Songs like She Ushered Me Back into My Grave by Herman Düne
Based on a tempo of (+/- 10%) and a similar genre
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Herman Düne
Black Dog
91 bpm • A# Maj • 03:37 • -9.31db
12% Popularity • 38% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 38% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Alex Ebert
A Million Years
91 bpm • G Maj • 04:51 • -8.06db
38% Popularity • 56% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 56% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Beirut
East Harlem
92 bpm • G Maj • 03:58 • -8db
44% Popularity • 50% Danceability • 64% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
44% Popularity • 50% Danceability • 64% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
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Baxter Dury
Afternoon
91 bpm • F# Maj • 02:37 • -6db
24% Popularity • 81% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 50% Positiveness
24% Popularity • 81% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 50% Positiveness
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Lou Doillon
Weekender Baby
92 bpm • A# min • 02:50 • -19.56db
33% Popularity • 70% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 70% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Howe Gelb
The Coincidentalist
90 bpm • C min • 02:50 • -16.23db
16% Popularity • 61% Danceability • 21% Energy • 11% Liveness
7% Instrumentalness • 40% Positiveness
16% Popularity • 61% Danceability • 21% Energy • 11% Liveness
7% Instrumentalness • 40% Positiveness
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Herman Düne
Holding a Monument
90 bpm • C min • 03:53 • -9db
40% Popularity • 69% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 69% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Louis Aguilar
When I'm Gone
90 bpm • A min • 04:05 • -7.44db
36% Popularity • 56% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 56% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Melissa Laveaux
Piebwa
89 bpm • F# min • 02:38 • -10.06db
29% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Baxter Dury
Palm Trees
92 bpm • A Maj • 04:20 • -9db
35% Popularity • 69% Danceability • 59% Energy • 8% Liveness
52% Instrumentalness • 76% Positiveness
35% Popularity • 69% Danceability • 59% Energy • 8% Liveness
52% Instrumentalness • 76% Positiveness
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Lou Doillon
Too much
92 bpm • G# Maj • 03:29 • -8db
43% Popularity • 72% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
43% Popularity • 72% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Revolver
Losing You
89 bpm • A min • 02:44 • -9.93db
15% Popularity • 72% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 72% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Herman Düne
Mookie Mookie
90 bpm • A Maj • 03:07 • -8.92db
12% Popularity • 77% Danceability • 56% Energy • 10% Liveness
70% Instrumentalness • 93% Positiveness
12% Popularity • 77% Danceability • 56% Energy • 10% Liveness
70% Instrumentalness • 93% Positiveness
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Constance Amiot
Overdrive
93 bpm • G# min • 02:59 • -10.14db
38% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Nouvelle Vague
Ever Fallen in Love
93 bpm • C Maj • 03:19 • -5.8db
48% Popularity • 70% Danceability • 79% Energy • 12% Liveness
22% Instrumentalness • 85% Positiveness
48% Popularity • 70% Danceability • 79% Energy • 12% Liveness
22% Instrumentalness • 85% Positiveness
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Benjamin Biolay
Little Darlin'
89 bpm • D# Maj • 05:28 • -9.95db
35% Popularity • 49% Danceability • 56% Energy • 22% Liveness
4% Instrumentalness • 24% Positiveness
35% Popularity • 49% Danceability • 56% Energy • 22% Liveness
4% Instrumentalness • 24% Positiveness
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Pete Yorn
Relator
94 bpm • B Maj • 02:33 • -6db
48% Popularity • 64% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 64% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Giant Sand
Increment of Love
94 bpm • A# min • 03:01 • -11.34db
23% Popularity • 57% Danceability • 40% Energy • 30% Liveness
6% Instrumentalness • 42% Positiveness
23% Popularity • 57% Danceability • 40% Energy • 30% Liveness
6% Instrumentalness • 42% Positiveness
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Herman Düne
1-2-3/Apple Tree
89 bpm • F Maj • 03:25 • -7db
20% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Wave Pictures
If You Leave It Alone
88 bpm • D Maj • 05:32 • -7.9db
11% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Luthea Salom
Hey! Wake Up
94 bpm • C Maj • 01:38 • -8.47db
29% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Leonard Cohen
Different Sides
94 bpm • B Maj • 04:05 • -13.26db
30% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Cocoon
Dolphins
88 bpm • C min • 03:26 • -14.18db
34% Popularity • 72% Danceability • 46% Energy • 30% Liveness
16% Instrumentalness • 92% Positiveness
34% Popularity • 72% Danceability • 46% Energy • 30% Liveness
16% Instrumentalness • 92% Positiveness
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Kevin Johansen
Timing
88 bpm • D min • 03:53 • -12.37db
36% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Herman Düne
Life on the Run
88 bpm • A Maj • 04:31 • -7.64db
23% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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The Leisure Society
A Short Weekend Begins with Longing
88 bpm • A Maj • 03:17 • -9.17db
30% Popularity • 50% Danceability • 48% Energy • 9% Liveness
4% Instrumentalness • 45% Positiveness
