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Shake Away
Songs like
Shake Away
by
Michael Patrick Kelly
Based on a tempo of (+/- 10%) and a similar genre
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Michael Patrick Kelly
Shake Away - Live
138 bpm • E Maj • 05:12 • -8.93db
17% Popularity • 53% Danceability • 78% Energy • 95% Liveness
0% Instrumentalness • 11% Positiveness
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Patricia Kelly
Dreams
138 bpm • G# Maj • 03:04 • -6.13db
18% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Edmund
Jesolo
138 bpm • E Maj • 03:14 • -5.17db
28% Popularity • 64% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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TinkaBelle
The Man I Need
138 bpm • F Maj • 02:45 • -5db
25% Popularity • 69% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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LOTTE
Pauken
138 bpm • C# Maj • 03:13 • -7db
41% Popularity • 60% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Myle
Hold Me
138 bpm • G Maj • 03:03 • -4.87db
40% Popularity • 60% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Patrick Kelly
Shake Away
138 bpm • C# min • 03:33 • -5db
43% Popularity • 62% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Revolverheld
Ich lass für dich das Licht an
138 bpm • B Maj • 03:32 • -7.19db
60% Popularity • 56% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmy Kelly
Dance
138 bpm • A Maj • 04:02 • -9.13db
12% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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JORIS
Sommerregen
137 bpm • F# Maj • 03:26 • -7.6db
35% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Angelo Kelly
Irish Heart
137 bpm • E Maj • 03:47 • -7.18db
22% Popularity • 49% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Yvonne Catterfeld
Pendel
137 bpm • A# min • 03:26 • -5db
44% Popularity • 78% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Pasquale Aleardi
Ein bisschen für immer
139 bpm • F# Maj • 03:46 • -8db
31% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Malik Harris
Faith
140 bpm • G# min • 03:32 • -7.33db
23% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Godoj
Love Is You - Radio Version
139 bpm • A# Maj • 03:42 • -5db
28% Popularity • 47% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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LEA
Wunderkerzenmenschen
140 bpm • C# min • 03:36 • -5.46db
43% Popularity • 51% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
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Hecht
Adam + Eva
140 bpm • C# min • 03:50 • -5.91db
38% Popularity • 63% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Zweikanalton
Ohne dich kann das kein Sommer sein - Ra...
140 bpm • A# Maj • 03:05 • -4.24db
23% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Kelly Family
Nanana
140 bpm • G min • 03:29 • -5.21db
41% Popularity • 48% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Roger Cicero
In diesem Moment
140 bpm • D# Maj • 03:46 • -9.27db
45% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Edmund
Prinzessin
136 bpm • A# Maj • 03:43 • -4.74db
43% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Berge
Mein Lied
140 bpm • D# Maj • 04:27 • -5.16db
32% Popularity • 54% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Dada Ante Portas
Taking Your Love
140 bpm • A min • 03:24 • -5db
24% Popularity • 59% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Gölä
D'Stärne
136 bpm • G Maj • 04:14 • -6.39db
34% Popularity • 60% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Stress
Back In My Life
140 bpm • E Maj • 03:30 • -6.92db
23% Popularity • 68% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Eros Atomus
Alive
140 bpm • C Maj • 02:41 • -7.34db
38% Popularity • 60% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Patrick Kelly
New Spirit
140 bpm • B min • 03:56 • -4.38db
26% Popularity • 55% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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JORIS
Signal
140 bpm • G# Maj • 03:50 • -5.93db
33% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Edmund
Freindschoft
136 bpm • A# Maj • 03:17 • -5.54db
52% Popularity • 64% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Jennifer Haben
Pläne (aus "Sing meinen Song, Vol. 6")
140 bpm • G# min • 03:25 • -8db
22% Popularity • 52% Danceability • 70% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Andreas Bourani
Hey
136 bpm • C# Maj • 04:34 • -9.64db
48% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Deutschland sucht den Superstar
We Have a Dream - Radio Edit
136 bpm • A# Maj • 04:00 • -5db
38% Popularity • 53% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Patrick Kelly
Mother's Day
140 bpm • F# Maj • 03:33 • -5.82db
26% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Luca Kuglmeier
