Songs like Shelter - Christian Löffler Remix by Sasha
Based on a tempo of (+/- 10%) and a similar genre
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Marconi Union
Ginza District
105 bpm • G min • 05:11 • -18.5db
29% Popularity • 71% Danceability • 29% Energy • 13% Liveness
89% Instrumentalness • 45% Positiveness
29% Popularity • 71% Danceability • 29% Energy • 13% Liveness
89% Instrumentalness • 45% Positiveness
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Carl Gari
Treasure Island Sunset
105 bpm • B min • 06:17 • -12.14db
8% Popularity • 63% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
8% Popularity • 63% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Maya Jane Coles
Bo & Wing
105 bpm • C# Maj • 04:47 • -11.29db
47% Popularity • 43% Danceability • 60% Energy • 14% Liveness
88% Instrumentalness • 39% Positiveness
47% Popularity • 43% Danceability • 60% Energy • 14% Liveness
88% Instrumentalness • 39% Positiveness
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Sasha
View 2 - Colin Benders Remix
105 bpm • G min • 06:29 • -16.21db
22% Popularity • 60% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
22% Popularity • 60% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Polynation
Sufi Pt III
105 bpm • F min • 04:30 • -10.57db
23% Popularity • 46% Danceability • 54% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 46% Danceability • 54% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Christian Löffler
Pale Skin
105 bpm • C# Maj • 03:50 • -14.95db
41% Popularity • 54% Danceability • 35% Energy • 41% Liveness
96% Instrumentalness • 22% Positiveness
41% Popularity • 54% Danceability • 35% Energy • 41% Liveness
96% Instrumentalness • 22% Positiveness
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Marconi Union
Nightworker
105 bpm • B Maj • 06:11 • -22.97db
32% Popularity • 61% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 61% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Bersarin Quartett
Staub und Sterne
104 bpm • E min • 04:31 • -14.66db
14% Popularity • 17% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Robot Koch
Eclipse
106 bpm • A min • 03:37 • -16.25db
35% Popularity • 61% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
35% Popularity • 61% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Sasha
Shelter - Christian Löffler Remix
105 bpm • C# Maj • 06:07 • -18db
17% Popularity • 66% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 40% Positiveness
17% Popularity • 66% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 40% Positiveness
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Elsa Hewitt
At Least I…
106 bpm • F# min • 03:20 • -20.26db
17% Popularity • 73% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
17% Popularity • 73% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Weval
You Made It (Part I)
106 bpm • C Maj • 03:24 • -13.94db
40% Popularity • 60% Danceability • 35% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
40% Popularity • 60% Danceability • 35% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
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RHAIN
Tall Ships - Henry Green Remix
104 bpm • F min • 03:45 • -18.36db
22% Popularity • 67% Danceability • 30% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
22% Popularity • 67% Danceability • 30% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
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trentemøller
November
106 bpm • A Maj • 06:48 • -13.08db
30% Popularity • 58% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
30% Popularity • 58% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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pølaroit
5am
106 bpm • F min • 06:21 • -10.5db
27% Popularity • 71% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
27% Popularity • 71% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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36
Room 3
106 bpm • D# min • 06:18 • -12.35db
15% Popularity • 52% Danceability • 62% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
15% Popularity • 52% Danceability • 62% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Polynation
Damp
104 bpm • C# Maj • 07:34 • -11.19db
22% Popularity • 71% Danceability • 50% Energy • 23% Liveness
91% Instrumentalness • 20% Positiveness
22% Popularity • 71% Danceability • 50% Energy • 23% Liveness
91% Instrumentalness • 20% Positiveness
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Tor
Days Gone
106 bpm • E min • 04:25 • -7db
34% Popularity • 72% Danceability • 54% Energy • 17% Liveness
91% Instrumentalness • 16% Positiveness
34% Popularity • 72% Danceability • 54% Energy • 17% Liveness
91% Instrumentalness • 16% Positiveness
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Superpoze
For We the Living - Christian Löffler R...
