Songs like She's Out of My Life - Single Version by Michael Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Donna Summer
MacArthur Park - Single Version
131 bpm • E min • 03:55 • -12.36db
51% Popularity • 58% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 58% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Jackson
She's Out of My Life - Single Version
131 bpm • E Maj • 03:38 • -23.92db
57% Popularity • 29% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 29% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Atlantic Starr
Always
131 bpm • G Maj • 04:48 • -6.76db
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Billy Joel
My Life
131 bpm • D Maj • 04:44 • -12.88db
72% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Wham!
If You Were There
131 bpm • B min • 03:39 • -16db
45% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
75% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Paul McCartney
The Man - Remastered 2015
131 bpm • D min • 03:56 • -10.13db
37% Popularity • 60% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 60% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
131 bpm • G# Maj • 06:58 • -12.87db
59% Popularity • 44% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 44% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Irene Cara
Fame
131 bpm • C min • 05:16 • -8.76db
67% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Janet Jackson
Again
130 bpm • C Maj • 03:47 • -9.51db
57% Popularity • 36% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 19% Positiveness
57% Popularity • 36% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 19% Positiveness
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Christopher Cross
Arthur's Theme
132 bpm • A Maj • 04:00 • -9db
35% Popularity • 75% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 75% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Jackson
You Are My Life
130 bpm • F# min • 04:33 • -5.06db
43% Popularity • 62% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 62% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Wham!
I'm Your Man
132 bpm • D Maj • 04:06 • -5.63db
49% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Journey
When You Love a Woman
132 bpm • C# Maj • 04:06 • -5.82db
56% Popularity • 51% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 51% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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DeBarge
Time Will Reveal
130 bpm • C Maj • 04:19 • -13.8db
53% Popularity • 71% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 71% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Kenny Loggins
Whenever I Call You "Friend"
130 bpm • C Maj • 03:57 • -13.1db
51% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Michael Jackson
Stranger in Moscow
130 bpm • C# Maj • 05:43 • -8.63db
58% Popularity • 80% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 80% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Sérgio Mendes
Never Gonna Let You Go
133 bpm • G Maj • 04:15 • -12.4db
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Wham!
Freedom
133 bpm • C Maj • 05:02 • -12.88db
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Angela Bofill
This Time I'll Be Sweeter
129 bpm • B Maj • 04:19 • -9.04db
51% Popularity • 32% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 32% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Journey
Faithfully (2023 Remaster)
130 bpm • B Maj • 04:26 • -7.33db
69% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
69% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Jackson
She's Out of My Life - Demo
133 bpm • F Maj • 03:19 • -16.38db
30% Popularity • 49% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 49% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
84% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
84% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Wham!
Like A Baby
129 bpm • C Maj • 04:15 • -24.4db
39% Popularity • 70% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
39% Popularity • 70% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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The Kids From "Fame"
Starmaker
133 bpm • C Maj • 04:07 • -12db
38% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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The Manhattan Transfer
Walk In Love
129 bpm • C# Maj • 03:04 • -13.02db
26% Popularity • 51% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 51% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Christopher Cross
Say You'll Be Mine
129 bpm • E Maj • 02:56 • -10db
42% Popularity • 75% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
42% Popularity • 75% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
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The Spinners
I Don't Want to Lose You
133 bpm • D# Maj • 03:45 • -13.35db
40% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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10cc
I'm Not In Love
134 bpm • E Maj • 06:06 • -15.7db
70% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Jackson
Speechless
134 bpm • G min • 03:18 • -8.04db
47% Popularity • 46% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 46% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Rita Coolidge
We're All Alone
128 bpm • G Maj • 03:40 • -8.38db
61% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Christopher Cross
I Will (Take You Forever)
128 bpm • A Maj • 03:59 • -10.02db
57% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Daywind
Have I Told You Lately That I Love You
134 bpm • G Maj • 04:04 • -9.22db
20% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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George Michael
Cowboys and Angels - Remastered
128 bpm • A# min • 07:14 • -17.02db
46% Popularity • 57% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 57% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Paul McCrane
Dogs In the Yard
134 bpm • C Maj • 03:16 • -12db
31% Popularity • 52% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Sade
Your Love Is King
135 bpm • A Maj • 03:39 • -6.8db
69% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
69% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Jackson
Little Susie / Pie Jesu
135 bpm • A min • 06:13 • -13.17db
40% Popularity • 32% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 5% Positiveness
40% Popularity • 32% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 5% Positiveness
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Donna Summer
On The Radio
127 bpm • E min • 04:01 • -13.92db
60% Popularity • 73% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 73% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Bobby Caldwell
Take Me Back to Then
135 bpm • G Maj • 03:28 • -16.25db
39% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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George Michael
Praying for Time - Remastered
128 bpm • A# Maj • 04:40 • -14.37db
52% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
52% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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New Kids On The Block
I'll Be Loving You (Forever)
135 bpm • B Maj • 04:23 • -17db
57% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Wham!
Heartbeat
135 bpm • D Maj • 04:43 • -12db
43% Popularity • 55% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 55% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Irene Cara
Anyone Can See
127 bpm • F Maj • 03:43 • -8db
48% Popularity • 36% Danceability • 54% Energy • 29% Liveness
1% Instrumentalness • 36% Positiveness
48% Popularity • 36% Danceability • 54% Energy • 29% Liveness
1% Instrumentalness • 36% Positiveness
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Alessi Brothers
Oh Lori
135 bpm • B min • 03:25 • -8.42db
39% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Joel
Honesty
135 bpm • A# Maj • 03:53 • -15.48db
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Anita Baker
You Bring Me Joy
135 bpm • A Maj • 04:24 • -7.22db
39% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Level 42
It's Over
127 bpm • A# min • 06:00 • -12db
50% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Arthur John
Between the Moon and New York City
136 bpm • B min • 03:52 • -10db
48% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Isley Brothers
The Highways of My Life
136 bpm • E Maj • 04:17 • -13.7db
39% Popularity • 42% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 22% Positiveness
39% Popularity • 42% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 22% Positiveness
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Jodeci
Lately - Live From Uptown MTV Unplugged/...
