Songs like Shazam by Folke Rabe
Based on a tempo of (+/- 10%) and a similar genre
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Akira Rabelais
Gnossienne Troisième
79 bpm • A min • 03:34 • -28.48db
7% Popularity • 46% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 46% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Folke Rabe
To Love: V. —
79 bpm • F# min • 01:34 • -30.58db
0% Popularity • 23% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Harold Budd
Juno
79 bpm • D# Maj • 08:20 • -30.8db
28% Popularity • 13% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
28% Popularity • 13% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Besombes
Evelyse
79 bpm • D Maj • 07:26 • -22db
8% Popularity • 14% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Pierre Schaeffer
Etude Violette
79 bpm • G Maj • 03:20 • -22.48db
13% Popularity • 40% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 40% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Pierre Bastien
Caravan
79 bpm • D min • 02:36 • -15.53db
17% Popularity • 42% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 39% Positiveness
17% Popularity • 42% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 39% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 4. Interlude
78 bpm • G# Maj • 04:35 • -34.73db
10% Popularity • 13% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Folke Rabe
Basta für Posaune solo
79 bpm • C Maj • 03:44 • -19.1db
0% Popularity • 40% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
0% Popularity • 40% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
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Meredith Monk
Memory Zone
79 bpm • A# min • 04:22 • -25.33db
7% Popularity • 11% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Sanggar Ceraken of Bali
Prelude for Meditation
78 bpm • D# Maj • 01:51 • -32.85db
17% Popularity • 22% Danceability • 0% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
17% Popularity • 22% Danceability • 0% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
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Pierre Schaeffer
Cinq etudes de bruits - Etude aux chemin...
78 bpm • A# min • 02:52 • -23db
11% Popularity • 43% Danceability • 82% Energy • 66% Liveness
74% Instrumentalness • 3% Positiveness
11% Popularity • 43% Danceability • 82% Energy • 66% Liveness
74% Instrumentalness • 3% Positiveness
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Gloria Coates
String Quartet No.4 - Molto Sostenuto E ...
80 bpm • G Maj • 03:08 • -9.99db
14% Popularity • 8% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
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Narls
What We Have to Do
80 bpm • G min • 01:18 • -21.32db
17% Popularity • 82% Danceability • 0% Energy • 8% Liveness
76% Instrumentalness • 46% Positiveness
17% Popularity • 82% Danceability • 0% Energy • 8% Liveness
76% Instrumentalness • 46% Positiveness
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Folke Rabe
Shazam
79 bpm • C Maj • 05:41 • -20.76db
1% Popularity • 39% Danceability • 4% Energy • 32% Liveness
94% Instrumentalness • 5% Positiveness
1% Popularity • 39% Danceability • 4% Energy • 32% Liveness
94% Instrumentalness • 5% Positiveness
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Chris Watson
El Divisadero
78 bpm • A# min • 05:34 • -10db
15% Popularity • 27% Danceability • 99% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
15% Popularity • 27% Danceability • 99% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Jon Hassell
Delta Rain Dream
80 bpm • F# Maj • 03:29 • -24db
30% Popularity • 50% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
30% Popularity • 50% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Edgar Froese
Upland
78 bpm • A min • 06:41 • -18.91db
21% Popularity • 16% Danceability • 55% Energy • 24% Liveness
89% Instrumentalness • 27% Positiveness
21% Popularity • 16% Danceability • 55% Energy • 24% Liveness
89% Instrumentalness • 27% Positiveness
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Ursula K. Le Guin
Long Singing
78 bpm • D# Maj • 05:48 • -11.05db
8% Popularity • 13% Danceability • 29% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 29% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Charley Wild
Mid Month Madness
80 bpm • G# Maj • 00:54 • -21.34db
11% Popularity • 36% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 24% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 24% Positiveness
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Folke Rabe
With Love: I. —
78 bpm • F Maj • 02:09 • -24.92db
0% Popularity • 40% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
0% Popularity • 40% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Kali Malone
Hagakyrka Bells
78 bpm • A Maj • 01:08 • -23.38db
23% Popularity • 34% Danceability • 4% Energy • 36% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 34% Danceability • 4% Energy • 36% Liveness
97% Instrumentalness • 4% Positiveness
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Paul Lansky
Notjustmoreidlechatter
80 bpm • F Maj • 08:03 • -17.06db
10% Popularity • 21% Danceability • 38% Energy • 25% Liveness
61% Instrumentalness • 53% Positiveness
10% Popularity • 21% Danceability • 38% Energy • 25% Liveness
61% Instrumentalness • 53% Positiveness
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Karlheinz Stockhausen
Stimmung: Model 3
80 bpm • D# Maj • 01:23 • -26db
8% Popularity • 20% Danceability • 7% Energy • 30% Liveness
5% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 30% Liveness
5% Instrumentalness • 8% Positiveness
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Dept. Mind
Brightness
80 bpm • D Maj • 01:02 • -12.74db