106 bpm • B Maj • 04:13 • -11.94db
11% Popularity • 73% Danceability • 37% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
11% Popularity • 73% Danceability • 37% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Tunnelvisions
Nyiri
106 bpm • C min • 04:05 • -19.76db
21% Popularity • 18% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Martin Roth
Simplicité
107 bpm • C min • 05:30 • -17.56db
38% Popularity • 62% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
38% Popularity • 62% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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Sasha
Abacus
107 bpm • B Maj • 01:56 • -22.47db
13% Popularity • 64% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
13% Popularity • 64% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Zimmer
Lost Your Mind - Christian Loffler Remix
103 bpm • F# Maj • 04:16 • -9.39db
28% Popularity • 65% Danceability • 62% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Raddantze
Think
103 bpm • D min • 09:26 • -13.91db
23% Popularity • 78% Danceability • 36% Energy • 11% Liveness
78% Instrumentalness • 42% Positiveness
23% Popularity • 78% Danceability • 36% Energy • 11% Liveness
78% Instrumentalness • 42% Positiveness
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Martin Nonstatic
Granite
103 bpm • G# min • 06:31 • -19.28db
24% Popularity • 50% Danceability • 41% Energy • 25% Liveness
91% Instrumentalness • 10% Positiveness
24% Popularity • 50% Danceability • 41% Energy • 25% Liveness
91% Instrumentalness • 10% Positiveness
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Sapphire Slows
Silent Escape / Szikra / Alpha Tauri - M...
102 bpm • D Maj • 01:34 • -18.02db
33% Popularity • 73% Danceability • 51% Energy • 10% Liveness
77% Instrumentalness • 93% Positiveness
33% Popularity • 73% Danceability • 51% Energy • 10% Liveness
77% Instrumentalness • 93% Positiveness
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ADAM TK
V5
108 bpm • G# Maj • 03:59 • -18.56db
7% Popularity • 71% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
7% Popularity • 71% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Filterheadz
Field - Original Mix
108 bpm • C# Maj • 02:57 • -12.58db
29% Popularity • 46% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
29% Popularity • 46% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Polynation
Muriatic
108 bpm • B min • 03:57 • -8.3db
29% Popularity • 63% Danceability • 79% Energy • 6% Liveness
80% Instrumentalness • 25% Positiveness
29% Popularity • 63% Danceability • 79% Energy • 6% Liveness
80% Instrumentalness • 25% Positiveness
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Christian Löffler
Pigment - Christian Löffler Rework
108 bpm • G Maj • 04:56 • -17.08db
24% Popularity • 68% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
24% Popularity • 68% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
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Landhouse
Bukk
102 bpm • B min • 07:54 • -21.13db
28% Popularity • 75% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 75% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Yagya
The Observable Universe
109 bpm • G min • 06:06 • -19.29db
15% Popularity • 57% Danceability • 35% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
15% Popularity • 57% Danceability • 35% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
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il:lo
Nacre
101 bpm • G# min • 03:34 • -8.73db
36% Popularity • 72% Danceability • 70% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 72% Danceability • 70% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Dublicator
Souldance
109 bpm • C min • 06:49 • -14db
27% Popularity • 51% Danceability • 67% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
27% Popularity • 51% Danceability • 67% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
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Polynation
Muriatic
108 bpm • F# min • 06:38 • -9.55db
19% Popularity • 65% Danceability • 65% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
19% Popularity • 65% Danceability • 65% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
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Dogu Civicik
Andromalius IV.
