Songs like Shah Doomad by Shahin Najafi
Based on a tempo of (+/- 10%) and a similar genre
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Shahin Najafi
Shah Doomad
104 bpm • A min • 04:11 • -8.52db
25% Popularity • 67% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 67% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Habib
Vadiyeh Eshgh
104 bpm • A Maj • 05:09 • -8db
21% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Bomrani
To Kojayi?
105 bpm • E Maj • 02:33 • -4.53db
30% Popularity • 75% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 75% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ali Sorena
Nafas
105 bpm • E min • 03:42 • -5.71db
31% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Shahrokh
Haz Kardam
105 bpm • D min • 03:25 • -6.77db
38% Popularity • 86% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 86% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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King Raam
My Iran (ایران من)
105 bpm • G min • 05:39 • -4db
21% Popularity • 67% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 67% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Sirvan Khosravi
Kheili Rooza Gozasht
103 bpm • F# min • 05:03 • -7.73db
35% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Habib
Hezaran
105 bpm • D min • 05:27 • -7.5db
23% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Bomrani
Age Mitooni (If You Can)
103 bpm • D min • 03:45 • -7.36db
26% Popularity • 82% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 82% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
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Shahin Najafi
Nooshoo Ray
105 bpm • C min • 03:48 • -7.74db
9% Popularity • 33% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 33% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Ali Sorena
Booseye Yahooda
103 bpm • E Maj • 06:10 • -7.68db
40% Popularity • 66% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Rostam Mirlashari
Mirien Baluch
102 bpm • G Maj • 04:38 • -9.49db
5% Popularity • 74% Danceability • 43% Energy • 24% Liveness
1% Instrumentalness • 27% Positiveness
5% Popularity • 74% Danceability • 43% Energy • 24% Liveness
1% Instrumentalness • 27% Positiveness
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Faramarz Aslani
Sedayam Kon
102 bpm • G min • 04:37 • -7.89db
34% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Damahi
Kheyli Saadeh (Bimar-E Standard)
102 bpm • B min • 03:42 • -11.04db
21% Popularity • 73% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 73% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Ali Azimi
Baz Zoj Baz Fard
106 bpm • G min • 03:48 • -7db
20% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Shahin Najafi
Shaaban
103 bpm • G Maj • 04:07 • -8.79db
23% Popularity • 61% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 61% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Ali Zandevakili
Akharin Avaz
102 bpm • B min • 02:39 • -6.68db
42% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dobare
The Poet With a Gun
102 bpm • C min • 03:32 • -7.06db
26% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Siriya Ensemble
Havar
107 bpm • A min • 05:13 • -7db
30% Popularity • 44% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 44% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Roozbeh Bemani
Basse Bargard
101 bpm • F min • 03:12 • -8.84db
35% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Anoushirvan Rohani
Saraab
101 bpm • E min • 02:33 • -8.57db
37% Popularity • 47% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 47% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Shahin Najafi
Baed az to
102 bpm • G min • 04:42 • -4.33db
27% Popularity • 49% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 49% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ali Zandevakili
Shahre Hasood
106 bpm • F min • 04:15 • -6.77db
39% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ali Sorena
Daar (Dastane Maryam)
108 bpm • A# Maj • 04:06 • -6db
29% Popularity • 79% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 79% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
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Pallett
Sad Bar
100 bpm • E min • 03:01 • -4.41db
24% Popularity • 61% Danceability • 82% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 61% Danceability • 82% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
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Rastaak Hallaj
Nescafé
108 bpm • B min • 03:20 • -9db
34% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Damahi
Hayamleh (Mihan)
108 bpm • F Maj • 05:41 • -6.83db
15% Popularity • 68% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 68% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Ali Yasini
In Rooza
108 bpm • G min • 03:31 • -5.15db
33% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ali Zandevakili
Jadeh Shab
107 bpm • D# min • 04:13 • -5db
33% Popularity • 73% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 73% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Ali Sorena
Mehran
100 bpm • G min • 03:50 • -5.55db
33% Popularity • 67% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 67% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bomrani
Sar Konam Ey Barge Khazan
100 bpm • C Maj • 02:41 • -6.11db
25% Popularity • 70% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 70% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Shahin Najafi
Khali
108 bpm • G# min • 07:24 • -7.65db
15% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Damahi
Niyaz
100 bpm • D Maj • 03:53 • -8.81db
29% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Rastaak Hallaj
