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She's Back
Songs like
She's Back
by
Westlife
Based on a tempo of (+/- 10%) and a similar genre
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Bardot
Other Side of Love
108 bpm • G Maj • 04:14 • -5.14db
13% Popularity • 86% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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O-Town
Liquid Dreams
108 bpm • C min • 03:30 • -5db
49% Popularity • 82% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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B*Witched
Rev It Up
108 bpm • C# Maj • 04:00 • -6.06db
15% Popularity • 62% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Westlife
She's Back
108 bpm • F min • 03:10 • -3.24db
28% Popularity • 82% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Emma Bunton
We're Not Gonna Sleep Tonight
108 bpm • F# Maj • 03:23 • -3db
25% Popularity • 67% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Savage Garden
All Around Me
108 bpm • A# min • 04:09 • -5.56db
24% Popularity • 71% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Darius
Colourblind
108 bpm • D Maj • 03:35 • -4.39db
48% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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V
Hip To Hip
108 bpm • F min • 03:32 • -5.03db
26% Popularity • 61% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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A*Teens
Back For More
109 bpm • C Maj • 03:12 • -2db
24% Popularity • 72% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
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Geri Halliwell
Lift Me Up
107 bpm • E Maj • 03:51 • -5db
36% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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A1
Same Old Brand New You
107 bpm • B min • 04:14 • -4.35db
47% Popularity • 81% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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David Archuleta
Touch My Hand
109 bpm • A Maj • 04:21 • -4.3db
40% Popularity • 69% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Brian McFadden
Everything But You
107 bpm • D Maj • 04:04 • -6.6db
17% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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B*Witched
Never Giving Up
107 bpm • B min • 03:37 • -4.5db
11% Popularity • 59% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Samantha Mumba
Signed, Sealed, Delivered
110 bpm • A Maj • 02:52 • -3.79db
25% Popularity • 64% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Westlife
Beautiful Tonight
110 bpm • F Maj • 04:00 • -6.32db
39% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Blue
Flexin'
106 bpm • A min • 04:02 • -4.53db
39% Popularity • 74% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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A*Teens
...To The Music
106 bpm • C# Maj • 03:22 • -3.82db
26% Popularity • 70% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Christian Ingebrigtsen
Does he tell you?
106 bpm • G Maj • 04:08 • -5.47db
12% Popularity • 57% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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B*Witched
Rollercoaster
107 bpm • D Maj • 03:24 • -4.5db
38% Popularity • 67% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Bosson
Hole In My Heart
106 bpm • G# Maj • 02:59 • -2.2db
14% Popularity • 77% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Westlife
Pictures In My Head
110 bpm • C Maj • 04:16 • -4.12db
31% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bellefire
Perfect Bliss
106 bpm • C Maj • 03:42 • -3.7db
24% Popularity • 62% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jennifer Love Hewitt
You Make Me Smile
110 bpm • F Maj • 04:11 • -9.43db
19% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Christian Ingebrigtsen
Things are gonna change
106 bpm • C Maj • 03:38 • -4.46db
16% Popularity • 66% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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M2M
The Feeling Is Gone
105 bpm • E min • 03:17 • -4.45db
28% Popularity • 75% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Samantha Mumba
Always Come Back To Your Love
105 bpm • G# Maj • 03:33 • -5.33db
49% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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One True Voice
Sacred Trust
111 bpm • D Maj • 04:43 • -5.49db
32% Popularity • 77% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Bosson
All Because Of You
105 bpm • E Maj • 03:34 • -4.38db
11% Popularity • 69% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Jon
Right Here Next to You
105 bpm • D Maj • 03:41 • -5db
33% Popularity • 60% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Westlife
No No
105 bpm • A# Maj • 03:14 • -5.42db
46% Popularity • 70% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Brian McFadden
Forgive Me Twice
105 bpm • D Maj • 04:28 • -6.77db
7% Popularity • 64% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Louise
Undivided Love
105 bpm • C# min • 03:47 • -5.12db
19% Popularity • 79% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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The Corrs
So Young
105 bpm • G Maj • 03:52 • -6.54db
55% Popularity • 64% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
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Bosson
All Because Of You
105 bpm • E Maj • 03:35 • -5db
25% Popularity • 72% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Jordan Knight
Change My Ways
105 bpm • D# min • 04:43 • -6.17db
13% Popularity • 59% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Westlife
Dreams Come True
112 bpm • D min • 03:06 • -4.63db
37% Popularity • 74% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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The Saturdays
My Heart Takes Over
104 bpm • A Maj • 04:06 • -2.08db
34% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Trademark
Right by My Side
104 bpm • A# Maj • 04:00 • -6.53db
11% Popularity • 86% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Samantha Mumba
Always Come Back To Your Love - Without ...
