Songs like Shining Light by Annie Lennox
Based on a tempo of (+/- 10%) and a similar genre
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Heather Small
Wherever The Road Goes
120 bpm • C# min • 03:48 • -4.87db
14% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Annie Lennox
Shining Light
120 bpm • A# Maj • 04:19 • -7db
36% Popularity • 51% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 51% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Klang
New Day Coming
120 bpm • F Maj • 03:30 • -6db
42% Popularity • 56% Danceability • 70% Energy • 30% Liveness
2% Instrumentalness • 57% Positiveness
42% Popularity • 56% Danceability • 70% Energy • 30% Liveness
2% Instrumentalness • 57% Positiveness
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Josefin Nilsson
Midnight Dancer - Remastered
120 bpm • G Maj • 04:15 • -6.48db
9% Popularity • 69% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 69% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Elton John
Please
120 bpm • E Maj • 03:52 • -9db
36% Popularity • 64% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 64% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Per Gessle
Hey Mr DJ (Won't You Play Another Love S...
120 bpm • A Maj • 03:36 • -7.59db
25% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ane Brun
The Opening
120 bpm • D min • 03:23 • -9.41db
33% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sophie Ellis-Bextor
Young Blood
120 bpm • F Maj • 04:28 • -11db
32% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew Strong
Out of Time
120 bpm • G Maj • 04:23 • -6.34db
22% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Katrina & The Waves
Sun Street
119 bpm • B Maj • 03:13 • -15db
25% Popularity • 59% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 59% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Trine Rein
Stay with Me Baby
120 bpm • B Maj • 04:11 • -8db
21% Popularity • 55% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 55% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Sophie Zelmani
So Good
119 bpm • F Maj • 04:15 • -9.92db
13% Popularity • 45% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 45% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Stefan Andersson
Emperors' Day
119 bpm • C Maj • 03:55 • -10.46db
9% Popularity • 64% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 64% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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The September When
Can I Trust You
121 bpm • G Maj • 03:09 • -4.39db
26% Popularity • 61% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 61% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Pretenders
Human - Tin Tin Out Mix
119 bpm • B min • 03:55 • -4db
39% Popularity • 67% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 67% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Bryan Ferry
The Times They are a-Changin'
122 bpm • E Maj • 03:40 • -8.95db
35% Popularity • 71% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
35% Popularity • 71% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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William Shakespeare
Live with me and be my love
118 bpm • C Maj • 02:18 • -11.03db
9% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sophie Zelmani
I'd Be Broken
121 bpm • C Maj • 04:15 • -12.72db
17% Popularity • 63% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
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Kim Wilde
Four Letter Word
122 bpm • C# min • 04:01 • -6.61db
39% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
39% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Morten Harket
There is a Place
122 bpm • G# min • 03:15 • -8.02db
24% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Brolle
Playing With Fire
122 bpm • F Maj • 03:35 • -6db
36% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Bryan Ferry
Smoke Gets In Your Eyes
118 bpm • C# Maj • 02:53 • -7.65db
37% Popularity • 50% Danceability • 63% Energy • 13% Liveness
4% Instrumentalness • 59% Positiveness
37% Popularity • 50% Danceability • 63% Energy • 13% Liveness
4% Instrumentalness • 59% Positiveness
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Feargal Sharkey
Women And I
118 bpm • F# Maj • 04:44 • -15.15db
10% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Eurythmics
Thorn in My Side - Remastered
122 bpm • G Maj • 04:13 • -2.53db
57% Popularity • 66% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 66% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Annie Lennox
Love Song for a Vampire
118 bpm • C Maj • 04:19 • -7.56db
41% Popularity • 26% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 26% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Atomic Swing
Smile
123 bpm • A Maj • 04:27 • -4.96db
31% Popularity • 32% Danceability • 96% Energy • 38% Liveness
2% Instrumentalness • 59% Positiveness
31% Popularity • 32% Danceability • 96% Energy • 38% Liveness
2% Instrumentalness • 59% Positiveness
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Lolita Pop
Hey Winner
123 bpm • B Maj • 03:21 • -11.57db
30% Popularity • 52% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 52% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Bryan Ferry
The Times They are a-Changin' (Radio Edi...
122 bpm • E Maj • 03:01 • -8.57db
19% Popularity • 70% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 70% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Eskobar
Love Strikes
123 bpm • C# Maj • 04:03 • -7.7db
24% Popularity • 57% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 57% Positiveness
24% Popularity • 57% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 57% Positiveness
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Eurythmics
I Saved The World Today - Remastered Ver...
