Songs like She Found Her Sweetheart Again by Julie Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Jeff Brown
Young Jillaroo
122 bpm • A Maj • 03:15 • -7.37db
11% Popularity • 85% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 85% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Johnny Loughrey
Run for the Border
122 bpm • D# Maj • 03:09 • -10.18db
12% Popularity • 80% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 80% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Heidi Hauge
Harper Valley PTA
122 bpm • F Maj • 03:20 • -6.23db
16% Popularity • 80% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 80% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Julie Taylor
This Is Me
122 bpm • D Maj • 02:30 • -7.38db
0% Popularity • 70% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 70% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Ronnie Drew
A Couple More Years
122 bpm • A Maj • 04:26 • -10db
18% Popularity • 72% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 72% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy Buckley
Livin' On Love
122 bpm • A# Maj • 03:22 • -9.44db
12% Popularity • 74% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 74% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Baruch Levine
Never Too Late
122 bpm • F min • 01:17 • -6.16db
15% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Corb Lund
The Consumer
123 bpm • A Maj • 02:49 • -8db
9% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Frank Willis
One of the Great Love Affairs
123 bpm • B Maj • 02:51 • -6db
13% Popularity • 81% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 81% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Julie Taylor
She Found Her Sweetheart Again
122 bpm • G Maj • 02:45 • -8.97db
0% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Russell
Gallo Del Cielo
121 bpm • C# min • 06:44 • -8.65db
8% Popularity • 64% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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John Williamson
Honest People
121 bpm • A Maj • 03:15 • -10.27db
7% Popularity • 80% Danceability • 62% Energy • 14% Liveness
9% Instrumentalness • 83% Positiveness
7% Popularity • 80% Danceability • 62% Energy • 14% Liveness
9% Instrumentalness • 83% Positiveness
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Mary Chapin Carpenter
Going Out Tonight
123 bpm • F Maj • 03:16 • -12.83db
15% Popularity • 76% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 76% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Reg Poole
Jesus Who?
123 bpm • A Maj • 03:47 • -8.52db
16% Popularity • 62% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 62% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Troy Cassar-Daley
Crystal Chandeliers
121 bpm • C Maj • 02:58 • -7.6db
15% Popularity • 62% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 62% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Darrell McCallum
Lovely in White
123 bpm • C Maj • 03:59 • -7db
19% Popularity • 68% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
19% Popularity • 68% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Tantowi Yahya
Billy Can't Read
123 bpm • B Maj • 03:46 • -4.36db
21% Popularity • 74% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 74% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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John Williamson
Mates Around the Fire
120 bpm • A Maj • 02:51 • -7.84db
8% Popularity • 71% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 71% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Julie Taylor
One Day Away
123 bpm • G Maj • 03:50 • -10.17db
0% Popularity • 60% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 60% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Gordon Lightfoot
Never Too Close
124 bpm • A Maj • 03:01 • -16.83db
29% Popularity • 65% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 65% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Kevin Bloody Wilson
Stack the Fridge
120 bpm • E Maj • 02:33 • -7.7db
29% Popularity • 73% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 73% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Heidi Hauge
Just an Illusion
120 bpm • D Maj • 03:13 • -7.57db
15% Popularity • 60% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 60% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Karl
Trouble
124 bpm • D Maj • 03:56 • -13.03db
21% Popularity • 60% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Jeanette Nielsen
Volvo B18
120 bpm • C Maj • 02:51 • -6.93db
9% Popularity • 79% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 79% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Julie Taylor
Goodbye Moon
120 bpm • F# Maj • 03:24 • -9.9db
0% Popularity • 85% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 85% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Heather Myles
Little Chapel
124 bpm • A Maj • 02:57 • -6.41db
28% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Gordon Lightfoot
I'd Rather Press On
120 bpm • D Maj • 03:43 • -17.84db
11% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Reg Poole
Goondiwindi Grey
120 bpm • C Maj • 02:16 • -7db
22% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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James Brian Coffey
This Train
120 bpm • E Maj • 01:31 • -8.27db
10% Popularity • 72% Danceability • 79% Energy • 14% Liveness
3% Instrumentalness • 97% Positiveness
10% Popularity • 72% Danceability • 79% Energy • 14% Liveness
3% Instrumentalness • 97% Positiveness
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Raymond Froggatt
I'll Follow You
120 bpm • C Maj • 04:05 • -9.1db
10% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Sweethearts of the Rodeo
Blue To The Bone
124 bpm • G Maj • 02:55 • -8.64db
28% Popularity • 70% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 70% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Hopesong
Right on Time
120 bpm • F Maj • 04:15 • -6.17db
8% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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10,000 Maniacs
Wildwood Flower
124 bpm • G Maj • 01:52 • -7.5db
9% Popularity • 71% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 71% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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John Edmond
Rhodie Cologne
125 bpm • E Maj • 03:19 • -8.57db
8% Popularity • 71% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 71% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Frank R. Bellucci
Lonely Rider
125 bpm • E Maj • 03:11 • -7.85db
26% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Joe Ely
Coyotes Are Howlin'
125 bpm • B min • 04:18 • -9.11db
7% Popularity • 72% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
7% Popularity • 72% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
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RocKwiz
Lost Highway
125 bpm • G Maj • 03:03 • -4.72db
8% Popularity • 41% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 41% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Roger Tibbs
She Taught Me To Yodel
125 bpm • G Maj • 02:06 • -18.84db
12% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Tantowi Yahya
He Drinks Tequila
125 bpm • G# Maj • 03:09 • -4.83db
27% Popularity • 72% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 72% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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John McSweeney
Side by Side / Walking My Baby Back Home...