126 bpm • C# Maj • 05:49 • -8db
41% Popularity • 38% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 38% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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Culture Club
Victims - Remastered 2002
126 bpm • G# Maj • 04:56 • -10.01db
43% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Donna Summer
Last Dance - Single Version
126 bpm • D# Maj • 03:19 • -10.31db
57% Popularity • 34% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 34% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
52% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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A Taste Of Honey
Sukiyaki - Remastered
136 bpm • D# Maj • 03:45 • -10.15db
38% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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CHIC
A Warm Summer Night
136 bpm • A min • 06:04 • -12.68db
41% Popularity • 59% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
41% Popularity • 59% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
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ABBA
The Winner Takes It All
126 bpm • F# Maj • 04:54 • -6.75db
75% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
75% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Irene Cara
Out Here On My Own
136 bpm • G Maj • 03:13 • -15.07db
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Phil Collins
One More Night - 2016 Remaster
136 bpm • D# Maj • 04:48 • -9.44db
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Donna Summer
She Works Hard For The Money
137 bpm • G# min • 05:20 • -13.01db
59% Popularity • 76% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 98% Positiveness
59% Popularity • 76% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 98% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Kenny Rogers
Lady
137 bpm • D# min • 03:51 • -16db
64% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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George Michael
You Have Been Loved
137 bpm • E min • 05:30 • -15.6db
51% Popularity • 60% Danceability • 24% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
51% Popularity • 60% Danceability • 24% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
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Andy Gibb
An Everlasting Love
125 bpm • A Maj • 04:10 • -6.54db
55% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Minnie Riperton
Lovin' You - Single Version With Countdo...
125 bpm • A Maj • 03:37 • -10.41db
26% Popularity • 46% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 46% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Donna Summer
Last Dance
125 bpm • D# Maj • 04:56 • -13.4db
54% Popularity • 60% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 60% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Christopher Cross
Never Be the Same
125 bpm • A Maj • 04:09 • -10db
57% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
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Boz Scaggs
We're All Alone (2023 Remaster)
125 bpm • G Maj • 04:12 • -11.61db
53% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
53% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
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Robbie Williams
Mr Bojangles
137 bpm • D min • 03:17 • -10.55db
53% Popularity • 51% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 51% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Prince
Nothing Compares 2 U
125 bpm • B Maj • 04:39 • -6.53db
38% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Sting
If You Love Somebody Set Them Free
125 bpm • A min • 04:16 • -10.61db
56% Popularity • 63% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
56% Popularity • 63% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Frank Stallone
Never Going To Give You Up (Staying Aliv...
137 bpm • C Maj • 03:39 • -9.81db
25% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Wings
Silly Love Songs - 2014 Remaster
125 bpm • C Maj • 05:54 • -10.77db
62% Popularity • 74% Danceability • 47% Energy • 28% Liveness
9% Instrumentalness • 82% Positiveness
62% Popularity • 74% Danceability • 47% Energy • 28% Liveness
9% Instrumentalness • 82% Positiveness
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Love Unlimited
Walkin' In The Rain With The One I Love
138 bpm • A# Maj • 04:47 • -9.65db
39% Popularity • 42% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 42% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Santana
Hold On
125 bpm • G min • 04:21 • -15.98db
52% Popularity • 67% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 67% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Frankie Valli
My Eyes Adored You
138 bpm • B min • 03:32 • -10.44db
61% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Neil Sedaka
Breaking Up Is Hard to Do
125 bpm • G Maj • 03:14 • -12.6db
23% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
63% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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The Spinners
Just as Long as We Have Love
138 bpm • C min • 04:05 • -11db
36% Popularity • 46% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 46% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Thompson
If You Remember Me
124 bpm • D Maj • 03:04 • -10db
38% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Daryl Hall
I'm In a Philly Mood
138 bpm • A Maj • 05:13 • -8.03db
29% Popularity • 58% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 58% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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L.T.D.
Shine On
138 bpm • C Maj • 03:58 • -15db
32% Popularity • 40% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 40% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Neil Sedaka
The Hungry Years
138 bpm • C Maj • 04:06 • -11.06db
38% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Jackson
Earth Song - Radio Edit
138 bpm • G# Maj • 05:01 • -7.35db
52% Popularity • 52% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 52% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Jones
I (Who Have Nothing)
139 bpm • E min • 02:57 • -7.91db
52% Popularity • 29% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 29% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Kenny Rogers
We've Got Tonight
124 bpm • G# Maj • 03:54 • -11.25db
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sheena Easton
Almost Over You
139 bpm • G# Maj • 03:41 • -10.67db
56% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
60% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Jackson
Leave Me Alone - 2012 Remaster
124 bpm • E Maj • 04:40 • -3.99db
52% Popularity • 85% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 85% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Christopher Cross
Swept Away
123 bpm • F# Maj • 04:28 • -13db
58% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Corey
All I Do
123 bpm • G# min • 03:57 • -4.22db
34% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Michael McDonald And Chaka Khan
Time to Be Lovers
140 bpm • A Maj • 04:46 • -9.73db
15% Popularity • 61% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 61% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
