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She Says
Songs like
She Says
by
Howie Day
Based on a tempo of (+/- 10%) and a similar genre
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Howie Day
She Says
93 bpm • C Maj • 04:34 • -10db
35% Popularity • 44% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Tyler Hilton
Glad - Acoustic Version
93 bpm • G Maj • 03:42 • -6.61db
33% Popularity • 49% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Verve Pipe
I Want All Of You
93 bpm • C Maj • 04:15 • -4db
24% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Freund
Copper Moon
93 bpm • G Maj • 06:05 • -9.27db
7% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Wallflowers
Closer To You
94 bpm • G Maj • 03:17 • -9.45db
40% Popularity • 58% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 59% Positiveness
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Trading Yesterday
One Day
94 bpm • D# Maj • 04:24 • -6.64db
31% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Howie Day
Morning After
93 bpm • C Maj • 03:37 • -10db
19% Popularity • 35% Danceability • 54% Energy • 53% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Hilton
You'll Ask for Me
94 bpm • F Maj • 04:03 • -6.18db
30% Popularity • 52% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Charlie Mars
Gather the Horses
94 bpm • F Maj • 04:12 • -6.27db
19% Popularity • 54% Danceability • 77% Energy • 15% Liveness
2% Instrumentalness • 39% Positiveness
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Jack's Mannequin
Rescued - 2015 Remastered
92 bpm • E Maj • 03:55 • -7.77db
29% Popularity • 52% Danceability • 53% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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Ryan Cabrera
On the Way Down - Acoustic Version
94 bpm • G# Maj • 03:19 • -7db
25% Popularity • 47% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Cary Brothers
After The Fall
92 bpm • A# Maj • 04:30 • -7.01db
10% Popularity • 26% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Howie Day
Collide
94 bpm • B Maj • 04:09 • -8db
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Fray
Hundred
92 bpm • D# Maj • 04:13 • -6.59db
39% Popularity • 55% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Tonic
You Wanted More - Acoustic Version
91 bpm • B min • 03:52 • -8.56db
20% Popularity • 44% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Trik Turner
Friends & Family
91 bpm • F Maj • 03:18 • -7db
34% Popularity • 75% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Golden State
All Roads Lead Home
95 bpm • B Maj • 03:42 • -9db
22% Popularity • 51% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 20% Positiveness
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James Carrington
Ache (Demo Version)
95 bpm • B Maj • 05:20 • -12.52db
33% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Snow Patrol
How To Be Dead
91 bpm • F Maj • 03:22 • -7db
47% Popularity • 58% Danceability • 63% Energy • 59% Liveness
2% Instrumentalness • 42% Positiveness
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Griffin House
Waste Another Day
95 bpm • G# min • 04:08 • -9.95db
13% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Tonic
Sugar
91 bpm • A Maj • 03:29 • -6db
32% Popularity • 47% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Semisonic
DND
91 bpm • A Maj • 04:11 • -7db
32% Popularity • 54% Danceability • 56% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
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Josh Kelley
Everybody Wants You
96 bpm • G Maj • 03:56 • -6db
18% Popularity • 48% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Plain White T's
1, 2, 3, 4
91 bpm • D Maj • 03:18 • -7.09db
57% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Across The Sky
Everywhere She Goes
96 bpm • D Maj • 03:27 • -5.42db
20% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Carolina Liar
Coming to Terms
90 bpm • G# min • 03:28 • -1.85db
32% Popularity • 35% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Tonic
Waltz With Me
91 bpm • D# Maj • 03:45 • -7.08db
23% Popularity • 52% Danceability • 73% Energy • 19% Liveness
3% Instrumentalness • 19% Positiveness
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Howie Day
Collide - Acoustic Version
90 bpm • A# Maj • 04:37 • -11.43db
61% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Edwin McCain
Alive
96 bpm • A Maj • 04:02 • -9.05db
19% Popularity • 64% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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michael meanwhile
Sun & Stars
96 bpm • C# Maj • 03:38 • -7.7db
11% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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3 Doors Down
Be Like That
96 bpm • G Maj • 04:25 • -6db
60% Popularity • 49% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Wertz
Carolina
96 bpm • F# Maj • 03:02 • -5.28db
26% Popularity • 57% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Ryan Cabrera
I Will Remember You
96 bpm • F# Maj • 03:48 • -3.79db
31% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Matthew Ryan
