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She's so High (Re-Recorded)
Songs like
She's so High (Re-Recorded)
by
Tal Bachman
Based on a tempo of (+/- 10%) and a similar genre
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Bob Seger
Old Time Rock & Roll
124 bpm • F# Maj • 03:14 • -2.95db
75% Popularity • 71% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Stealers Wheel
Stuck In The Middle With You
124 bpm • G Maj • 03:28 • -9.14db
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Tal Bachman
She's so High
124 bpm • A Maj • 03:44 • -4.63db
72% Popularity • 54% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Gin Blossoms
Til I Hear It From You
124 bpm • A Maj • 03:52 • -8db
58% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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The Beach Boys
Wouldn't It Be Nice
125 bpm • F Maj • 02:33 • -7.06db
73% Popularity • 39% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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R.E.M.
Shiny Happy People
125 bpm • A Maj • 03:45 • -3.98db
75% Popularity • 45% Danceability • 91% Energy • 23% Liveness
6% Instrumentalness • 80% Positiveness
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Shania Twain
That Don't Impress Me Much - Internation...
125 bpm • A# min • 03:59 • -6.07db
67% Popularity • 75% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Red Hot Chili Peppers
Otherside
123 bpm • C Maj • 04:15 • -3.27db
81% Popularity • 46% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Fleetwood Mac
Little Lies - 2017 Remaster
125 bpm • D Maj • 03:41 • -10.35db
75% Popularity • 64% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Smash Mouth
Walkin' On The Sun
123 bpm • F# Maj • 03:27 • -5.6db
70% Popularity • 74% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Sara Bareilles
Love Song
123 bpm • D min • 04:18 • -3.14db
73% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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La Roux
Bulletproof
123 bpm • D# min • 03:25 • -2.77db
72% Popularity • 67% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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lovelytheband
broken
123 bpm • G Maj • 03:24 • -5.81db
68% Popularity • 67% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Bloodhound Gang
The Bad Touch
123 bpm • C min • 04:20 • -6.25db
72% Popularity • 83% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 97% Positiveness
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MGMT
Kids
123 bpm • A Maj • 05:02 • -3.87db
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Shania Twain
Man! I Feel Like A Woman!
125 bpm • A# Maj • 03:53 • -3.34db
73% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Bon Jovi
You Give Love A Bad Name
123 bpm • C min • 03:42 • -2.95db
83% Popularity • 54% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Guns N' Roses
Sweet Child O' Mine
125 bpm • F# Maj • 05:56 • -5.32db
86% Popularity • 45% Danceability • 95% Energy • 11% Liveness
9% Instrumentalness • 62% Positiveness
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Michael Bublé
Haven't Met You Yet
123 bpm • G# Maj • 04:04 • -4.81db
70% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Bryan Adams
When You're Gone
125 bpm • C Maj • 03:24 • -6.34db
69% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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R.E.M.
Losing My Religion
126 bpm • A min • 04:28 • -5.05db
83% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Bon Jovi
Livin' On A Prayer
123 bpm • C Maj • 04:09 • -3.76db
86% Popularity • 53% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Pearl Jam
Better Man
126 bpm • D Maj • 04:28 • -7.94db
67% Popularity • 44% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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MIKA
Grace Kelly
122 bpm • C Maj • 03:07 • -5.8db
73% Popularity • 68% Danceability • 83% Energy • 36% Liveness
1% Instrumentalness • 67% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Earth, Wind & Fire
September
126 bpm • A Maj • 03:36 • -7.89db
82% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Train
Drive By
122 bpm • C# min • 03:15 • -3.11db
79% Popularity • 76% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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P!nk
Raise Your Glass
122 bpm • G Maj • 03:22 • -5.01db
79% Popularity • 70% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
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Bryan Adams
Run To You
127 bpm • E Maj • 03:53 • -6.16db
71% Popularity • 56% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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The Smashing Pumpkins
1979 - Remastered 2012
127 bpm • D# Maj • 04:26 • -9.9db
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
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Kansas
Carry on Wayward Son
127 bpm • G Maj • 05:23 • -5.74db
77% Popularity • 48% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 79% Positiveness
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Aerosmith
I Don't Want To Miss A Thing
121 bpm • D Maj • 04:59 • -5.16db
75% Popularity • 39% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Phillip Phillips
Home
121 bpm • C Maj • 03:30 • -6.04db
70% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Corrs
Breathless
127 bpm • B Maj • 03:27 • -7.75db
70% Popularity • 61% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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AC/DC
You Shook Me All Night Long
127 bpm • G Maj • 03:30 • -5.51db
84% Popularity • 53% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Fastball
The Way
121 bpm • F# min • 04:17 • -5.65db
64% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Pat Benatar
Hit Me With Your Best Shot
127 bpm • E Maj • 02:51 • -9.05db
72% Popularity • 74% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Bastille
Pompeii
127 bpm • A Maj • 03:34 • -6.38db
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Five For Fighting
100 Years
121 bpm • G Maj • 04:04 • -7.46db
64% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sixpence None The Richer
There She Goes
120 bpm • A# Maj • 02:44 • -5.72db
65% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Colbie Caillat
Bubbly
128 bpm • A Maj • 03:16 • -6.68db
73% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Fleetwood Mac
Dreams - 2004 Remaster
120 bpm • C Maj • 04:17 • -9.74db
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The All-American Rejects
Swing, Swing
128 bpm • G Maj • 03:53 • -5.86db
66% Popularity • 55% Danceability • 72% Energy • 4% Liveness
13% Instrumentalness • 32% Positiveness
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Foster The People
Pumped Up Kicks
128 bpm • F min • 03:59 • -5.85db
86% Popularity • 73% Danceability • 71% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
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WALK THE MOON
Shut Up and Dance
128 bpm • C# Maj • 03:19 • -3.8db
86% Popularity • 58% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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The Darkness
I Believe in a Thing Called Love
128 bpm • E Maj • 03:36 • -5.21db
69% Popularity • 44% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Sheryl Crow
All I Wanna Do
120 bpm • A Maj • 04:32 • -11.18db
72% Popularity • 82% Danceability • 53% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Eagle-Eye Cherry
Save Tonight
120 bpm • C Maj • 04:02 • -8.74db
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Rusted Root
Send Me On My Way
119 bpm • C Maj • 04:23 • -8.8db
71% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
79% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Toploader
Dancing in the Moonlight
119 bpm • A# Maj • 03:52 • -3.46db
79% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Journey
Don't Stop Believin' (2022 Remaster)
119 bpm • E Maj • 04:09 • -7.44db
83% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
84% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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The Beatles
Here Comes The Sun - Remastered 2009
129 bpm • A Maj • 03:05 • -10.48db
85% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Hinder
Lips Of An Angel
129 bpm • D Maj • 04:21 • -5.38db
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Whitney Houston
I Wanna Dance with Somebody (Who Loves M...
