Songs like She Still Comes Around (To Love What's Left Of Me) by Jerry Lee Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Jerry Lee Lewis
Blue Suede Shoes
97 bpm • G Maj • 02:46 • -11.32db
21% Popularity • 53% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 53% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Danny & The Juniors
Rock And Roll Is Here To Stay
97 bpm • G Maj • 02:29 • -8db
35% Popularity • 62% Danceability • 81% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
35% Popularity • 62% Danceability • 81% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
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The Supremes
You Can't Hurry Love
97 bpm • A# Maj • 02:47 • -9.34db
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Buddy Holly
Oh Boy!
97 bpm • A Maj • 02:06 • -7.19db
49% Popularity • 53% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 53% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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The Blues Brothers
Minnie the Moocher
97 bpm • C Maj • 03:23 • -7.52db
50% Popularity • 58% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 58% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Jerry Lee Lewis
Wild One
97 bpm • C Maj • 01:50 • -8db
49% Popularity • 61% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 61% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Danny & The Juniors
Rock and Roll Is Here to Stay - Remaster...
98 bpm • G Maj • 02:26 • -7.22db
28% Popularity • 67% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 67% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Lynyrd Skynyrd
Sweet Home Alabama
98 bpm • G Maj • 04:43 • -12.15db
82% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
82% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Little Richard
Rip It Up
96 bpm • F Maj • 02:21 • -6db
56% Popularity • 90% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 90% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
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Jackie Wilson
(Your Love Keeps Lifting Me) Higher & Hi...
96 bpm • D Maj • 02:59 • -7.19db
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Blues Brothers
She Caught the Katy
96 bpm • A# Maj • 04:09 • -7.32db
51% Popularity • 76% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 76% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
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Jerry Lee Lewis
You Win Again
97 bpm • F Maj • 02:54 • -10db
28% Popularity • 56% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 56% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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The Righteous Brothers
Unchained Melody
99 bpm • C Maj • 03:38 • -16.73db
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Glen Campbell
Southern Nights
95 bpm • B min • 03:00 • -8.89db
72% Popularity • 70% Danceability • 81% Energy • 58% Liveness
2% Instrumentalness • 85% Positiveness
72% Popularity • 70% Danceability • 81% Energy • 58% Liveness
2% Instrumentalness • 85% Positiveness
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Elvis Presley
Blue Suede Shoes
95 bpm • D Maj • 01:59 • -7.71db
65% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Cliff Richard
High Class Baby
95 bpm • G min • 02:10 • -9.15db
26% Popularity • 70% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 70% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Otis
Willie and the Hand Jive
99 bpm • G# min • 02:35 • -9.12db
38% Popularity • 78% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 78% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Jerry Lee Lewis
Me And Bobby McGee
98 bpm • G Maj • 03:12 • -10.3db
31% Popularity • 50% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 50% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Danny & The Juniors
Rock and Roll Is Here to Stay
95 bpm • D Maj • 02:32 • -9.83db
26% Popularity • 61% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 61% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The Big Bopper
Big Bopper's Wedding
95 bpm • A# Maj • 02:12 • -6db
33% Popularity • 62% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 62% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Trashmen
Surfin' Bird
99 bpm • E Maj • 02:24 • -10db
55% Popularity • 59% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 59% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Louis Prima
Buona Sera - Remastered 2002
99 bpm • D# Maj • 03:00 • -8db
51% Popularity • 54% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 54% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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The Righteous Brothers
You've Lost That Lovin' Feelin' - Single...
