Songs like Shine Silently - 2 Meter Session by Nils Lofgren
Based on a tempo of (+/- 10%) and a similar genre
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Dirk Blanchart
No Regrets
106 bpm • D Maj • 04:05 • -9.88db
18% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Machines
Don't Be Cruel - 2004 Remaster
106 bpm • D Maj • 03:00 • -7.84db
13% Popularity • 60% Danceability • 78% Energy • 12% Liveness
26% Instrumentalness • 86% Positiveness
13% Popularity • 60% Danceability • 78% Energy • 12% Liveness
26% Instrumentalness • 86% Positiveness
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Blue Blot
Hold The Line
106 bpm • A min • 03:16 • -8db
19% Popularity • 70% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 70% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Roland Van Beeck
To Make My Life Beautiful
106 bpm • G min • 03:21 • -7.94db
18% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Pitti Polak
Happy Doing Nothing
106 bpm • C Maj • 02:30 • -13.9db
12% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Nils Lofgren
Shine Silently - 2 Meter Session
106 bpm • C Maj • 08:37 • -17.73db
17% Popularity • 62% Danceability • 34% Energy • 18% Liveness
4% Instrumentalness • 55% Positiveness
17% Popularity • 62% Danceability • 34% Energy • 18% Liveness
4% Instrumentalness • 55% Positiveness
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I Ve Got The Bullets
In the Middle of the Night
106 bpm • C Maj • 03:50 • -6.83db
10% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Machines
Don't Be Cruel - Single Mix; 2004 Remast...
106 bpm • D Maj • 03:00 • -7.17db
14% Popularity • 56% Danceability • 88% Energy • 12% Liveness
37% Instrumentalness • 79% Positiveness
14% Popularity • 56% Danceability • 88% Energy • 12% Liveness
37% Instrumentalness • 79% Positiveness
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Randy Newman
Birmingham - 2002 Remaster
106 bpm • E Maj • 02:46 • -12.48db
28% Popularity • 47% Danceability • 34% Energy • 25% Liveness
1% Instrumentalness • 32% Positiveness
28% Popularity • 47% Danceability • 34% Energy • 25% Liveness
1% Instrumentalness • 32% Positiveness
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Tom Petty
A Face In The Crowd
106 bpm • E min • 03:59 • -13.39db
54% Popularity • 68% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
54% Popularity • 68% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Warren Zevon
Let Nothing Come Between You - 2007 Rema...
106 bpm • D Maj • 03:41 • -8.26db
24% Popularity • 73% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 73% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Nils Lofgren
Duty
105 bpm • E min • 02:52 • -7.73db
6% Popularity • 64% Danceability • 78% Energy • 18% Liveness
68% Instrumentalness • 83% Positiveness
6% Popularity • 64% Danceability • 78% Energy • 18% Liveness
68% Instrumentalness • 83% Positiveness
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Texas
Future Is Promises - 2 Meter Session
106 bpm • C Maj • 03:33 • -12.66db
13% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Steve Harley
Riding the Waves (For Virginia Woolf)
105 bpm • E Maj • 04:32 • -13.1db
27% Popularity • 69% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 69% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Grin
You're The Weight
105 bpm • D min • 05:15 • -6.26db
4% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
4% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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VENICE
Guinevere - 2 Meter Session
105 bpm • B min • 05:19 • -16.69db
9% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Kommil Foo
Eenzaam Is DE Spits Die Niet Scoort
105 bpm • G# Maj • 03:51 • -12.96db
16% Popularity • 61% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 61% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
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Steve Forbert
Schoolgirl
105 bpm • C Maj • 03:02 • -8.09db
9% Popularity • 61% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 61% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 85% Positiveness
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Van Morrison
Enlightenment
107 bpm • D Maj • 04:06 • -10db
33% Popularity • 56% Danceability • 64% Energy • 9% Liveness
12% Instrumentalness • 46% Positiveness
33% Popularity • 56% Danceability • 64% Energy • 9% Liveness
12% Instrumentalness • 46% Positiveness
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The Fatal Flowers
Better Times
107 bpm • A min • 05:14 • -11.41db
9% Popularity • 61% Danceability • 57% Energy • 22% Liveness
42% Instrumentalness • 30% Positiveness
9% Popularity • 61% Danceability • 57% Energy • 22% Liveness
42% Instrumentalness • 30% Positiveness
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Grin
Just a Poem
105 bpm • A Maj • 02:41 • -12.77db
3% Popularity • 47% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
