Songs like Shanti Paath by Vishal Khera
Based on a tempo of (+/- 10%) and a similar genre
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G. Gayathri Devi
Ganesha Shodasha Namani
113 bpm • D Maj • 02:28 • -12.36db
22% Popularity • 44% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 44% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Nidhi Dholakia
Yamunashtakam
113 bpm • D Maj • 06:30 • -12.3db
32% Popularity • 38% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 38% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Vishal Khera
Shanti Paath
113 bpm • G min • 01:04 • -9.12db
48% Popularity • 51% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 51% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Jitender Singh
Durga Chalisa
113 bpm • B Maj • 04:31 • -7db
36% Popularity • 92% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 92% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Baal Gopal
Raghupati Raghav
113 bpm • A Maj • 07:03 • -14.29db
32% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Srila Prabhupada
Hare krishna kirtan (ISKCON)
114 bpm • G Maj • 02:35 • -1.16db
32% Popularity • 28% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 28% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Susmirata Dawalkar
Ganapati Stotra
114 bpm • A# Maj • 03:19 • -13db
45% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Anjali Jain
Tumse Laagi Lagan
115 bpm • D# min • 08:06 • -10db
32% Popularity • 66% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 66% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Vishal Khera
Surya Mantra Om Grhini Aditya Namah
112 bpm • G# Maj • 01:15 • -3.7db
5% Popularity • 17% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 17% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Jitender Singh
Shani Chalisa
113 bpm • B Maj • 05:46 • -5db
37% Popularity • 63% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 63% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Dwadash Jyotirlinga
111 bpm • A Maj • 01:52 • -7.24db
22% Popularity • 50% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 50% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Vikram Hazra
Hey Nand Nand
111 bpm • D Maj • 08:20 • -12.09db
24% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Uma Mohan
Kalabairavashtakam
115 bpm • F Maj • 05:28 • -15.65db
37% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Seven
Kalabhairavastakam
115 bpm • F Maj • 05:28 • -15.29db
45% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Vishal Khera
Hey Prabhu Anand Data Gyan Humko Deejiye
114 bpm • D# Maj • 05:43 • -3.98db
19% Popularity • 70% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 70% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Kuldeep Shukla
Kaal Bhairav Ashtak
115 bpm • F Maj • 04:31 • -8.12db
24% Popularity • 82% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 82% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ved Vrind
Devi Sukta
115 bpm • D Maj • 02:13 • -6db
36% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Seema Mishra
Shri Ramchandra Kripalu Bhajman
115 bpm • F# Maj • 04:58 • -7.9db
32% Popularity • 64% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 64% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 70% Positiveness
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Vighnesh Ghanapaathi
Swasti Vachanam
115 bpm • A Maj • 01:49 • -6.36db
51% Popularity • 56% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 56% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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T.M. Krishna & Sangeetha Sivakumar
Ramachandraya Janaka
115 bpm • C Maj • 01:11 • -12.82db
43% Popularity • 74% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 74% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Vishal Khera
Navgrah Gayatri Mantra
114 bpm • D# min • 05:02 • -6.75db
1% Popularity • 53% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 53% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Arohi Anil Agarkar
Mahavirashtak
115 bpm • F# Maj • 06:53 • -9db
24% Popularity • 40% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 40% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Kirtaniyas
Radha Ramana Haribol
110 bpm • F# min • 07:13 • -8.59db
33% Popularity • 38% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 38% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
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Shailendra Bharti
Samaro Mantra Navkar
110 bpm • F Maj • 05:53 • -11.33db
23% Popularity • 57% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 57% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Ketaki Bhave Joshi
Durga Aarti Durge Durgat Bhari
110 bpm • D# Maj • 01:41 • -11db
35% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Darshana Bhuto
Om Namo Arihantanam
110 bpm • D# Maj • 04:25 • -11.96db
33% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Vishal Khera
Kali Maa Mantra Om Jayanti Mangala Kali
114 bpm • D Maj • 01:33 • -5.03db
42% Popularity • 30% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 30% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Sreekant Krishnamurthy
Shankara Mahadeva Deva
110 bpm • D Maj • 04:19 • -6.83db
29% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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G. Gayathri Devi
Dvadasha Jyothirlinga Smaranam
116 bpm • D Maj • 05:33 • -12.91db
44% Popularity • 78% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 78% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Seven
Gurupaduka Stotram
110 bpm • G Maj • 07:16 • -13.01db
36% Popularity • 61% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 61% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shiv Tandav Stotram
110 bpm • G# Maj • 07:47 • -7db
21% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Ashutosh Patel
Shiv Aahavaan Mantra
110 bpm • A# Maj • 03:54 • -12.33db
32% Popularity • 53% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 20% Positiveness
32% Popularity • 53% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 20% Positiveness
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Vishal Khera
Mahamrityunjaya Mantra Dhun Chants
115 bpm • G# Maj • 03:40 • -6.96db
1% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Govind Krsna Das
Krishna Hey
110 bpm • D# Maj • 06:03 • -8.43db
22% Popularity • 50% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 50% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Ghibran
Kalabhairavashtakam - Lord Kala Bhairava
110 bpm • F min • 04:20 • -9.16db
36% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Hemant Chauhan
Shiv Stuti Umapati Maheshwaram Namami Sh...
