Songs like Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov
Based on a tempo of (+/- 10%) and a similar genre
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): VI...
136 bpm • E Maj • 04:48 • -24.41db
27% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
27% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
136 bpm • G min • 05:16 • -16db
48% Popularity • 29% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: Nocturne No. 13 in C Minor, Op. ...
136 bpm • C Maj • 05:17 • -21.75db
45% Popularity • 31% Danceability • 6% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 6% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
42% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
42% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Violin Concerto in D Major, RV 211: III....
136 bpm • C# Maj • 04:49 • -14.43db
47% Popularity • 44% Danceability • 31% Energy • 16% Liveness
66% Instrumentalness • 59% Positiveness
47% Popularity • 44% Danceability • 31% Energy • 16% Liveness
66% Instrumentalness • 59% Positiveness
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Dag Wirén
Serenade For Strings, Op.11
135 bpm • G Maj • 04:41 • -16.79db
23% Popularity • 40% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Igor Stravinsky
The Rite of Spring, Part 2: III .Glorifi...
137 bpm • C# Maj • 01:28 • -14db
27% Popularity • 59% Danceability • 55% Energy • 44% Liveness
92% Instrumentalness • 12% Positiveness
27% Popularity • 59% Danceability • 55% Energy • 44% Liveness
92% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Symphony No. 1 in E Minor, Op. 1: III. S...
135 bpm • E min • 05:08 • -21.33db
10% Popularity • 30% Danceability • 10% Energy • 33% Liveness
90% Instrumentalness • 19% Positiveness
10% Popularity • 30% Danceability • 10% Energy • 33% Liveness
90% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
40% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
40% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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AntonÃn Dvořák
Symphony No. 6 in D Major, Op. 60, B. 11...
137 bpm • D Maj • 07:41 • -18db
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 in F Minor, Op. 21:...
135 bpm • G# Maj • 08:49 • -25.73db
23% Popularity • 29% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Giacomo Puccini
La Bohème / Act I: "Quando Me'n Vò"
135 bpm • F# min • 02:38 • -16.06db
32% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Bacchanale
134 bpm • D min • 07:12 • -16db
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
138 bpm • C Maj • 05:46 • -23.52db
18% Popularity • 49% Danceability • 5% Energy • 8% Liveness
38% Instrumentalness • 41% Positiveness
18% Popularity • 49% Danceability • 5% Energy • 8% Liveness
38% Instrumentalness • 41% Positiveness
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Nikolai Rimsky-Korsakov
Skazaniye o nevidimom grade Kitezhe i de...
133 bpm • F Maj • 04:37 • -22.93db
6% Popularity • 32% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
6% Popularity • 32% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
134 bpm • G min • 04:17 • -28db
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
139 bpm • G Maj • 10:04 • -19db
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
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Johannes Brahms
Symphony No. 1 in C Minor, Op. 68: III. ...
133 bpm • G# Maj • 04:52 • -24db
36% Popularity • 18% Danceability • 6% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
36% Popularity • 18% Danceability • 6% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
36% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
36% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
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Frédéric Chopin
Nocturne No. 19 In E Minor, Op. 72 No. 1
139 bpm • B Maj • 03:35 • -30.29db
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Overture "A Midsummer Night's Dream", Op...
139 bpm • E Maj • 11:55 • -19.29db
31% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
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Benjamin Britten
War Requiem, Op. 66: i. Requiem Aeternam...
133 bpm • F Maj • 03:36 • -31db
20% Popularity • 16% Danceability • 1% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto for 2 Oboes in A Minor, RV 536:...
139 bpm • A min • 01:38 • -17db
49% Popularity • 59% Danceability • 24% Energy • 20% Liveness
31% Instrumentalness • 56% Positiveness
49% Popularity • 59% Danceability • 24% Energy • 20% Liveness
31% Instrumentalness • 56% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
37% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
37% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Mendelssohn: String Quartet No. 6 in F M...
139 bpm • F min • 04:33 • -11.6db
37% Popularity • 35% Danceability • 29% Energy • 17% Liveness
69% Instrumentalness • 23% Positiveness
37% Popularity • 35% Danceability • 29% Energy • 17% Liveness
69% Instrumentalness • 23% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
33% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
33% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Skazaniye o nevidimom grade Kitezhe i de...
131 bpm • B min • 03:02 • -29.17db
16% Popularity • 16% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 16% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
The Hebrides - Overture (Fingal's Cave) ...
133 bpm • B min • 09:44 • -13.34db
24% Popularity • 24% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 24% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 10% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
57% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
57% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 23 in F Mino...
