Songs like Shadow of Your Smile by Fausto Papetti
Based on a tempo of (+/- 10%) and a similar genre
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Gil Ventura
Je t'aime... moi non plus
84 bpm • A# Maj • 03:10 • -9db
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
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Gustavo Pimentel
Frenesi
84 bpm • F Maj • 03:20 • -18.76db
37% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
37% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
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Franck Pourcel
La Vida en Rosa
84 bpm • D# min • 02:19 • -7.09db
39% Popularity • 25% Danceability • 67% Energy • 40% Liveness
36% Instrumentalness • 22% Positiveness
39% Popularity • 25% Danceability • 67% Energy • 40% Liveness
36% Instrumentalness • 22% Positiveness
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Roger Williams
Fascination
84 bpm • G Maj • 02:20 • -17.86db
30% Popularity • 30% Danceability • 13% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
30% Popularity • 30% Danceability • 13% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
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Joaquin Borges
Rio De Luna
83 bpm • C Maj • 02:31 • -22db
44% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
44% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
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John Pazos and His Bolero Orchestra
Qué Tiempo Tan Feliz!
85 bpm • G min • 03:39 • -5.02db
29% Popularity • 29% Danceability • 63% Energy • 20% Liveness
68% Instrumentalness • 58% Positiveness
29% Popularity • 29% Danceability • 63% Energy • 20% Liveness
68% Instrumentalness • 58% Positiveness
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Fausto Papetti
Strangers in the Night
85 bpm • G Maj • 02:40 • -13.84db
21% Popularity • 53% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
21% Popularity • 53% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
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François Gilbert
Contigo
83 bpm • C min • 03:27 • -12.4db
22% Popularity • 39% Danceability • 25% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
22% Popularity • 39% Danceability • 25% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
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David Rose Orchestra
Ain't Misbehavin'
83 bpm • F Maj • 02:55 • -10.67db
23% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
23% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
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Pierre Charlon
Feelings
83 bpm • E min • 03:36 • -15.12db
44% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
44% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Saxo
Verano Del 42
83 bpm • A Maj • 03:51 • -13.06db
31% Popularity • 12% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
31% Popularity • 12% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
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Gil Ventura
Love Story
82 bpm • D Maj • 03:51 • -8.52db
19% Popularity • 43% Danceability • 44% Energy • 32% Liveness
84% Instrumentalness • 27% Positiveness
19% Popularity • 43% Danceability • 44% Energy • 32% Liveness
84% Instrumentalness • 27% Positiveness
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Fausto Papetti
My Way
83 bpm • C Maj • 04:09 • -12.42db
29% Popularity • 38% Danceability • 21% Energy • 19% Liveness
95% Instrumentalness • 15% Positiveness
29% Popularity • 38% Danceability • 21% Energy • 19% Liveness
95% Instrumentalness • 15% Positiveness
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Andre Kostelanetz & His Orchestra
I Will Wait for You
86 bpm • E min • 02:40 • -11db
19% Popularity • 25% Danceability • 35% Energy • 35% Liveness
71% Instrumentalness • 34% Positiveness
19% Popularity • 25% Danceability • 35% Energy • 35% Liveness
71% Instrumentalness • 34% Positiveness
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Rubén Ochoa
La Sombra de Tu Sonrisa
82 bpm • F min • 03:35 • -11db
27% Popularity • 44% Danceability • 48% Energy • 35% Liveness
1% Instrumentalness • 24% Positiveness
27% Popularity • 44% Danceability • 48% Energy • 35% Liveness
1% Instrumentalness • 24% Positiveness
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Don Costa
The Third Man - Remastered
82 bpm • C# Maj • 02:06 • -9db
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
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Saxo
Puente Sobre Aguas Turbulentas
86 bpm • D# Maj • 03:18 • -12db
23% Popularity • 36% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
23% Popularity • 36% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
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John Pazos and His Bolero Orchestra
Detalles
86 bpm • A Maj • 05:23 • -8.62db
29% Popularity • 55% Danceability • 50% Energy • 7% Liveness
44% Instrumentalness • 46% Positiveness
29% Popularity • 55% Danceability • 50% Energy • 7% Liveness
44% Instrumentalness • 46% Positiveness
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Fausto Papetti
Extraños en la Noche
85 bpm • G Maj • 02:38 • -11.37db
19% Popularity • 45% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 42% Positiveness
19% Popularity • 45% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 42% Positiveness