101 bpm • D# Maj • 07:47 • -12.56db
13% Popularity • 56% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
13% Popularity • 56% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
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Marc Romboy
Atome De Danse
101 bpm • C min • 05:24 • -13db
21% Popularity • 49% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
21% Popularity • 49% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Holographic Field
Hum
101 bpm • F# min • 07:44 • -15.34db
29% Popularity • 49% Danceability • 52% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 49% Danceability • 52% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Melokind
Harry Cutter
101 bpm • D# min • 05:48 • -13.86db
33% Popularity • 59% Danceability • 51% Energy • 11% Liveness
51% Instrumentalness • 13% Positiveness
33% Popularity • 59% Danceability • 51% Energy • 11% Liveness
51% Instrumentalness • 13% Positiveness
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Nihoni
Firebirds
110 bpm • A# min • 04:04 • -9.43db
26% Popularity • 80% Danceability • 70% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
26% Popularity • 80% Danceability • 70% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Polynation
Swell
102 bpm • F Maj • 03:40 • -8.6db
32% Popularity • 53% Danceability • 79% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
32% Popularity • 53% Danceability • 79% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Yagya
Motes in the Moonlight
110 bpm • A min • 05:15 • -22.2db
21% Popularity • 59% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 13% Positiveness
21% Popularity • 59% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 13% Positiveness
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Paddy Mulcahy
Sunday's Child
110 bpm • A Maj • 06:03 • -14.49db
10% Popularity • 41% Danceability • 41% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
10% Popularity • 41% Danceability • 41% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
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Maceo Plex
Swan Dive
110 bpm • F# Maj • 09:15 • -11.36db
21% Popularity • 71% Danceability • 56% Energy • 5% Liveness
78% Instrumentalness • 12% Positiveness
21% Popularity • 71% Danceability • 56% Energy • 5% Liveness
78% Instrumentalness • 12% Positiveness
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il:lo
0404
110 bpm • G Maj • 04:03 • -8.03db
38% Popularity • 62% Danceability • 82% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
38% Popularity • 62% Danceability • 82% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Maribou State
Colours In Sea
110 bpm • C min • 04:48 • -12.29db
39% Popularity • 62% Danceability • 53% Energy • 14% Liveness
87% Instrumentalness • 25% Positiveness
39% Popularity • 62% Danceability • 53% Energy • 14% Liveness
87% Instrumentalness • 25% Positiveness
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nikosf.
Interpersonal Communication - Original M...
110 bpm • G# Maj • 04:50 • -23.9db
20% Popularity • 43% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
20% Popularity • 43% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Yagya
Young Suns of NGC 7129
110 bpm • D min • 05:12 • -18.58db
17% Popularity • 49% Danceability • 33% Energy • 64% Liveness
93% Instrumentalness • 15% Positiveness
17% Popularity • 49% Danceability • 33% Energy • 64% Liveness
93% Instrumentalness • 15% Positiveness
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Dominik Eulberg
Eintagsfliege
110 bpm • F# min • 07:08 • -14db
30% Popularity • 73% Danceability • 36% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
30% Popularity • 73% Danceability • 36% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Sasha
Bring on the Night-Time - Stet Remix
100 bpm • E min • 04:30 • -13.14db
15% Popularity • 57% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
15% Popularity • 57% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Recondite
Tie In
100 bpm • G# min • 09:41 • -13db
32% Popularity • 77% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
32% Popularity • 77% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Angus MacRae
Lucidity
100 bpm • F# min • 07:09 • -16.23db
10% Popularity • 68% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 68% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Fejká
Youth
100 bpm • D# Maj • 03:52 • -18.23db
31% Popularity • 60% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
31% Popularity • 60% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
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Oliver Koletzki
The Day We Leave Earth
100 bpm • E min • 06:55 • -19db
24% Popularity • 34% Danceability • 14% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 34% Danceability • 14% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Abe
Asgard
100 bpm • C Maj • 05:40 • -10.86db
25% Popularity • 67% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
25% Popularity • 67% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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WMD
Loleta
100 bpm • C# Maj • 05:09 • -16.84db
28% Popularity • 65% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
28% Popularity • 65% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Submotion Orchestra
Doppelgänger
100 bpm • C Maj • 03:37 • -9db
35% Popularity • 66% Danceability • 63% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