Obakemma - Radio Edit
136 bpm • C Maj • 03:34 • -7.48db
20% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Edmund
Zam oid wearn
141 bpm • A# Maj • 03:14 • -6.51db
42% Popularity • 53% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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77 Bombay Street
Club of Optimistic People
141 bpm • A Maj • 04:21 • -7.49db
23% Popularity • 45% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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KAMRAD
Heartbeat
142 bpm • B min • 03:01 • -4.31db
32% Popularity • 66% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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The Kelly Family
We Had A Dream
134 bpm • B min • 03:34 • -6.98db
36% Popularity • 65% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Patrick Kelly
Shake Away (Acoustic)
136 bpm • E Maj • 03:49 • -6.68db
24% Popularity • 57% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Davin Herbrüggen
The River
142 bpm • C# Maj • 03:10 • -4.84db
33% Popularity • 51% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Edmund
Büdl an da Wond
142 bpm • A Maj • 03:26 • -5.15db
35% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hecht
Nimm Mech I Arm
134 bpm • A min • 03:34 • -7.18db
33% Popularity • 64% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Revolverheld
Worte die bleiben
134 bpm • G# Maj • 03:20 • -6.67db
25% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Robert Redweik
Wird wieder Ok
134 bpm • B min • 03:18 • -7db
36% Popularity • 55% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Patrick Kelly
So Beautiful
135 bpm • A min • 03:49 • -10.63db
21% Popularity • 27% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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77 Bombay Street
Once and Only
134 bpm • C# Maj • 03:27 • -8.05db
30% Popularity • 51% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Seiler und Speer
Weust a Mensch bist
143 bpm • E Maj • 04:35 • -7.56db
39% Popularity • 64% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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LOTTE
Auf beiden Beinen
143 bpm • A# min • 03:31 • -7db
36% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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JORIS
Herz über Kopf
133 bpm • C# min • 03:24 • -6.98db
60% Popularity • 57% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Andreas Bourani
Delirium
144 bpm • F Maj • 04:20 • -8.18db
31% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Patrick Kelly
Walk the Line
133 bpm • D Maj • 04:05 • -10.34db
34% Popularity • 54% Danceability • 53% Energy • 13% Liveness
7% Instrumentalness • 47% Positiveness
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Tobias Regner
I Still Burn - Radio Version
132 bpm • F# Maj • 03:35 • -5db
31% Popularity • 58% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lina Maly
Schön genug
132 bpm • D Maj • 03:49 • -9db
51% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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LOTTE
Farben
143 bpm • D# Maj • 03:35 • -8db
23% Popularity • 49% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Michael Schulte
Stay
132 bpm • D# Maj • 02:52 • -4.1db
43% Popularity • 66% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Sasha
Polaroid
132 bpm • B min • 03:50 • -6.05db
33% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Patrick Kelly
I Have Called You
132 bpm • E min • 03:52 • -11.89db
26% Popularity • 66% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Benne
Für immer bleibt
132 bpm • A# Maj • 03:32 • -6.41db
52% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Hecht
Heicho
131 bpm • A# Maj • 03:36 • -7.38db
38% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Marius Bear
Highway Wall
145 bpm • B Maj • 02:43 • -6.24db
21% Popularity • 58% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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SOPHIA
Wenn es sich gut anfühlt
146 bpm • D Maj • 02:33 • -7.66db
50% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sasha
Du fängst mich ein
145 bpm • F# Maj • 03:53 • -7db
33% Popularity • 54% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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JORIS
Neustart
146 bpm • F# Maj • 03:02 • -5.36db
25% Popularity • 50% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Patrick Kelly
Closer
132 bpm • D Maj • 03:11 • -5.53db
21% Popularity • 77% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
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Udo Lindenberg
Durch die schweren Zeiten
146 bpm • G Maj • 03:54 • -6.19db
47% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Schulte
For a Second
146 bpm • G Maj • 03:15 • -2.35db
45% Popularity • 68% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Luxuslärm