30% Popularity • 50% Danceability • 48% Energy • 9% Liveness
4% Instrumentalness • 45% Positiveness
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The Divine Comedy
Neapolitan Girl
88 bpm • D Maj • 02:49 • -8.31db
22% Popularity • 63% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 63% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Bob Dylan
Man Gave Names to All the Animals
94 bpm • B min • 04:27 • -11.14db
39% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Eels
That Look You Give That Guy
94 bpm • F Maj • 04:15 • -9.24db
60% Popularity • 78% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
60% Popularity • 78% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Giant Sand
Stranded Pearl
95 bpm • C# Maj • 03:59 • -11db
33% Popularity • 50% Danceability • 51% Energy • 11% Liveness
21% Instrumentalness • 42% Positiveness
33% Popularity • 50% Danceability • 51% Energy • 11% Liveness
21% Instrumentalness • 42% Positiveness
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Herman Düne
Mrs Bigger - Instrumental
94 bpm • C Maj • 01:33 • -9.74db
12% Popularity • 55% Danceability • 40% Energy • 36% Liveness
3% Instrumentalness • 31% Positiveness
12% Popularity • 55% Danceability • 40% Energy • 36% Liveness
3% Instrumentalness • 31% Positiveness
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Charlie Winston
Unlike Me
95 bpm • E min • 03:48 • -9.46db
37% Popularity • 76% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 76% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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The Divine Comedy
A Lady of a Certain Age
88 bpm • D# Maj • 05:50 • -10.79db
44% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sad Brad Smith
Help Yourself
95 bpm • E Maj • 03:23 • -12db
36% Popularity • 54% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 54% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Sporto Kantès
Whistle
87 bpm • A Maj • 02:54 • -4db
44% Popularity • 68% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 68% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Alondra Bentley
Of All Living Creatures, Why a Human Bei...
95 bpm • A# min • 02:22 • -10db
30% Popularity • 44% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 44% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Antony and the Johnsons
Thank You For Your Love
95 bpm • D# Maj • 04:14 • -8.95db
27% Popularity • 46% Danceability • 44% Energy • 7% Liveness
29% Instrumentalness • 19% Positiveness
27% Popularity • 46% Danceability • 44% Energy • 7% Liveness
29% Instrumentalness • 19% Positiveness
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Villagers
Memoir
87 bpm • C Maj • 03:32 • -14.13db
32% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Kings of Convenience
Boat Behind
95 bpm • C Maj • 03:40 • -12.96db
51% Popularity • 71% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
51% Popularity • 71% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
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Eels
Earth to Dora
95 bpm • C Maj • 03:43 • -10.16db
28% Popularity • 74% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 74% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Herman Düne
Mariage à Mendoza
95 bpm • A min • 03:49 • -7.1db
30% Popularity • 76% Danceability • 78% Energy • 8% Liveness
78% Instrumentalness • 60% Positiveness
30% Popularity • 76% Danceability • 78% Energy • 8% Liveness
78% Instrumentalness • 60% Positiveness
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Julie Peel
Living In A Movie
87 bpm • G Maj • 03:20 • -9.98db
10% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Giant Sand
Carinito
95 bpm • C Maj • 04:59 • -6.23db
11% Popularity • 60% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 60% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Sophie Hunger
Shape
87 bpm • D min • 03:33 • -10.73db
31% Popularity • 36% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 36% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Piers Faccini
A Home Away from Home
95 bpm • C Maj • 03:49 • -15db
19% Popularity • 41% Danceability • 37% Energy • 10% Liveness
15% Instrumentalness • 64% Positiveness
19% Popularity • 41% Danceability • 37% Energy • 10% Liveness
15% Instrumentalness • 64% Positiveness
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Lou Doillon
Devil Or Angel
96 bpm • G min • 04:04 • -8.32db
40% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tommy Perman
Freaky Chancer
96 bpm • A# Maj • 01:35 • -12.4db
33% Popularity • 88% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 88% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jil Is Lucky
Stupid Onion
96 bpm • E min • 02:54 • -10.46db
15% Popularity • 66% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
15% Popularity • 66% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Asaf Avidan
Over My Head
96 bpm • G Maj • 02:36 • -7.4db
49% Popularity • 68% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 68% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Tindersticks
Yesterdays Tomorrows
96 bpm • D min • 03:47 • -5.81db
25% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Piers Faccini
Make Me Down A Pallet On Your Floor
96 bpm • C Maj • 04:04 • -12db
29% Popularity • 67% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 67% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Lou Doillon
Good Man
86 bpm • A min • 02:55 • -9.11db
32% Popularity • 61% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
32% Popularity • 61% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Dani Fine
Everything I Thought