95 bpm • C# Maj • 03:46 • -14.3db
65% Popularity • 37% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 37% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Jerry Lee Lewis
Mean Woman Blues
96 bpm • E min • 02:23 • -8.38db
19% Popularity • 57% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 57% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Joan Jett & the Blackhearts
I Love Rock 'N Roll
94 bpm • E Maj • 02:55 • -5.03db
80% Popularity • 54% Danceability • 72% Energy • 66% Liveness
0% Instrumentalness • 90% Positiveness
80% Popularity • 54% Danceability • 72% Energy • 66% Liveness
0% Instrumentalness • 90% Positiveness
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Ritchie Valens
Donna - Single Version
100 bpm • F Maj • 02:30 • -12.58db
59% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Janis Joplin
Me and Bobby McGee
93 bpm • D Maj • 04:31 • -10.96db
70% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
70% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Blues Brothers
Theme from Rawhide
101 bpm • A# min • 02:39 • -8db
52% Popularity • 59% Danceability • 57% Energy • 20% Liveness
16% Instrumentalness • 67% Positiveness
52% Popularity • 59% Danceability • 57% Energy • 20% Liveness
16% Instrumentalness • 67% Positiveness
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Jimmy Soul
If You Wanna Be Happy
93 bpm • A# Maj • 02:23 • -8.34db
58% Popularity • 67% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
58% Popularity • 67% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Jerry Lee Lewis
Jailhouse Rock
95 bpm • C Maj • 01:58 • -6.23db
28% Popularity • 65% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 65% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Chuck Berry
Roll Over Beethoven
93 bpm • D# Maj • 02:24 • -10.15db
61% Popularity • 72% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 72% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Roy Hamilton
You Can Have Her
102 bpm • D# Maj • 02:45 • -12.64db
34% Popularity • 49% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 49% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
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John Fogerty
My Toot Toot
92 bpm • A Maj • 03:07 • -4.27db
38% Popularity • 76% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
38% Popularity • 76% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
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The Firebirds
59 Ford
92 bpm • C Maj • 02:06 • -10db
41% Popularity • 69% Danceability • 87% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
41% Popularity • 69% Danceability • 87% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
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Simon & Garfunkel
Mrs. Robinson
92 bpm • F# min • 04:04 • -14.04db
78% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
78% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Jerry Lee Lewis
Shake Rattle And Roll
95 bpm • A Maj • 02:56 • -12.53db
24% Popularity • 60% Danceability • 71% Energy • 8% Liveness
56% Instrumentalness • 91% Positiveness
24% Popularity • 60% Danceability • 71% Energy • 8% Liveness
56% Instrumentalness • 91% Positiveness
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Micke Muster
Boogie Woogie Country Girl
91 bpm • C Maj • 01:45 • -11db
23% Popularity • 53% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 53% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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The Coasters
Smokey Joe's Cafe
103 bpm • F min • 02:46 • -10db
36% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Don Gibson
Oh, Lonesome Me
103 bpm • A# Maj • 02:30 • -12.39db
43% Popularity • 71% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 71% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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The Champs
Tequila
91 bpm • F Maj • 02:14 • -10.44db
25% Popularity • 64% Danceability • 84% Energy • 12% Liveness
70% Instrumentalness • 74% Positiveness
25% Popularity • 64% Danceability • 84% Energy • 12% Liveness
70% Instrumentalness • 74% Positiveness
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Simon & Garfunkel
Cecilia
103 bpm • C Maj • 02:54 • -8.87db
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Jerry Lee Lewis
Whole Lotta Shakin' Goin' On - 1964 Vers...
91 bpm • F Maj • 02:41 • -12.54db
28% Popularity • 51% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 51% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Dion & The Belmonts
I Wonder Why
103 bpm • A# Maj • 02:21 • -3.83db
59% Popularity • 51% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 51% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Bee Gees
Stayin' Alive
104 bpm • A# min • 04:45 • -7.18db
78% Popularity • 70% Danceability • 83% Energy • 18% Liveness
1% Instrumentalness • 94% Positiveness
78% Popularity • 70% Danceability • 83% Energy • 18% Liveness
1% Instrumentalness • 94% Positiveness
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Don Gibson
Sea of Heartbreak
91 bpm • G Maj • 02:35 • -9.16db
51% Popularity • 59% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 59% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Bill Haley & His Comets
(We're Gonna) Rock Around The Clock
91 bpm • A Maj • 02:09 • -6.32db
66% Popularity • 81% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
66% Popularity • 81% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jerry Lee Lewis
Whole Lotta Shakin' Goin' On
93 bpm • F Maj • 03:59 • -12.29db
27% Popularity • 45% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 45% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
Rock Billy Boogie
90 bpm • G Maj • 02:36 • -7db
37% Popularity • 72% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 72% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Frankie Laine
Rawhide
104 bpm • F min • 02:00 • -12.8db
50% Popularity • 62% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 62% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Frankie Valli & The Four Seasons
December, 1963 (Oh What a Night!)