3% Popularity • 47% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Southside Johnny And The Asbury Jukes
All The Way Home
107 bpm • G Maj • 03:55 • -13.13db
29% Popularity • 76% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 76% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Nils Lofgren
Goin' Back
105 bpm • A Maj • 03:47 • -11.29db
10% Popularity • 72% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
10% Popularity • 72% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
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The Silencers
Scottish Rain
105 bpm • E Maj • 07:10 • -16.75db
23% Popularity • 66% Danceability • 32% Energy • 12% Liveness
63% Instrumentalness • 63% Positiveness
23% Popularity • 66% Danceability • 32% Energy • 12% Liveness
63% Instrumentalness • 63% Positiveness
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Elliott Murphy
Home again
105 bpm • C Maj • 04:30 • -9.67db
16% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Notting Hillbillies
One Way Gal
105 bpm • D Maj • 03:09 • -14db
37% Popularity • 70% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 70% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Fatal Flowers
Second Chance
104 bpm • F# min • 05:32 • -15.63db
7% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Southside Johnny And The Asbury Jukes
It's Been a Long Time - 2 Meter Session
104 bpm • A Maj • 03:59 • -15.36db
8% Popularity • 62% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 62% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Patti Scialfa
Spanish Dancer
108 bpm • G# Maj • 04:49 • -10db
31% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Nils Lofgren
Like A Hurricane
107 bpm • G min • 03:59 • -11.21db
12% Popularity • 69% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 69% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Voltage
She's Gone Like the Wind
108 bpm • G Maj • 03:59 • -6.98db
26% Popularity • 60% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 60% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Hothouse Flowers
Gypsy Fair
104 bpm • D Maj • 03:50 • -10.69db
25% Popularity • 60% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 74% Positiveness
25% Popularity • 60% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 74% Positiveness
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Blue Blot
Who Is He And What Is He To You
104 bpm • F Maj • 03:54 • -13.98db
17% Popularity • 94% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 94% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Grin
Sometimes
108 bpm • E Maj • 02:37 • -13.54db
6% Popularity • 55% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 55% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Mike Scott
Personal
104 bpm • F# Maj • 02:14 • -13.28db
40% Popularity • 77% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 77% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Nils Lofgren
Dream Killer
105 bpm • C Maj • 03:35 • -7.84db
5% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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VENICE
For a Dancer - 2 Meter Session
108 bpm • A# Maj • 04:40 • -14.21db
21% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Hothouse Flowers
One Tongue
104 bpm • G# Maj • 04:29 • -7.73db
24% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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John Cale
I Keep a Close Watch - 2 Meter Session
108 bpm • D# Maj • 02:28 • -13.99db
8% Popularity • 62% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
8% Popularity • 62% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Joe Jackson
Be My Number Two - The Big World Tour /1...
108 bpm • G Maj • 02:43 • -17.1db
19% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Elliott Murphy
Not enough time
104 bpm • A min • 04:39 • -10.52db
25% Popularity • 58% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 58% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sandy Coast
Summertrain
108 bpm • F# min • 03:09 • -11.6db
20% Popularity • 79% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 79% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Nits
Soap Bubble Box
108 bpm • E Maj • 03:24 • -18.07db
23% Popularity • 60% Danceability • 39% Energy • 12% Liveness
33% Instrumentalness • 43% Positiveness
23% Popularity • 60% Danceability • 39% Energy • 12% Liveness
33% Instrumentalness • 43% Positiveness
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Richard Thompson
When The Spell Is Broken
109 bpm • D min • 04:31 • -9.17db
17% Popularity • 74% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 74% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Southside Johnny And The Asbury Jukes
It's Been A Long Time
103 bpm • A Maj • 05:31 • -10db
26% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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John Hiatt
Radio Girl
