Songs like Shirley (Sound of the Underground) by Kovacs
Based on a tempo of (+/- 10%) and a similar genre
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Jehro
All I want
80 bpm • C# min • 03:09 • -7.43db
58% Popularity • 70% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 70% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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Kovacs
Shirley (Sound of the Underground)
80 bpm • E min • 04:16 • -9.49db
39% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Hugh Coltman
Pretend
80 bpm • A# Maj • 04:06 • -11.93db
25% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Annie Lalalove
Summer Wine
80 bpm • G Maj • 03:58 • -8db
29% Popularity • 51% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 51% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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mCurtis
G.O.D - Kovacs Metaphysics Remix
80 bpm • A# min • 03:43 • -10.64db
3% Popularity • 40% Danceability • 60% Energy • 23% Liveness
54% Instrumentalness • 56% Positiveness
3% Popularity • 40% Danceability • 60% Energy • 23% Liveness
54% Instrumentalness • 56% Positiveness
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Oscar Benton
Bensonhurst Blues Revisited
79 bpm • E min • 04:53 • -9.72db
12% Popularity • 29% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 29% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Beth Hart
Fire On The Floor
79 bpm • E min • 05:11 • -2.77db
45% Popularity • 60% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 60% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Iyeoka
Gold
81 bpm • C# min • 02:58 • -5.83db
31% Popularity • 71% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 71% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Marianne Faithfull
There Is a Ghost
81 bpm • E min • 04:33 • -13.17db
30% Popularity • 45% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
30% Popularity • 45% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Natacha Atlas
(It's A Man's Man's) Man's World
81 bpm • D Maj • 03:37 • -8db
29% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sophie Zelmani
Why
81 bpm • G Maj • 04:33 • -15.35db
29% Popularity • 73% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
29% Popularity • 73% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Kovacs
Mama & Papa
79 bpm • G Maj • 04:18 • -5.3db
27% Popularity • 51% Danceability • 81% Energy • 4% Liveness
21% Instrumentalness • 34% Positiveness
27% Popularity • 51% Danceability • 81% Energy • 4% Liveness
21% Instrumentalness • 34% Positiveness
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Dekel
More Than You Know
81 bpm • G Maj • 01:24 • -5.75db
24% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Kat Frankie
People
81 bpm • G# min • 06:10 • -13db
34% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Térez Montcalm
Sweet Dreams
81 bpm • C min • 04:06 • -8db
35% Popularity • 37% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 37% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Claire Denamur
Dreamers
79 bpm • D min • 03:01 • -13db
39% Popularity • 57% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 57% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Sidsel Endresen
Fifty Ways to Leave Your Lover
79 bpm • G min • 04:59 • -23db
23% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Lewis & Leigh
Heart Don't Want
78 bpm • B min • 03:03 • -6.13db
11% Popularity • 43% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 43% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Beyries
The Pursuit of Happiness
78 bpm • B min • 03:15 • -9db
40% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
40% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Kovacs
Love Song
82 bpm • G# Maj • 03:21 • -5.35db
22% Popularity • 62% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 62% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Lhasa De Sela
Rising
82 bpm • C Maj • 03:48 • -13.31db
41% Popularity • 58% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 58% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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She Keeps Bees
Owl
78 bpm • B min • 03:34 • -7.88db
40% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Charles Pasi
From The City
78 bpm • D min • 03:25 • -9.91db
33% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Roseaux
Clarao Da Lua
78 bpm • E min • 03:13 • -20.12db
53% Popularity • 79% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 79% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Peder
Daylight
78 bpm • G min • 03:17 • -5db
42% Popularity • 64% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 64% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Mark Knopfler
When You Leave
78 bpm • F min • 04:12 • -20.04db
42% Popularity • 59% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
42% Popularity • 59% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Kovacs
Diggin'
83 bpm • F# min • 03:22 • -7.91db
46% Popularity • 62% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 62% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 66% Positiveness
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Jasper Steverlinck
That's Not How Dreams Are Made
77 bpm • E min • 03:19 • -15.86db
43% Popularity • 46% Danceability • 5% Energy • 11% Liveness
14% Instrumentalness • 11% Positiveness
43% Popularity • 46% Danceability • 5% Energy • 11% Liveness
14% Instrumentalness • 11% Positiveness
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Yildiz Ibrahimova
Lulaby Of Birdland