118 bpm • F Maj • 04:53 • -6.56db
35% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Cher
The Shoop Shoop Song (It's In His Kiss)
117 bpm • C Maj • 02:50 • -10.51db
70% Popularity • 68% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
70% Popularity • 68% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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Patti Scialfa
Come Tomorrow
117 bpm • A Maj • 03:53 • -9db
32% Popularity • 84% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 84% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Dilba
Raindrops
123 bpm • B Maj • 04:31 • -13db
13% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The September When
Bullet Me
117 bpm • D Maj • 04:05 • -8.62db
31% Popularity • 64% Danceability • 95% Energy • 48% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 64% Danceability • 95% Energy • 48% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Harrington
Rock 'n' Roll Kids
124 bpm • E Maj • 03:26 • -17.59db
37% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Eurythmics
I Saved The World Today - Remastered Ver...
118 bpm • A min • 04:26 • -6.53db
10% Popularity • 56% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 56% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Espen Lind
When Susannah Cries
124 bpm • G# Maj • 03:38 • -5.82db
44% Popularity • 42% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 42% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Joey Tempest
A Place To Call Home
124 bpm • B Maj • 03:42 • -8db
30% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Annie Lennox
The Saddest Song (I've Got)
124 bpm • C Maj • 04:07 • -15.52db
25% Popularity • 35% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 35% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Agnes
I Need You Now
124 bpm • G Maj • 03:46 • -4db
26% Popularity • 59% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 59% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Cher
Many Rivers To Cross
124 bpm • F# Maj • 04:08 • -12.62db
26% Popularity • 38% Danceability • 35% Energy • 97% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 35% Energy • 97% Liveness
0% Instrumentalness • 18% Positiveness
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Eurythmics
I've Got a Life
123 bpm • E min • 04:05 • -4.93db
9% Popularity • 45% Danceability • 75% Energy • 58% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 45% Danceability • 75% Energy • 58% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah Dawn Finer
Right Track
124 bpm • B min • 03:43 • -4.08db
10% Popularity • 70% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 70% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Unni Wilhelmsen
This Means U To Me Now
116 bpm • E Maj • 03:24 • -11db
33% Popularity • 77% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 77% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Toploader
This Is the Night
116 bpm • C min • 03:22 • -1.98db
10% Popularity • 48% Danceability • 93% Energy • 37% Liveness
4% Instrumentalness • 59% Positiveness
10% Popularity • 48% Danceability • 93% Energy • 37% Liveness
4% Instrumentalness • 59% Positiveness
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Anggun
Life on Mars
124 bpm • B min • 04:10 • -7.73db
17% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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David Myhr
Spellbound
125 bpm • E Maj • 03:47 • -5.9db
8% Popularity • 59% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 59% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Annie Lennox
Legend In My Living Room
116 bpm • C Maj • 03:45 • -9.72db
32% Popularity • 71% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 71% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Suzanne Vega
Luka
125 bpm • F# Maj • 03:13 • -10db
49% Popularity • 76% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 76% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Anne-Lie Rydé
Deidres samba
125 bpm • B Maj • 05:30 • -8db
15% Popularity • 64% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 64% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Marx
Hazard
125 bpm • G min • 05:17 • -10.35db
63% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Jones
What Good Am I?
125 bpm • G Maj • 03:51 • -13.08db
21% Popularity • 60% Danceability • 12% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
21% Popularity • 60% Danceability • 12% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Bette Midler
Favorite Waste of Time
115 bpm • G Maj • 02:39 • -6.24db
30% Popularity • 59% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 59% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
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BWO
Chariots of Fire - Radio Edit
125 bpm • F Maj • 04:09 • -2db
5% Popularity • 65% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
5% Popularity • 65% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Morten Harket
Lay Me Down Tonight
125 bpm • C# Maj • 02:17 • -18.62db
26% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Annie Lennox
Little Bird
125 bpm • A Maj • 04:52 • -9.15db
52% Popularity • 77% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 77% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Leo Sayer
I Can't Stop Loving You - Though I Try
115 bpm • D# Maj • 03:32 • -7db
27% Popularity • 44% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 44% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Brian McFadden
Irish Son - Short Version
115 bpm • C Maj • 04:20 • -4db
28% Popularity • 48% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 48% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Katrina & The Waves
Sun Street
115 bpm • B Maj • 03:18 • -6.36db
15% Popularity • 64% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 64% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Dilba
I'm Sorry
115 bpm • E min • 03:00 • -11db
29% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sweet Chariots
Cry No More Tears
115 bpm • D Maj • 04:11 • -4db
35% Popularity • 40% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 40% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Annie Lennox
Little Bird - Annie's Acapella
125 bpm • G# min • 04:05 • -16db
21% Popularity • 72% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 72% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Niclas Frisk
Wondertime
125 bpm • F min • 05:01 • -5.99db
13% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Briskeby
Joe Dallesandro
126 bpm • G Maj • 05:08 • -4.18db
24% Popularity • 53% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 53% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
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The Waterboys
How Long Will I Love You - 2008 Remaster
126 bpm • G Maj • 03:38 • -8db
51% Popularity • 61% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 61% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
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Gemini
Have Mercy
126 bpm • A min • 04:20 • -12db
10% Popularity • 52% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 52% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Bruce Willis
Under The Boardwalk
114 bpm • D min • 03:03 • -14.32db
45% Popularity • 73% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 73% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Annie Lennox
Walking on Broken Glass
115 bpm • C Maj • 04:13 • -8.45db
67% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
67% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Anna Bergendahl
Vice
126 bpm • D Maj • 03:13 • -6.79db
29% Popularity • 74% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 74% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Thea Gilmore
Love Came Looking For Me
126 bpm • C Maj • 03:31 • -5.6db
9% Popularity • 54% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 54% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Stephen Simmonds
For Father
126 bpm • A min • 05:55 • -7.79db
14% Popularity • 68% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 68% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Dido
Sand in My Shoes
126 bpm • B Maj • 04:59 • -6.7db
50% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Anna Maria Espinosa
Girls just wanna have fun - Radio versio...