109 bpm • G Maj • 02:57 • -13.15db
9% Popularity • 69% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 69% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Nils Lofgren
Keith Don't Go - 2 Meter Session
109 bpm • E min • 05:34 • -19.62db
19% Popularity • 57% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 57% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Patti Scialfa
Rumble Doll
109 bpm • A# Maj • 03:25 • -11db
28% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Them
Friday's Child - True Stereo
103 bpm • D Maj • 03:45 • -10db
30% Popularity • 61% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 61% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Hothouse Flowers
An Emotional Time
103 bpm • E min • 04:28 • -10.13db
20% Popularity • 49% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 49% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Latin Quarter
Swimming Against the Stream
109 bpm • A Maj • 04:32 • -9.25db
11% Popularity • 72% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 72% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Del Amitri
Nothing Ever Happens (2 Meter Session)
103 bpm • F Maj • 04:05 • -18.65db
10% Popularity • 34% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 34% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Nils Lofgren
Blue Skies - Live 1992
103 bpm • A Maj • 03:37 • -17.97db
15% Popularity • 46% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 46% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Jackson
Real Men - The Body And Soul Tour / 1984
102 bpm • G Maj • 04:46 • -13.76db
18% Popularity • 30% Danceability • 33% Energy • 77% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 30% Danceability • 33% Energy • 77% Liveness
0% Instrumentalness • 19% Positiveness
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Stef Kamil Carlens
Alone & Attracted
110 bpm • G Maj • 06:31 • -10.06db
13% Popularity • 72% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
13% Popularity • 72% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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The Rolling Stones
Almost Hear You Sigh - Remastered
102 bpm • C# min • 04:37 • -5.39db
44% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Nits
The Train
110 bpm • G Maj • 04:06 • -16.31db
22% Popularity • 50% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 50% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Bettie Serveert
Palomine (Small) (2 Meter Session)
102 bpm • C Maj • 02:30 • -28.98db
9% Popularity • 41% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
9% Popularity • 41% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Nils Lofgren
It Hurts
110 bpm • F# Maj • 04:24 • -8.39db
6% Popularity • 60% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 60% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Steve Harley
Emma
102 bpm • B min • 04:39 • -10.24db
18% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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David Knopfler
Soul Kissing
102 bpm • C Maj • 04:41 • -14.86db
22% Popularity • 71% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 71% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Mike Batt
Run Like The Wind
110 bpm • A# Maj • 04:28 • -16.72db
13% Popularity • 63% Danceability • 48% Energy • 60% Liveness
1% Instrumentalness • 50% Positiveness
13% Popularity • 63% Danceability • 48% Energy • 60% Liveness
1% Instrumentalness • 50% Positiveness
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Robbie Robertson
Once Were Brothers
110 bpm • F# Maj • 04:24 • -9db
28% Popularity • 71% Danceability • 44% Energy • 14% Liveness
7% Instrumentalness • 40% Positiveness
28% Popularity • 71% Danceability • 44% Energy • 14% Liveness
7% Instrumentalness • 40% Positiveness
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Fischer-Z
Remember Russia
111 bpm • B min • 03:37 • -17.7db
27% Popularity • 45% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 45% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Nils Lofgren
You Can't Ride My Horse
109 bpm • A Maj • 03:16 • -6.25db
4% Popularity • 63% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 63% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Jackson
Is She Really Going Out With Him? - Live
111 bpm • F# Maj • 04:29 • -8db
35% Popularity • 56% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 56% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
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Patti Scialfa
As Long As I (Can Be With You)
111 bpm • D Maj • 04:46 • -8db
24% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Texas
Prayer For You
111 bpm • A Maj • 04:45 • -14.28db
33% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Elvis Costello
The People's Limousine
111 bpm • A Maj • 03:38 • -11.66db
8% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Lonnie Mack
Tough on Me, Tough on You - 2 Meter Sess...
