Songs like Shir hamma'alot (Psalm 128) by Salomone Rossi
Based on a tempo of (+/- 10%) and a similar genre
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Matthew Locke
Suite No. 1 in G Minor: III. Courante
91 bpm • A Maj • 01:10 • -19db
16% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Andrea Falconieri
Folias echa para mi Señora
91 bpm • C Maj • 03:50 • -16.7db
8% Popularity • 25% Danceability • 44% Energy • 94% Liveness
5% Instrumentalness • 37% Positiveness
8% Popularity • 25% Danceability • 44% Energy • 94% Liveness
5% Instrumentalness • 37% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 2: Recitativo...
91 bpm • C min • 02:06 • -29.29db
7% Popularity • 22% Danceability • 3% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 22% Danceability • 3% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander Agricola
De tous biens plaine I
91 bpm • F min • 01:34 • -25.12db
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Canzon Dopo la Pis...
91 bpm • C# min • 02:23 • -26.11db
12% Popularity • 18% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
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Cristobal de Morales
Offertorium: I. Domine Jesu Christe, Rex...
91 bpm • C min • 04:46 • -20.21db
8% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Andrea Falconieri
La soave melodia
91 bpm • E min • 01:50 • -35db
17% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
17% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
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Raulin De Vaux
Je suis trop jeunette, pour instruments
90 bpm • D# min • 01:23 • -26.25db
14% Popularity • 23% Danceability • 3% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
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Salomone Rossi
Psalm 100: Mizmor letoda
92 bpm • F# Maj • 01:58 • -19.81db
4% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Recercar dopo il C...
90 bpm • F# min • 02:21 • -25.76db
9% Popularity • 37% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
9% Popularity • 37% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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The Royal Wind Music
Glosada LXVI
90 bpm • C# Maj • 03:08 • -36.58db
14% Popularity • 16% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 28% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 28% Positiveness
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Giovanni Salvatore
Versi sopra la messa che si canta nelle ...
92 bpm • C# Maj • 01:12 • -25.33db
11% Popularity • 24% Danceability • 6% Energy • 14% Liveness
59% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 14% Liveness
59% Instrumentalness • 11% Positiveness
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William Byrd
Byrd: Miserere a 4
90 bpm • A# Maj • 01:33 • -25.78db
12% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
12% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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John Dowland
Lachrimae or Seven Tears: VIII. Mr Nicho...
92 bpm • G# min • 01:46 • -18.54db
12% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
12% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Anónimo
Pasión: Fodérunt Manus Meas. Tenor S...
92 bpm • D Maj • 03:02 • -15.14db
9% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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François Couperin
Concerts royaux, Concerto No. 2 in D Maj...
90 bpm • D Maj • 02:40 • -20.15db
9% Popularity • 25% Danceability • 8% Energy • 7% Liveness
59% Instrumentalness • 32% Positiveness
9% Popularity • 25% Danceability • 8% Energy • 7% Liveness
59% Instrumentalness • 32% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Credo: E...
92 bpm • E Maj • 02:41 • -18.72db
15% Popularity • 28% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 28% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Henri Desmarets
Te Deum "de Lyon": XI. Te ergo quæsumus...
92 bpm • G min • 02:03 • -20.18db
16% Popularity • 14% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Gott Hilf Mir, BuxWV 34: Concerto "Israe...
90 bpm • C min • 02:34 • -14db
10% Popularity • 20% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 20% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Robert de Visée
Visée: Pièces de théorbe, Suite No. 2...