86 bpm • G# Maj • 02:52 • -17.95db
1% Popularity • 41% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 41% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jil Is Lucky
The Wanderer
96 bpm • B min • 03:40 • -5.86db
41% Popularity • 43% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 43% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Devendra Banhart
Now That I Know
86 bpm • F Maj • 04:53 • -14.58db
35% Popularity • 29% Danceability • 29% Energy • 11% Liveness
62% Instrumentalness • 29% Positiveness
35% Popularity • 29% Danceability • 29% Energy • 11% Liveness
62% Instrumentalness • 29% Positiveness
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Kevin Morby
All of My Life
97 bpm • E Maj • 03:30 • -10.61db
45% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Herman Düne
Silver Galaxy Escape
97 bpm • G Maj • 03:43 • -12.25db
10% Popularity • 60% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
10% Popularity • 60% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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RodrÃguez
A Most Disgusting Song
97 bpm • E Maj • 04:49 • -7.64db
39% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Charlotte Gainsbourg
The Songs That We Sing
97 bpm • A min • 02:57 • -7db
45% Popularity • 56% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
45% Popularity • 56% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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Jil Is Lucky
The Wanderer (Radio Edit) [Kenzo]
97 bpm • B min • 02:51 • -5db
38% Popularity • 49% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 49% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Devendra Banhart
Long Haired Child
97 bpm • D Maj • 03:45 • -6.74db
29% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Pajaro Sunrise
086
85 bpm • D Maj • 02:27 • -8db
45% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Herman Düne
The New Mendoza
97 bpm • B min • 02:04 • -9.08db
18% Popularity • 55% Danceability • 67% Energy • 20% Liveness
72% Instrumentalness • 69% Positiveness
18% Popularity • 55% Danceability • 67% Energy • 20% Liveness
72% Instrumentalness • 69% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
66% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
66% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Elvis Perkins
All the Night Without Love
98 bpm • E min • 03:11 • -9.29db
20% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jil Is Lucky
The Wanderer
97 bpm • B min • 03:27 • -9.57db
36% Popularity • 46% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
36% Popularity • 46% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Howe Gelb
On the Fence
98 bpm • F# Maj • 02:12 • -14.57db
24% Popularity • 68% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 41% Positiveness
24% Popularity • 68% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 41% Positiveness
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M. Ward
Daydream
98 bpm • E Maj • 03:07 • -9.7db
30% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Eels
Railroad Man
98 bpm • F Maj • 04:16 • -11.06db
37% Popularity • 56% Danceability • 42% Energy • 7% Liveness
37% Instrumentalness • 51% Positiveness
37% Popularity • 56% Danceability • 42% Energy • 7% Liveness
37% Instrumentalness • 51% Positiveness
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RodrÃguez
Sugar Man
98 bpm • F Maj • 03:49 • -6.54db
63% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
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Piers Faccini
All Aboard
98 bpm • G Maj • 03:31 • -6.89db
30% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Jil Is Lucky
Without You
85 bpm • D Maj • 02:32 • -9db
31% Popularity • 45% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 45% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Revolver
It's Alright
98 bpm • B min • 02:46 • -7.47db
10% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Wave Pictures
Sweetheart
84 bpm • G Maj • 03:43 • -14.36db
17% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Herman Düne
Buenos Aires Monuments
98 bpm • F# min • 03:27 • -7.88db
16% Popularity • 66% Danceability • 70% Energy • 38% Liveness
92% Instrumentalness • 75% Positiveness
16% Popularity • 66% Danceability • 70% Energy • 38% Liveness
92% Instrumentalness • 75% Positiveness
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Tunng
Jenny Again
99 bpm • C Maj • 03:22 • -17.72db
27% Popularity • 52% Danceability • 27% Energy • 8% Liveness
5% Instrumentalness • 21% Positiveness
27% Popularity • 52% Danceability • 27% Energy • 8% Liveness
5% Instrumentalness • 21% Positiveness
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Giant Sand
The Desperate Kingdom of Love
84 bpm • G Maj • 03:26 • -12.43db
19% Popularity • 45% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
19% Popularity • 45% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Cocoon
Sushi
99 bpm • F min • 03:21 • -12.77db
42% Popularity • 61% Danceability • 48% Energy • 11% Liveness
12% Instrumentalness • 49% Positiveness
42% Popularity • 61% Danceability • 48% Energy • 11% Liveness
12% Instrumentalness • 49% Positiveness
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Alex Ebert
Bad Bad Love
99 bpm • E Maj • 03:29 • -6.67db
39% Popularity • 53% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 53% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Jil Is Lucky
Judah Loew's Mistake
100 bpm • B min • 04:21 • -9.19db
24% Popularity • 39% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 39% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Herman Düne
When the Water Gets Cold and Freezes on ...