111 bpm • G min • 03:22 • -21.13db
11% Popularity • 63% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 63% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Nils Lofgren
Love Is the Best Glue
101 bpm • A Maj • 03:03 • -6.67db
6% Popularity • 70% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 70% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Jackson
Be My Number Two
111 bpm • G Maj • 04:19 • -10.1db
44% Popularity • 40% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Grin
Lost a Number
111 bpm • A Maj • 03:09 • -10.77db
6% Popularity • 65% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 65% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Blackbird
Built And Broken
101 bpm • A Maj • 04:28 • -6.57db
18% Popularity • 22% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 22% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Hothouse Flowers
This Is It - Your Soul
111 bpm • A# Maj • 03:52 • -7.81db
30% Popularity • 64% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 64% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Dave Stewart and the Spiritual Cowboys
Soul Years - 2 Meter Session
112 bpm • D Maj • 04:36 • -16.54db
10% Popularity • 59% Danceability • 37% Energy • 10% Liveness
18% Instrumentalness • 46% Positiveness
10% Popularity • 59% Danceability • 37% Energy • 10% Liveness
18% Instrumentalness • 46% Positiveness
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Nils Lofgren
No Mercy - Live 1992
111 bpm • D Maj • 04:35 • -16.01db
10% Popularity • 52% Danceability • 49% Energy • 69% Liveness
14% Instrumentalness • 57% Positiveness
10% Popularity • 52% Danceability • 49% Energy • 69% Liveness
14% Instrumentalness • 57% Positiveness
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The Dutch
This Is Welfare
112 bpm • C# min • 04:49 • -8.4db
20% Popularity • 57% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 57% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Grin
True Thrill
112 bpm • E Maj • 03:13 • -6.3db
3% Popularity • 55% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 55% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The Notting Hillbillies
Will You Miss Me
100 bpm • C# Maj • 03:50 • -15db
48% Popularity • 60% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 70% Positiveness
48% Popularity • 60% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 70% Positiveness
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Kayak
Seagull
112 bpm • E Maj • 04:11 • -13.77db
18% Popularity • 46% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 46% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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The Smithereens
Blue Period - Acoustic
100 bpm • G# Maj • 02:57 • -12db
31% Popularity • 70% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 70% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Nils Lofgren
When You Are Loved
112 bpm • D# Maj • 02:58 • -8.74db
14% Popularity • 67% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
14% Popularity • 67% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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Ralph Covert & The Bad Examples
Ashes of My Heart
112 bpm • A Maj • 03:19 • -11.2db
13% Popularity • 69% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 69% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Won Ton Ton
I Lie and I Cheat - 2004 Remaster
113 bpm • C Maj • 03:51 • -7db
39% Popularity • 65% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 65% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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VENICE
If I Were You
100 bpm • G Maj • 04:06 • -8.4db
21% Popularity • 57% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 57% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
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Erwin Nyhoff
You Still Think
100 bpm • D Maj • 04:26 • -10.23db
15% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Phil Carmen
Walkin' The Dog
113 bpm • D Maj • 05:08 • -9.36db
16% Popularity • 72% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
16% Popularity • 72% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Nils Lofgren
Nothin's Easy (For Amy)
100 bpm • A# Maj • 03:35 • -8.23db
6% Popularity • 58% Danceability • 51% Energy • 12% Liveness
14% Instrumentalness • 23% Positiveness
6% Popularity • 58% Danceability • 51% Energy • 12% Liveness
14% Instrumentalness • 23% Positiveness
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Albert Hammond
I Don't Wanna Die In An Air Disaster
100 bpm • G min • 03:38 • -10.51db
33% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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John Hiatt
She Loves The Jerk
113 bpm • G Maj • 03:39 • -13.01db
13% Popularity • 70% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 70% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Fischer-Z
Will You Be There?
113 bpm • G Maj • 03:24 • -8.86db
16% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Mike Scott
Wonderful Disguise
99 bpm • F min • 03:32 • -14.36db
32% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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David Knopfler
Lonely Is The Night
99 bpm • A# Maj • 03:36 • -14.19db
36% Popularity • 74% Danceability • 50% Energy • 7% Liveness
48% Instrumentalness • 94% Positiveness
36% Popularity • 74% Danceability • 50% Energy • 7% Liveness
48% Instrumentalness • 94% Positiveness
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Nils Lofgren
Give
100 bpm • B min • 05:56 • -7.69db
3% Popularity • 64% Danceability • 76% Energy • 13% Liveness
47% Instrumentalness • 59% Positiveness
3% Popularity • 64% Danceability • 76% Energy • 13% Liveness
47% Instrumentalness • 59% Positiveness
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Yusuf / Cat Stevens
Banapple Gas
99 bpm • A Maj • 03:09 • -6.92db
22% Popularity • 60% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 60% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Jackson
Real Men
114 bpm • D Maj • 04:02 • -7.28db
45% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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John Watts
Lagonda Lifestyle
114 bpm • A# Maj • 04:57 • -15.04db
12% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