35% Popularity • 66% Danceability • 63% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Dominik Eulberg
Rotmilan
100 bpm • D min • 08:17 • -12.9db
22% Popularity • 33% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
22% Popularity • 33% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Henry Saiz
Sleepwalk
100 bpm • A# min • 05:33 • -9.25db
21% Popularity • 70% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
21% Popularity • 70% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Tricky
Running Wild - DJ Tennis Remix
100 bpm • E min • 06:52 • -12.43db
13% Popularity • 66% Danceability • 60% Energy • 8% Liveness
76% Instrumentalness • 13% Positiveness
13% Popularity • 66% Danceability • 60% Energy • 8% Liveness
76% Instrumentalness • 13% Positiveness
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Fejká
Glow
100 bpm • D min • 04:50 • -11.9db
30% Popularity • 57% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 57% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Fatima Yamaha
Imaginary Lines
100 bpm • E min • 06:37 • -10db
18% Popularity • 46% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
18% Popularity • 46% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Submotion Orchestra
Ao
100 bpm • G# Maj • 05:32 • -10.21db
44% Popularity • 63% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
44% Popularity • 63% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Sasha
Linepulse
100 bpm • F Maj • 06:16 • -26db
26% Popularity • 46% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 46% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Diskjokke
Sengon
100 bpm • A# min • 03:36 • -27.52db
16% Popularity • 19% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Monomotion
Opacity
100 bpm • E min • 04:09 • -11db
16% Popularity • 23% Danceability • 63% Energy • 9% Liveness
32% Instrumentalness • 3% Positiveness
16% Popularity • 23% Danceability • 63% Energy • 9% Liveness
32% Instrumentalness • 3% Positiveness
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Mogli
Mirror - Christian Löffler Remix
100 bpm • G# Maj • 03:35 • -14.87db
27% Popularity • 32% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 12% Positiveness
27% Popularity • 32% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 12% Positiveness
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CHLOE (Thévenin)
Because It's There
111 bpm • G# min • 07:17 • -14db
19% Popularity • 84% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 84% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Pavel Dovgal
The Highest
111 bpm • C Maj • 04:27 • -12db
34% Popularity • 64% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
34% Popularity • 64% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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Dominik Eulberg
Dreizehenspecht
111 bpm • A# Maj • 03:34 • -8.1db
24% Popularity • 76% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 30% Positiveness
24% Popularity • 76% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 30% Positiveness
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Grand National
Talk Amongst Yourselves - Sasha Remix
111 bpm • B min • 09:41 • -7db
23% Popularity • 67% Danceability • 85% Energy • 27% Liveness
28% Instrumentalness • 24% Positiveness
23% Popularity • 67% Danceability • 85% Energy • 27% Liveness
28% Instrumentalness • 24% Positiveness
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36
Room 2
111 bpm • F min • 05:13 • -11.35db
26% Popularity • 46% Danceability • 57% Energy • 11% Liveness
98% Instrumentalness • 42% Positiveness
26% Popularity • 46% Danceability • 57% Energy • 11% Liveness
98% Instrumentalness • 42% Positiveness
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Hior Chronik
One Eternity at a Time
111 bpm • E min • 03:32 • -13.78db
25% Popularity • 36% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 36% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Foreign Fields
Dry - Dark Version
99 bpm • B min • 07:44 • -13.98db
8% Popularity • 38% Danceability • 58% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
8% Popularity • 38% Danceability • 58% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Sasha
Channel Deq - Live at the Barbican
99 bpm • C min • 02:44 • -23.1db
13% Popularity • 18% Danceability • 8% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
13% Popularity • 18% Danceability • 8% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
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Yakamoto Kotzuga
Futile
112 bpm • C Maj • 04:22 • -14.35db
32% Popularity • 37% Danceability • 30% Energy • 36% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 37% Danceability • 30% Energy • 36% Liveness
88% Instrumentalness • 8% Positiveness
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Weval
The Most
112 bpm • D Maj • 05:29 • -11db
40% Popularity • 58% Danceability • 73% Energy • 31% Liveness
85% Instrumentalness • 18% Positiveness
40% Popularity • 58% Danceability • 73% Energy • 31% Liveness
85% Instrumentalness • 18% Positiveness
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Yagya
Crepuscular Rays Over the Horizon
112 bpm • A min • 06:28 • -18db
22% Popularity • 56% Danceability • 33% Energy • 45% Liveness
94% Instrumentalness • 7% Positiveness
22% Popularity • 56% Danceability • 33% Energy • 45% Liveness
94% Instrumentalness • 7% Positiveness
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Francis Harris
Living Lips
