Songs like She's Got You - Single Version by Patsy Cline
Based on a tempo of (+/- 10%) and a similar genre
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Patsy Cline
She's Got You - Single Version
183 bpm • F Maj • 03:01 • -17.55db
56% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Jim Reeves
She's Got You
182 bpm • F Maj • 03:03 • -17.98db
26% Popularity • 38% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 38% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Ferlin Husky
Wings Of A Dove
184 bpm • E Maj • 02:19 • -11.72db
47% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
47% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Vogues
Turn Around, Look at Me
181 bpm • C# Maj • 02:46 • -12.49db
36% Popularity • 17% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 17% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Johnny Rodriguez
Ridin' My Thumb To Mexico
180 bpm • C# Maj • 02:09 • -10.02db
53% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Chiffons
One Fine Day
177 bpm • C# Maj • 02:08 • -2.69db
61% Popularity • 25% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 25% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
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Patsy Cline
Imagine That - Single Version
181 bpm • D Maj • 02:55 • -22.45db
20% Popularity • 29% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 29% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Exciters
Tell Him - Single Version
177 bpm • F Maj • 02:36 • -11db
51% Popularity • 71% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 71% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Otis Redding
These Arms of Mine
177 bpm • A# Maj • 02:34 • -14.01db
67% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
67% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Hank Locklin
A Good Woman's Love
174 bpm • D Maj • 02:19 • -9.42db
32% Popularity • 36% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 36% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Etta James
Stormy Weather
174 bpm • C min • 03:07 • -8.03db
68% Popularity • 26% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 26% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Frankie Lymon
Why Do Fools Fall in Love
173 bpm • C# Maj • 02:19 • -8.5db
51% Popularity • 40% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 40% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Patsy Cline
Who Can I Count On
175 bpm • A Maj • 02:16 • -13.81db
33% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Mathis
The Twelfth of Never - Single Version
173 bpm • F Maj • 02:25 • -12.55db
36% Popularity • 21% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 21% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy Dean
Big Bad John
173 bpm • G# Maj • 03:00 • -16.68db
49% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Big Bopper
Chantilly Lace
172 bpm • D# Maj • 02:25 • -6.05db
56% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Fontane Sisters
Hearts of Stone
172 bpm • F Maj • 02:07 • -8.74db
20% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Jim Reeves
Have You Ever Been Lonely (Have You Ever...
196 bpm • G Maj • 02:59 • -15.83db
43% Popularity • 18% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 18% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Patsy Cline
Heartaches
171 bpm • G Maj • 02:12 • -15.3db
37% Popularity • 45% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 45% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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George Jones
The Race Is On
170 bpm • A Maj • 02:07 • -7.73db
59% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Rabbitt
Drivin' My Life Away
169 bpm • A Maj • 03:16 • -14.09db
56% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Carl Perkins
Blue Suede Shoes
169 bpm • E min • 02:14 • -7.32db
55% Popularity • 55% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 55% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Reba McEntire
The Night The Lights Went Out In Georgia
170 bpm • G min • 04:17 • -11.7db
65% Popularity • 43% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
65% Popularity • 43% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Jimmie Rodgers
Honeycomb
198 bpm • D Maj • 02:17 • -11.57db
40% Popularity • 55% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 55% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Ronnie Milsap
Lost In The Fifties Tonight
169 bpm • F Maj • 04:18 • -16.12db
51% Popularity • 49% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 49% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Ernest Tubb
Thanks A Lot
167 bpm • C Maj • 02:34 • -14.02db
46% Popularity • 64% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 64% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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The Judds
Grandpa (Tell Me 'Bout The Good Old Days...
202 bpm • E Maj • 04:14 • -16.73db
59% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Ned Miller
From a Jack to a King (Alternate Take)
201 bpm • G# min • 02:10 • -7.81db
33% Popularity • 38% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 38% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Mac Davis
It's Hard to Be Humble
163 bpm • D Maj • 04:16 • -14.18db
44% Popularity • 38% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 38% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Floyd Cramer
Last Date - Instrumental
205 bpm • C Maj • 02:26 • -13.01db
44% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Ronnie Milsap
(There's) No Gettin' Over Me
201 bpm • C# min • 03:19 • -10.34db
58% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
58% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Faron Young
Live Fast, Love Hard, Die Young
163 bpm • E Maj • 02:18 • -9.71db
39% Popularity • 58% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 58% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmie Rodgers
Kisses Sweeter Than Wine
162 bpm • F# Maj • 02:22 • -12.97db
45% Popularity • 50% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 50% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Lefty Frizzell
If You've Got the Money I've Got the Tim...
208 bpm • D Maj • 02:59 • -10.09db
42% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Jerry Lee Lewis
Whole Lotta Shakin' Going On - Remastere...
161 bpm • C Maj • 02:53 • -3.47db
48% Popularity • 35% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 35% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Cooke
Twistin' the Night Away
161 bpm • A Maj • 02:39 • -7.83db
62% Popularity • 46% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 46% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Buddy Holly
Rave On
160 bpm • C Maj • 01:49 • -7db
54% Popularity • 57% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 57% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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R.B. Greaves
Take a Letter, Maria
160 bpm • D Maj • 02:44 • -12db
47% Popularity • 58% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
47% Popularity • 58% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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The Mamas & The Papas
Go Where You Wanna Go
210 bpm • G Maj • 02:29 • -10.07db
54% Popularity • 24% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 24% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