100 bpm • C# min • 03:58 • -8.35db
13% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Kid Loco
A little bit of soul
83 bpm • D Maj • 04:05 • -5db
34% Popularity • 58% Danceability • 78% Energy • 11% Liveness
20% Instrumentalness • 65% Positiveness
34% Popularity • 58% Danceability • 78% Energy • 11% Liveness
20% Instrumentalness • 65% Positiveness
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Maia Vidal
The Waltz of the Tick Tock of Time
83 bpm • A min • 03:04 • -7.86db
9% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Bird
Are You Serious
100 bpm • C Maj • 03:38 • -8db
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Slow Joe & the Ginger Accident
Long Long Walk
83 bpm • C# Maj • 01:58 • -6.63db
16% Popularity • 68% Danceability • 57% Energy • 16% Liveness
7% Instrumentalness • 43% Positiveness
16% Popularity • 68% Danceability • 57% Energy • 16% Liveness
7% Instrumentalness • 43% Positiveness
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Nouvelle Vague
Mala Vida
100 bpm • A min • 03:38 • -9.88db
45% Popularity • 69% Danceability • 50% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
45% Popularity • 69% Danceability • 50% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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Herman Düne
By the Light of the Moon
100 bpm • G Maj • 02:26 • -8.06db
10% Popularity • 75% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 75% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Alex Ebert
Lets Win!
100 bpm • A Maj • 02:56 • -7.2db
30% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Peter von Poehl
Near the End of the World
100 bpm • G# min • 02:50 • -11.15db
34% Popularity • 72% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 78% Positiveness
34% Popularity • 72% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 78% Positiveness
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Lonely Drifter Karen
La Chouette (The Owl)
100 bpm • C Maj • 02:18 • -8.92db
33% Popularity • 82% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 82% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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FM LAETI
Gimme Love and Truth (Remastered)
100 bpm • C min • 03:17 • -6.14db
26% Popularity • 78% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 78% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Beth Gibbons
Mysteries
100 bpm • F Maj • 04:38 • -19.82db
46% Popularity • 36% Danceability • 21% Energy • 29% Liveness
10% Instrumentalness • 25% Positiveness
46% Popularity • 36% Danceability • 21% Energy • 29% Liveness
10% Instrumentalness • 25% Positiveness
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EmilÃana Torrini
Me and Armini
100 bpm • F Maj • 04:17 • -10db
37% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Herman Düne
Baby Bigger - Instrumental
82 bpm • F min • 01:32 • -7.67db
15% Popularity • 78% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 85% Positiveness
15% Popularity • 78% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 85% Positiveness
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Cocoon
Vultures
82 bpm • F# Maj • 03:00 • -7.24db
48% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Wave Pictures
Strange Fruit for David
82 bpm • E min • 03:52 • -5db
14% Popularity • 42% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 42% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Melissa Laveaux
Nan fon bwa
82 bpm • C Maj • 03:21 • -6db
34% Popularity • 57% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 76% Positiveness
34% Popularity • 57% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 76% Positiveness
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Beirut
So Allowed
82 bpm • F# min • 03:39 • -8db
37% Popularity • 70% Danceability • 43% Energy • 9% Liveness
3% Instrumentalness • 71% Positiveness
37% Popularity • 70% Danceability • 43% Energy • 9% Liveness
3% Instrumentalness • 71% Positiveness