104 bpm • G# Maj • 03:53 • -4db
33% Popularity • 72% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Dan Hill
I'm Your Angel
113 bpm • C Maj • 04:46 • -10db
29% Popularity • 63% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Nick Lachey
You're The Only Place
104 bpm • B min • 04:47 • -7.66db
17% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Westlife
Heal
113 bpm • F# Maj • 03:07 • -7.33db
30% Popularity • 64% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Frederic Attlee
Antique Mother
113 bpm • C min • 02:50 • -7.57db
11% Popularity • 57% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Jennifer Love Hewitt
Don't Push the River
103 bpm • F min • 03:37 • -7.06db
13% Popularity • 73% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Samantha Mumba
Never Meant To Be
103 bpm • C Maj • 04:10 • -6.89db
17% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Bolton
The Best
103 bpm • D Maj • 04:06 • -4.96db
15% Popularity • 61% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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O-Town
All For Love
114 bpm • D# min • 03:29 • -4.14db
25% Popularity • 74% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Westlife
Open Your Heart
103 bpm • C# Maj • 03:38 • -6.14db
47% Popularity • 66% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Liberty X
Feel The Rush
103 bpm • D# min • 03:33 • -6db
14% Popularity • 69% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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B*Witched
Jesse Hold On - Radio Edit
114 bpm • D Maj • 03:20 • -4.83db
34% Popularity • 69% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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A*Teens
For All That I Am
102 bpm • G# Maj • 03:18 • -3.19db
28% Popularity • 65% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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M2M
Love Left for Me
102 bpm • G Maj • 04:14 • -7.75db
26% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Toni Gonzaga
Way Back into Love
102 bpm • A# Maj • 04:05 • -8.11db
33% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Victoria Beckham
A Mind Of Its Own
102 bpm • C# Maj • 03:49 • -6.22db
29% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Brian McFadden
Irish Son - Short Version
115 bpm • C Maj • 04:20 • -4db
28% Popularity • 48% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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O-Town
Shy Girl
115 bpm • A Maj • 04:09 • -3.23db
24% Popularity • 74% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Bolton
Hope It's Too Late
115 bpm • G Maj • 03:08 • -4.87db
18% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Layla Kaylif
Shakespeare in Love
115 bpm • F# Maj • 04:29 • -8.91db
45% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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M2M
Give a Little Love
101 bpm • C Maj • 03:57 • -4.39db
29% Popularity • 70% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Jennylyn Mercado
Oh Won't You Tell Me
101 bpm • E Maj • 04:09 • -6.79db
28% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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A*Teens
Morning Light
101 bpm • F min • 03:10 • -2.99db
20% Popularity • 73% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Britney Spears
I Will Be There
101 bpm • G# Maj • 03:53 • -5.79db
43% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Westlife
Somebody Needs You
101 bpm • D Maj • 03:07 • -4.67db
43% Popularity • 72% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Honeyz
Won't Take It Lying Down
101 bpm • G# Maj • 04:13 • -5db
30% Popularity • 80% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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M2M
Do You Know What You Want
101 bpm • A Maj • 04:04 • -5.74db
22% Popularity • 63% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Ricky Martin
Nobody Wants to Be Lonely
101 bpm • A# min • 04:12 • -5.02db
52% Popularity • 64% Danceability • 85% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
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All-4-One
All The Wrong Reasons
101 bpm • B min • 03:37 • -5.48db
9% Popularity • 74% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Corrs
Give Me a Reason
116 bpm • D Maj • 03:28 • -7.43db
45% Popularity • 66% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Bellefire
Say Something Anyway
116 bpm • A# min • 03:11 • -4.2db
19% Popularity • 63% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Kyla
Wait for You
116 bpm • F Maj • 04:25 • -5.78db