83 bpm • G min • 05:50 • -14db
16% Popularity • 39% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
16% Popularity • 39% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Jay-Jay Johanson
You'll Miss Me When I'm Gone
83 bpm • F# Maj • 04:09 • -13.2db
36% Popularity • 61% Danceability • 44% Energy • 17% Liveness
21% Instrumentalness • 31% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 17% Liveness
21% Instrumentalness • 31% Positiveness
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Lou Doillon
Left Behind
83 bpm • A min • 02:53 • -16.73db
31% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Sting
I Love Her But She Loves Someone Else
83 bpm • A# min • 03:41 • -14.42db
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Janne Schra
Hold On To
84 bpm • G Maj • 02:49 • -9.82db
31% Popularity • 53% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
31% Popularity • 53% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Vaya Con Dios
Lord Help Me Please
84 bpm • C# min • 03:22 • -21.47db
30% Popularity • 60% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 60% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Anwar
How Can I Do
84 bpm • C min • 04:55 • -9.1db
50% Popularity • 67% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 67% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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No Blues
Wayfaring Stranger
84 bpm • E min • 03:27 • -12db
18% Popularity • 60% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 44% Positiveness
18% Popularity • 60% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 44% Positiveness
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Allan Taylor
Wheel of Fortune
84 bpm • B min • 03:48 • -10.52db
27% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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The Tiger Lillies
Danced All Night
85 bpm • D Maj • 05:22 • -13.87db
29% Popularity • 54% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 54% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Rebekka Bakken
Yesterday Is Here
85 bpm • A min • 03:45 • -10.06db
14% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Morcheeba
Enjoy the Ride
85 bpm • F Maj • 04:05 • -10.48db
56% Popularity • 55% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
56% Popularity • 55% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Kaz Hawkins
One more fight (Lipstick and cocaine) - ...
75 bpm • B Maj • 04:42 • -12.43db
29% Popularity • 55% Danceability • 12% Energy • 96% Liveness
1% Instrumentalness • 28% Positiveness
29% Popularity • 55% Danceability • 12% Energy • 96% Liveness
1% Instrumentalness • 28% Positiveness
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Zeebee
La Belle Nation
85 bpm • G# Maj • 03:57 • -9.88db
41% Popularity • 83% Danceability • 50% Energy • 61% Liveness
60% Instrumentalness • 48% Positiveness
41% Popularity • 83% Danceability • 50% Energy • 61% Liveness
60% Instrumentalness • 48% Positiveness
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Geike
Off Shore
85 bpm • F# min • 03:49 • -10db
31% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Beth Hart
Without Words In The Way
85 bpm • C Maj • 04:36 • -9.58db
36% Popularity • 39% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 39% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sivert Høyem
My Thieving Heart
75 bpm • B min • 04:11 • -7.35db
39% Popularity • 51% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 51% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Mariama
Mathilde
75 bpm • A min • 03:32 • -12.71db
9% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Damien Rice
It Takes a Lot to Know a Man
75 bpm • G# Maj • 09:32 • -10.68db
44% Popularity • 20% Danceability • 50% Energy • 9% Liveness
10% Instrumentalness • 5% Positiveness
44% Popularity • 20% Danceability • 50% Energy • 9% Liveness
10% Instrumentalness • 5% Positiveness
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Brazzaville
Happy Man
75 bpm • C# min • 03:19 • -8.87db
32% Popularity • 58% Danceability • 68% Energy • 9% Liveness
6% Instrumentalness • 87% Positiveness
32% Popularity • 58% Danceability • 68% Energy • 9% Liveness
6% Instrumentalness • 87% Positiveness
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Iyeoka
Who Would Follow
75 bpm • E min • 04:33 • -6.88db
38% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Ida Sand
Bang Bang
86 bpm • G min • 02:46 • -10.71db
49% Popularity • 45% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 45% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Lou Doillon
Good Man
86 bpm • A min • 02:55 • -9.11db
32% Popularity • 61% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
32% Popularity • 61% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Natalie Merchant
The Dancing Bear
86 bpm • A min • 05:37 • -9.15db
18% Popularity • 43% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 43% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Keren Ann
By the Cathedral
74 bpm • C# min • 02:41 • -16.38db
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Slackwax
Willow Tree
74 bpm • G min • 05:50 • -10.25db
28% Popularity • 46% Danceability • 44% Energy • 8% Liveness
18% Instrumentalness • 52% Positiveness
28% Popularity • 46% Danceability • 44% Energy • 8% Liveness
18% Instrumentalness • 52% Positiveness
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Kat Frankie
Happy
74 bpm • F# min • 04:59 • -10.8db
29% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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17 Hippies
Mad Bad Cat