126 bpm • C Maj • 02:47 • -6db
9% Popularity • 67% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 67% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Annie Lennox
Georgia On My Mind
114 bpm • C Maj • 03:55 • -11.16db
38% Popularity • 31% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 31% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Tracey Ullman
They Don't Know
114 bpm • C Maj • 02:59 • -3.95db
47% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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ABBA
When All Is Said And Done
126 bpm • D Maj • 03:18 • -14.89db
56% Popularity • 72% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 72% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Sarah McLachlan
Answer
114 bpm • C Maj • 03:46 • -15db
20% Popularity • 36% Danceability • 7% Energy • 73% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 36% Danceability • 7% Energy • 73% Liveness
0% Instrumentalness • 23% Positiveness
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The Waterboys
A Man is in Love
126 bpm • F Maj • 03:50 • -13.28db
43% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Weeping Willows
Under Suspicion
126 bpm • G Maj • 04:11 • -8.62db
24% Popularity • 46% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 46% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Annie Lennox
Pavement Cracks (Album Version)
114 bpm • C Maj • 05:11 • -9db
19% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Cher
Save Up All Your Tears
113 bpm • F Maj • 03:58 • -9.17db
48% Popularity • 61% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Pernilla Andersson
Judy
127 bpm • C Maj • 03:45 • -8db
11% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Sophie Zelmani
Yes I Am
127 bpm • D min • 02:53 • -13.78db
28% Popularity • 62% Danceability • 53% Energy • 16% Liveness
54% Instrumentalness • 91% Positiveness
28% Popularity • 62% Danceability • 53% Energy • 16% Liveness
54% Instrumentalness • 91% Positiveness
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The Waterboys
A Man Is in Love - 2008 Remaster
127 bpm • F Maj • 03:18 • -7.55db
35% Popularity • 41% Danceability • 51% Energy • 55% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 41% Danceability • 51% Energy • 55% Liveness
0% Instrumentalness • 41% Positiveness
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Weeping Willows
Eternal Flames
127 bpm • E Maj • 03:51 • -7.06db
19% Popularity • 37% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 37% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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William Hut
You Might Thrill Me
127 bpm • E Maj • 03:53 • -4.41db
9% Popularity • 52% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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The Korgis
If I Had You
113 bpm • F# Maj • 03:58 • -7.63db
33% Popularity • 51% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 51% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Morten Harket
Lord
127 bpm • D Maj • 03:46 • -20.63db
15% Popularity • 61% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 61% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Glenn Frey
Part Of Me, Part Of You
127 bpm • A Maj • 05:58 • -8.33db
44% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Chesney Hawkes
The One And Only - Acoustic
113 bpm • D Maj • 03:13 • -11.83db
31% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Björn Skifs
When You Tell the World You're Mine
128 bpm • F Maj • 04:06 • -9db
39% Popularity • 28% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 28% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Diana Ross
Chain Reaction
128 bpm • B Maj • 03:50 • -12.99db
59% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Cyndi Lauper
Rain On Me
128 bpm • B Maj • 04:24 • -7.35db
8% Popularity • 75% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 75% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Rea
Steel River
113 bpm • G Maj • 06:48 • -9.83db
13% Popularity • 43% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 43% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Tanita Tikaram
Light up My World
128 bpm • C Maj • 03:36 • -12.18db
28% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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BWO
Sunshine in the Rain - Radio Edit
128 bpm • F min • 03:30 • -4.48db
32% Popularity • 65% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 83% Positiveness
32% Popularity • 65% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 83% Positiveness
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Weeping Willows
My Last Love
128 bpm • G# Maj • 03:10 • -4.44db
24% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Eurythmics
There Must Be an Angel (Playing With My ...
112 bpm • C Maj • 04:40 • -11.36db
59% Popularity • 54% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 54% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