104 bpm • C# Maj • 03:17 • -13.49db
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Buddy Knox
Party Doll
90 bpm • B min • 02:15 • -8db
44% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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The Temptations
My Girl
105 bpm • C Maj • 02:45 • -10.74db
82% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
82% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jerry Lee Lewis
High School Confidential
93 bpm • A# Maj • 02:30 • -9.03db
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Elvis Presley
When The Saints Go Marchin' In
105 bpm • A Maj • 02:15 • -8.94db
23% Popularity • 68% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 68% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Tammy Wynette
Stand By Your Man
105 bpm • A Maj • 02:39 • -11.99db
60% Popularity • 52% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 52% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Big Joe Turner
Boogie Woogie Country Girl
90 bpm • G min • 02:57 • -6.54db
29% Popularity • 77% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 77% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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Dolly Parton
9 to 5
105 bpm • F# Maj • 02:42 • -6db
81% Popularity • 55% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
81% Popularity • 55% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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The Champs
Tequila - First Version
89 bpm • A# Maj • 02:10 • -4db
42% Popularity • 51% Danceability • 96% Energy • 7% Liveness
91% Instrumentalness • 79% Positiveness
42% Popularity • 51% Danceability • 96% Energy • 7% Liveness
91% Instrumentalness • 79% Positiveness
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Jerry Lee Lewis
What'd I Say
102 bpm • C Maj • 02:27 • -7.68db
30% Popularity • 55% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 55% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
75% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Cochran
Twenty Flight Rock
106 bpm • A Maj • 01:45 • -8.66db
49% Popularity • 64% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 64% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Curtis Lee
Pretty Little Angel Eyes
106 bpm • C# min • 02:45 • -8db
40% Popularity • 62% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 62% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
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Carl Perkins
Boppin' The Blues
88 bpm • D Maj • 02:47 • -7.46db
41% Popularity • 78% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 78% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Ray Smith
Right Behind You Baby - Remastered 2022
88 bpm • A min • 02:25 • -4.09db
45% Popularity • 51% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 51% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Jerry Lee Lewis
Chantilly Lace
93 bpm • G Maj • 02:50 • -9db
40% Popularity • 56% Danceability • 71% Energy • 78% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 56% Danceability • 71% Energy • 78% Liveness
0% Instrumentalness • 90% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Johnny Preston
Cradle of Love
88 bpm • F# min • 02:20 • -6.7db
41% Popularity • 59% Danceability • 62% Energy • 21% Liveness
2% Instrumentalness • 79% Positiveness
41% Popularity • 59% Danceability • 62% Energy • 21% Liveness
2% Instrumentalness • 79% Positiveness
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Chubby Checker
Limbo Rock
87 bpm • G# Maj • 02:28 • -4.81db
45% Popularity • 74% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
45% Popularity • 74% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Patsy Cline
Crazy - Single Version
108 bpm • A# Maj • 02:44 • -24.39db
69% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Matchbox
Rockabilly Rebel
108 bpm • G Maj • 02:47 • -6db
41% Popularity • 64% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 64% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Jerry Lee Lewis
Boogie Woogie Country Man
92 bpm • G Maj • 03:44 • -11db
33% Popularity • 42% Danceability • 82% Energy • 9% Liveness
73% Instrumentalness • 93% Positiveness
33% Popularity • 42% Danceability • 82% Energy • 9% Liveness
73% Instrumentalness • 93% Positiveness
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Kenny Rogers
The Gambler
87 bpm • E Maj • 03:34 • -13.12db
76% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
76% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Trini Lopez
If i Had A Hammer
87 bpm • D Maj • 02:57 • -8.21db
44% Popularity • 54% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 54% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 92% Positiveness
