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She Turns My Radio On
Songs like
She Turns My Radio On
by
Jim Ford
Based on a tempo of (+/- 10%) and a similar genre
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Jim Ford
She Turns My Radio On
92 bpm • B min • 03:20 • -6.88db
38% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Allen Toussaint
Sweet Touch Of Love
92 bpm • C# Maj • 03:16 • -12.8db
34% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Ohio Players
Here Today Gone Tomorrow
92 bpm • C Maj • 03:35 • -10.17db
29% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Flying Burrito Brothers
Four Days Of Rain
92 bpm • D Maj • 03:39 • -12.37db
29% Popularity • 45% Danceability • 55% Energy • 33% Liveness
4% Instrumentalness • 76% Positiveness
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Harry Nilsson
Me and My Arrow
92 bpm • A# Maj • 02:05 • -14.08db
44% Popularity • 80% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Penn
If Love Was Money
92 bpm • F Maj • 03:28 • -12.92db
11% Popularity • 51% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Emitt Rhodes
Promises I've Made
92 bpm • G# Maj • 03:24 • -11.65db
40% Popularity • 60% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
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Bobby Charles
Tennessee Blues
92 bpm • F Maj • 05:29 • -13.06db
21% Popularity • 49% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Jim Ford
Just When I Thought She Was Gone
93 bpm • F# min • 03:39 • -10.35db
3% Popularity • 68% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Loudon Wainwright III
The Swimming Song
93 bpm • A Maj • 02:27 • -11.29db
54% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 67% Positiveness
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Larry Jon Wilson
Ohoopee River Bottom Land
93 bpm • D Maj • 03:41 • -12.94db
22% Popularity • 65% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Charles Brown
I Just Want To Talk To You
93 bpm • G Maj • 03:11 • -10.61db
40% Popularity • 51% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Dan Penn
Lodi
93 bpm • A Maj • 03:14 • -13.58db
12% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ohio Players
Here Today And Gone Tomorrow
93 bpm • C Maj • 03:32 • -11.11db
24% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Jim Ford
He Turns My Radio On - Sacred Version
93 bpm • A Maj • 03:10 • -5.73db
8% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Bobby Charles
Grow Too Old
94 bpm • A Maj • 04:02 • -7.63db
18% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Flying Burrito Brothers
Tried So Hard
94 bpm • D Maj • 03:08 • -12db
35% Popularity • 50% Danceability • 67% Energy • 48% Liveness
3% Instrumentalness • 72% Positiveness
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Faces
As Long as You Tell Him - Single Version
94 bpm • B Maj • 04:19 • -11db
33% Popularity • 60% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Candi Staton
He Called Me Baby
94 bpm • D# Maj • 03:33 • -13db
44% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Swamp Dogg
Good, Better, Best
90 bpm • A# min • 02:50 • -11.72db
36% Popularity • 84% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
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Jim Ford
Dr. Handy's Dandy Candy
91 bpm • D Maj • 02:34 • -5.91db
14% Popularity • 68% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Boz Metzdorf
Sails Across the Sea
90 bpm • D Maj • 05:52 • -9db
28% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Link Wray
Black River Swamp
90 bpm • G Maj • 03:59 • -13.21db
38% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Dan Penn
Raining In Memphis
94 bpm • D Maj • 03:39 • -11.8db
12% Popularity • 61% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Bobby Charles
Let Yourself Go
90 bpm • C Maj • 04:13 • -13.19db
16% Popularity • 54% Danceability • 35% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Mike Wilhelm
Goin' to canada
94 bpm • D Maj • 02:35 • -12db
19% Popularity • 56% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Jim Ford
Point of No Return
91 bpm • G Maj • 03:02 • -7.28db
16% Popularity • 38% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Danny O'Keefe
Good Time Charlie's Got the Blues
90 bpm • G Maj • 02:43 • -10.04db
34% Popularity • 51% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Link Wray
La De Da
90 bpm • D Maj • 04:03 • -9.48db
34% Popularity • 31% Danceability • 67% Energy • 9% Liveness
33% Instrumentalness • 92% Positiveness
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The Flying Burrito Brothers
Do Right Woman
95 bpm • D Maj • 03:57 • -13.55db
30% Popularity • 43% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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J.J. Cale
Wish I Had Not Said That
90 bpm • C Maj • 03:22 • -16.69db
40% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
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Willis Alan Ramsey
Muskrat Love (Muskrat Candlelight)
89 bpm • F# min • 03:23 • -18.91db
32% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jim Ford
Hanging from Your Lovin' Tree
94 bpm • D Maj • 02:57 • -5.73db
3% Popularity • 50% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