110 bpm • C Maj • 04:02 • -6.94db
49% Popularity • 72% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 72% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Susmirata Dawalkar
Shri Shakambhari Aarti
110 bpm • F Maj • 01:40 • -7.17db
42% Popularity • 82% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 82% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Priya
Aatmaa Raamaa
110 bpm • C min • 01:37 • -11db
43% Popularity • 70% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 70% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Rajan Mishra
Shree ganapati gajanan
116 bpm • F min • 09:48 • -16.86db
10% Popularity • 33% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
10% Popularity • 33% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
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Prabhakar Shukla
Shanti Mantra
109 bpm • G Maj • 01:01 • -8db
43% Popularity • 49% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
43% Popularity • 49% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Vishal Khera
Surya Mantra Om Grhini Suryaya Namah
117 bpm • G# Maj • 01:15 • -8.99db
5% Popularity • 20% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 20% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Shri Ram Mantra
108 Chants
117 bpm • C# Maj • 13:08 • -13.99db
25% Popularity • 40% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 40% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ved Vrind
Saudnyaan Sukta - a Hymn on Global Harmo...
109 bpm • D# min • 01:00 • -10db
47% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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T.Sivaprasad
Neela Suktam
109 bpm • A Maj • 00:55 • -8.16db
45% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Chinmaya Mission
Vrakra Tunda
117 bpm • G Maj • 00:50 • -18.56db
35% Popularity • 60% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 60% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Bangalore Sisters
Hanuman Chalisa
118 bpm • G# Maj • 08:49 • -16db
28% Popularity • 64% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 64% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Vishal Khera
Yada Yada Geeta Vishnu Shloka
117 bpm • G min • 02:05 • -7db
1% Popularity • 20% Danceability • 41% Energy • 25% Liveness
4% Instrumentalness • 6% Positiveness
1% Popularity • 20% Danceability • 41% Energy • 25% Liveness
4% Instrumentalness • 6% Positiveness
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Mayapuris
Jai Sri Radhe
118 bpm • F min • 04:04 • -10.53db
32% Popularity • 35% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 35% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Seven
Vaidhyanathashtakam
118 bpm • A Maj • 05:53 • -9db
38% Popularity • 65% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 65% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Vikram Hazra
Om Namah Shivaya
108 bpm • D Maj • 06:41 • -14.9db
26% Popularity • 73% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 73% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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T. S. Ranganathan
Jaya Jaya Shankara Hara Hara Shankara Dh...
118 bpm • F Maj • 04:47 • -11.08db
39% Popularity • 75% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 75% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shivohm Shivohm
118 bpm • A# Maj • 03:28 • -7.97db
13% Popularity • 37% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 37% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Vishal Khera
Yada Yada Geeta Shloka
118 bpm • G min • 02:42 • -7.09db
4% Popularity • 17% Danceability • 36% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 36% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
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Rajalakshmee Sanjay
Krishna Ashtakam
108 bpm • A# min • 05:20 • -9.83db
37% Popularity • 72% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 72% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Sachin Limaye
Tvameva Mata Cha Pita Tvameva
108 bpm • F# Maj • 01:02 • -11db
41% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Swarup Damodar Prabhu
Narasimha Aarti
107 bpm • C# Maj • 05:32 • -6.05db
33% Popularity • 30% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 30% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Chinmaya Mission
Sarve Bhavantu
119 bpm • G Maj • 00:39 • -20db
41% Popularity • 47% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 47% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shree Rudraashtakam
107 bpm • D# Maj • 08:52 • -5.87db
24% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Vikram Hazra
Bhole Ki Jai Jai
119 bpm • D Maj • 06:06 • -14db
30% Popularity • 57% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 57% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Shreya Ghoshal
Somnatham Sharanam
119 bpm • G min • 04:02 • -18db
29% Popularity • 35% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 15% Positiveness
29% Popularity • 35% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 15% Positiveness
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![Parameshwaraya cover art]()
Rishi Nityapragya
Parameshwaraya
119 bpm • F Maj • 06:44 • -5.45db
21% Popularity • 40% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 40% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Sachin Limaye
Damodar Stuti
119 bpm • D# Maj • 07:37 • -12db
38% Popularity • 65% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Brahmins
Ganesh Vandana
120 bpm • G# Maj • 08:35 • -10db
43% Popularity • 43% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
43% Popularity • 43% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Shubhraji
Prayer to Lord Siva
107 bpm • G# Maj • 01:48 • -9db
27% Popularity • 45% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 45% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Govind Krsna Das
Radhe Govinda
120 bpm • F# min • 05:08 • -5.77db
14% Popularity • 41% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 41% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Seven
Sivamanaspooja
120 bpm • E Maj • 04:46 • -9.06db
38% Popularity • 56% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 56% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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G. Gayathri Devi
Umamaheshvara Stotram
120 bpm • D# Maj • 06:45 • -10.61db
13% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Male Chorus
Hanuman Chalisa Paath
120 bpm • D Maj • 07:01 • -2.79db
25% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jaydeep Swadia
Govind Damodar Stotram - Kararvinde Na P...
