Songs like Shima (Original Mix) by Alexander Dniel
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Dniel
Shima
88 bpm • E min • 07:12 • -21.26db
0% Popularity • 13% Danceability • 32% Energy • 34% Liveness
87% Instrumentalness • 3% Positiveness
0% Popularity • 13% Danceability • 32% Energy • 34% Liveness
87% Instrumentalness • 3% Positiveness
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The Persuader
Myren
121 bpm • G# Maj • 06:08 • -13db
11% Popularity • 78% Danceability • 63% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
11% Popularity • 78% Danceability • 63% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
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Philipp Gorbachev
5th New Century
122 bpm • B Maj • 06:03 • -11.95db
23% Popularity • 53% Danceability • 98% Energy • 7% Liveness
96% Instrumentalness • 65% Positiveness
23% Popularity • 53% Danceability • 98% Energy • 7% Liveness
96% Instrumentalness • 65% Positiveness
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Coastdream
Untitled
120 bpm • F# min • 04:46 • -13.11db
15% Popularity • 79% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
15% Popularity • 79% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Kwartz
Decadent Grey - Conrad Van Orton Silent ...
122 bpm • G Maj • 08:28 • -12db
12% Popularity • 76% Danceability • 66% Energy • 15% Liveness
69% Instrumentalness • 8% Positiveness
12% Popularity • 76% Danceability • 66% Energy • 15% Liveness
69% Instrumentalness • 8% Positiveness
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Under Black Helmet
Lost Signal
123 bpm • G Maj • 06:46 • -11.03db
16% Popularity • 69% Danceability • 57% Energy • 10% Liveness
90% Instrumentalness • 43% Positiveness
16% Popularity • 69% Danceability • 57% Energy • 10% Liveness
90% Instrumentalness • 43% Positiveness
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Ricardo Garduno
Tratu - Original Mix
123 bpm • G Maj • 08:55 • -12.97db
13% Popularity • 52% Danceability • 68% Energy • 39% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 52% Danceability • 68% Energy • 39% Liveness
93% Instrumentalness • 4% Positiveness
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Truncate
Contrasts 1
123 bpm • A# min • 04:42 • -15.65db
19% Popularity • 96% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
19% Popularity • 96% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Monoloc
Try - Monoloc Edit
123 bpm • B Maj • 06:40 • -12.22db
18% Popularity • 88% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
18% Popularity • 88% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Mike Dehnert
Fachwerk 25
125 bpm • C# Maj • 05:01 • -8.85db
13% Popularity • 81% Danceability • 71% Energy • 17% Liveness
15% Instrumentalness • 51% Positiveness
13% Popularity • 81% Danceability • 71% Energy • 17% Liveness
15% Instrumentalness • 51% Positiveness
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Oscar Mulero
On The Line
125 bpm • E min • 05:45 • -10.89db
18% Popularity • 88% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
18% Popularity • 88% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Sawlin
FM.7
124 bpm • C Maj • 08:16 • -9.22db
18% Popularity • 59% Danceability • 91% Energy • 16% Liveness
87% Instrumentalness • 8% Positiveness
18% Popularity • 59% Danceability • 91% Energy • 16% Liveness
87% Instrumentalness • 8% Positiveness
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Dax J
New Beginnings
125 bpm • G Maj • 06:47 • -10.6db
17% Popularity • 80% Danceability • 90% Energy • 51% Liveness
84% Instrumentalness • 37% Positiveness
17% Popularity • 80% Danceability • 90% Energy • 51% Liveness
84% Instrumentalness • 37% Positiveness
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THE CELL
X
125 bpm • C# Maj • 06:33 • -12.61db
11% Popularity • 80% Danceability • 77% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
11% Popularity • 80% Danceability • 77% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Norman Nodge
Embodiment
125 bpm • B min • 05:24 • -9.96db
16% Popularity • 74% Danceability • 84% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 74% Danceability • 84% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Mike Dehnert
Losange
125 bpm • A min • 04:54 • -12.65db
19% Popularity • 81% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
19% Popularity • 81% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Fanon Flowers
Prado Oscuro
125 bpm • D Maj • 05:53 • -12.33db
17% Popularity • 81% Danceability • 62% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
17% Popularity • 81% Danceability • 62% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Sian
Take
125 bpm • B Maj • 05:28 • -11.99db
9% Popularity • 80% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
