Songs like She Walks Right In by Roomful Of Blues
Based on a tempo of (+/- 10%) and a similar genre
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Kenny 'blues Boss' Wayne
Something's Going on in My Room
171 bpm • C Maj • 08:16 • -7.1db
8% Popularity • 47% Danceability • 70% Energy • 75% Liveness
7% Instrumentalness • 83% Positiveness
8% Popularity • 47% Danceability • 70% Energy • 75% Liveness
7% Instrumentalness • 83% Positiveness
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Roomful Of Blues
She Walks Right In
171 bpm • F min • 03:32 • -4.78db
18% Popularity • 38% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 38% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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Fats Domino
Boogie Woogie Baby
171 bpm • A# Maj • 02:19 • -10.1db
26% Popularity • 60% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 74% Positiveness
26% Popularity • 60% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 74% Positiveness
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Bill Wyman's Rhythm Kings
Jitterbug Boogie
171 bpm • C Maj • 03:58 • -7.2db
11% Popularity • 38% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 38% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 73% Positiveness
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Bob Margolin
It's Hard to Be on the Road
171 bpm • A Maj • 03:12 • -6.17db
11% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Copeland
Blues Ain't Nothin'
172 bpm • A# min • 04:02 • -9.45db
35% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Rosie Flores
I Want to Do More
172 bpm • C Maj • 03:35 • -7.65db
18% Popularity • 52% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Shemekia Copeland
When A Woman's Had Enough
172 bpm • G# Maj • 03:54 • -4.86db
29% Popularity • 69% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 69% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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The Cash Box Kings
The Wrong Number
172 bpm • D Maj • 02:50 • -2.64db
23% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Bill Wyman's Rhythm Kings
Boogie Woogie All Night Long
169 bpm • F Maj • 03:49 • -9.12db
9% Popularity • 49% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 49% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Debbie Davies
Wrong Man For Me
172 bpm • G Maj • 05:02 • -7.18db
9% Popularity • 57% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 57% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Downchild Blues Band
Calidonia
173 bpm • A min • 03:10 • -10.77db
11% Popularity • 41% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 41% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Big Joe Turner
Honey Hush
169 bpm • G min • 02:42 • -8db
28% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Nicholas
Boogie Back To Texas
169 bpm • A Maj • 03:07 • -5db
15% Popularity • 51% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 51% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Shemekia Copeland
Livin' On Love
169 bpm • C Maj • 04:03 • -5.45db
17% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Champion Jack Dupree
One Scotch, One Bourbon, One Beer - Bonu...
174 bpm • C Maj • 04:14 • -7.85db
26% Popularity • 43% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 43% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Roomful Of Blues
Lipstick, Powder And Paint
174 bpm • A# Maj • 02:39 • -3.9db
14% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Big Twist
300 Pounds Of Heavenly Joy
168 bpm • A# Maj • 03:08 • -12.05db
16% Popularity • 53% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 53% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Big Joe Turner
No Bones
169 bpm • G Maj • 05:55 • -14.48db
1% Popularity • 44% Danceability • 38% Energy • 9% Liveness
25% Instrumentalness • 78% Positiveness
1% Popularity • 44% Danceability • 38% Energy • 9% Liveness
25% Instrumentalness • 78% Positiveness
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John Boutté
Two Bands Rolling
168 bpm • F min • 02:44 • -10.37db
14% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Downchild Blues Band
When I Say jump
174 bpm • B min • 03:24 • -11.26db
11% Popularity • 44% Danceability • 82% Energy • 29% Liveness
1% Instrumentalness • 85% Positiveness
11% Popularity • 44% Danceability • 82% Energy • 29% Liveness
1% Instrumentalness • 85% Positiveness
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Jimmy Rogers
Rock This House
174 bpm • C Maj • 02:50 • -6.2db
32% Popularity • 62% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
32% Popularity • 62% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
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Roomful Of Blues
Shame, Shame, Shame
174 bpm • C Maj • 02:18 • -3.38db
18% Popularity • 45% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 45% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Maria Muldaur
Now You're Down in the Alley
168 bpm • C Maj • 03:39 • -7.17db
9% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Bob Margolin
Up & In
167 bpm • F min • 02:57 • -9.4db
21% Popularity • 48% Danceability • 84% Energy • 37% Liveness
38% Instrumentalness • 96% Positiveness
21% Popularity • 48% Danceability • 84% Energy • 37% Liveness
38% Instrumentalness • 96% Positiveness
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The Cash Box Kings
If You Got A Jealous Woman Facebook Ain'...