Behtarin Haale Jahan
100 bpm • F min • 03:07 • -6.85db
38% Popularity • 76% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 76% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Yas
Barcode - Original Mix
100 bpm • G# Maj • 03:24 • -5db
28% Popularity • 80% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 80% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Shayea
Deli
100 bpm • A min • 05:47 • -9.59db
37% Popularity • 87% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 87% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Moein Z
Pedar Khandeh
100 bpm • B min • 02:47 • -5.64db
31% Popularity • 71% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 71% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Koorosh
Hayahoo - Acoustic
100 bpm • E min • 02:19 • -13.58db
46% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Bomrani
Darooni (Inner)
100 bpm • A# Maj • 04:21 • -6.84db
19% Popularity • 66% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 66% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Shahin Najafi
Bahman
108 bpm • A Maj • 06:48 • -8.12db
21% Popularity • 67% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 67% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Yas
Man Edame Midam (I'll Continue)
100 bpm • G# min • 03:47 • -5db
33% Popularity • 82% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 82% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Alireza Assar
Khial Nakon
108 bpm • A Maj • 03:15 • -10.75db
21% Popularity • 80% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 80% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Ali Zandevakili
Gole Sorkh
108 bpm • E min • 04:44 • -5db
30% Popularity • 45% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 45% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Shahrokh
Margoob
99 bpm • C min • 05:22 • -4.52db
35% Popularity • 64% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 64% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Faramarz Aslani
Yadist
99 bpm • D min • 03:53 • -7.4db
39% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Nassim
Beraghs Ba Man
99 bpm • F# min • 04:40 • -9.76db
30% Popularity • 64% Danceability • 67% Energy • 9% Liveness
36% Instrumentalness • 24% Positiveness
30% Popularity • 64% Danceability • 67% Energy • 9% Liveness
36% Instrumentalness • 24% Positiveness
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Anoushirvan Rohani
Sarnevesht
99 bpm • F min • 06:07 • -8.69db
34% Popularity • 39% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
34% Popularity • 39% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Bomrani
Leaving and Passing By
110 bpm • A min • 04:19 • -9.67db
33% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Milad Derakhshani
Esharate Nazar
110 bpm • F min • 04:35 • -7.63db
29% Popularity • 75% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
29% Popularity • 75% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
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Ho3ein
2Ja
110 bpm • G min • 04:03 • -4.65db
34% Popularity • 81% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 81% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Faramarz Aslani
Hold My Hand (Dastam Begir)
110 bpm • C Maj • 05:45 • -7.07db
36% Popularity • 60% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 60% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Arman Garshasbi
To Ra Jooyam
110 bpm • C min • 04:15 • -8.85db
31% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Dang Show
Akhare Ghesse - The End of the Tale
110 bpm • F# min • 03:27 • -6.92db
37% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Bomrani
Ke Roshanie Sahar (Then the Light of Daw...
110 bpm • D min • 04:11 • -9.99db
23% Popularity • 84% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 84% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Shahin Najafi
Aghoosh
110 bpm • G min • 03:46 • -7.33db
27% Popularity • 79% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 79% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Sadegh
Shaba
110 bpm • A min • 03:32 • -8db
36% Popularity • 82% Danceability • 78% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
36% Popularity • 82% Danceability • 78% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
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Roozbeh Bemani
Koja Bayad Beram
110 bpm • F min • 04:11 • -8.83db
36% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Haamim
Nimeye Gomshode
110 bpm • A# min • 02:49 • -5.67db
36% Popularity • 71% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 71% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Farhad Mehrad
Barf
98 bpm • D# min • 04:35 • -8.69db
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bomrani
Khareji (Foreigner)
110 bpm • C min • 04:55 • -8.29db
27% Popularity • 66% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 66% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Erfan
Haleh Man Khoobeh
98 bpm • G min • 04:14 • -6.59db
30% Popularity • 75% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 75% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Circo Cafe
Mara Yadat Hast
98 bpm • C# min • 03:58 • -6.34db
16% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Roozbeh Bemani
Koja Bayad Beram
110 bpm • F min • 03:52 • -7.68db
27% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Wantons
Pas Man Chi
98 bpm • F min • 04:34 • -10db
42% Popularity • 80% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 80% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Ways
Khab Bazi
98 bpm • E min • 04:11 • -8.97db
21% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Bomrani