9% Popularity • 80% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Cassegrain
CN01
125 bpm • C# Maj • 06:26 • -9.11db
16% Popularity • 77% Danceability • 95% Energy • 16% Liveness
86% Instrumentalness • 11% Positiveness
16% Popularity • 77% Danceability • 95% Energy • 16% Liveness
86% Instrumentalness • 11% Positiveness
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Rumah
Lein
125 bpm • F# min • 05:28 • -8.04db
13% Popularity • 80% Danceability • 97% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
13% Popularity • 80% Danceability • 97% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Robert Babicz
Machine Lord
125 bpm • G Maj • 07:12 • -7.68db
12% Popularity • 79% Danceability • 75% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
12% Popularity • 79% Danceability • 75% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Boston 168
1989
125 bpm • A# min • 06:49 • -10.01db
10% Popularity • 68% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 68% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Deception Plan
Plan 0 - Maskirovka
125 bpm • F# min • 06:54 • -11.02db
32% Popularity • 80% Danceability • 91% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
32% Popularity • 80% Danceability • 91% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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FJAAK
Gewerbe 15
126 bpm • D Maj • 04:38 • -8.8db
34% Popularity • 68% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 68% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Dniel
Tetroid - Tom Dicicco Remix
126 bpm • C min • 06:08 • -9.9db
1% Popularity • 81% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
1% Popularity • 81% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Truncate
Dial - Heiko Laux Remix
126 bpm • D min • 05:30 • -10.95db
21% Popularity • 81% Danceability • 73% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
21% Popularity • 81% Danceability • 73% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Under Black Helmet
Sabotage
126 bpm • C# min • 05:08 • -13.23db
18% Popularity • 70% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
18% Popularity • 70% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Thomas Angstrom
Detoned
126 bpm • B min • 07:10 • -9.12db
8% Popularity • 79% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
8% Popularity • 79% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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J Tijn
Horn Lane
126 bpm • C# Maj • 05:20 • -10.92db
9% Popularity • 64% Danceability • 81% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
9% Popularity • 64% Danceability • 81% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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FJAAK
Gewerbe 15
126 bpm • D Maj • 05:53 • -11.09db
11% Popularity • 69% Danceability • 71% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 69% Danceability • 71% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Dniel
Nihse
126 bpm • B min • 05:04 • -9.02db
0% Popularity • 80% Danceability • 74% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
0% Popularity • 80% Danceability • 74% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Somewhen
Diskret
126 bpm • C# Maj • 04:57 • -15.08db
23% Popularity • 64% Danceability • 54% Energy • 19% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 64% Danceability • 54% Energy • 19% Liveness
92% Instrumentalness • 6% Positiveness
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Terence Fixmer
Lovesick
126 bpm • B Maj • 06:59 • -12.84db
18% Popularity • 64% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
18% Popularity • 64% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
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Artefakt
From Our Minds to Yours
126 bpm • E min • 06:59 • -7.11db
20% Popularity • 73% Danceability • 92% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 73% Danceability • 92% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
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Heiko Laux
Contour
126 bpm • B min • 06:25 • -9.32db
14% Popularity • 73% Danceability • 74% Energy • 61% Liveness
86% Instrumentalness • 44% Positiveness
14% Popularity • 73% Danceability • 74% Energy • 61% Liveness
86% Instrumentalness • 44% Positiveness
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Roman Lindau
Ancotil - Original Mix
126 bpm • F Maj • 04:45 • -13.5db
11% Popularity • 77% Danceability • 42% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 77% Danceability • 42% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Pfirter
Tide - Exium Remix
126 bpm • D Maj • 06:03 • -11.97db
21% Popularity • 62% Danceability • 68% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
21% Popularity • 62% Danceability • 68% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Takaaki Itoh