175 bpm • A Maj • 02:42 • -1.84db
15% Popularity • 36% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 36% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Matt "Guitar" Murphy
Matt's Guitar Boogie #2
175 bpm • A Maj • 03:10 • -10.6db
30% Popularity • 47% Danceability • 86% Energy • 27% Liveness
60% Instrumentalness • 71% Positiveness
30% Popularity • 47% Danceability • 86% Energy • 27% Liveness
60% Instrumentalness • 71% Positiveness
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Rick Estrin & The Nightcats
Bo Dee's Bounce
175 bpm • A Maj • 02:39 • -2.67db
21% Popularity • 53% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 53% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Roomful Of Blues
Sweet Petite
167 bpm • F min • 04:08 • -3.72db
11% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Smokin' Joe Kubek
Stop Drinking
166 bpm • D Maj • 08:12 • -5.57db
17% Popularity • 38% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 61% Positiveness
17% Popularity • 38% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 61% Positiveness
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Downchild Blues Band
It's Been So Long
175 bpm • A# Maj • 03:25 • -9.59db
10% Popularity • 37% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 37% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Katie Webster
Whoo-Wee Sweet Daddy
166 bpm • A# Maj • 03:18 • -13.4db
20% Popularity • 56% Danceability • 74% Energy • 18% Liveness
47% Instrumentalness • 78% Positiveness
20% Popularity • 56% Danceability • 74% Energy • 18% Liveness
47% Instrumentalness • 78% Positiveness
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Billy Boy Arnold
Shake The Boogie
166 bpm • C Maj • 02:43 • -13.84db
28% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Nick Curran & The Nightlifes
Doctor Velvet
166 bpm • C Maj • 02:27 • -6db
12% Popularity • 59% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 59% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Roomful Of Blues
I Can't Wait
167 bpm • B min • 01:53 • -5.32db
23% Popularity • 59% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 59% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Eddy Clearwater
Boogie Woogie Baby
177 bpm • C Maj • 02:58 • -10.14db
9% Popularity • 63% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 63% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Phantom Blues Band
Baby Doll - Bonus Track
177 bpm • G min • 03:43 • -5.09db
10% Popularity • 34% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 34% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Katie Webster
Whoo-Wee Sweet Daddy
166 bpm • A# Maj • 03:18 • -7.53db
23% Popularity • 55% Danceability • 91% Energy • 20% Liveness
30% Instrumentalness • 69% Positiveness
23% Popularity • 55% Danceability • 91% Energy • 20% Liveness
30% Instrumentalness • 69% Positiveness
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Lonnie Brooks
Boogie Rambler
165 bpm • F Maj • 03:09 • -9.36db
15% Popularity • 48% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
15% Popularity • 48% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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Billy Boy Arnold
Around This Old Juke Tonight
165 bpm • G Maj • 02:48 • -8.27db
10% Popularity • 58% Danceability • 50% Energy • 22% Liveness
21% Instrumentalness • 76% Positiveness
10% Popularity • 58% Danceability • 50% Energy • 22% Liveness
21% Instrumentalness • 76% Positiveness
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Magic Slim
Mama Talk To Your Daughter
164 bpm • D min • 04:13 • -9.33db
11% Popularity • 45% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 45% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Lou Ann Barton
Let's Have a House Party
164 bpm • F Maj • 02:26 • -13.1db
17% Popularity • 43% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 43% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Phantom Blues Band
I Can't Stand It
164 bpm • D Maj • 02:49 • -5.66db
11% Popularity • 54% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 54% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Porky Cohen
Porky's Blues
178 bpm • D# Maj • 05:05 • -10.43db
1% Popularity • 36% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 36% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Lavelle White
Wootie Boogie
179 bpm • G Maj • 02:55 • -6.08db
14% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Rosie Flores
Till the Well Runs Dry
164 bpm • C Maj • 02:52 • -6.34db
15% Popularity • 48% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 48% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Jeff Healey
Shake, Rattle & Roll
179 bpm • G Maj • 04:28 • -9db
18% Popularity • 42% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 42% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Roomful Of Blues
Jumpin' For Joe
164 bpm • D# Maj • 03:59 • -9.7db
2% Popularity • 32% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 32% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Pee Wee Crayton
Texas Hop
163 bpm • B Maj • 03:06 • -13.36db
16% Popularity • 43% Danceability • 56% Energy • 16% Liveness
63% Instrumentalness • 66% Positiveness
16% Popularity • 43% Danceability • 56% Energy • 16% Liveness
63% Instrumentalness • 66% Positiveness
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Porky Cohen
