 • -9db
22% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Vacation Manor
Thoughts in Progress
126 bpm • A Maj • 03:56 • -6db
37% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Grady
of being alone
126 bpm • D# Maj • 03:26 • -4.62db
17% Popularity • 45% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 45% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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William Hinson
Ireland (Live! At The Flat Iron / 12.9.2...
127 bpm • D Maj • 02:57 • -12.79db
5% Popularity • 54% Danceability • 20% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 54% Danceability • 20% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Hayden Everett
Who Are You
145 bpm • D Maj • 03:54 • -7.73db
17% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Charlie Burg
Letter From Last Summer
145 bpm • D# Maj • 02:36 • -18.5db
38% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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John-Robert
Friends
145 bpm • B Maj • 02:51 • -9.81db
17% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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niko+
Glendale
126 bpm • A# Maj • 06:10 • -11.12db
26% Popularity • 49% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 49% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Winnetka Bowling League
CVS (Acoustic Version)
145 bpm • A# Maj • 03:34 • -11db
22% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
