Songs like Shake by The Head And The Heart
Based on a tempo of (+/- 10%) and a similar genre
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Tall Heights
Back to Autumn
111 bpm • G# Maj • 03:19 • -8db
50% Popularity • 48% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 48% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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DISPATCH
Only the Wild Ones
111 bpm • G# Maj • 04:13 • -7db
58% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Blind Pilot
Just One
111 bpm • G Maj • 04:29 • -8.82db
37% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Head And The Heart
Shake
111 bpm • E Maj • 04:01 • -8db
55% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
55% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
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jeremy messersmith
Ghost
112 bpm • A Maj • 04:29 • -8db
31% Popularity • 53% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 53% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Of Monsters and Men
Dirty Paws
112 bpm • D# Maj • 04:38 • -7.06db
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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Edward Sharpe & The Magnetic Zeros
No Love Like Yours
110 bpm • F# min • 02:57 • -6.48db
34% Popularity • 42% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 42% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Johnnyswim
Home
110 bpm • C Maj • 03:31 • -7.08db
41% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Weepies
Crooked Smile
112 bpm • F# Maj • 02:24 • -9db
44% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Head And The Heart
Shake - Spotify Session
110 bpm • E Maj • 04:42 • -7db
17% Popularity • 56% Danceability • 62% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 56% Danceability • 62% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
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Gregory Alan Isakov
Big Black Car
110 bpm • D# Maj • 03:37 • -15.93db
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Freedom Fry
Awake
112 bpm • B min • 03:14 • -5db
40% Popularity • 62% Danceability • 77% Energy • 28% Liveness
24% Instrumentalness • 61% Positiveness
40% Popularity • 62% Danceability • 77% Energy • 28% Liveness
24% Instrumentalness • 61% Positiveness
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Bronze Radio Return
Melting in My Icebox
110 bpm • C Maj • 03:06 • -6db
30% Popularity • 59% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 59% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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The Revivalists
Good Old Days
109 bpm • B Maj • 04:22 • -5.5db
50% Popularity • 71% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 71% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Avett Brothers
I Wish I Was
109 bpm • B Maj • 05:16 • -8.86db
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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The Head And The Heart
False Alarm
110 bpm • B Maj • 04:07 • -5.05db
40% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Chadwick Stokes
I Want You Like a Seatbelt
112 bpm • A Maj • 02:49 • -9.78db
27% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Caamp
Officer of Love
109 bpm • E Maj • 03:59 • -8.7db
58% Popularity • 66% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
58% Popularity • 66% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
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Shakey Graves
Family and Genus
113 bpm • A# Maj • 05:19 • -12.33db
48% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
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Brandi Carlile
Heart's Content
109 bpm • D# Maj • 03:34 • -8.92db
59% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Aunt Martha
Bloodshot
113 bpm • G# Maj • 04:05 • -6.89db
20% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Devarrow
Little Road
109 bpm • G# Maj • 03:15 • -8.14db
41% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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City and Colour
The Girl
109 bpm • A# Maj • 06:00 • -8db
38% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bahamas
Whole Wide World
109 bpm • F Maj • 02:35 • -9.04db
59% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Langhorne Slim
Land of Dreams
113 bpm • G Maj • 03:09 • -11db
16% Popularity • 63% Danceability • 54% Energy • 12% Liveness
8% Instrumentalness • 28% Positiveness
16% Popularity • 63% Danceability • 54% Energy • 12% Liveness
8% Instrumentalness • 28% Positiveness
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Blind Pilot
Two Towns from Me
108 bpm • D Maj • 02:57 • -8db
42% Popularity • 75% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 75% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Head And The Heart
Cruel
114 bpm • C Maj • 04:59 • -9.34db
33% Popularity • 36% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 36% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Lumineers
Walls
108 bpm • A# Maj • 03:19 • -6.32db
56% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Deer Tick
Twenty Miles
114 bpm • C Maj • 03:43 • -7.1db
46% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
46% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Run River North
Monsters Calling Home
114 bpm • C Maj • 04:10 • -8db
32% Popularity • 69% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 69% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Gregory Alan Isakov
If I Go, I'm Goin
114 bpm • D# Maj • 04:27 • -17.29db
61% Popularity • 51% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
61% Popularity • 51% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Water Liars
Let It Breathe
114 bpm • B Maj • 02:39 • -16.11db
45% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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JOSEPH
White Flag
108 bpm • D Maj • 03:19 • -4.74db
44% Popularity • 56% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 56% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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The Wind and The Wave