142 bpm • A# min • 07:59 • -21.16db
20% Popularity • 28% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Nikolai Rimsky-Korsakov
Symphony No. 2, Op. 9, "Antar": III. All...
131 bpm • D Maj • 05:15 • -18db
18% Popularity • 25% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
18% Popularity • 25% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Overture
130 bpm • D Maj • 05:54 • -17db
32% Popularity • 31% Danceability • 12% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
32% Popularity • 31% Danceability • 12% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
36% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
36% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: Sinbad's mighty bird, the ...
143 bpm • G Maj • 06:37 • -17.68db
29% Popularity • 30% Danceability • 26% Energy • 31% Liveness
82% Instrumentalness • 9% Positiveness
29% Popularity • 30% Danceability • 26% Energy • 31% Liveness
82% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
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Moscow Symphony Orchestra
Legend Of The Invisible City Of Kitezh A...
143 bpm • A# min • 04:33 • -22.81db
0% Popularity • 23% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
0% Popularity • 23% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
32% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
32% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
145 bpm • G min • 02:34 • -24.35db
47% Popularity • 19% Danceability • 11% Energy • 17% Liveness
16% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 11% Energy • 17% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
► Preview
Maurice Ravel
Tzigane, M. 76
128 bpm • D Maj • 09:29 • -20db
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
► Preview
Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
► Preview
Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
26% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
► Preview
Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
23% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
► Preview
Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Nikolai Rimsky-Korsakov
The Snow Maiden / Act 2: "Gosudarevi lyu...
126 bpm • C Maj • 02:08 • -20.82db
0% Popularity • 44% Danceability • 15% Energy • 50% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 44% Danceability • 15% Energy • 50% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
146 bpm • A Maj • 08:50 • -16db
48% Popularity • 32% Danceability • 30% Energy • 27% Liveness
90% Instrumentalness • 40% Positiveness
48% Popularity • 32% Danceability • 30% Energy • 27% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Aram Khachaturian
Masquerade Suite: Gallop
147 bpm • A# Maj • 03:17 • -18.19db
23% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
23% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
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AntonÃn Dvořák
Suite for String Orchestra, JW6 No. 2: I...
146 bpm • G Maj • 01:01 • -20db
34% Popularity • 38% Danceability • 3% Energy • 10% Liveness
60% Instrumentalness • 48% Positiveness
34% Popularity • 38% Danceability • 3% Energy • 10% Liveness
60% Instrumentalness • 48% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 2 in G Mi...
147 bpm • G min • 05:22 • -18.46db
43% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Tarentelle, Op. 6: Tarantelle, Op. 6
149 bpm • A min • 06:46 • -23.83db
24% Popularity • 43% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 30% Positiveness
24% Popularity • 43% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 30% Positiveness
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Jean Sibelius
Sibelius: Finlandia, Op. 26
150 bpm • G# Maj • 08:05 • -19.17db
42% Popularity • 18% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 18% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Dance Of The ...
150 bpm • D min • 04:04 • -14db
41% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
41% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 5 in A...
150 bpm • A min • 03:09 • -23.45db
43% Popularity • 36% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 63% Positiveness
43% Popularity • 36% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 63% Positiveness
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Antonio Vivaldi
Violin Concerto in D Major, RV 228: I. A...
123 bpm • D Maj • 02:46 • -20db
48% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
48% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Alexander Litvinovsky
Le grand cahier: X. L'incendie
122 bpm • B Maj • 02:20 • -17db
41% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
41% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
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Nikolai Rimsky-Korsakov
The Snow Maiden - Suite
152 bpm • C Maj • 12:16 • -22.07db
1% Popularity • 28% Danceability • 11% Energy • 9% Liveness
26% Instrumentalness • 9% Positiveness
1% Popularity • 28% Danceability • 11% Energy • 9% Liveness
26% Instrumentalness • 9% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
153 bpm • D Maj • 03:06 • -15.46db
35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Nikolai Rimsky-Korsakov
The Snow Maiden / Prologue: "Sbiralis pt...
121 bpm • B min • 03:53 • -19.95db
0% Popularity • 35% Danceability • 20% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 20% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 2 in D Major, Op...
153 bpm • D Maj • 03:31 • -22db
44% Popularity • 39% Danceability • 12% Energy • 5% Liveness
48% Instrumentalness • 59% Positiveness
44% Popularity • 39% Danceability • 12% Energy • 5% Liveness
48% Instrumentalness • 59% Positiveness