36% Popularity • 66% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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M2M
Don't Mess with My Love
101 bpm • F Maj • 03:43 • -4.01db
31% Popularity • 66% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Trademark
How Could I Know
116 bpm • E Maj • 03:27 • -7db
22% Popularity • 73% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Spice Girls
Let Love Lead The Way
116 bpm • B Maj • 04:58 • -5.55db
44% Popularity • 61% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Bolton
Can You Feel Me
116 bpm • C# min • 03:59 • -4.64db
14% Popularity • 72% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
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Savage Garden
The Animal Song - Radio Edit
116 bpm • F# Maj • 03:41 • -6.61db
34% Popularity • 66% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Westlife
The Easy Way
100 bpm • C# Maj • 03:34 • -2.66db
30% Popularity • 68% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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M2M
What You Do About Me
101 bpm • F# Maj • 03:02 • -4.29db
34% Popularity • 64% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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E-17
Each Time
100 bpm • G Maj • 03:53 • -6db
41% Popularity • 67% Danceability • 83% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Spice Girls
Let Love Lead The Way
116 bpm • B Maj • 04:18 • -7.31db
20% Popularity • 61% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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A*Teens
Sugar Rush
100 bpm • F# Maj • 03:03 • -3.99db
37% Popularity • 64% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Savage Garden
The Animal Song
116 bpm • F# Maj • 04:38 • -7.66db
53% Popularity • 65% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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A1
If You Were My Girl
100 bpm • G# Maj • 04:52 • -4db
33% Popularity • 74% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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M2M
Mirror Mirror
100 bpm • C# min • 03:20 • -6db
53% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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B*Witched
It Was Our Day
100 bpm • D Maj • 03:20 • -7.23db
4% Popularity • 45% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Sarah Connor
I Can't Lie
100 bpm • F# min • 03:43 • -4.24db
9% Popularity • 81% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Fra Lippo Lippi
Later
100 bpm • A# Maj • 03:47 • -7.52db
61% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Savage Garden
Two Beds And A Coffee Machine
100 bpm • A Maj • 03:25 • -15.25db
46% Popularity • 49% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Westlife
Turn Around
117 bpm • G Maj • 04:21 • -4.58db
27% Popularity • 68% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
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The Saturdays
Up - Radio Edit
117 bpm • A Maj • 03:24 • -3db
35% Popularity • 77% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Lisa Keith
Better Than You
99 bpm • G# Maj • 04:13 • -4.44db
39% Popularity • 71% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Sugababes
Ugly
117 bpm • C Maj • 03:51 • -7.74db
43% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Mariah Carey
Against All Odds (Take A Look at Me Now)...
118 bpm • C# Maj • 03:21 • -6.33db
58% Popularity • 54% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Savage Garden
Love Can Move You
118 bpm • D Maj • 04:45 • -8.61db
13% Popularity • 60% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 31% Positiveness
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Westlife
Don't Let Me Go
99 bpm • D Maj • 03:28 • -6.03db
33% Popularity • 64% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Nick & Knight
Halfway There
118 bpm • G Maj • 03:58 • -6.54db
20% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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S Club 8
Sail On Through
99 bpm • C# min • 03:53 • -6.73db
9% Popularity • 62% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jessica Simpson
Final Heartbreak
99 bpm • C Maj • 03:40 • -4.13db
19% Popularity • 78% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Liberty X
No Clouds
99 bpm • A Maj • 03:53 • -9.08db
13% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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A*Teens
Can't Help Falling In Love
118 bpm • C# min • 03:05 • -2.61db
34% Popularity • 64% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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She's Back