Return to Me
90 bpm • G# Maj • 04:48 • -9.79db
30% Popularity • 48% Danceability • 71% Energy • 10% Liveness
51% Instrumentalness • 58% Positiveness
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Brent Jordan
Thrift Store T-shirt
90 bpm • B Maj • 04:08 • -8.05db
15% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Tyler Hilton
Glad
96 bpm • G Maj • 03:32 • -4.28db
21% Popularity • 51% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Toad The Wet Sprocket
Windmills
96 bpm • E Maj • 03:46 • -13.12db
32% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Athlete
Awkward Goodbye
90 bpm • C# Maj • 03:59 • -5.49db
11% Popularity • 38% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Acres
Walking Next to You
89 bpm • D# Maj • 03:53 • -6.68db
16% Popularity • 32% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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The Alternate Routes
Aftermath
97 bpm • G Maj • 03:37 • -4.29db
8% Popularity • 44% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Eve 6
Here's to the Night
97 bpm • G Maj • 04:09 • -6.26db
52% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Howie Day
You & A Promise
89 bpm • C# Maj • 06:24 • -8.18db
3% Popularity • 56% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 47% Positiveness
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The Fray
Heaven Forbid
98 bpm • G# min • 04:00 • -4.64db
41% Popularity • 54% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Kellogg and The Sixers
Hearts In Pain
98 bpm • D Maj • 05:57 • -9.51db
16% Popularity • 61% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 36% Positiveness
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Nine Days
If I Am
98 bpm • B Maj • 04:18 • -5.96db
39% Popularity • 22% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Griffin House
Just A Dream
98 bpm • C Maj • 06:27 • -7.92db
14% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Blessid Union Of Souls
Let Me Be The One
88 bpm • G Maj • 04:38 • -8.96db
33% Popularity • 56% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Howie Day
She Says - Chris Lord-Alge Long Mix
98 bpm • C Maj • 04:40 • -9.44db
17% Popularity • 50% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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The Calling
Believing
88 bpm • G# Maj • 03:51 • -6db
35% Popularity • 49% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Evan And Jaron
All That I Wanted
88 bpm • D# Maj • 03:06 • -3.82db
11% Popularity • 45% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Hilton
Missing You - Acoustic Version; New
99 bpm • C# Maj • 03:20 • -6.31db
21% Popularity • 83% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Rob Thomas
Her Diamonds
88 bpm • G Maj • 04:40 • -4.93db
54% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Get Up Kids
Overdue
88 bpm • D Maj • 02:58 • -9.17db
33% Popularity • 53% Danceability • 71% Energy • 30% Liveness
59% Instrumentalness • 61% Positiveness
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Howie Day
She Says
98 bpm • C Maj • 04:19 • -5.81db
11% Popularity • 54% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew Perryman Jones
Feels Like Letting Go
99 bpm • G Maj • 03:58 • -7db
28% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Eastmountainsouth
You Dance
99 bpm • F# Maj • 03:57 • -9.31db
20% Popularity • 59% Danceability • 67% Energy • 10% Liveness
44% Instrumentalness • 38% Positiveness
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Cary Brothers
If You Were Here
99 bpm • G Maj • 03:47 • -7.56db
32% Popularity • 51% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Honorary Title
Along the Way
99 bpm • F Maj • 05:08 • -5.68db
14% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Paul Woodworth
Amnesia
99 bpm • G# Maj • 04:27 • -2.99db
22% Popularity • 40% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Howie Day
Standing In The Sun
98 bpm • A Maj • 05:39 • -8.26db
20% Popularity • 58% Danceability • 64% Energy • 54% Liveness
9% Instrumentalness • 48% Positiveness
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Josh Kelley
Cain & Able
87 bpm • D Maj • 05:00 • -14.27db
18% Popularity • 46% Danceability • 21% Energy • 12% Liveness
16% Instrumentalness • 23% Positiveness
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Ari Hest
Strangers Again
87 bpm • G Maj • 04:03 • -5.84db
10% Popularity • 47% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Rob Thomas
When the Heartache Ends
87 bpm • A# Maj • 02:51 • -7db
36% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Verve Pipe
The Freshmen
100 bpm • C# min • 04:29 • -9db
42% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Pat McGee Band
Must Have Been Love
100 bpm • E Maj • 04:05 • -6.69db
13% Popularity • 46% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Howie Day
She Says - 2005 Re-record
98 bpm • C Maj • 04:15 • -4.07db
17% Popularity • 51% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Remy Zero
Perfect Memory (I'll Remember You)
100 bpm • D Maj • 04:43 • -6.4db
36% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Story Of The Year
Sidewalks - Acoustic Version
100 bpm • E Maj • 03:38 • -7db
35% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Calling
Chasing The Sun
100 bpm • G# Maj • 03:44 • -5.79db
30% Popularity • 56% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Cary Brothers
Break Off The Bough
100 bpm • C Maj • 04:20 • -4.66db
11% Popularity • 56% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Emerson Hart
Green Hills Race For California
100 bpm • F# Maj • 03:58 • -12.38db
9% Popularity • 38% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Dashboard Confessional
The Best Deceptions
86 bpm • C# Maj • 04:14 • -9db
12% Popularity • 60% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Josh Kelley
Amazing
85 bpm • A Maj • 04:19 • -7.48db
16% Popularity • 45% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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The Good Luck Joes
Frozen
86 bpm • F Maj • 04:45 • -5.82db
12% Popularity • 47% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sweetsalt
If She Would Stay
85 bpm • D# Maj • 04:38 • -9.26db
7% Popularity • 52% Danceability • 68% Energy • 12% Liveness
20% Instrumentalness • 51% Positiveness
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Dishwalla
Home
85 bpm • G Maj • 04:52 • -8.12db
35% Popularity • 25% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Five For Fighting
Easy Tonight
85 bpm • E Maj • 04:06 • -8.02db
38% Popularity • 47% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Gratitude
The Greatest Wonder
102 bpm • F Maj • 04:11 • -4.07db
7% Popularity • 51% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Nine Days
So Far Away
102 bpm • A# Maj • 03:56 • -4.71db
22% Popularity • 45% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Jump, Little Children
B-13
102 bpm • D Maj • 03:49 • -7.91db
18% Popularity • 50% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Lee
Ripe
102 bpm • F# Maj • 03:11 • -11.89db
6% Popularity • 76% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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John Ralston
Gone Gone Gone
103 bpm • D# Maj • 03:47 • -6.38db
10% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Naked
Raining on the Sky
103 bpm • C Maj • 04:03 • -7.68db
21% Popularity • 63% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jason Reeves
Reaching.
103 bpm • C min • 04:21 • -9db
19% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Dexter Freebish
Leaving Town
104 bpm • F Maj • 03:56 • -5.17db
37% Popularity • 57% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Howie Day
Ceasefire
105 bpm • G min • 03:49 • -5.85db
8% Popularity • 54% Danceability • 68% Energy • 11% Liveness
7% Instrumentalness • 29% Positiveness
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Graham Colton
Telescope
105 bpm • B min • 04:15 • -4.17db
28% Popularity • 49% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Guster
What You Wish For
105 bpm • E Maj • 03:51 • -7.29db
37% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Tammany Hall NYC
Cindy
105 bpm • B min • 03:41 • -6.45db
34% Popularity • 64% Danceability • 89% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
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Dashboard Confessional
Ghost Of A Good Thing
82 bpm • C Maj • 03:44 • -8.13db
36% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Carolina Liar
Done Stealin'
82 bpm • A# Maj • 03:38 • -1.5db
22% Popularity • 44% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Griffin House
Better Than Love
82 bpm • C# Maj • 03:47 • -11.06db
38% Popularity • 56% Danceability • 58% Energy • 13% Liveness
36% Instrumentalness • 49% Positiveness
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Jarrod Gorbel
I'll Do Better
82 bpm • C Maj • 04:43 • -7db
13% Popularity • 39% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Enation
Feel This (Love Fall Down)
82 bpm • B Maj • 05:26 • -10.92db
17% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Howie Day
Kristina
82 bpm • G Maj • 05:11 • -10.18db
14% Popularity • 48% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Verve Pipe
Never Let You Down
106 bpm • G Maj • 03:34 • -3.45db
32% Popularity • 59% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Third Eye Blind
Deep Inside of You - 2008 Remaster
82 bpm • G Maj • 04:10 • -5db
50% Popularity • 50% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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We The Living
Best Laid Plans
106 bpm • C# Maj • 03:23 • -7db
11% Popularity • 53% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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O.A.R.
Shattered (Turn The Car Around)
106 bpm • B Maj • 04:15 • -6db
58% Popularity • 57% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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The Honorary Title
Stay Away
106 bpm • C Maj • 04:09 • -6.35db
35% Popularity • 50% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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She Says