92 bpm • C# Maj • 02:26 • -28.08db
9% Popularity • 41% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
9% Popularity • 41% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Samuel Scheidt
Ludi musici I: 16. Alamande a 4, SSWV 54
92 bpm • B Maj • 01:44 • -18.2db
17% Popularity • 36% Danceability • 17% Energy • 25% Liveness
89% Instrumentalness • 59% Positiveness
17% Popularity • 36% Danceability • 17% Energy • 25% Liveness
89% Instrumentalness • 59% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
90 bpm • C# Maj • 01:29 • -18db
15% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
15% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
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Pavel Jurkovič
Pro Jiříka a Věrku Kutinovy
90 bpm • C Maj • 01:18 • -18.08db
10% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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16th century
Já nao podeis ser contentes
93 bpm • D min • 01:00 • -23.16db
12% Popularity • 35% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 35% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Salomone Rossi
Ohime, se tanto amate
90 bpm • C# Maj • 02:16 • -22.19db
0% Popularity • 34% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 34% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Thomas Tallis
In Nomine
93 bpm • C# min • 02:45 • -29.04db
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Michael Praetorius
Bransle Loraine, TMA18
93 bpm • C Maj • 02:22 • -24db
9% Popularity • 52% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
9% Popularity • 52% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
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Matthew Locke
Suite No. 1 in G Minor: IV. Saraband
93 bpm • F# min • 00:59 • -16.86db
19% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
19% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Klaas Stok
Mizmor shir leyom hashabbat (Psalm 92)
93 bpm • G# Maj • 03:18 • -25.2db
3% Popularity • 20% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 20% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Carlo Calvi
Espanoletta
93 bpm • G# min • 03:55 • -30.74db
12% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
12% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
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Salomone Rossi
Cor mio, deh non languire
93 bpm • F# Maj • 02:12 • -20.78db
3% Popularity • 27% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
3% Popularity • 27% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Nicola Matteis
Suite in C Minor: II. Andamento
89 bpm • E min • 02:42 • -22.41db
11% Popularity • 25% Danceability • 6% Energy • 37% Liveness
6% Instrumentalness • 11% Positiveness
11% Popularity • 25% Danceability • 6% Energy • 37% Liveness
6% Instrumentalness • 11% Positiveness
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Heinrich Isaac
Argentum et aurum
88 bpm • A min • 03:08 • -14.68db
14% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Cristobal de Morales
Kyrie: III. Kyrie
88 bpm • G# Maj • 01:10 • -17.3db
18% Popularity • 13% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 11% Positiveness
18% Popularity • 13% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
88 bpm • A# min • 01:21 • -26db
12% Popularity • 16% Danceability • 12% Energy • 13% Liveness
27% Instrumentalness • 15% Positiveness
12% Popularity • 16% Danceability • 12% Energy • 13% Liveness
27% Instrumentalness • 15% Positiveness
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Tomaso Cecchino
Sonata 7
88 bpm • C# Maj • 01:59 • -21db
7% Popularity • 36% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
7% Popularity • 36% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Salomone Rossi
Psalm 128: Shir hamma'alot, Ashrei kol y...
93 bpm • F# Maj • 02:32 • -20.05db
9% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
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Anónimo
Pasión: Humiliávit. Bajo Solo.
95 bpm • E Maj • 03:00 • -19.69db
10% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
10% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
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James Paisible
Sonata for Recorder and Continuo in D Mi...
95 bpm • C Maj • 00:58 • -20db
8% Popularity • 36% Danceability • 39% Energy • 70% Liveness
90% Instrumentalness • 89% Positiveness
8% Popularity • 36% Danceability • 39% Energy • 70% Liveness
90% Instrumentalness • 89% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
87 bpm • E Maj • 03:00 • -21.81db
10% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 11% Positiveness
10% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Monteverdi: Ottavo libro di madrigali "G...
95 bpm • A min • 03:43 • -23.91db
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
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William Byrd
Byrd: Christe redemptor a 4
95 bpm • A# Maj • 02:58 • -26.8db
11% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Salomone Rossi
Il terzo libro de varie sonate, sinfonie...
95 bpm • E min • 01:43 • -17.6db
0% Popularity • 35% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 35% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
87 bpm • C# Maj • 02:23 • -15.58db
16% Popularity • 14% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 27% Positiveness
16% Popularity • 14% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 27% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. Te Deum laudamus
87 bpm • C Maj • 01:05 • -20.88db
12% Popularity • 24% Danceability • 14% Energy • 23% Liveness
20% Instrumentalness • 61% Positiveness
12% Popularity • 24% Danceability • 14% Energy • 23% Liveness
20% Instrumentalness • 61% Positiveness
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Giulio Caccini
Euridice: Sinfonia
87 bpm • G Maj • 01:18 • -21.94db
22% Popularity • 48% Danceability • 14% Energy • 9% Liveness
11% Instrumentalness • 26% Positiveness
22% Popularity • 48% Danceability • 14% Energy • 9% Liveness
11% Instrumentalness • 26% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
22% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
22% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Giorgio Mainerio
Caro ortolano
96 bpm • C Maj • 01:01 • -24.82db
10% Popularity • 45% Danceability • 8% Energy • 35% Liveness
16% Instrumentalness • 69% Positiveness
10% Popularity • 45% Danceability • 8% Energy • 35% Liveness
16% Instrumentalness • 69% Positiveness
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Salomone Rossi
Il terzo libro de varie sonate, sinfonie...