Slicer - Sleeparchive Remix 2
126 bpm • F# min • 05:34 • -7db
12% Popularity • 72% Danceability • 94% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
12% Popularity • 72% Danceability • 94% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Lewis Fautzi
Degrees
126 bpm • C# Maj • 05:10 • -14.18db
28% Popularity • 71% Danceability • 56% Energy • 11% Liveness
82% Instrumentalness • 29% Positiveness
28% Popularity • 71% Danceability • 56% Energy • 11% Liveness
82% Instrumentalness • 29% Positiveness
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Jeff Rushin
Wondering
126 bpm • A# min • 06:41 • -8.75db
10% Popularity • 78% Danceability • 88% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 78% Danceability • 88% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Alexander Dniel
Frost - Diaz & Parree Remix
126 bpm • D# min • 07:21 • -13.72db
0% Popularity • 79% Danceability • 70% Energy • 8% Liveness
82% Instrumentalness • 22% Positiveness
0% Popularity • 79% Danceability • 70% Energy • 8% Liveness
82% Instrumentalness • 22% Positiveness
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Radio Slave
Repeat Myself - Rodhad Remix
126 bpm • G# Maj • 06:10 • -11.95db
17% Popularity • 80% Danceability • 76% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
17% Popularity • 80% Danceability • 76% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Lenson
Kralingen
126 bpm • E min • 05:51 • -8.75db
8% Popularity • 70% Danceability • 89% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
8% Popularity • 70% Danceability • 89% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
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Dawn Razor
Broken Toys
126 bpm • G# min • 05:54 • -11.02db
8% Popularity • 79% Danceability • 86% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 79% Danceability • 86% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Matura
Shifting
126 bpm • B Maj • 08:19 • -14.9db
9% Popularity • 80% Danceability • 82% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 80% Danceability • 82% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jeff Rushin
Coda
126 bpm • D# Maj • 05:56 • -15.22db
10% Popularity • 76% Danceability • 61% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
10% Popularity • 76% Danceability • 61% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Dani Sbert
Equilibrium - Original Mix
126 bpm • G Maj • 07:35 • -12.06db
12% Popularity • 82% Danceability • 47% Energy • 17% Liveness
90% Instrumentalness • 30% Positiveness
12% Popularity • 82% Danceability • 47% Energy • 17% Liveness
90% Instrumentalness • 30% Positiveness
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Nina Kraviz
Prozimokompleme - mixed
127 bpm • D Maj • 03:59 • -16.99db
24% Popularity • 80% Danceability • 65% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
24% Popularity • 80% Danceability • 65% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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PVS
Fuckin' Society
127 bpm • F# Maj • 08:04 • -15.12db
8% Popularity • 68% Danceability • 48% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
8% Popularity • 68% Danceability • 48% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
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Exos
Sælu-reitur
127 bpm • F# Maj • 06:13 • -14db
24% Popularity • 75% Danceability • 76% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
24% Popularity • 75% Danceability • 76% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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Jonas Kopp
Alkitran - Original Mix
127 bpm • G Maj • 07:37 • -10.65db
12% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Robert Hood
The Bond We Formed - Slam Remix
127 bpm • F# min • 07:13 • -10.68db
7% Popularity • 62% Danceability • 67% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
7% Popularity • 62% Danceability • 67% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Alfredo Mazzilli
Windy Side
127 bpm • E min • 07:42 • -10.95db
13% Popularity • 77% Danceability • 85% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
13% Popularity • 77% Danceability • 85% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Len Faki
Stripped
127 bpm • C# Maj • 05:55 • -9.68db
24% Popularity • 87% Danceability • 53% Energy • 9% Liveness
81% Instrumentalness • 2% Positiveness
24% Popularity • 87% Danceability • 53% Energy • 9% Liveness
81% Instrumentalness • 2% Positiveness
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7CIRCLE
Archetype
127 bpm • A# min • 06:54 • -18.41db
10% Popularity • 70% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
10% Popularity • 70% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Nur Jaber
When the Sun Sets (The End is Near Edit)...