119 bpm • C# Maj • 04:51 • -8.82db
83% Popularity • 71% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Goo Goo Dolls
Sympathy
130 bpm • G# Maj • 02:58 • -5.76db
62% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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R.E.M.
Man On The Moon
119 bpm • G Maj • 05:14 • -7.57db
67% Popularity • 67% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Blur
Song 2 - 2012 Remaster
130 bpm • G# Maj • 02:01 • -6.9db
80% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Van Halen
Jump - 2015 Remaster
130 bpm • C Maj • 04:01 • -6.22db
77% Popularity • 57% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Killers
All These Things That I've Done
118 bpm • F# Maj • 05:01 • -7.29db
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Marvin Gaye
Ain't No Mountain High Enough
130 bpm • G Maj • 02:31 • -10.87db
84% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Foo Fighters
Best of You
130 bpm • C# min • 04:15 • -5.12db
76% Popularity • 37% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Fountains Of Wayne
Stacy's Mom
118 bpm • B min • 03:17 • -4.93db
74% Popularity • 77% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Matchbox Twenty
She's so Mean
118 bpm • C Maj • 03:52 • -3.73db
60% Popularity • 67% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Marc Cohn
Walking in Memphis
130 bpm • C Maj • 04:12 • -8.83db
69% Popularity • 57% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Killers
When You Were Young
130 bpm • B Maj • 03:40 • -3.31db
77% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
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Tiffany
I Think We're Alone Now
131 bpm • G Maj • 03:48 • -12.13db
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Foreigner
Cold as Ice
131 bpm • D# min • 03:20 • -7.06db
70% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Matchbox Twenty
Real World
118 bpm • A# Maj • 03:51 • -5.45db
63% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Fleetwood Mac
Gypsy
131 bpm • F Maj • 04:24 • -13.99db
74% Popularity • 62% Danceability • 54% Energy • 26% Liveness
1% Instrumentalness • 85% Positiveness
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Coldplay
Clocks
131 bpm • F min • 05:07 • -7.22db
81% Popularity • 58% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
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Carolina Liar
I'm Not Over
131 bpm • B Maj • 03:21 • -2.98db
47% Popularity • 53% Danceability • 90% Energy • 6% Liveness
8% Instrumentalness • 48% Positiveness
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The Police
Every Breath You Take
117 bpm • C# Maj • 04:13 • -9.8db
88% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Kelly Clarkson
Since U Been Gone
131 bpm • A min • 03:08 • -5.35db
76% Popularity • 66% Danceability • 74% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Soul Asylum
Runaway Train (2022 Remaster)
117 bpm • C Maj • 04:26 • -7.96db
70% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Buggles
Video Killed The Radio Star
131 bpm • C# Maj • 04:12 • -11.55db
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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Elton John
Don't Go Breaking My Heart
131 bpm • F Maj • 04:35 • -8.82db
81% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Tom Petty and the Heartbreakers
Learning To Fly
117 bpm • C Maj • 04:02 • -9.94db
70% Popularity • 65% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Barenaked Ladies
It's All Been Done
132 bpm • D Maj • 03:26 • -3db
56% Popularity • 52% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Seal
Kiss from a Rose
132 bpm • A# min • 04:48 • -7.11db
74% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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The Proclaimers
I'm Gonna Be (500 Miles)
132 bpm • E Maj • 03:39 • -5.18db
76% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Live
All Over You
132 bpm • C# Maj • 03:59 • -5.9db
64% Popularity • 32% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Creedence Clearwater Revival
Have You Ever Seen The Rain
116 bpm • C Maj • 02:40 • -7.03db
88% Popularity • 74% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The Killers
Read My Mind
132 bpm • C# Maj • 04:06 • -3.39db
68% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sum 41
In Too Deep
116 bpm • A Maj • 03:27 • -5.88db
76% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Fray
Over My Head (Cable Car)
116 bpm • G# Maj • 03:56 • -4.16db
71% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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James
Laid
116 bpm • C Maj • 02:36 • -9.45db
68% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Santana
Smooth
116 bpm • A Maj • 04:54 • -3.91db
67% Popularity • 61% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Tal Bachman
I Wonder
116 bpm • G Maj • 04:38 • -5.33db
12% Popularity • 52% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Elton John
Bennie And The Jets - Remastered 2014
133 bpm • C Maj • 05:22 • -7.95db
74% Popularity • 66% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Eddie Money
Take Me Home Tonight
133 bpm • C# Maj • 03:31 • -9.91db
69% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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She's so High (Re-Recorded)