Happiness Is Not A Place
114 bpm • A# min • 04:10 • -4db
36% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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River Whyless
The Hunt
114 bpm • D Maj • 03:22 • -10.41db
46% Popularity • 58% Danceability • 59% Energy • 10% Liveness
37% Instrumentalness • 28% Positiveness
46% Popularity • 58% Danceability • 59% Energy • 10% Liveness
37% Instrumentalness • 28% Positiveness
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The Head And The Heart
Dreamer
114 bpm • A# Maj • 03:12 • -5.51db
34% Popularity • 38% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 38% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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The Milk Carton Kids
New York
108 bpm • D Maj • 03:32 • -16.26db
29% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Stu Larsen
Thirteen Sad Farewells
114 bpm • F# Maj • 02:45 • -9.88db
59% Popularity • 64% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 64% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Farewell Milwaukee
Waiting On You
115 bpm • A# Maj • 02:50 • -6db
11% Popularity • 35% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 35% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Animal Years
Caroline
115 bpm • F Maj • 03:32 • -5.04db
48% Popularity • 51% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 51% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Lumineers
Stubborn Love
115 bpm • C Maj • 04:39 • -11.68db
73% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
73% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
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The Decemberists
Sons & Daughters
115 bpm • D Maj • 05:13 • -8.26db
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Moon Taxi
Morocco
115 bpm • C# min • 03:28 • -3.14db
53% Popularity • 62% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 62% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Matrimony
See the Light
107 bpm • B Maj • 03:35 • -6.56db
17% Popularity • 60% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 60% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Good Old War
That's Some Dream
107 bpm • G Maj • 02:34 • -6db
33% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Shakey Graves
Pay The Road
115 bpm • G Maj • 04:27 • -5.82db
42% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Pug
Hymn #101
116 bpm • D Maj • 04:40 • -9.59db
42% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Birdtalker
One
107 bpm • A Maj • 03:59 • -10db
36% Popularity • 59% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 59% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’ve Been Failing
116 bpm • D# Maj • 03:00 • -8.47db
48% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
48% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Little Chief
Mountain Song
116 bpm • E Maj • 04:56 • -10.46db
42% Popularity • 33% Danceability • 45% Energy • 10% Liveness
21% Instrumentalness • 6% Positiveness
42% Popularity • 33% Danceability • 45% Energy • 10% Liveness
21% Instrumentalness • 6% Positiveness
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Bronze Radio Return
Before I Get There
106 bpm • A Maj • 03:27 • -3.91db
30% Popularity • 60% Danceability • 90% Energy • 18% Liveness
1% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 90% Energy • 18% Liveness
1% Instrumentalness • 48% Positiveness
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Shakey Graves
Only Son
106 bpm • C# Maj • 04:42 • -8.05db
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Oliver Hazard
Caesar Knows
116 bpm • C# Maj • 02:36 • -9db
46% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Avett Brothers
Murder in the City
106 bpm • D# Maj • 03:12 • -11db
52% Popularity • 63% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 63% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Head And The Heart
Down in the Valley
106 bpm • C Maj • 05:03 • -11db
54% Popularity • 41% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
54% Popularity • 41% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Of Monsters and Men
Your Bones
117 bpm • D min • 04:09 • -6db
48% Popularity • 41% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 41% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Bronze Radio Return
Worth Wondering
106 bpm • C# min • 02:52 • -13db
34% Popularity • 68% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 68% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Shakey Graves
Hard Wired
106 bpm • C Maj • 04:07 • -8.8db
42% Popularity • 57% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 57% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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The Law
Wild Soul
106 bpm • A Maj • 02:52 • -10.74db
34% Popularity • 78% Danceability • 28% Energy • 21% Liveness
1% Instrumentalness • 41% Positiveness
34% Popularity • 78% Danceability • 28% Energy • 21% Liveness
1% Instrumentalness • 41% Positiveness
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Houndmouth
Darlin'
117 bpm • D# Maj • 04:18 • -8.73db
44% Popularity • 47% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
44% Popularity • 47% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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Ray LaMontagne
Shelter
117 bpm • C Maj • 04:36 • -14.75db
46% Popularity • 48% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 48% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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The Lumineers
Flapper Girl
117 bpm • C Maj • 03:15 • -12.08db
48% Popularity • 75% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 29% Positiveness
48% Popularity • 75% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 29% Positiveness
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Nathaniel Rateliff & The Night Sweats
Look It Here
117 bpm • F min • 03:03 • -5db