P.D.Q. Boogie
179 bpm • G min • 03:31 • -10.81db
0% Popularity • 36% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 36% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Nicholas
The Hustle Is On
163 bpm • D min • 02:17 • -7.4db
12% Popularity • 53% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 53% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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William Clarke
Lonesome Bedroom Blues
180 bpm • G min • 05:45 • -13db
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Moss Band
The Bait In The Snare
163 bpm • G min • 03:00 • -2.81db
13% Popularity • 34% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 34% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Roomful Of Blues
Mister Dollar
163 bpm • C# Maj • 03:23 • -13.7db
8% Popularity • 37% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 37% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Bill Wyman's Rhythm Kings
Mississippi Flyer
162 bpm • G# Maj • 03:39 • -6db
25% Popularity • 57% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 57% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Tommy Castro
Mojo Hannah
162 bpm • C Maj • 03:38 • -6.06db
12% Popularity • 55% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 55% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Big Joe Turner
Switching in the Kitchen
162 bpm • F# Maj • 03:40 • -12.11db
21% Popularity • 52% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 52% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Phantom Blues Band
Boogie Woogie Country Girl
161 bpm • F min • 03:14 • -6.02db
11% Popularity • 55% Danceability • 87% Energy • 33% Liveness
1% Instrumentalness • 94% Positiveness
11% Popularity • 55% Danceability • 87% Energy • 33% Liveness
1% Instrumentalness • 94% Positiveness
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Nick Moss Band
Count On Me
161 bpm • A Maj • 04:11 • -2.42db
12% Popularity • 38% Danceability • 90% Energy • 47% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 38% Danceability • 90% Energy • 47% Liveness
0% Instrumentalness • 93% Positiveness
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Roomful Of Blues
Just Keep On Rockin'
161 bpm • A# min • 03:48 • -5.11db
14% Popularity • 48% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 48% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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The Cash Box Kings
Back Off
182 bpm • A min • 03:02 • -2.31db
16% Popularity • 44% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 44% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Debbie Davies
Okie Dokie Stomp
183 bpm • G min • 02:38 • -8.45db
14% Popularity • 43% Danceability • 72% Energy • 31% Liveness
24% Instrumentalness • 59% Positiveness
14% Popularity • 43% Danceability • 72% Energy • 31% Liveness
24% Instrumentalness • 59% Positiveness
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Kenny Neal
Hooked On Your Love
160 bpm • A Maj • 04:45 • -9.94db
15% Popularity • 58% Danceability • 69% Energy • 19% Liveness
11% Instrumentalness • 91% Positiveness
15% Popularity • 58% Danceability • 69% Energy • 19% Liveness
11% Instrumentalness • 91% Positiveness
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A.C. Reed
These Blues Is Killing Me
159 bpm • B min • 03:07 • -7.41db
34% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
34% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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Marcia Ball
Louella
159 bpm • C# Maj • 04:27 • -6db
33% Popularity • 49% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 49% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Roomful Of Blues
In A Roomful of Blues
180 bpm • C Maj • 03:31 • -4db
28% Popularity • 61% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 61% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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The Cash Box Kings
I'm The Man Down There
160 bpm • A Maj • 03:19 • -2.53db
11% Popularity • 46% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 46% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Porky Cohen
Don't Lose Your Cool
159 bpm • A# Maj • 04:29 • -11.37db
0% Popularity • 41% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 41% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Luther "Guitar Junior" Johnson
Got To Have Money
158 bpm • D Maj • 03:20 • -16.96db
28% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Lonnie Brooks
One More Shot
158 bpm • D Maj • 02:36 • -9.01db
26% Popularity • 49% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 49% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Janiva Magness
That's What Love Will Make You Do
186 bpm • A# Maj • 03:21 • -4.98db
24% Popularity • 32% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 32% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Roomful Of Blues
Hook, Line and Sinker
181 bpm • C min • 02:50 • -5db
11% Popularity • 48% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 48% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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The Cash Box Kings
House Party
159 bpm • G# Maj • 03:03 • -1.29db
16% Popularity • 40% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 40% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Phantom Blues Band