15% Popularity • 38% Danceability • 39% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
15% Popularity • 38% Danceability • 39% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
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Pauline Oliveros
Crossing the Sands
78 bpm • A Maj • 05:51 • -20.04db
12% Popularity • 7% Danceability • 9% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
12% Popularity • 7% Danceability • 9% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
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Zuinatre
Paramount
80 bpm • C Maj • 01:16 • -27.31db
20% Popularity • 55% Danceability • 0% Energy • 34% Liveness
93% Instrumentalness • 65% Positiveness
20% Popularity • 55% Danceability • 0% Energy • 34% Liveness
93% Instrumentalness • 65% Positiveness
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Pierre Henry
Classique: Bidule et un
81 bpm • D Maj • 01:54 • -23.09db
14% Popularity • 55% Danceability • 39% Energy • 18% Liveness
28% Instrumentalness • 26% Positiveness
14% Popularity • 55% Danceability • 39% Energy • 18% Liveness
28% Instrumentalness • 26% Positiveness
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Folke Rabe
Ach Chamberlin
77 bpm • G# Maj • 05:54 • -19.84db
0% Popularity • 39% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 30% Positiveness
0% Popularity • 39% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 30% Positiveness
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Jon Hassell
Empire II
77 bpm • B Maj • 04:53 • -34.32db
12% Popularity • 11% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
12% Popularity • 11% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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Laraaji
Meditation No. 2
81 bpm • D min • 07:50 • -26.77db
33% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Barre Phillips
Algobench
81 bpm • A Maj • 01:16 • -29.74db
14% Popularity • 23% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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Renato Di Prinzio
Harmonia Mundi (Instrumental)
77 bpm • F# min • 01:29 • -30db
13% Popularity • 59% Danceability • 1% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
13% Popularity • 59% Danceability • 1% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
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David Behrman
Interspecies Smalltalk, Part 1
77 bpm • G Maj • 09:43 • -19.08db
7% Popularity • 8% Danceability • 7% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 7% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Dali Muru & The Polyphonic Swarm
Swaddledidaf
77 bpm • C min • 02:31 • -26.58db
20% Popularity • 22% Danceability • 9% Energy • 64% Liveness
93% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 9% Energy • 64% Liveness
93% Instrumentalness • 7% Positiveness
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Simon Fisher Turner
How Blue Sky Was
77 bpm • F# min • 02:58 • -18.78db
10% Popularity • 43% Danceability • 22% Energy • 65% Liveness
14% Instrumentalness • 14% Positiveness
10% Popularity • 43% Danceability • 22% Energy • 65% Liveness
14% Instrumentalness • 14% Positiveness
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Stephan Mathieu
White Wings / Child Okeford
77 bpm • A min • 07:12 • -21.02db
15% Popularity • 9% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Meredith Monk
Facing North: Northern Lights 1
76 bpm • B min • 01:58 • -25.65db
22% Popularity • 8% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
22% Popularity • 8% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Akira Rabelais
1671 Milton Samson 1122 Add Thy Spear, A...
76 bpm • C# Maj • 08:06 • -42.76db
7% Popularity • 7% Danceability • 1% Energy • 28% Liveness
75% Instrumentalness • 7% Positiveness
7% Popularity • 7% Danceability • 1% Energy • 28% Liveness
75% Instrumentalness • 7% Positiveness
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Karlheinz Stockhausen
Kontakte
76 bpm • D Maj • 06:18 • -17db
9% Popularity • 40% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 15% Positiveness
9% Popularity • 40% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 15% Positiveness
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Morton Feldman
Rothko Chapel 4
82 bpm • A min • 04:38 • -38db
19% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Arkow
Chasin
76 bpm • D# min • 01:15 • -23.37db
13% Popularity • 47% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 21% Positiveness
13% Popularity • 47% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 21% Positiveness
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Else Marie Pade
Faust Suite: Prolog i Himlen
82 bpm • A min • 04:17 • -15db
14% Popularity • 21% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
14% Popularity • 21% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Ãœmit ArmaÄŸan
Universe - Concert Performance
82 bpm • F# Maj • 05:56 • -13.05db
9% Popularity • 18% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Thomas Durante
A Series of Bagels Being Crushed
82 bpm • A Maj • 01:11 • -39.78db
12% Popularity • 37% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 37% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Risto Holopainen
The Wastebasket of Timbre
82 bpm • D Maj • 08:08 • -14.47db
14% Popularity • 20% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 20% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Daphne Oram
Contrasts Essconic
76 bpm • G# Maj • 08:20 • -17.1db
9% Popularity • 21% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
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Stephan Mathieu
Rauch
76 bpm • C Maj • 01:43 • -28.78db
19% Popularity • 11% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Brian Eno
Brutal Ardour (Variation On 'The Canon I...