Sharayete Hasas (Sensitive Situation)
110 bpm • A min • 04:11 • -8.11db
29% Popularity • 71% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 71% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Shahin Najafi
Nagahan
98 bpm • C min • 04:27 • -4.62db
20% Popularity • 40% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 40% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Habib
Nafas
98 bpm • E min • 05:44 • -6.57db
30% Popularity • 71% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 71% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Reza Yazdani
Navaar
98 bpm • A min • 04:34 • -8.74db
23% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Ali Azimi
Norooz Too Raheh
97 bpm • E min • 04:37 • -10.49db
20% Popularity • 46% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 46% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Sirvan Khosravi
Tanha Nazar
111 bpm • A min • 03:55 • -7db
40% Popularity • 70% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 70% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 69% Positiveness
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Rastaak Hallaj
Lanat Be Settamoon
97 bpm • B min • 02:30 • -4.81db
30% Popularity • 44% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 44% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hojat Ashraf Zadeh
Mah O Mahi
97 bpm • E min • 04:47 • -15.9db
31% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Shahyar Ghanbari
La la La la (No More Lullabies)
97 bpm • C min • 06:12 • -8db
28% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Dang Show
Khata Nist - There Is No Mistake
112 bpm • C min • 03:55 • -11.42db
31% Popularity • 41% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 41% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Mohsen Namjoo
Yaare Jaani
96 bpm • A min • 02:50 • -11.47db
37% Popularity • 56% Danceability • 49% Energy • 75% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 56% Danceability • 49% Energy • 75% Liveness
0% Instrumentalness • 73% Positiveness
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Erfan
Dobareh
96 bpm • A# min • 04:02 • -10.48db
33% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Mehdi Yarrahi
Ashoob
112 bpm • C min • 03:22 • -4.18db
34% Popularity • 73% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 73% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Saman Wilson
Aroos
96 bpm • C# Maj • 05:08 • -10.58db
33% Popularity • 80% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 80% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Faramarz Aslani
Yar
96 bpm • A min • 04:11 • -4.22db
41% Popularity • 72% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 72% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Habib
Kavir Vavar
96 bpm • A min • 04:09 • -7.93db
32% Popularity • 64% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 64% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Mohammad-Reza Shajarian
Golchehre 1
96 bpm • C Maj • 02:13 • -9.99db
27% Popularity • 36% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 36% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Mehrad Hidden
Seyl
96 bpm • G Maj • 05:52 • -7.21db
41% Popularity • 78% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 78% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Farhad Mehrad
Gol-e Yakh
96 bpm • A Maj • 03:34 • -16.46db
25% Popularity • 52% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 52% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Pallett
Leyli Jan
113 bpm • E min • 03:35 • -6.01db
20% Popularity • 79% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 79% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Moein Z
Che Heyf
113 bpm • A min • 05:22 • -3.6db
33% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Shahin Najafi
Yavashaki
114 bpm • F Maj • 05:30 • -8.35db
19% Popularity • 52% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 52% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sina Sae
Engar
95 bpm • A min • 03:24 • -9db
33% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Mehrad Hidden
Bitab
113 bpm • G min • 04:33 • -9.83db
40% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Yas
Nameyi Be Farzand
95 bpm • G# Maj • 05:14 • -7.22db
27% Popularity • 76% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 76% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Alireza Talischi
Ye Darya Narim
114 bpm • C# min • 03:18 • -5.96db
45% Popularity • 75% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 75% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Pallett Band
Tamame Natamam
95 bpm • B min • 02:56 • -15.79db
30% Popularity • 59% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Pallett
Endless Ending
95 bpm • B min • 02:56 • -6.43db
30% Popularity • 59% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 59% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Ali Azimi
Kahrobaye Arezou
114 bpm • A min • 04:09 • -10.21db
19% Popularity • 53% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 53% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ehaam
Darya
114 bpm • C# min • 03:56 • -6db
42% Popularity • 78% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 78% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Moein Z
Jadeye Haraaz
114 bpm • B min • 03:20 • -3.95db
44% Popularity • 92% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 92% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Mohsen Namjoo
Man Mast
114 bpm • D min • 08:30 • -14db
32% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ali Sorena
Naghsh
114 bpm • F# min • 03:00 • -7.15db
31% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