46% Popularity • 66% Danceability • 87% Energy • 34% Liveness
2% Instrumentalness • 91% Positiveness
46% Popularity • 66% Danceability • 87% Energy • 34% Liveness
2% Instrumentalness • 91% Positiveness
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Moon Taxi
All Day All Night
105 bpm • D Maj • 03:51 • -3.57db
48% Popularity • 55% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 55% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Falls
When We Were Young
105 bpm • F Maj • 03:18 • -4.94db
39% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Tall Heights
To Be Young
117 bpm • D Maj • 04:27 • -11.43db
29% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Austin Plaine
Never Come Back Again
105 bpm • G# Maj • 03:16 • -8.87db
48% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Law
Song for Sid
118 bpm • D Maj • 03:48 • -14.02db
20% Popularity • 64% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
20% Popularity • 64% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Alexi Murdoch
Blue Mind
117 bpm • B Maj • 05:15 • -21db
37% Popularity • 64% Danceability • 30% Energy • 9% Liveness
52% Instrumentalness • 28% Positiveness
37% Popularity • 64% Danceability • 30% Energy • 9% Liveness
52% Instrumentalness • 28% Positiveness
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Patrick Park
Here We Are
118 bpm • D Maj • 03:09 • -8.81db
27% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Good Old War
Can't Go Home
105 bpm • A# Maj • 03:02 • -9db
10% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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John Craigie
I Am California
118 bpm • D# Maj • 05:13 • -10.27db
55% Popularity • 46% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 46% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Morningsiders
Somewhere in Between
118 bpm • C Maj • 03:39 • -5.89db
43% Popularity • 78% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
43% Popularity • 78% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Langhorne Slim
Sea Of Love
118 bpm • B Maj • 03:23 • -10.78db
50% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Fleet Foxes
If You Need To, Keep Time on Me
104 bpm • A Maj • 03:30 • -10.2db
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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The Head And The Heart
In the Summertime - Stinson Beach Sessio...
118 bpm • G Maj • 04:13 • -9.91db
27% Popularity • 51% Danceability • 48% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
27% Popularity • 51% Danceability • 48% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Iron & Wine
This Must Be The Place
119 bpm • C Maj • 03:32 • -10.39db
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Bahamas
Hockey Teeth
104 bpm • A# Maj • 02:34 • -9.24db
42% Popularity • 75% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
42% Popularity • 75% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
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Ben Howard
The Wolves
119 bpm • C min • 05:09 • -9.9db
54% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
54% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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The Decemberists
Make You Better
119 bpm • D Maj • 05:07 • -5db
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Head And The Heart
I Found Out
103 bpm • D Maj • 03:53 • -5.35db
42% Popularity • 60% Danceability • 71% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 60% Danceability • 71% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Good Old War
Better Weather
103 bpm • G Maj • 03:33 • -7.63db
7% Popularity • 60% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 60% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Dustin Tebbutt
The Breach
103 bpm • C# Maj • 04:13 • -7.48db
46% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
46% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Weepies
Can't Go Back Now
120 bpm • F Maj • 02:17 • -9db
47% Popularity • 69% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 69% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Head And The Heart
Let's Be Still - Spotify Session
120 bpm • A Maj • 05:23 • -9.42db
19% Popularity • 59% Danceability • 45% Energy • 59% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 59% Danceability • 45% Energy • 59% Liveness
0% Instrumentalness • 37% Positiveness
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The Brevet
Moving Mountains
120 bpm • A Maj • 04:39 • -5db
44% Popularity • 51% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 51% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Bronze Radio Return
Shake, Shake, Shake
120 bpm • A# Maj • 02:43 • -5.14db
50% Popularity • 73% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 73% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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River Whyless
Van Dyke Brown
120 bpm • A Maj • 04:07 • -6.9db
34% Popularity • 64% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
34% Popularity • 64% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
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Nathaniel Rateliff & The Night Sweats
Mellow Out
120 bpm • B min • 03:32 • -7.82db
46% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
46% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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Run River North
Fight to Keep
120 bpm • D Maj • 03:40 • -6db
24% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Morningsiders
25
120 bpm • G Maj • 03:59 • -7.33db
35% Popularity • 62% Danceability • 59% Energy • 6% Liveness
15% Instrumentalness • 42% Positiveness
35% Popularity • 62% Danceability • 59% Energy • 6% Liveness
15% Instrumentalness • 42% Positiveness
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Houndmouth
McKenzie
120 bpm • F Maj • 03:14 • -7.34db
59% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Blind Pilot
We Are the Tide
120 bpm • B Maj • 03:17 • -8db
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness