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She Haunts My Dreams
Songs like
She Haunts My Dreams
by
Spain
Based on a tempo of (+/- 10%) and a similar genre
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Shearwater
Rooks
108 bpm • G min • 03:21 • -8db
37% Popularity • 64% Danceability • 54% Energy • 13% Liveness
32% Instrumentalness • 38% Positiveness
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The The
DecemberSunlight
108 bpm • F Maj • 03:18 • -10.82db
34% Popularity • 59% Danceability • 48% Energy • 38% Liveness
70% Instrumentalness • 56% Positiveness
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Pernice Brothers
Say Goodnight to the Lady
108 bpm • C Maj • 02:41 • -4.76db
10% Popularity • 65% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Spain
She Haunts My Dreams
108 bpm • A min • 03:11 • -6.85db
19% Popularity • 54% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Grant Lee Buffalo
Soft Wolf Tread
108 bpm • D# min • 02:52 • -13.23db
29% Popularity • 34% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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The National
The Geese of Beverly Road
108 bpm • F Maj • 04:56 • -7.03db
34% Popularity • 54% Danceability • 80% Energy • 11% Liveness
17% Instrumentalness • 36% Positiveness
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Grandaddy
The Go In The Go-For-It
107 bpm • F Maj • 02:58 • -8.71db
24% Popularity • 67% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Midlake
You Never Arrived
109 bpm • C Maj • 01:39 • -11.66db
28% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Sebadoh
On Fire
107 bpm • G Maj • 03:36 • -7db
32% Popularity • 49% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 22% Positiveness
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Spain
Ray of Light
108 bpm • A min • 07:04 • -13.96db
19% Popularity • 64% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
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Beck
Nobody's Fault But My Own
109 bpm • D min • 05:02 • -10.5db
29% Popularity • 38% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Mercury Rev
Hercules
107 bpm • A Maj • 07:52 • -10.19db
14% Popularity • 23% Danceability • 40% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Willard Grant Conspiracy
Soft Hand
107 bpm • D Maj • 05:43 • -6.72db
17% Popularity • 74% Danceability • 59% Energy • 7% Liveness
15% Instrumentalness • 95% Positiveness
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The House of Love
Low Black Clouds
107 bpm • C Maj • 02:44 • -6.93db
7% Popularity • 47% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Stuart A. Staples
That Leaving Feeling
109 bpm • F# min • 04:02 • -9db
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Spain
Her Used-To-Been
107 bpm • C# Maj • 04:04 • -16.23db
6% Popularity • 50% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 23% Positiveness
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The Frames
A Caution to the Birds
109 bpm • F# min • 05:45 • -8.21db
12% Popularity • 38% Danceability • 28% Energy • 9% Liveness
48% Instrumentalness • 11% Positiveness
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Tindersticks
Don't Ever Get Tired
107 bpm • C Maj • 03:07 • -15.09db
9% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ed Harcourt
Wind Through the Trees
110 bpm • F Maj • 06:45 • -14.5db
10% Popularity • 36% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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The Walkabouts
The Light Will Stay On
110 bpm • G# Maj • 04:16 • -9.58db
14% Popularity • 35% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Stuart A. Staples
This Road Is Long
109 bpm • C Maj • 03:44 • -14.44db
15% Popularity • 39% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Spain
I Believe
110 bpm • G Maj • 03:10 • -6.29db
9% Popularity • 57% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Elbow
Buttons and Zips
110 bpm • C Maj • 03:57 • -6.89db
18% Popularity • 86% Danceability • 70% Energy • 9% Liveness
80% Instrumentalness • 75% Positiveness
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Nick Cave & The Bad Seeds
Right Out of Your Hand
110 bpm • C Maj • 05:14 • -12.53db
24% Popularity • 39% Danceability • 21% Energy • 11% Liveness
13% Instrumentalness • 25% Positiveness
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Shearwater
Runners Of The Sun
111 bpm • E min • 02:53 • -13.2db
27% Popularity • 46% Danceability • 53% Energy • 17% Liveness
77% Instrumentalness • 23% Positiveness
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Grandaddy
I'm On Standby
105 bpm • C Maj • 03:12 • -8.46db
30% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Swell
Fuck Even Flow
105 bpm • C Maj • 03:54 • -7.56db
11% Popularity • 63% Danceability • 70% Energy • 12% Liveness
44% Instrumentalness • 42% Positiveness
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Spain
Do You See the Light
107 bpm • A# Maj • 03:24 • -6.36db
11% Popularity • 56% Danceability • 61% Energy • 12% Liveness
9% Instrumentalness • 38% Positiveness
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Eels
Things the Grandchildren Should Know
111 bpm • C Maj • 05:22 • -11.67db
24% Popularity • 59% Danceability • 48% Energy • 7% Liveness
8% Instrumentalness • 51% Positiveness
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dEUS
Secret Hell
111 bpm • G Maj • 04:59 • -17.13db
17% Popularity • 35% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Vic Chesnutt
Chain
105 bpm • G min • 02:59 • -13.19db
18% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Grandaddy
Hewletts Daughter
105 bpm • D Maj • 03:05 • -9db
35% Popularity • 61% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Sparklehorse
Shade And Honey
105 bpm • C Maj • 04:08 • -11db
38% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
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Spain
It's so True
109 bpm • D Maj • 04:32 • -20db
20% Popularity • 44% Danceability • 5% Energy • 11% Liveness
18% Instrumentalness • 14% Positiveness
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Evan Dando
Shots Is Fired - Alternative Version
111 bpm • G Maj • 02:42 • -6db
13% Popularity • 40% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Walkabouts
The Stopping-Off Place
105 bpm • A Maj • 03:24 • -6.18db
14% Popularity • 43% Danceability • 81% Energy • 10% Liveness
34% Instrumentalness • 54% Positiveness
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Badly Drawn Boy
Pissing in the Wind
111 bpm • C Maj • 04:19 • -6db
29% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Shearwater
Johnny Viola
105 bpm • C Maj • 02:29 • -7.45db
11% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Grant Lee Buffalo
Honey Don't Think
105 bpm • B Maj • 02:43 • -8.98db
38% Popularity • 56% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Spain
Falling
106 bpm • F# Maj • 05:52 • -12.43db
1% Popularity • 51% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Evan Dando
Why Do You Do This to Yourself
105 bpm • D Maj • 01:58 • -14.44db
15% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Blue Aeroplanes
Your Ages - 2006 Remaster
112 bpm • A Maj • 04:30 • -7db
22% Popularity • 42% Danceability • 81% Energy • 13% Liveness
7% Instrumentalness • 65% Positiveness
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Stuart A. Staples
There Is a Path
105 bpm • D Maj • 03:53 • -14.3db
21% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Walkabouts
Unwind
112 bpm • G min • 04:35 • -15.12db
16% Popularity • 68% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
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The House of Love
Se Dest
112 bpm • D Maj • 05:02 • -17.08db
14% Popularity • 34% Danceability • 32% Energy • 12% Liveness
37% Instrumentalness • 19% Positiveness
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Spain
Spiritual
105 bpm • C Maj • 06:36 • -12.72db
15% Popularity • 62% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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The Czars
My Love
112 bpm • F Maj • 06:00 • -10.63db
9% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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The Auteurs
1967
112 bpm • B Maj • 02:42 • -9.18db
8% Popularity • 55% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
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Stuart A. Staples
This Old Town
104 bpm • C Maj • 04:00 • -15.46db
12% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Arab Strap
It'a a Heartache
112 bpm • C Maj • 04:10 • -5.02db
8% Popularity • 33% Danceability • 80% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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Evan Dando
Repeat
112 bpm • D# Maj • 03:13 • -9db
19% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Gravenhurst
Hopechapel Hill
112 bpm • E Maj • 04:42 • -13.03db
7% Popularity • 40% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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The Czars
Side Effects
112 bpm • G# min • 04:55 • -6.36db
9% Popularity • 36% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 25% Positiveness
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Tindersticks
Travelling Light
112 bpm • D Maj • 04:51 • -18db
36% Popularity • 49% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
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Spain
Ten Nights
112 bpm • C Maj • 06:10 • -17.01db
16% Popularity • 78% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 17% Positiveness
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The Blue Aeroplanes
Angelwords
112 bpm • G Maj • 03:19 • -12.94db
17% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Badly Drawn Boy
One Last Dance
104 bpm • G Maj • 04:48 • -5.93db
14% Popularity • 47% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Walkabouts
Till I Reach You
104 bpm • B min • 04:37 • -15.12db
11% Popularity • 69% Danceability • 31% Energy • 2% Liveness
0% Instrumentalness • 41% Positiveness
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Pernice Brothers
Crestfallen
113 bpm • G Maj • 03:53 • -6db
18% Popularity • 32% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 33% Positiveness
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The Auteurs
Brain Child
113 bpm • E Maj • 03:43 • -12db
10% Popularity • 52% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Turin Brakes
Ether Song
113 bpm • G Maj • 07:32 • -9.34db
15% Popularity • 30% Danceability • 46% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
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Swell
Bridgette, You Love Me
103 bpm • C# Maj • 03:15 • -15.18db
8% Popularity • 80% Danceability • 41% Energy • 95% Liveness
37% Instrumentalness • 21% Positiveness
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Badly Drawn Boy
Another Pearl
103 bpm • G# Maj • 04:27 • -5.25db
24% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Spain
I'm Leaving You
103 bpm • G Maj • 02:56 • -14.13db
20% Popularity • 55% Danceability • 21% Energy • 11% Liveness
7% Instrumentalness • 21% Positiveness
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Ed Harcourt
She Fell into My Arms
103 bpm • C# Maj • 03:48 • -6.33db
22% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The House of Love
Blind
113 bpm • A Maj • 03:43 • -22.64db
16% Popularity • 54% Danceability • 22% Energy • 20% Liveness
10% Instrumentalness • 26% Positiveness
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Grant Lee Buffalo
You Just Have to Be Crazy
113 bpm • C# Maj • 03:36 • -17db
36% Popularity • 67% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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The Auteurs
Daughter Of A Child
113 bpm • C Maj • 02:36 • -14.19db
9% Popularity • 70% Danceability • 33% Energy • 23% Liveness
2% Instrumentalness • 30% Positiveness
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Swell
What I Always Wanted
113 bpm • A# min • 04:59 • -10.81db
20% Popularity • 64% Danceability • 64% Energy • 18% Liveness
63% Instrumentalness • 14% Positiveness
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Evan Dando
Rancho Santa Fe
113 bpm • D min • 04:22 • -11.32db
14% Popularity • 28% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Sleepy Jackson
Acid In My Heart
103 bpm • A Maj • 03:31 • -7.4db
17% Popularity • 63% Danceability • 66% Energy • 14% Liveness
6% Instrumentalness • 30% Positiveness
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The House of Love
Beatles And Stones
103 bpm • G Maj • 04:20 • -19.17db
33% Popularity • 52% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
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Grant Lee Buffalo
Stars n' Stripes
113 bpm • C# Maj • 04:41 • -9.78db
34% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Bettie Serveert
Auf Wiedersehen
114 bpm • B Maj • 03:55 • -16.54db
9% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Afghan Whigs
Be Sweet - Remastered
114 bpm • F Maj • 03:36 • -7.92db
26% Popularity • 59% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Graham Coxon
Look Into the Light
103 bpm • F Maj • 03:18 • -10.23db
13% Popularity • 49% Danceability • 30% Energy • 14% Liveness
4% Instrumentalness • 27% Positiveness
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Mercury Rev
Little Rhymes
114 bpm • E min • 05:13 • -10.07db
18% Popularity • 62% Danceability • 62% Energy • 14% Liveness
7% Instrumentalness • 32% Positiveness
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Spain
Noboody Has to Know
102 bpm • C Maj • 04:41 • -13.52db
31% Popularity • 60% Danceability • 40% Energy • 11% Liveness
23% Instrumentalness • 64% Positiveness
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Badly Drawn Boy
Say It Again
102 bpm • D Maj • 04:41 • -7.47db
21% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Supergrass
Run
115 bpm • G Maj • 05:28 • -8.5db
15% Popularity • 17% Danceability • 51% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Lloyd Cole
Past Imperfect
115 bpm • C Maj • 04:41 • -4.15db
12% Popularity • 57% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Cinerama
Hate
115 bpm • C Maj • 03:20 • -9.51db
10% Popularity • 72% Danceability • 52% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
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Ed Harcourt
God Protect Your Soul
115 bpm • C min • 05:27 • -8.5db
13% Popularity • 61% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Spain
Before It All Went Wrong
102 bpm • B min • 03:36 • -13.76db
29% Popularity • 76% Danceability • 31% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
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Tarka Cordell
Lovely new york
115 bpm • C# min • 03:03 • -10.97db
9% Popularity • 55% Danceability • 54% Energy • 14% Liveness
8% Instrumentalness • 75% Positiveness
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The Walkabouts
These Proud Streets
116 bpm • A min • 04:12 • -9.05db
13% Popularity • 39% Danceability • 53% Energy • 25% Liveness
5% Instrumentalness • 32% Positiveness
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The Divine Comedy
Dumb It Down
116 bpm • G# min • 03:56 • -8.93db
16% Popularity • 58% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Shearwater
Meridian
116 bpm • D Maj • 03:37 • -17.96db
26% Popularity • 59% Danceability • 26% Energy • 20% Liveness
82% Instrumentalness • 6% Positiveness
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Gravenhurst
She Dances
116 bpm • D Maj • 04:01 • -8.17db
11% Popularity • 52% Danceability • 59% Energy • 7% Liveness
32% Instrumentalness • 38% Positiveness
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The Czars
Killjoy
116 bpm • G Maj • 05:26 • -5.69db
15% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Sophia
Birds
116 bpm • A Maj • 04:16 • -8.31db
10% Popularity • 53% Danceability • 47% Energy • 24% Liveness
44% Instrumentalness • 29% Positiveness
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The Wedding Present
Perfect Blue
116 bpm • A Maj • 05:31 • -5.5db
11% Popularity • 51% Danceability • 76% Energy • 15% Liveness
5% Instrumentalness • 32% Positiveness
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Pernice Brothers
How to Live Alone
116 bpm • A min • 03:43 • -5.86db
8% Popularity • 59% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Thurston Moore
Illuminine
116 bpm • A# Maj • 04:02 • -11.79db
18% Popularity • 58% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Lou Barlow
Holding Back the Year
116 bpm • A Maj • 03:30 • -7.63db
19% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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The Czars
Killjoy
116 bpm • G Maj • 05:40 • -6.73db
8% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Vic Chesnutt
Flirted With You All My Life
100 bpm • F Maj • 04:41 • -12db
35% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Sparklehorse
Spirit Ditch
116 bpm • B Maj • 03:23 • -18db
37% Popularity • 49% Danceability • 16% Energy • 10% Liveness
49% Instrumentalness • 10% Positiveness
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Spain
Without a Sound
100 bpm • G# Maj • 05:02 • -10db
3% Popularity • 64% Danceability • 36% Energy • 12% Liveness
35% Instrumentalness • 29% Positiveness
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The Feelies
Morning Comes
100 bpm • F# min • 04:12 • -9.32db
13% Popularity • 76% Danceability • 50% Energy • 8% Liveness
11% Instrumentalness • 84% Positiveness
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She Haunts My Dreams