95 bpm • A# Maj • 01:50 • -16.75db
0% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
86 bpm • C# Maj • 02:18 • -15.79db
9% Popularity • 29% Danceability • 25% Energy • 19% Liveness
71% Instrumentalness • 32% Positiveness
9% Popularity • 29% Danceability • 25% Energy • 19% Liveness
71% Instrumentalness • 32% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
86 bpm • F# Maj • 01:25 • -26db
14% Popularity • 22% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Barbara Strozzi
Primo libro de' madrigali, Op. 1: Volano...
96 bpm • D min • 04:21 • -17.21db
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
86 bpm • C# Maj • 01:01 • -19.21db
19% Popularity • 46% Danceability • 9% Energy • 15% Liveness
10% Instrumentalness • 43% Positiveness
19% Popularity • 46% Danceability • 9% Energy • 15% Liveness
10% Instrumentalness • 43% Positiveness
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Vincenzo Ruffo
La Gamba in Basso e Soprano
86 bpm • D# min • 01:24 • -36.45db
22% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
22% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
86 bpm • F Maj • 02:16 • -20.84db
21% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
21% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Orazio Benevoli
Missa Tu es Petrus: V, Agnus Dei
96 bpm • G Maj • 02:11 • -19.59db
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
86 bpm • E Maj • 02:59 • -24.42db
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Francesco Cavalli
O quam suavis est: O quam suavis est
86 bpm • F# min • 04:54 • -17.65db
13% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Ignaz Franz von Biber
Violin Sonata No. 2 in Dorian Mode, C. 1...
86 bpm • C# min • 01:09 • -22.22db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Giovanni Paolo Foscarini
Folia
86 bpm • C Maj • 02:31 • -18db
19% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
19% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: III. Quis est h...
86 bpm • C# min • 01:29 • -19.51db
11% Popularity • 25% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 25% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: II. Ad gen...
86 bpm • D Maj • 07:44 • -22db
7% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Diego Ortiz
Trattado de glosas: Recercadas primera y...
85 bpm • F Maj • 01:24 • -22.26db
14% Popularity • 29% Danceability • 14% Energy • 18% Liveness
20% Instrumentalness • 72% Positiveness
14% Popularity • 29% Danceability • 14% Energy • 18% Liveness
20% Instrumentalness • 72% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Salomone Rossi
Psalm 146: Haleluyah
97 bpm • G# min • 03:15 • -20.06db
2% Popularity • 22% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 22% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Johann Sebastian Bach
Die Kunst der Fuge, BWV 1080: XII. Contr...
97 bpm • F# min • 03:54 • -21.08db
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
62% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
62% Instrumentalness • 31% Positiveness
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Heinrich Ignaz Franz von Biber
Requiem in F Minor, C 8: Ib. Kyrie
85 bpm • F min • 01:53 • -18.04db
13% Popularity • 9% Danceability • 15% Energy • 12% Liveness
41% Instrumentalness • 10% Positiveness
13% Popularity • 9% Danceability • 15% Energy • 12% Liveness
41% Instrumentalness • 10% Positiveness
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Dietrich Buxtehude
Trio Sonata in D Major, BuxWV 267
97 bpm • D Maj • 08:18 • -29db
8% Popularity • 22% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
► Preview
John Dowland
Lachrimae or Seven Tears: I. Lachrimae a...
97 bpm • G# min • 04:02 • -23.24db
12% Popularity • 12% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
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David Ricardo - Amsterdam Portuguese Synagogue
Eile Moadei Adonai
97 bpm • E Maj • 01:07 • -20.49db
0% Popularity • 22% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 22% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Salomone Rossi
Sinfonie et gagliarde, Libro 1: Gagliard...
97 bpm • D# min • 01:11 • -22.18db
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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António Pereira da Costa
Concerto V in G Minor: III. Grave
97 bpm • A# Maj • 01:36 • -21.14db
10% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
10% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Michael Haydn
Missa pro Quadragesima, MH 551: Credo
85 bpm • E Maj • 01:31 • -20.77db
19% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, daß er komm, BuxWV 1...
85 bpm • A min • 05:07 • -21.11db
15% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Innocentio Alberti
Pavin
85 bpm • E Maj • 01:12 • -25.71db
15% Popularity • 16% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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Biagio Marini
Affetti musicali, Op. 1: No. 28, La Vetr...