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Adrian Perticone
Somos
82 bpm • A min • 03:38 • -15db
32% Popularity • 56% Danceability • 33% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
32% Popularity • 56% Danceability • 33% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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Giovanni Vivanco
Quiero Amanecer Con Alguien
82 bpm • E min • 03:51 • -7.91db
46% Popularity • 54% Danceability • 55% Energy • 24% Liveness
38% Instrumentalness • 17% Positiveness
46% Popularity • 54% Danceability • 55% Energy • 24% Liveness
38% Instrumentalness • 17% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Al Caiola
The Magnificent Seven
82 bpm • A# Maj • 02:05 • -7db
28% Popularity • 46% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
28% Popularity • 46% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Tony Mottola y Su Orquesta
Sorrento
82 bpm • A min • 02:47 • -12.94db
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
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Fausto Papetti
A Mi Modo
82 bpm • C Maj • 04:10 • -9.92db
28% Popularity • 26% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
28% Popularity • 26% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Pierre Charlon
Dolannes Melodie
82 bpm • E Maj • 03:33 • -13.3db
47% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
47% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
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Pepe Jaramillo
Siboney
81 bpm • C Maj • 02:44 • -14db
31% Popularity • 66% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
31% Popularity • 66% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Rubén Ochoa
Penas del Corazón
81 bpm • A# min • 01:59 • -10db
34% Popularity • 49% Danceability • 32% Energy • 14% Liveness
19% Instrumentalness • 40% Positiveness
34% Popularity • 49% Danceability • 32% Energy • 14% Liveness
19% Instrumentalness • 40% Positiveness
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Jorge Espinoza Y Su Violin
Estudio Anonimo
87 bpm • D# Maj • 02:36 • -8.98db
45% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
45% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
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Alfred Hause
Bilitis
87 bpm • G Maj • 02:34 • -8db
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Fausto Papetti
Petite fleur
81 bpm • C min • 03:33 • -13.34db
33% Popularity • 43% Danceability • 15% Energy • 19% Liveness
51% Instrumentalness • 34% Positiveness
33% Popularity • 43% Danceability • 15% Energy • 19% Liveness
51% Instrumentalness • 34% Positiveness
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Zantalino and his Orchestra
My Way
87 bpm • C# Maj • 04:02 • -14db
26% Popularity • 22% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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Adrian Perticone
Historia De Un Amor
81 bpm • A min • 03:56 • -12.66db
36% Popularity • 61% Danceability • 39% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
36% Popularity • 61% Danceability • 39% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
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50 Guitars of Tommy Garrett
I Left My Heart in San Francisco
87 bpm • C Maj • 02:18 • -11.45db
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
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Jean Claude Borelly
Memory
87 bpm • G# Maj • 03:40 • -6.57db
27% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
27% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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François Gilbert
Es Pecado Mentir
81 bpm • C Maj • 02:06 • -8db
33% Popularity • 50% Danceability • 33% Energy • 6% Liveness
19% Instrumentalness • 63% Positiveness
33% Popularity • 50% Danceability • 33% Energy • 6% Liveness
19% Instrumentalness • 63% Positiveness
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John Pazos and His Bolero Orchestra
Por Qué Te Vás
88 bpm • G min • 03:06 • -9.33db
34% Popularity • 60% Danceability • 66% Energy • 8% Liveness
86% Instrumentalness • 97% Positiveness
34% Popularity • 60% Danceability • 66% Energy • 8% Liveness
86% Instrumentalness • 97% Positiveness
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Horst Jankowski
Charming Vienna
88 bpm • G Maj • 02:31 • -12db
34% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
34% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
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Ronnie Aldrich and his 2 pianos
Alfie
81 bpm • C Maj • 02:46 • -15.37db
17% Popularity • 23% Danceability • 22% Energy • 18% Liveness
82% Instrumentalness • 13% Positiveness
17% Popularity • 23% Danceability • 22% Energy • 18% Liveness
82% Instrumentalness • 13% Positiveness
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Zantalino and his Orchestra
Greensleeves
88 bpm • F min • 02:58 • -10db
27% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Robson Miguel y grupo
Concierto para una sola voz
81 bpm • E min • 02:22 • -8.23db
40% Popularity • 32% Danceability • 44% Energy • 11% Liveness
73% Instrumentalness • 39% Positiveness
40% Popularity • 32% Danceability • 44% Energy • 11% Liveness
73% Instrumentalness • 39% Positiveness
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Francis Pourcel Orchestra
Estás Sola Esta Noche?