Boogah Man
157 bpm • G Maj • 03:27 • -6.92db
11% Popularity • 50% Danceability • 79% Energy • 34% Liveness
2% Instrumentalness • 61% Positiveness
11% Popularity • 50% Danceability • 79% Energy • 34% Liveness
2% Instrumentalness • 61% Positiveness
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Lou Ann Barton
You'll Lose a Good Thing
187 bpm • D min • 03:27 • -11.93db
16% Popularity • 39% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 39% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Big Walter Horton
Have A Good Time
156 bpm • B min • 03:48 • -15db
41% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Porky Cohen
Walkin' With Mr. Lee
156 bpm • G min • 03:23 • -11.02db
1% Popularity • 38% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 38% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
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Roomful Of Blues
Boogie Woogie Country Girl
160 bpm • F Maj • 03:19 • -4db
33% Popularity • 51% Danceability • 94% Energy • 9% Liveness
16% Instrumentalness • 93% Positiveness
33% Popularity • 51% Danceability • 94% Energy • 9% Liveness
16% Instrumentalness • 93% Positiveness
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Katie Webster
The Katie Lee
187 bpm • G Maj • 02:16 • -11.56db
31% Popularity • 50% Danceability • 64% Energy • 5% Liveness
9% Instrumentalness • 89% Positiveness
31% Popularity • 50% Danceability • 64% Energy • 5% Liveness
9% Instrumentalness • 89% Positiveness
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Marcia Ball
Something's Got a Hold of Me
155 bpm • C Maj • 03:45 • -6.46db
16% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmy Thackery
Mercury Blues
155 bpm • D Maj • 04:08 • -6db
13% Popularity • 42% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 42% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Omar Kent Dykes & Jimmy Vaughn
Jimmy Reed Highway
155 bpm • A Maj • 04:04 • -7db
15% Popularity • 56% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 56% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Tommy Castro
Make It Back To Memphis
155 bpm • E Maj • 04:35 • -3.28db
23% Popularity • 49% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 49% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Roomful Of Blues
Just Like Dynamite
156 bpm • C Maj • 04:22 • -6.14db
8% Popularity • 38% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 38% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 89% Positiveness
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A.C. Reed
Fast Food Annie
190 bpm • G Maj • 04:26 • -7.26db
11% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Marcia Ball
Sugar Boogie
189 bpm • A# Maj • 03:13 • -6.48db
23% Popularity • 62% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 62% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Little Charlie & The Nightcats
Percolatin'
190 bpm • F Maj • 04:18 • -5.18db
19% Popularity • 45% Danceability • 89% Energy • 29% Liveness
75% Instrumentalness • 78% Positiveness
19% Popularity • 45% Danceability • 89% Energy • 29% Liveness
75% Instrumentalness • 78% Positiveness
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Katie Webster
Hallelujah, I Just Love Him So
154 bpm • F Maj • 02:54 • -9.49db
23% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Smokin' Joe Kubek & Bnois King
My Guitar
153 bpm • C Maj • 04:22 • -2.89db
24% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Eddy Clearwater
Too Old To Get Married
153 bpm • C Maj • 03:55 • -3db
10% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
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Curtis Salgado
Cookie Dough
150 bpm • B min • 03:18 • -7.96db
24% Popularity • 51% Danceability • 72% Energy • 9% Liveness
3% Instrumentalness • 70% Positiveness
24% Popularity • 51% Danceability • 72% Energy • 9% Liveness
3% Instrumentalness • 70% Positiveness
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Marcia Ball
Shake A Leg
153 bpm • C# min • 02:57 • -6db
23% Popularity • 59% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 59% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Lazy Lester
Hello Mary Lee
151 bpm • G Maj • 03:57 • -6.77db
19% Popularity • 53% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 53% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Rick Estrin & The Nightcats
Back From The Dead
150 bpm • A Maj • 02:48 • -3.97db
9% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Smokin' Joe Kubek & Bnois King
My Heart's In Texas
153 bpm • A Maj • 02:04 • -4db
23% Popularity • 48% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 48% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Roomful Of Blues
What Can I Do?
150 bpm • C Maj • 03:04 • -4db
30% Popularity • 68% Danceability • 94% Energy • 19% Liveness
7% Instrumentalness • 87% Positiveness
30% Popularity • 68% Danceability • 94% Energy • 19% Liveness
7% Instrumentalness • 87% Positiveness
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Mississippi Heat
Heartbroken
196 bpm • D Maj • 05:43 • -5.38db
14% Popularity • 34% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
14% Popularity • 34% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Marcia Ball
Thibodaux, Louisiana
153 bpm • D Maj • 03:30 • -7db
28% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