83 bpm • D Maj • 08:13 • -15.99db
21% Popularity • 16% Danceability • 20% Energy • 42% Liveness
49% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 20% Energy • 42% Liveness
49% Instrumentalness • 4% Positiveness
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Maria W Horn
Ångermanländska Bilder
75 bpm • G Maj • 10:12 • -17.2db
8% Popularity • 6% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
8% Popularity • 6% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
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Steve Reich
It's Gonna Rain, Pt. I (1965)
75 bpm • A Maj • 07:59 • -16.99db
15% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Akira Rabelais
Aposiopesis
75 bpm • C Maj • 05:16 • -33.44db
8% Popularity • 30% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 30% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Laurie Spiegel
Pentachrome
75 bpm • A min • 07:18 • -18db
15% Popularity • 6% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Daphne Oram
Rhythmic Variations i
75 bpm • C# min • 00:52 • -15db
9% Popularity • 60% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
9% Popularity • 60% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Morton Feldman
Christian Wolff in Cambridge
75 bpm • F# min • 03:48 • -39db
10% Popularity • 14% Danceability • 1% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 1% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
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Brian Eno
Oil
83 bpm • A# min • 04:13 • -20.32db
19% Popularity • 38% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
19% Popularity • 38% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Wendy Carlos
Afterlife
83 bpm • C Maj • 08:21 • -21db
15% Popularity • 14% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
15% Popularity • 14% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Aisha Okafor
Skittish day
75 bpm • A min • 01:32 • -34.83db
12% Popularity • 51% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 51% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Sound Zones
75 bpm • A# Maj • 08:07 • -15.1db
7% Popularity • 11% Danceability • 51% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
7% Popularity • 11% Danceability • 51% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
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Popol Vuh
Abschied
83 bpm • D Maj • 03:14 • -13.13db
22% Popularity • 24% Danceability • 27% Energy • 33% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 27% Energy • 33% Liveness
83% Instrumentalness • 4% Positiveness
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MateenOS
O’Palestine
75 bpm • C Maj • 02:19 • -16.1db
8% Popularity • 24% Danceability • 16% Energy • 28% Liveness
76% Instrumentalness • 5% Positiveness
8% Popularity • 24% Danceability • 16% Energy • 28% Liveness
76% Instrumentalness • 5% Positiveness
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Brannten Schnüre
Vom Baum Im Hof
83 bpm • A min • 02:24 • -15.87db
11% Popularity • 8% Danceability • 22% Energy • 9% Liveness
25% Instrumentalness • 5% Positiveness
11% Popularity • 8% Danceability • 22% Energy • 9% Liveness
25% Instrumentalness • 5% Positiveness
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DJ Vittoria
Intelligent Mind
83 bpm • F# Maj • 01:54 • -16.97db
22% Popularity • 59% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 46% Positiveness
22% Popularity • 59% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 46% Positiveness
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Brian Eno
Lantern Marsh - Remastered 2004
75 bpm • C Maj • 05:31 • -31.11db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Finding Voice
83 bpm • E Maj • 02:45 • -29.06db
21% Popularity • 9% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Robert Fripp
The Heavenly Music Corporation IV
75 bpm • E Maj • 04:53 • -17.46db
21% Popularity • 9% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Pauline Oliveros
A Love Song
75 bpm • A Maj • 05:00 • -19.8db
11% Popularity • 6% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Ingram Marshall
Fog Tropes
84 bpm • A# Maj • 09:56 • -33db
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Roberto Musci
Lidia After The Snow
84 bpm • D# Maj • 02:22 • -11.41db
23% Popularity • 65% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
23% Popularity • 65% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
► Preview
Tomoko Sauvage
Clepsydra
74 bpm • A# min • 10:49 • -19.17db
9% Popularity • 36% Danceability • 2% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Brian Eno
Shadow - Remastered 2004
74 bpm • C Maj • 03:00 • -23.57db
27% Popularity • 10% Danceability • 17% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 17% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
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Null
Catorce
74 bpm • C Maj • 00:59 • -27.75db
10% Popularity • 51% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
10% Popularity • 51% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
► Preview
Akira Rabelais
1382 Wyclif Gen. II. 7 and Spiride in to...
74 bpm • C# Maj • 06:18 • -36.06db
15% Popularity • 24% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
15% Popularity • 24% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
► Preview
Alfred Schnittke
Trombone Concerto, "All the Lonely Peopl...