120 bpm • D# Maj • 06:22 • -5.94db
21% Popularity • 58% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 58% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Ved Vrind
Suraksha Sukta
106 bpm • F# Maj • 04:43 • -7.45db
27% Popularity • 42% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 42% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Mangesh Borgaonkar
Shantakaram Bhujagashayanam - 11 Times
120 bpm • B Maj • 06:44 • -16db
37% Popularity • 59% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 59% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Seven
Lingashtakam
120 bpm • G# Maj • 04:35 • -11.59db
37% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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G. Gayathri Devi
Ganapathy Stotram
120 bpm • C Maj • 05:31 • -10.14db
38% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Amrita Chaturvedi
OM Namo Bhagavate Vasudevaya-11 Times
120 bpm • C# Maj • 01:37 • -6.12db
36% Popularity • 63% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 63% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Vighnesh Ghanapaathi
Om Gan Ganpataye Namah
120 bpm • D Maj • 01:24 • -15db
40% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ved Vrind
Vishnu Sukta
106 bpm • B Maj • 04:22 • -10db
29% Popularity • 52% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 52% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Surabhi Dhomne
Mata Sherawali
106 bpm • D Maj • 04:28 • -1db
35% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Poonam Sharma
Shri Durga Kawach
120 bpm • G Maj • 07:08 • -4db
33% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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G. Gayathri Devi
Ganesha Ashtakam
120 bpm • E Maj • 06:28 • -10.4db
16% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Swarup Damodar Prabhu
Sri Guru Carana Padma
106 bpm • F# min • 08:03 • -8.39db
26% Popularity • 26% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 26% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Prof. Thiagarajan
Ganapathi Suprabatham
106 bpm • C Maj • 05:02 • -6.98db
18% Popularity • 60% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 60% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Vishal Khera
Saraswati Shloka Ya Kundendu
106 bpm • D Maj • 01:55 • -14.36db
40% Popularity • 27% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 27% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Satish Dehra
Shiv Rudrashtakam
121 bpm • B Maj • 05:19 • -6db
54% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Morari Bapu
Tum Hi Mere Devta Ho
121 bpm • C# min • 02:07 • -15db
39% Popularity • 41% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 41% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Arohi Anil Agarkar
Samadhi Bhavna
105 bpm • F# Maj • 03:18 • -16db
26% Popularity • 72% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 72% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sachin Limaye
Vitthal Vitthal Vitthala - Dhun
105 bpm • C min • 04:43 • -6.04db
8% Popularity • 41% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 41% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 65% Positiveness
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Akshay Pandya
Shambho Shankar (Om Namah Shivay)
105 bpm • D min • 05:20 • -9.59db
35% Popularity • 71% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 71% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Vikram Hazra
Shiva Shambho
105 bpm • C Maj • 08:08 • -17db
26% Popularity • 73% Danceability • 34% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
26% Popularity • 73% Danceability • 34% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
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Vivek Prakash
Maha Mrityunjay Mantra
105 bpm • G# Maj • 05:54 • -11.29db
20% Popularity • 73% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 73% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Devaki Pandit
Kalika Kavach
105 bpm • D min • 06:01 • -10db
19% Popularity • 66% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 66% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Sainik Dey
Jagannath Sloka
122 bpm • G Maj • 04:31 • -8.81db
33% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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T. S. Ranganathan
Ganesha Stotram - original
105 bpm • A# Maj • 01:23 • -17db
35% Popularity • 61% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 61% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Gautham Baradwaj
Ashtalakshmi Stotra
122 bpm • A Maj • 05:56 • -11.15db
39% Popularity • 66% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 66% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shri Vilvashtkam
122 bpm • C# Maj • 03:03 • -6.68db
14% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sadhguru
Linga Bhairavi Stuthi
104 bpm • C# Maj • 06:01 • -17.66db
35% Popularity • 38% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 38% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Rajalakshmee Sanjay
Ashtalakshmi Stotram
122 bpm • B Maj • 06:46 • -4.36db
21% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Vishal Khera
Karpur Gauram Karuna Avataram Sansar Saa...
122 bpm • D# Maj • 00:53 • -10db
55% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Malola Kannan
Narasimha Bija Mantra
104 bpm • A# Maj • 00:35 • -11.38db
41% Popularity • 32% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 32% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