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Mickey Newbury
T. Total Tommy
95 bpm • G Maj • 04:08 • -17db
23% Popularity • 54% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
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Link Wray
Ice People
95 bpm • G# Maj • 03:03 • -12.82db
32% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
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The Flying Burrito Brothers
Just Can't Be
95 bpm • D Maj • 04:58 • -12db
42% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
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Swamp Dogg
Synthetic World
89 bpm • A# Maj • 03:25 • -16db
36% Popularity • 79% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Smith
Baby It's You
95 bpm • C# min • 03:27 • -10.63db
43% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
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Richard Swift
Lady Luck
95 bpm • A Maj • 04:18 • -9db
46% Popularity • 67% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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J.J. Cale
Soulin
89 bpm • B min • 02:19 • -15.69db
35% Popularity • 80% Danceability • 34% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
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Van Morrison
Warm Love
89 bpm • D Maj • 03:23 • -8.62db
57% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Bill Withers
Sweet Wanomi
96 bpm • A Maj • 02:32 • -11.71db
52% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
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The Flying Burrito Brothers
Hot Burrito #2
96 bpm • C Maj • 03:17 • -11.26db
31% Popularity • 33% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 56% Positiveness
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Kurt Vile
Rollin With The Flow
96 bpm • D Maj • 02:59 • -7db
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Link Wray
Juke Box Mama
96 bpm • G# Maj • 04:27 • -12db
34% Popularity • 59% Danceability • 56% Energy • 20% Liveness
42% Instrumentalness • 57% Positiveness
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Bobbie Gentry
Sweet Peony
88 bpm • F Maj • 02:39 • -12.67db
16% Popularity • 73% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Wells Fargo
Watch Out
96 bpm • G Maj • 03:25 • -8db
29% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Sopwith Camel
Coke, Suede and Waterbeds
88 bpm • A Maj • 03:36 • -10.72db
23% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Jim Ford
Sweet Baby Mine (You Just A)
88 bpm • E min • 03:15 • -8.17db
6% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Creation
If I Stay Too Long
88 bpm • A Maj • 03:27 • -6.77db
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Blood, Sweat & Tears
Lisa, Listen to Me
88 bpm • D Maj • 02:58 • -11.01db
28% Popularity • 54% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Allen Toussaint
Last Train - Remastered Version
88 bpm • C# Maj • 03:01 • -9db
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
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Gene Clark
No Other
97 bpm • D Maj • 05:08 • -14db
42% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
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Jim Ford
Stoppin' to Start
97 bpm • F Maj • 02:24 • -5.4db
6% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Josephine Foster
Child of God
97 bpm • C Maj • 03:41 • -9db
30% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Bobby Charles
Homemade Songs
87 bpm • A# min • 03:41 • -12.32db
15% Popularity • 40% Danceability • 42% Energy • 22% Liveness
67% Instrumentalness • 38% Positiveness
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Van Morrison
Bein' Green
97 bpm • E Maj • 04:22 • -8.31db
29% Popularity • 61% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Bobbie Gentry
Touch 'Em With Love
97 bpm • A Maj • 02:05 • -11.55db
28% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Lee Michaels
Heighty Hi
87 bpm • F Maj • 05:56 • -9.46db
29% Popularity • 66% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 94% Positiveness
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Jim Ford
Working My Way To LA
97 bpm • F# min • 02:44 • -6.47db
18% Popularity • 66% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Lou Reed
Charley's Girl
87 bpm • A Maj • 02:39 • -7db
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
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Willie Griffin
I Love You
98 bpm • E Maj • 03:14 • -13.27db
32% Popularity • 46% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 20% Positiveness
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Bessie Banks
Go Now
98 bpm • F min • 02:36 • -10.96db
27% Popularity • 52% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
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Kathy Heideman
Fine Street Woman
87 bpm • B min • 04:29 • -10.67db
29% Popularity • 51% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Jim Ford
I'm Gonna Make Her Love Me
97 bpm • A# min • 03:06 • -5.63db
31% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Wesley Bright
You Don’t Want Me
98 bpm • C# Maj • 04:25 • -6db
49% Popularity • 76% Danceability • 62% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness
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Michael Hurley
So You Say
98 bpm • A# Maj • 03:25 • -13.99db
25% Popularity • 85% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Duffy Power
Where Am I
98 bpm • G# Maj • 02:50 • -8db
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Labi Siffre
Gimme Some More
98 bpm • F min • 02:54 • -10.81db
35% Popularity • 75% Danceability • 70% Energy • 10% Liveness
16% Instrumentalness • 97% Positiveness
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P.P. Arnold
Medicated Goo
98 bpm • A# Maj • 03:46 • -10db
29% Popularity • 60% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Jim Ford
Harry Hippie
97 bpm • F# min • 03:22 • -8.34db
12% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Allen Toussaint
Worldwide - Remastered Version
98 bpm • A min • 02:42 • -9.95db
35% Popularity • 81% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
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Donnie Fritts
Sumpin' Funky Going On
98 bpm • B min • 02:54 • -14.48db
21% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Barefoot Jerry
Smokies
98 bpm • D Maj • 02:16 • -14.87db
40% Popularity • 68% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 82% Positiveness
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Paul Pena
I'm Gonna Make It Alright
98 bpm • D Maj • 04:11 • -11.15db
33% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Kenny Knight
Does He Hide
86 bpm • F# Maj • 03:22 • -10.93db
15% Popularity • 42% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
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Jim Ford
She Turns My Radio On
98 bpm • G Maj • 02:02 • -17.97db
4% Popularity • 77% Danceability • 39% Energy • 16% Liveness
72% Instrumentalness • 77% Positiveness
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The Flying Burrito Brothers
Christine’s Tune
98 bpm • D# Maj • 03:02 • -13db
39% Popularity • 46% Danceability • 60% Energy • 30% Liveness
39% Instrumentalness • 83% Positiveness
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Allen Toussaint
Southern Nights - Remastered Version
86 bpm • C# Maj • 03:36 • -12.96db
42% Popularity • 61% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 48% Positiveness
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Fred Neil
That's The Bag I'm In
99 bpm • C Maj • 03:35 • -12.46db
33% Popularity • 58% Danceability • 38% Energy • 17% Liveness
9% Instrumentalness • 48% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Robert Lester Folsom
Written in Your Hair
86 bpm • G Maj • 02:46 • -6.26db
25% Popularity • 56% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
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Jim Ford
Harry Hippy
98 bpm • F# min • 03:23 • -9.1db
5% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Jeff Cowell
Momma
85 bpm • G Maj • 02:37 • -7.67db
35% Popularity • 53% Danceability • 60% Energy • 23% Liveness
34% Instrumentalness • 66% Positiveness
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Curtis Mayfield
Keep on Keeping On
99 bpm • G# Maj • 05:08 • -8.1db
31% Popularity • 40% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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NRBQ
Magnet
85 bpm • F Maj • 03:30 • -9.76db
37% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
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Bobbie Gentry
Rainmaker
85 bpm • F Maj • 02:44 • -17.54db
19% Popularity • 64% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Danny O'Keefe
Good Time Charlie's Got the Blues
85 bpm • G Maj • 03:00 • -13db
42% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Jim Ford
If I Go Country
99 bpm • B min • 03:13 • -3.98db
7% Popularity • 73% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jeff Cowell
Jake Lake
100 bpm • G Maj • 02:22 • -6.75db
17% Popularity • 54% Danceability • 59% Energy • 20% Liveness
22% Instrumentalness • 64% Positiveness
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Little Richard
I Don't Know What You Got
85 bpm • D# Maj • 04:46 • -5.84db
30% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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The Band
King Harvest (Has Surely Come)
100 bpm • C Maj • 03:37 • -8db
43% Popularity • 58% Danceability • 69% Energy • 7% Liveness
14% Instrumentalness • 73% Positiveness
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Dick Stusso
Well Acquainted
100 bpm • E Maj • 02:55 • -11.64db
39% Popularity • 36% Danceability • 37% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
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Dougie Poole
Los Angeles
100 bpm • F min • 04:37 • -7.94db
32% Popularity • 65% Danceability • 68% Energy • 30% Liveness
45% Instrumentalness • 61% Positiveness
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Jim Ford
It's My Life
85 bpm • A# min • 02:51 • -5.49db
36% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Female Species
Till The Moon Don’t Shine
84 bpm • C# Maj • 02:53 • -12.75db
33% Popularity • 57% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Wells Fargo
Bump Bump Babe
100 bpm • F Maj • 03:04 • -7.65db
16% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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She Turns My Radio On