88 bpm • G Maj • 02:42 • -13.01db
29% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
29% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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The Fantasy Strings
No More Lonely Nights
80 bpm • F Maj • 03:59 • -8db
27% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
27% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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Franck Pourcel
Las Hojas Muertas
80 bpm • F min • 02:05 • -13.53db
39% Popularity • 16% Danceability • 30% Energy • 84% Liveness
92% Instrumentalness • 10% Positiveness
39% Popularity • 16% Danceability • 30% Energy • 84% Liveness
92% Instrumentalness • 10% Positiveness
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Fausto Papetti
Samba Pa Ti
80 bpm • E min • 04:05 • -13.13db
33% Popularity • 47% Danceability • 38% Energy • 53% Liveness
64% Instrumentalness • 32% Positiveness
33% Popularity • 47% Danceability • 38% Energy • 53% Liveness
64% Instrumentalness • 32% Positiveness
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Jack Jezzro
Al Di La
80 bpm • C min • 03:20 • -16.24db
47% Popularity • 39% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 33% Positiveness
47% Popularity • 39% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 33% Positiveness
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Pierre Charlon
Woman in Love
88 bpm • C Maj • 03:57 • -12.05db
39% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Manuel Olivera Almada
Alma Llanera
80 bpm • G Maj • 02:27 • -11.4db
53% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
53% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
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Jorge Espinoza Y Su Violin
El Amor Es Una Cosa Esplendorosa
88 bpm • C min • 03:41 • -8.41db
37% Popularity • 20% Danceability • 49% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
37% Popularity • 20% Danceability • 49% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
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Hugo Winterhalter And His Orchestra
Fascination - Instrumental
80 bpm • F Maj • 02:44 • -18db
31% Popularity • 22% Danceability • 24% Energy • 20% Liveness
75% Instrumentalness • 21% Positiveness
31% Popularity • 22% Danceability • 24% Energy • 20% Liveness
75% Instrumentalness • 21% Positiveness
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Giovanni Vivanco
Hey Jude
80 bpm • F Maj • 04:24 • -12.36db
43% Popularity • 66% Danceability • 48% Energy • 30% Liveness
11% Instrumentalness • 41% Positiveness
43% Popularity • 66% Danceability • 48% Energy • 30% Liveness
11% Instrumentalness • 41% Positiveness
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Fausto Papetti
Somewhere My Love
88 bpm • E Maj • 02:32 • -8.97db
17% Popularity • 56% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 56% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Santi Caballero y Su Saxo de Oro
La Luna en Tu Mirada, Instrumental Sax
80 bpm • A min • 04:07 • -7.55db
19% Popularity • 56% Danceability • 44% Energy • 32% Liveness
87% Instrumentalness • 32% Positiveness
19% Popularity • 56% Danceability • 44% Energy • 32% Liveness
87% Instrumentalness • 32% Positiveness
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François Gilbert
Sigamos Pecando
88 bpm • G# Maj • 02:57 • -12db
36% Popularity • 42% Danceability • 25% Energy • 13% Liveness
70% Instrumentalness • 34% Positiveness
36% Popularity • 42% Danceability • 25% Energy • 13% Liveness
70% Instrumentalness • 34% Positiveness
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Jorge Espinoza Y Su Violin
Morir De Amor
88 bpm • A# min • 03:29 • -8.55db
31% Popularity • 44% Danceability • 63% Energy • 19% Liveness
3% Instrumentalness • 50% Positiveness
31% Popularity • 44% Danceability • 63% Energy • 19% Liveness
3% Instrumentalness • 50% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Éxodo
80 bpm • D min • 02:58 • -10.98db
31% Popularity • 60% Danceability • 34% Energy • 14% Liveness
90% Instrumentalness • 19% Positiveness
31% Popularity • 60% Danceability • 34% Energy • 14% Liveness
90% Instrumentalness • 19% Positiveness
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Mantovani y Su Gran Orquesta
Siboney
80 bpm • C min • 03:12 • -8.51db
23% Popularity • 43% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 69% Positiveness
23% Popularity • 43% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 69% Positiveness
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Johnny Pearson Y Su Orquesta
Verdes hojas de verano
80 bpm • D min • 03:46 • -14.11db
19% Popularity • 17% Danceability • 25% Energy • 16% Liveness
73% Instrumentalness • 20% Positiveness
19% Popularity • 17% Danceability • 25% Energy • 16% Liveness
73% Instrumentalness • 20% Positiveness
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Piano Marico
La Barca / Mucho Corazón
89 bpm • C Maj • 06:17 • -14.33db