127 bpm • E min • 06:39 • -13.62db
21% Popularity • 76% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 76% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Somewhen
Schakal
127 bpm • C# Maj • 05:13 • -13db
29% Popularity • 76% Danceability • 85% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
29% Popularity • 76% Danceability • 85% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
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Altinbas
Drifting Figures
127 bpm • G Maj • 05:51 • -10.98db
9% Popularity • 74% Danceability • 73% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 74% Danceability • 73% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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DJ Dextro
The Arrival
127 bpm • B Maj • 06:51 • -7.38db
9% Popularity • 79% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 79% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Pfirter
420
127 bpm • D Maj • 07:43 • -14db
9% Popularity • 67% Danceability • 53% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 67% Danceability • 53% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Deas
Velocity
127 bpm • A# min • 07:45 • -8.85db
19% Popularity • 78% Danceability • 78% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
19% Popularity • 78% Danceability • 78% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Cari Lekebusch
Rakas
127 bpm • A# min • 07:10 • -10.76db
9% Popularity • 79% Danceability • 85% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
9% Popularity • 79% Danceability • 85% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Cliche Morph
The Suffering of Mind - Original Mix
127 bpm • G Maj • 06:36 • -11.96db
14% Popularity • 70% Danceability • 94% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
14% Popularity • 70% Danceability • 94% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Markus Suckut
Corp - Version
127 bpm • B Maj • 07:39 • -12db
9% Popularity • 71% Danceability • 77% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 71% Danceability • 77% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Marco Zenker
Stressin Neighbour
127 bpm • B min • 06:18 • -12.72db
10% Popularity • 64% Danceability • 77% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 64% Danceability • 77% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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KAS:ST
Endless Exodus - Takaaki Itoh Remix
127 bpm • G Maj • 07:04 • -12.7db
8% Popularity • 79% Danceability • 64% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 79% Danceability • 64% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Alexander Dniel
Unknown Track
127 bpm • B min • 07:22 • -8.73db
0% Popularity • 80% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
0% Popularity • 80% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Hologram Man
Stockholm Syndrome
127 bpm • G Maj • 05:50 • -7db
8% Popularity • 72% Danceability • 61% Energy • 11% Liveness
73% Instrumentalness • 9% Positiveness
8% Popularity • 72% Danceability • 61% Energy • 11% Liveness
73% Instrumentalness • 9% Positiveness
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Oscar Mulero
Rotar - Tensal Digital bonus remix
127 bpm • G# min • 06:36 • -13.09db
16% Popularity • 76% Danceability • 86% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
16% Popularity • 76% Danceability • 86% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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MSTRBLSTR
DNA
127 bpm • C# Maj • 04:45 • -17db
16% Popularity • 80% Danceability • 57% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
16% Popularity • 80% Danceability • 57% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Heiko Laux
Self
127 bpm • G Maj • 06:02 • -10.34db
8% Popularity • 70% Danceability • 93% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
8% Popularity • 70% Danceability • 93% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
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Artefakt
The Mental Universe
127 bpm • G Maj • 08:36 • -9.59db
18% Popularity • 64% Danceability • 78% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
18% Popularity • 64% Danceability • 78% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Alexander Dniel
Blossom
127 bpm • C# Maj • 06:34 • -15db
20% Popularity • 74% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 74% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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The Plant Worker
Spaceship - Ekserd Remix
127 bpm • B min • 05:38 • -13db
8% Popularity • 73% Danceability • 63% Energy • 32% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 73% Danceability • 63% Energy • 32% Liveness
83% Instrumentalness • 4% Positiveness
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Blazej Malinowski
Future Retro I
127 bpm • G Maj • 08:02 • -11.6db
11% Popularity • 61% Danceability • 53% Energy • 9% Liveness
82% Instrumentalness • 30% Positiveness
11% Popularity • 61% Danceability • 53% Energy • 9% Liveness
82% Instrumentalness • 30% Positiveness
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Adriana Lopez
Estructura
127 bpm • A# min • 06:11 • -16.58db
13% Popularity • 80% Danceability • 82% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
13% Popularity • 80% Danceability • 82% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Shifted
Untitled - B2
127 bpm • E min • 06:09 • -11.82db
18% Popularity • 78% Danceability • 90% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 78% Danceability • 90% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Keith Carnal