112 bpm • A# min • 07:02 • -8.52db
23% Popularity • 94% Danceability • 46% Energy • 12% Liveness
33% Instrumentalness • 82% Positiveness
23% Popularity • 94% Danceability • 46% Energy • 12% Liveness
33% Instrumentalness • 82% Positiveness
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Polynation
Why You
112 bpm • D# min • 07:20 • -10.28db
22% Popularity • 58% Danceability • 58% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 58% Danceability • 58% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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Dominik Eulberg
Zweibrütiger Scheckenfalter
112 bpm • C min • 07:13 • -7.95db
24% Popularity • 67% Danceability • 64% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
24% Popularity • 67% Danceability • 64% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
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Ryan Davis
Alow
112 bpm • C Maj • 03:31 • -14db
15% Popularity • 65% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 65% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Weval
Square People
112 bpm • B min • 04:48 • -16db
36% Popularity • 67% Danceability • 48% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
36% Popularity • 67% Danceability • 48% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
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Yagya
Laniakea's Redshift
112 bpm • D min • 05:51 • -21.2db
15% Popularity • 37% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
15% Popularity • 37% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Francis Harris
Pensum
112 bpm • A# min • 08:08 • -14.76db
19% Popularity • 78% Danceability • 47% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
19% Popularity • 78% Danceability • 47% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Kiasmos
Held
112 bpm • G min • 05:01 • -13db
48% Popularity • 65% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
48% Popularity • 65% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
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Harbor Tea Rooms
It's Not the End
98 bpm • G# Maj • 03:44 • -7.95db
20% Popularity • 33% Danceability • 76% Energy • 14% Liveness
48% Instrumentalness • 18% Positiveness
20% Popularity • 33% Danceability • 76% Energy • 14% Liveness
48% Instrumentalness • 18% Positiveness
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Tourist
Hush
98 bpm • C# Maj • 03:20 • -12.15db
41% Popularity • 72% Danceability • 57% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
41% Popularity • 72% Danceability • 57% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Affelaye
Morning Tremor
113 bpm • B min • 06:15 • -9.97db
32% Popularity • 42% Danceability • 46% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
32% Popularity • 42% Danceability • 46% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Jesse Kendal
Felt
113 bpm • G# Maj • 04:22 • -12.61db
37% Popularity • 62% Danceability • 58% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 62% Danceability • 58% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Das Komplex
Like A Fish - Original Mix
98 bpm • F Maj • 04:49 • -11.73db
19% Popularity • 60% Danceability • 46% Energy • 50% Liveness
79% Instrumentalness • 32% Positiveness
19% Popularity • 60% Danceability • 46% Energy • 50% Liveness
79% Instrumentalness • 32% Positiveness
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Molife
Not Even Worried About It
113 bpm • B min • 04:04 • -11.43db
17% Popularity • 64% Danceability • 62% Energy • 38% Liveness
83% Instrumentalness • 5% Positiveness
17% Popularity • 64% Danceability • 62% Energy • 38% Liveness
83% Instrumentalness • 5% Positiveness
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Janus Rasmussen
14
113 bpm • F min • 05:01 • -9.47db
13% Popularity • 73% Danceability • 70% Energy • 16% Liveness
89% Instrumentalness • 32% Positiveness
13% Popularity • 73% Danceability • 70% Energy • 16% Liveness
89% Instrumentalness • 32% Positiveness
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Eagles & Butterflies
The Last Dance - Synthapella
98 bpm • F# Maj • 02:41 • -12.46db
34% Popularity • 23% Danceability • 28% Energy • 54% Liveness
97% Instrumentalness • 3% Positiveness
34% Popularity • 23% Danceability • 28% Energy • 54% Liveness
97% Instrumentalness • 3% Positiveness
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Christian Löffler
Veiled Grey
113 bpm • G Maj • 05:50 • -13.2db
36% Popularity • 62% Danceability • 31% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 62% Danceability • 31% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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pølaroit
Firøye
113 bpm • G min • 06:41 • -10db
37% Popularity • 76% Danceability • 59% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
37% Popularity • 76% Danceability • 59% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Mano Le Tough
Generations
113 bpm • G# min • 04:25 • -8.87db
30% Popularity • 78% Danceability • 69% Energy • 5% Liveness
56% Instrumentalness • 22% Positiveness
30% Popularity • 78% Danceability • 69% Energy • 5% Liveness
56% Instrumentalness • 22% Positiveness
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Sieren
Break Sum1
97 bpm • F min • 04:58 • -14.55db
11% Popularity • 36% Danceability • 33% Energy • 8% Liveness
84% Instrumentalness • 11% Positiveness
11% Popularity • 36% Danceability • 33% Energy • 8% Liveness
84% Instrumentalness • 11% Positiveness