98 bpm • C Maj • 01:27 • -22.22db
10% Popularity • 39% Danceability • 8% Energy • 17% Liveness
20% Instrumentalness • 69% Positiveness
10% Popularity • 39% Danceability • 8% Energy • 17% Liveness
20% Instrumentalness • 69% Positiveness
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Salomone Rossi
Brando second
97 bpm • E Maj • 01:41 • -19.1db
2% Popularity • 30% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
2% Popularity • 30% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
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Matthew Locke
The Little Consort, Suite No. 7 in G Min...
98 bpm • F# Maj • 01:05 • -19.89db
19% Popularity • 30% Danceability • 10% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
19% Popularity • 30% Danceability • 10% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
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Dietrich Buxtehude
Ihr lieben Christen, freut euch nun, Bux...
85 bpm • D Maj • 00:59 • -22db
19% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
19% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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![[Suite en la majeur]: VIII. 2e Menuet (No. 24) & Double (No. 25) cover art](https://i.scdn.co/image/ab67616d00001e020dc6972d7e8b1544b6486e51)
Marin Marais
[Suite en la majeur]: VIII. 2e Menuet (N...
85 bpm • G# Maj • 01:12 • -20.03db
20% Popularity • 38% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
20% Popularity • 38% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
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Christopher Simpson
Ground in A Minor
98 bpm • B Maj • 02:09 • -15db
10% Popularity • 33% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
10% Popularity • 33% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
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François Couperin
Pieces de violes avec la basse chifree: ...
85 bpm • F Maj • 02:00 • -20.04db
12% Popularity • 32% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
12% Popularity • 32% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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William Lawes
Gather Ye Rosebuds
98 bpm • F# Maj • 01:35 • -20.36db
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jean-Baptiste Lully
Le Bourgeois gentilhomme, LWV 43: Canari...
84 bpm • C min • 01:03 • -22.65db
23% Popularity • 44% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 45% Positiveness
23% Popularity • 44% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 45% Positiveness
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Salomone Rossi
Il terzo libro de varie sonate, sinfonie...
84 bpm • G Maj • 01:32 • -17.17db
0% Popularity • 22% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 22% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Robert de Visée
Gigue gaye
84 bpm • A# min • 02:31 • -21.93db
9% Popularity • 56% Danceability • 10% Energy • 17% Liveness
95% Instrumentalness • 53% Positiveness
9% Popularity • 56% Danceability • 10% Energy • 17% Liveness
95% Instrumentalness • 53% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIId. Ad m...
84 bpm • F# min • 01:31 • -24.34db
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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William Byrd
Byrd: Prelude & Goodnight Ground a 5
84 bpm • D# Maj • 05:58 • -21.22db
9% Popularity • 15% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
9% Popularity • 15% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
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Nicolas Chédeville
Les Saisons amsusantes, Op. 8: Concerto ...
99 bpm • F# Maj • 02:33 • -21.77db
10% Popularity • 13% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 38% Positiveness
10% Popularity • 13% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 38% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
99 bpm • C# Maj • 02:45 • -18.58db
13% Popularity • 13% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
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Salomone Rossi
Sinfonia grave
84 bpm • C Maj • 03:41 • -17.44db
8% Popularity • 17% Danceability • 33% Energy • 15% Liveness
99% Instrumentalness • 27% Positiveness
8% Popularity • 17% Danceability • 33% Energy • 15% Liveness
99% Instrumentalness • 27% Positiveness
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Maddalena Casulana
Maddalena Casulana : O notte o ciel o ma...
84 bpm • C Maj • 01:30 • -22.34db
14% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad faciem:...
99 bpm • C min • 01:09 • -24.18db
13% Popularity • 35% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 35% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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William Lawes
Royal Consort in D Minor for 2 theorbos:...
84 bpm • C# min • 01:01 • -22.59db
21% Popularity • 19% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 34% Positiveness
21% Popularity • 19% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 34% Positiveness
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Claudio Monteverdi
SV332: Si Dolce èl Tormento
99 bpm • C# min • 03:53 • -18.85db
25% Popularity • 37% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 37% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Recueil de plusieurs belles pièces de s...
99 bpm • G min • 02:23 • -21.65db
13% Popularity • 54% Danceability • 9% Energy • 18% Liveness
93% Instrumentalness • 67% Positiveness
13% Popularity • 54% Danceability • 9% Energy • 18% Liveness
93% Instrumentalness • 67% Positiveness