32% Popularity • 33% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
32% Popularity • 33% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Fausto Papetti
Over and Over
89 bpm • F min • 02:56 • -6.19db
14% Popularity • 34% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
14% Popularity • 34% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
33% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
33% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Melodías Mágicas
Recuerdo
79 bpm • D Maj • 02:35 • -14.17db
48% Popularity • 40% Danceability • 35% Energy • 29% Liveness
10% Instrumentalness • 60% Positiveness
48% Popularity • 40% Danceability • 35% Energy • 29% Liveness
10% Instrumentalness • 60% Positiveness
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Juan Torres Y Su Organo Melodico
Caruso
90 bpm • G min • 04:35 • -11db
32% Popularity • 31% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
32% Popularity • 31% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
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Jean Claude Borelly
Rendez-vous à Fort de France
90 bpm • C Maj • 02:52 • -8.3db
17% Popularity • 63% Danceability • 88% Energy • 24% Liveness
66% Instrumentalness • 78% Positiveness
17% Popularity • 63% Danceability • 88% Energy • 24% Liveness
66% Instrumentalness • 78% Positiveness
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Benjamín Rojas
No Sé Olvidar
90 bpm • D Maj • 04:21 • -10.05db
25% Popularity • 72% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 35% Positiveness
25% Popularity • 72% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 35% Positiveness
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Fausto Papetti
What a Wonderful World
89 bpm • D# Maj • 03:24 • -9.56db
28% Popularity • 48% Danceability • 41% Energy • 50% Liveness
39% Instrumentalness • 14% Positiveness
28% Popularity • 48% Danceability • 41% Energy • 50% Liveness
39% Instrumentalness • 14% Positiveness
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EDDY GUIRAO
La Barca
90 bpm • C Maj • 03:25 • -9.3db
39% Popularity • 59% Danceability • 49% Energy • 20% Liveness
35% Instrumentalness • 43% Positiveness
39% Popularity • 59% Danceability • 49% Energy • 20% Liveness
35% Instrumentalness • 43% Positiveness
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Al Hirt
Strangers In the Night
90 bpm • G Maj • 02:41 • -13.41db
27% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
27% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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Glen Lucas
Only You
90 bpm • B Maj • 03:35 • -11db
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
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Manuel Olivera Almada
Noche De Ronda
90 bpm • D Maj • 02:50 • -13db
53% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
53% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
27% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
27% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Pierre Charlon
Charade
78 bpm • A min • 03:12 • -15.21db
42% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
42% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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EDDY GUIRAO
Sabor A Mi
90 bpm • C min • 03:01 • -9.73db
45% Popularity • 56% Danceability • 50% Energy • 30% Liveness
87% Instrumentalness • 56% Positiveness
45% Popularity • 56% Danceability • 50% Energy • 30% Liveness
87% Instrumentalness • 56% Positiveness
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Carmen Cavallaro
You are my everything
90 bpm • C# Maj • 03:01 • -10.88db
25% Popularity • 24% Danceability • 32% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
25% Popularity • 24% Danceability • 32% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
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Melodías Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
56% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
56% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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Alfonso Cid
Esta Tarde Vi Llover - Saxofón
91 bpm • F min • 02:38 • -7.33db
40% Popularity • 62% Danceability • 48% Energy • 17% Liveness
45% Instrumentalness • 44% Positiveness
40% Popularity • 62% Danceability • 48% Energy • 17% Liveness
45% Instrumentalness • 44% Positiveness
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Ronnie Aldrich and his 2 pianos
You Only Live Twice
91 bpm • G# Maj • 02:41 • -12.53db
29% Popularity • 45% Danceability • 41% Energy • 14% Liveness
88% Instrumentalness • 31% Positiveness
29% Popularity • 45% Danceability • 41% Energy • 14% Liveness
88% Instrumentalness • 31% Positiveness
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Peter Nero
Something
77 bpm • C Maj • 02:42 • -8.62db
25% Popularity • 46% Danceability • 47% Energy • 14% Liveness
85% Instrumentalness • 39% Positiveness