126 bpm • A Maj • 04:26 • -11.26db
11% Popularity • 66% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 66% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Western Senators
Painter Polka
126 bpm • F Maj • 02:21 • -6db
21% Popularity • 76% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 76% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Answers in Genesis
Woodpecker Song
126 bpm • A Maj • 01:39 • -11.91db
14% Popularity • 83% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 95% Positiveness
14% Popularity • 83% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 95% Positiveness
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Nanci Griffith
Sweet Dreams Will Come
126 bpm • E Maj • 04:26 • -17.86db
12% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Norma O'Hara Murphy
Who's Takin' You Home
118 bpm • B Maj • 04:18 • -16.24db
10% Popularity • 68% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 68% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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John Williamson
It's All About Love
118 bpm • A Maj • 03:20 • -7.52db
5% Popularity • 64% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
5% Popularity • 64% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Marc Bratt
Baja
118 bpm • C# Maj • 03:23 • -10.76db
28% Popularity • 74% Danceability • 46% Energy • 18% Liveness
9% Instrumentalness • 74% Positiveness
28% Popularity • 74% Danceability • 46% Energy • 18% Liveness
9% Instrumentalness • 74% Positiveness
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Eimhear Ni Ghlacain
Roll of Honour
118 bpm • D Maj • 05:05 • -2.15db
16% Popularity • 75% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 75% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Neil Young
Depression Blues
118 bpm • A Maj • 04:06 • -17.12db
7% Popularity • 51% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 51% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Bailiff Sings
Life
126 bpm • D Maj • 02:56 • -7.65db
35% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Gitty
A Letter To Jack
118 bpm • D Maj • 03:20 • -7.98db
9% Popularity • 70% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 70% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Eddie Groves
Wagon Wheel
126 bpm • G Maj • 05:38 • -7.99db
17% Popularity • 72% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 72% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Country Express
Daddy Frank (The Guitar Man)
118 bpm • A Maj • 02:59 • -12.39db
7% Popularity • 58% Danceability • 68% Energy • 11% Liveness
23% Instrumentalness • 84% Positiveness
7% Popularity • 58% Danceability • 68% Energy • 11% Liveness
23% Instrumentalness • 84% Positiveness
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Heidi Hauge
Success
127 bpm • A# Maj • 02:42 • -7.55db
7% Popularity • 68% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 68% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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John Williamson
Seven Year Itch
127 bpm • G# Maj • 03:17 • -10.7db
7% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Bill Reid & The Fewer Sorrows Band
Grace Before Breakfast
127 bpm • B Maj • 03:50 • -9.34db
14% Popularity • 76% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 76% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Warren H. Williams
Baby Blue
117 bpm • G Maj • 02:52 • -11.4db
11% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ian Tyson
Own Heart's Delight
127 bpm • B Maj • 03:50 • -15.95db
16% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Jimmy Buffett
Peanut Butter Conspiracy
117 bpm • C Maj • 04:06 • -7.19db
25% Popularity • 75% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 75% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Lewish & Leftup
The Rodeo Song
127 bpm • F Maj • 02:00 • -9.37db
9% Popularity • 77% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 77% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Swordbelt's Band
Two Piña Coladas
117 bpm • F Maj • 03:50 • -6db
15% Popularity • 76% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 76% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Regez
Headin' West
128 bpm • D Maj • 03:13 • -9.22db
16% Popularity • 59% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 59% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Charley Pride
Just for the Love of It
128 bpm • D Maj • 03:48 • -9.88db
13% Popularity • 73% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 73% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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John Williamson
On the Improve
116 bpm • A# Maj • 03:21 • -9.86db
9% Popularity • 75% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 75% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Bill Anderson
Quits
128 bpm • A# Maj • 02:24 • -10.08db
8% Popularity • 66% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Bob Porter
Ghosts Out in the Fog
116 bpm • G Maj • 04:52 • -7.03db
25% Popularity • 81% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 81% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Kevin Bloody Wilson
The Note
128 bpm • G Maj • 04:17 • -8.42db
19% Popularity • 72% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 72% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Bobby Angel
Amanda
128 bpm • A Maj • 02:46 • -4.54db
21% Popularity • 68% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 68% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Hobo Jim
The Iditarod Trail Song
116 bpm • E Maj • 02:27 • -11.46db