Objective - Joel Mull Stripped Remix
127 bpm • F min • 07:29 • -11.51db
8% Popularity • 73% Danceability • 94% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
8% Popularity • 73% Danceability • 94% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
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Alexander Dniel
Gliese 581
127 bpm • G Maj • 05:40 • -10.13db
1% Popularity • 80% Danceability • 66% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
1% Popularity • 80% Danceability • 66% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Oscar Mulero
Rotar - Tensal remix
127 bpm • C# Maj • 06:06 • -12.46db
27% Popularity • 73% Danceability • 93% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
27% Popularity • 73% Danceability • 93% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Marcel Dettmann
Lattice
127 bpm • C# Maj • 07:43 • -15.89db
18% Popularity • 71% Danceability • 69% Energy • 66% Liveness
86% Instrumentalness • 9% Positiveness
18% Popularity • 71% Danceability • 69% Energy • 66% Liveness
86% Instrumentalness • 9% Positiveness
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Rod
Hux
127 bpm • G Maj • 06:03 • -8.75db
12% Popularity • 66% Danceability • 95% Energy • 9% Liveness
48% Instrumentalness • 25% Positiveness
12% Popularity • 66% Danceability • 95% Energy • 9% Liveness
48% Instrumentalness • 25% Positiveness
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Kike Pravda
Density - Original Mix
128 bpm • C Maj • 05:24 • -9.41db
13% Popularity • 71% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
13% Popularity • 71% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Alien Rain
Alienopolis
128 bpm • B Maj • 06:22 • -10.7db
12% Popularity • 78% Danceability • 95% Energy • 19% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 78% Danceability • 95% Energy • 19% Liveness
91% Instrumentalness • 8% Positiveness
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Alexander Dniel
Janos Factory - Original Mix
127 bpm • C# Maj • 06:19 • -12.89db
0% Popularity • 81% Danceability • 86% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
0% Popularity • 81% Danceability • 86% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Oscar Mulero
Eccentricity
127 bpm • E min • 05:09 • -14.9db
25% Popularity • 82% Danceability • 45% Energy • 27% Liveness
91% Instrumentalness • 6% Positiveness
25% Popularity • 82% Danceability • 45% Energy • 27% Liveness
91% Instrumentalness • 6% Positiveness
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Developer
Expressions of Lust
128 bpm • F# min • 07:30 • -12.36db
14% Popularity • 80% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
14% Popularity • 80% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Patrick Walker
Magnetic Storm
128 bpm • A# min • 06:04 • -8.45db
8% Popularity • 58% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
8% Popularity • 58% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Under Black Helmet
Juvenile Moral
128 bpm • B min • 05:31 • -12.9db
15% Popularity • 80% Danceability • 66% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
15% Popularity • 80% Danceability • 66% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Heiko Laux
Hexagon
128 bpm • C# Maj • 05:55 • -8.15db
28% Popularity • 80% Danceability • 61% Energy • 8% Liveness
89% Instrumentalness • 26% Positiveness
28% Popularity • 80% Danceability • 61% Energy • 8% Liveness
89% Instrumentalness • 26% Positiveness
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Alexander Dniel
B1 - Original Mix
127 bpm • B min • 05:25 • -7.29db
1% Popularity • 78% Danceability • 80% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
1% Popularity • 78% Danceability • 80% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
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Oscar Mulero
The Cycle
128 bpm • A# min • 05:39 • -6.88db
26% Popularity • 71% Danceability • 88% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
26% Popularity • 71% Danceability • 88% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Takaaki Itoh
Slicer
128 bpm • A# min • 06:39 • -6db
16% Popularity • 80% Danceability • 99% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
16% Popularity • 80% Danceability • 99% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
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Truncate
Modify - Dustin Zahn Remix
128 bpm • G# Maj • 06:02 • -8.58db
17% Popularity • 77% Danceability • 81% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
17% Popularity • 77% Danceability • 81% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Pleasing Robots
Take It
128 bpm • C# Maj • 07:05 • -10.74db
8% Popularity • 64% Danceability • 92% Energy • 37% Liveness
86% Instrumentalness • 9% Positiveness
8% Popularity • 64% Danceability • 92% Energy • 37% Liveness
86% Instrumentalness • 9% Positiveness
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Truss
Beacon
128 bpm • E min • 06:58 • -9.92db
13% Popularity • 76% Danceability • 95% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
13% Popularity • 76% Danceability • 95% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
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Lewis Fautzi
Ancient Way
128 bpm • C# min • 05:04 • -10.82db
26% Popularity • 79% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
26% Popularity • 79% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Radio Slave
The Clone Wars - Markus Suckut Remix
128 bpm • G Maj • 07:16 • -11.21db
24% Popularity • 73% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 73% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