25% Popularity • 46% Danceability • 47% Energy • 14% Liveness
85% Instrumentalness • 39% Positiveness
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Francis Pourcel Orchestra
Si Me Dejas Ahora
77 bpm • C Maj • 04:29 • -13.12db
20% Popularity • 49% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 49% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Gil Ventura
What A Wonderful World
77 bpm • F Maj • 02:12 • -10.07db
50% Popularity • 32% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
50% Popularity • 32% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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François Gilbert
Caminemos
91 bpm • D min • 03:46 • -11db
20% Popularity • 40% Danceability • 29% Energy • 6% Liveness
64% Instrumentalness • 27% Positiveness
20% Popularity • 40% Danceability • 29% Energy • 6% Liveness
64% Instrumentalness • 27% Positiveness
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Alfred Hause
Blue Gipsy Eyes
92 bpm • D min • 03:04 • -13db
34% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
34% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Alan Alonmoore
Strangers In The Night
92 bpm • C Maj • 02:49 • -11.31db
28% Popularity • 80% Danceability • 40% Energy • 14% Liveness
86% Instrumentalness • 78% Positiveness
28% Popularity • 80% Danceability • 40% Energy • 14% Liveness
86% Instrumentalness • 78% Positiveness
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Fausto Papetti
Harlem Nocturn
92 bpm • A min • 02:18 • -7.92db
24% Popularity • 35% Danceability • 39% Energy • 5% Liveness
24% Instrumentalness • 46% Positiveness
24% Popularity • 35% Danceability • 39% Energy • 5% Liveness
24% Instrumentalness • 46% Positiveness
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John Pazos and His Bolero Orchestra
Y Volveré
92 bpm • B min • 04:01 • -7db
37% Popularity • 45% Danceability • 54% Energy • 24% Liveness
67% Instrumentalness • 24% Positiveness
37% Popularity • 45% Danceability • 54% Energy • 24% Liveness
67% Instrumentalness • 24% Positiveness
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Enrique Chia
Bella Cubana
92 bpm • C min • 02:42 • -12.61db
32% Popularity • 23% Danceability • 20% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
32% Popularity • 23% Danceability • 20% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
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Eddie Fernandez Quintet
Sabor a Mi
92 bpm • G Maj • 03:04 • -13db
25% Popularity • 74% Danceability • 44% Energy • 24% Liveness
95% Instrumentalness • 74% Positiveness
25% Popularity • 74% Danceability • 44% Energy • 24% Liveness
95% Instrumentalness • 74% Positiveness
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Manuel Olivera Almada
La Media Vuelta
92 bpm • C Maj • 02:31 • -11db
49% Popularity • 72% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
49% Popularity • 72% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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Francis Pourcel Orchestra
Hasta Entonces
76 bpm • D# Maj • 04:26 • -11.77db
15% Popularity • 39% Danceability • 43% Energy • 8% Liveness
34% Instrumentalness • 15% Positiveness
15% Popularity • 39% Danceability • 43% Energy • 8% Liveness
34% Instrumentalness • 15% Positiveness
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Johnny Pearson Y Su Orquesta
Gente
76 bpm • A# Maj • 02:53 • -11db
25% Popularity • 23% Danceability • 29% Energy • 34% Liveness
89% Instrumentalness • 22% Positiveness
25% Popularity • 23% Danceability • 29% Energy • 34% Liveness
89% Instrumentalness • 22% Positiveness
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Juan Torres Y Su Organo Melodico
Mona Lisa
76 bpm • F Maj • 02:47 • -12.78db
38% Popularity • 40% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
38% Popularity • 40% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
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Fausto Papetti
A Whiter Shade of Pale
76 bpm • A Maj • 02:56 • -9.4db
38% Popularity • 51% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
38% Popularity • 51% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Dioni Velazquez
Otoño Sin Final - Instrumental Version
93 bpm • A# Maj • 03:15 • -14.58db
32% Popularity • 68% Danceability • 31% Energy • 9% Liveness
65% Instrumentalness • 32% Positiveness
32% Popularity • 68% Danceability • 31% Energy • 9% Liveness
65% Instrumentalness • 32% Positiveness
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Manuel Olivera Almada
El Reloj
93 bpm • A Maj • 02:43 • -11.85db
52% Popularity • 72% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Johnny Pearson Y Su Orquesta
Matandome suavemente (Con su cancion)
93 bpm • F min • 03:53 • -16.22db
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Botticelli
Never Never Never
94 bpm • C# Maj • 02:45 • -14.89db
29% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
29% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