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Frankie Laine
Theme From Rawhide
108 bpm • C Maj • 02:03 • -19.38db
29% Popularity • 57% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 57% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Johnny Preston
Cradle of Love
87 bpm • F# min • 02:25 • -10db
28% Popularity • 63% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 63% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Wilson Pickett
Land of 1000 Dances
87 bpm • D Maj • 02:26 • -11.62db
67% Popularity • 62% Danceability • 59% Energy • 35% Liveness
3% Instrumentalness • 77% Positiveness
67% Popularity • 62% Danceability • 59% Energy • 35% Liveness
3% Instrumentalness • 77% Positiveness
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Jerry Lee Lewis
Wild One
103 bpm • C Maj • 02:20 • -10.63db
23% Popularity • 56% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 56% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Rogers & The First Edition
Ruby, Don't Take Your Love To Town
109 bpm • C Maj • 02:57 • -11.38db
39% Popularity • 70% Danceability • 59% Energy • 18% Liveness
55% Instrumentalness • 94% Positiveness
39% Popularity • 70% Danceability • 59% Energy • 18% Liveness
55% Instrumentalness • 94% Positiveness
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Neil Diamond
Girl, You'll Be A Woman Soon
110 bpm • F Maj • 03:00 • -5.57db
62% Popularity • 52% Danceability • 64% Energy • 32% Liveness
6% Instrumentalness • 66% Positiveness
62% Popularity • 52% Danceability • 64% Energy • 32% Liveness
6% Instrumentalness • 66% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Katrina & The Waves
Walking On Sunshine
110 bpm • A# Maj • 03:58 • -11.97db
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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Paul Anka
Put Your Head On My Shoulder - Remastere...
110 bpm • G Maj • 02:38 • -10db
70% Popularity • 58% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 58% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Jerry Lee Lewis
Breathless - 1964 Version
89 bpm • G Maj • 02:42 • -13db
34% Popularity • 56% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 56% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Wilson Pickett
Mustang Sally
110 bpm • C Maj • 03:07 • -17.71db
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Sonny & Cher
I Got You Babe
111 bpm • F# Maj • 03:10 • -6.02db
66% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
66% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Dolly Parton
Jolene
111 bpm • C# min • 02:41 • -10.97db
78% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
78% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Chubby Checker
Dancin' Party
85 bpm • G# Maj • 02:08 • -4.39db
46% Popularity • 66% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 66% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
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Jerry Lee Lewis
Be Bop A Lula
107 bpm • D Maj • 02:26 • -6.21db
11% Popularity • 65% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 65% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
Tear It Up - Single Version
111 bpm • A Maj • 01:53 • -8db
35% Popularity • 64% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 64% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Willie Nelson
On the Road Again
111 bpm • E Maj • 02:34 • -11.34db
63% Popularity • 71% Danceability • 66% Energy • 78% Liveness
9% Instrumentalness • 85% Positiveness
63% Popularity • 71% Danceability • 66% Energy • 78% Liveness
9% Instrumentalness • 85% Positiveness
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Clarence "Frogman" Henry
Ain't Got No Home - Remastered
85 bpm • C Maj • 02:18 • -8db
36% Popularity • 45% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 45% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Elvis Presley
Don't Be Cruel
84 bpm • D Maj • 02:01 • -12.94db
63% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
63% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Chubby Checker
The Charleston
111 bpm • D# Maj • 02:19 • -6db
33% Popularity • 57% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 57% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
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Muddy Waters
Mannish Boy
111 bpm • D Maj • 05:21 • -10.88db
63% Popularity • 60% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 60% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
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Jerry Lee Lewis
Jambalaya (On The Bayou)
87 bpm • F Maj • 02:00 • -6.36db
31% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