74 bpm • C Maj • 12:50 • -30.46db
1% Popularity • 20% Danceability • 1% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 1% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Laurie Spiegel
Appalachian Grove II
74 bpm • A# min • 07:56 • -18db
13% Popularity • 16% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Pauline Oliveros
In the Houses of My Families
84 bpm • A# Maj • 00:59 • -21.9db
14% Popularity • 18% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Levi Rhowe
NEXT
74 bpm • D# Maj • 00:54 • -14.7db
13% Popularity • 56% Danceability • 86% Energy • 28% Liveness
32% Instrumentalness • 72% Positiveness
13% Popularity • 56% Danceability • 86% Energy • 28% Liveness
32% Instrumentalness • 72% Positiveness
► Preview
Terry Riley
Slow Melody In Bhairavi
74 bpm • D Maj • 03:16 • -16.19db
10% Popularity • 15% Danceability • 4% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 4% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Holger Czukay
Epilogue
74 bpm • D min • 02:13 • -23.3db
18% Popularity • 52% Danceability • 17% Energy • 14% Liveness
86% Instrumentalness • 85% Positiveness
18% Popularity • 52% Danceability • 17% Energy • 14% Liveness
86% Instrumentalness • 85% Positiveness
► Preview
David Toop
For believing (you were a strange beauti...
85 bpm • D# min • 02:08 • -26.36db
13% Popularity • 17% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Ryoji Ikeda
Op.1: I
74 bpm • D Maj • 02:20 • -43.23db
8% Popularity • 20% Danceability • 2% Energy • 29% Liveness
86% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 2% Energy • 29% Liveness
86% Instrumentalness • 3% Positiveness
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Pauline Oliveros
Nike
74 bpm • C Maj • 10:37 • -32db
16% Popularity • 8% Danceability • 15% Energy • 40% Liveness
51% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 15% Energy • 40% Liveness
51% Instrumentalness • 3% Positiveness
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Morton Feldman
Rohtko Chapel 1
74 bpm • C# Maj • 09:06 • -37db
22% Popularity • 6% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 6% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
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Josiah Steinbrick
(Two Bells)
85 bpm • E Maj • 01:08 • -21.59db
9% Popularity • 36% Danceability • 4% Energy • 35% Liveness
43% Instrumentalness • 31% Positiveness
9% Popularity • 36% Danceability • 4% Energy • 35% Liveness
43% Instrumentalness • 31% Positiveness
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Bendik Giske
Stall
74 bpm • F Maj • 02:46 • -19.28db
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Jon Hassell
Rising Thermal 14° 16' N; 32° 28' E
74 bpm • D# Maj • 03:08 • -35.06db
25% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
25% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
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Kola
German
74 bpm • D# Maj • 02:08 • -12.91db
29% Popularity • 37% Danceability • 14% Energy • 60% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 37% Danceability • 14% Energy • 60% Liveness
90% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Oraison
74 bpm • E Maj • 07:42 • -25db
13% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Morton Feldman
Rothko Chapel 3
74 bpm • C# Maj • 02:56 • -46db
23% Popularity • 20% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
23% Popularity • 20% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
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Folke Rabe
To Love: VII. —
85 bpm • C Maj • 02:22 • -28.45db
0% Popularity • 16% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Monkey
85 bpm • E min • 02:52 • -42.47db
9% Popularity • 16% Danceability • 0% Energy • 9% Liveness
7% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 9% Liveness
7% Instrumentalness • 3% Positiveness
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Irena And Vojtech Havlovi
Through The Strange World Of The Churche...
73 bpm • B Maj • 01:16 • -34.43db
20% Popularity • 21% Danceability • 15% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
20% Popularity • 21% Danceability • 15% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
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David Behrman
On the Other Ocean
73 bpm • C Maj • 06:50 • -14.73db
30% Popularity • 7% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 7% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Fripp
An Index Of Metals II
86 bpm • D# Maj • 02:32 • -17.05db
23% Popularity • 9% Danceability • 41% Energy • 66% Liveness
87% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 41% Energy • 66% Liveness
87% Instrumentalness • 3% Positiveness
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Vesper Hawthorne
Journey
73 bpm • E Maj • 01:00 • -26.25db
40% Popularity • 40% Danceability • 0% Energy • 33% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 40% Danceability • 0% Energy • 33% Liveness
85% Instrumentalness • 4% Positiveness
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Cavern of Anti-Matter
Nocturne-upon-Thames
73 bpm • D# min • 00:58 • -13.39db
15% Popularity • 28% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
15% Popularity • 28% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
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Deux Filles
Air Tube - Remastered
73 bpm • D Maj • 01:09 • -36.19db
17% Popularity • 25% Danceability • 0% Energy • 5% Liveness
71% Instrumentalness • 5% Positiveness
17% Popularity • 25% Danceability • 0% Energy • 5% Liveness
71% Instrumentalness • 5% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 5. Hymn III
73 bpm • G# Maj • 07:46 • -28db
10% Popularity • 12% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Stuart Dempster
Invocation
72 bpm • A Maj • 10:54 • -28.84db
7% Popularity • 11% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
7% Popularity • 11% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