Solange Liebe in mir wohnt - Radio Edit
130 bpm • C Maj • 03:09 • -5db
25% Popularity • 59% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Malik Harris
Welcome To The Rumble
130 bpm • F min • 03:33 • -5.68db
31% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Amy Macdonald
Woman Of The World
130 bpm • D Maj • 03:33 • -10.98db
44% Popularity • 73% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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77 Bombay Street
I Love Lady Gaga
130 bpm • G# min • 03:26 • -6.5db
32% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Pizzera & Jaus
jetz loss mi rean
130 bpm • F# min • 04:16 • -6.36db
39% Popularity • 57% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Revolverheld
Immer noch fühlen
130 bpm • F# Maj • 03:27 • -6.87db
38% Popularity • 59% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Sasha
This Is My Time - Radio Cut
130 bpm • A Maj • 03:37 • -5db
34% Popularity • 59% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Michael Schulte
Back to the Start
130 bpm • A Maj • 03:13 • -3.97db
57% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Rea Garvey
Can't Say No
130 bpm • C Maj • 03:21 • -6.4db
42% Popularity • 63% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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Andreas Bourani
Nur in meinem Kopf - Radio Edit
130 bpm • A Maj • 03:49 • -4.11db
52% Popularity • 51% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Patrick Kelly
A Little Faith
130 bpm • B min • 03:04 • -5.82db
26% Popularity • 77% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Patricia Kelly
Thank You
130 bpm • F# Maj • 03:11 • -6.97db
15% Popularity • 38% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Hecht
De letschti Zug
129 bpm • D# min • 03:46 • -8.7db
16% Popularity • 66% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Schulte
Remember Me
130 bpm • A Maj • 03:36 • -8.57db
41% Popularity • 67% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Revolverheld
So wie jetzt
148 bpm • C Maj • 03:21 • -5db
32% Popularity • 57% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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No Angels
Daylight in Your Eyes (Celebration Versi...
128 bpm • A Maj • 03:33 • -4.01db
35% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Clueso
Neuanfang
128 bpm • G Maj • 03:06 • -6.4db
43% Popularity • 65% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Andreas Bourani
Füreinander gemacht
128 bpm • C Maj • 03:36 • -6.14db
29% Popularity • 56% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Yvonne Catterfeld
Guten Morgen Freiheit
128 bpm • E min • 03:24 • -7.58db
36% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Berge
Glück
128 bpm • D Maj • 04:15 • -8.94db
35% Popularity • 68% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sasha
We Can Leave the World
128 bpm • C Maj • 05:31 • -7.66db
30% Popularity • 68% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jeden Tag Silvester
Giganten
128 bpm • F Maj • 03:14 • -5db
21% Popularity • 70% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Pegasus
Skyline
128 bpm • D min • 03:46 • -4.49db
29% Popularity • 66% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tom Beck
So wie es ist
128 bpm • F# min • 03:17 • -3.87db
14% Popularity • 78% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Angelo Kelly
An Angel - 2016 Live Version
149 bpm • F Maj • 03:32 • -11.64db
24% Popularity • 58% Danceability • 10% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
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KAMRAD
So Good
128 bpm • E min • 02:24 • -6.44db
58% Popularity • 82% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Andreas Bourani
Auf uns
128 bpm • D Maj • 04:00 • -4.62db
63% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Milow
As Good As It Gets (Ein Geschenk) (aus "...
128 bpm • A Maj • 03:34 • -13db
23% Popularity • 51% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Hecht
Erschti Tag vo mim Läbe
150 bpm • C min • 03:43 • -8.02db
17% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Patricia Kelly
Only You
127 bpm • E Maj • 02:43 • -5.91db
10% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Patrick Kelly
Earthquake
127 bpm • G Maj • 03:31 • -5.36db
33% Popularity • 78% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Schulte
Jump Before We Fall
127 bpm • B min • 03:48 • -6.42db
11% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Wintershome
Take Me Out
127 bpm • A# Maj • 04:20 • -7.4db
20% Popularity • 70% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Odeville
Lichtblick
126 bpm • C Maj • 04:09 • -7db
19% Popularity • 59% Danceability • 74% Energy • 7% Liveness
5% Instrumentalness • 52% Positiveness
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Shake Away