18% Popularity • 84% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 84% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Nanci Griffith
Do Re Mi
116 bpm • C Maj • 02:52 • -10.68db
21% Popularity • 69% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 69% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Mac McAnally
Take It Easy (All I Know About Love)
128 bpm • D Maj • 03:12 • -8.25db
7% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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McKenzie & Trewlove
Shiftwork
129 bpm • C Maj • 04:29 • -5.22db
6% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Kevin Bloody Wilson
The Pubic Hair Song
116 bpm • C Maj • 04:21 • -18.12db
25% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Tex Perkins
Postcard From Elvis
115 bpm • G Maj • 03:56 • -13.13db
13% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Scarecrow Jack
Couple Bottles of Rum
129 bpm • D Maj • 04:06 • -12.47db
17% Popularity • 83% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 83% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Overstreet
God is Good
115 bpm • E Maj • 03:45 • -6.35db
23% Popularity • 67% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 67% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Regez
Remember The Time
129 bpm • A Maj • 03:16 • -11.42db
19% Popularity • 66% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 66% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Gordon Lightfoot
Alberta Bound - 1988 Version
115 bpm • E Maj • 03:01 • -16.15db
16% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 91% Positiveness
16% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 91% Positiveness
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Heidi Hauge
He Thinks I Still Care
115 bpm • E Maj • 02:42 • -8.06db
15% Popularity • 61% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 61% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Bloody Wilson
My New Girlfriend
115 bpm • A Maj • 04:08 • -5.91db
13% Popularity • 80% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 80% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Logue & McCool
I Just Want To Dance With You
115 bpm • C# Maj • 03:35 • -9.33db
26% Popularity • 77% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 77% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Franklin Riders
I Love This Bar
115 bpm • D Maj • 03:58 • -5.01db
17% Popularity • 66% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 66% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Jimmy Buffett
Lone Palm
115 bpm • B Maj • 04:27 • -12db
29% Popularity • 74% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 74% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Tyson
Springtime
130 bpm • D Maj • 02:39 • -19.27db
26% Popularity • 80% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 80% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Patti Page
Gentle on My Mind
115 bpm • G Maj • 02:57 • -11.22db
14% Popularity • 65% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 65% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Julie Taylor
Love Enough for Me
130 bpm • D Maj • 02:48 • -7.51db
0% Popularity • 81% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 81% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Rose Lee Maphis
Uncle Penn
130 bpm • A# Maj • 02:15 • -11.66db
31% Popularity • 60% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 60% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Jenny Talia
Drunk Me
130 bpm • A# Maj • 03:32 • -6.77db
8% Popularity • 76% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 76% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Tantowi Yahya
I Just Wanna Dance With You
114 bpm • C Maj • 03:27 • -5.68db
22% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jim Finnegan
God Bless Texas
130 bpm • A Maj • 03:32 • -12.98db
21% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Jim Morris
Tropical Depression
130 bpm • D Maj • 03:37 • -9.79db
10% Popularity • 75% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 75% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Lance James
One Day At A Time
130 bpm • G# Maj • 03:32 • -13db
26% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Bobby Joe Bratcher
Oh My Darling Clementine
114 bpm • D Maj • 02:13 • -14.44db
12% Popularity • 64% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 64% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Shane
Babalaas Blues
130 bpm • A Maj • 03:10 • -6.26db
9% Popularity • 78% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 78% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Bjøro Håland
Medley
114 bpm • A Maj • 03:34 • -12.88db
9% Popularity • 66% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 66% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Foggy Mountain Rockers
Early Morning Rain
114 bpm • C Maj • 03:17 • -6.63db
10% Popularity • 60% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 60% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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James Blundell
Another Saturday Night
114 bpm • E Maj • 03:18 • -12.27db
18% Popularity • 69% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 69% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Kevin Bloody Wilson
Flowers
131 bpm • C Maj • 03:05 • -14.25db
17% Popularity • 76% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 76% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Inside Out
Drinkin' Rum and Coca Cola
131 bpm • G Maj • 03:30 • -5.18db
14% Popularity • 66% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 66% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