87 bpm • C min • 03:20 • -9.43db
28% Popularity • 55% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 88% Positiveness
28% Popularity • 55% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 88% Positiveness
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Kimberose
Smile
87 bpm • D min • 01:56 • -9db
48% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Kovacs
Tutti Frutti Tequila
87 bpm • D# min • 02:27 • -3.97db
31% Popularity • 62% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 62% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Hugo Barriol
On the Road
87 bpm • F# min • 05:14 • -9db
35% Popularity • 32% Danceability • 45% Energy • 11% Liveness
9% Instrumentalness • 39% Positiveness
35% Popularity • 32% Danceability • 45% Energy • 11% Liveness
9% Instrumentalness • 39% Positiveness
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Yael Naim
Dream in My Head
73 bpm • G Maj • 04:34 • -8.36db
29% Popularity • 33% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 33% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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The Wainwright Sisters
El Cóndor Pasa
73 bpm • A Maj • 03:52 • -11.36db
28% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Sarah Ferri
Where Home Was (Strings Session)
87 bpm • A min • 03:18 • -13db
12% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Meklit
Feeling Good
73 bpm • A min • 04:29 • -7.9db
23% Popularity • 32% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 32% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Kovacs
The Devil You Know - Acoustic Version
87 bpm • C# Maj • 03:42 • -8.42db
11% Popularity • 74% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 74% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Micatone
All Gone
73 bpm • B Maj • 04:17 • -10.17db
27% Popularity • 64% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 64% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Kevin Johansen
Timing
88 bpm • D min • 03:53 • -12.37db
36% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Room Eleven
What Will It Be?
88 bpm • A min • 03:59 • -12db
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Rupa & the April Fishes
Les abeilles
72 bpm • D min • 05:39 • -10.09db
21% Popularity • 48% Danceability • 29% Energy • 25% Liveness
8% Instrumentalness • 30% Positiveness
21% Popularity • 48% Danceability • 29% Energy • 25% Liveness
8% Instrumentalness • 30% Positiveness
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Leonard Cohen
The Letters
72 bpm • G min • 04:44 • -13.93db
27% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kovacs
Black Spider - Origami Remix
88 bpm • C# Maj • 03:09 • -5.28db
14% Popularity • 40% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 40% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Michelle Gurevich
Love from a Distance
72 bpm • C min • 02:55 • -15.36db
32% Popularity • 71% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
32% Popularity • 71% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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MY BABY
Singin' In Chains
72 bpm • A Maj • 02:48 • -9db
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Cave
To Be by Your Side
72 bpm • E min • 04:04 • -10db
37% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Vaya Con Dios
Don't Cry For Louie
89 bpm • E min • 03:03 • -17.02db
46% Popularity • 63% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 63% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Charles Pasi
Love Me Or Leave Me
89 bpm • A# min • 02:49 • -8.73db
45% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Kovacs
Fragile
89 bpm • A min • 03:01 • -9.69db
29% Popularity • 34% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 34% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Slackwax
Close to My Fire
90 bpm • G min • 03:58 • -7db
43% Popularity • 72% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 72% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Hector Zazou
I Feel Love
90 bpm • A Maj • 05:26 • -9db
34% Popularity • 62% Danceability • 60% Energy • 25% Liveness
48% Instrumentalness • 51% Positiveness
34% Popularity • 62% Danceability • 60% Energy • 25% Liveness
48% Instrumentalness • 51% Positiveness
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Gare Du Nord
Tom's Song
90 bpm • C min • 04:06 • -10.26db
27% Popularity • 72% Danceability • 35% Energy • 13% Liveness
10% Instrumentalness • 43% Positiveness
27% Popularity • 72% Danceability • 35% Energy • 13% Liveness
10% Instrumentalness • 43% Positiveness
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Tango With Lions
In a Bar
71 bpm • C Maj • 03:30 • -12db
36% Popularity • 49% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
36% Popularity • 49% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Warhaus
Machinery
71 bpm • G Maj • 03:59 • -11db
42% Popularity • 55% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
42% Popularity • 55% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
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Kovacs
Adickted
90 bpm • C# min • 03:16 • -5.05db
35% Popularity • 72% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 72% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Charles Pasi
Don't Blame Me
71 bpm • B min • 03:10 • -11db
33% Popularity • 66% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 66% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Madeleine Peyroux
Tango Till They’re Sore
91 bpm • D# min • 03:24 • -12db
44% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Hailey Tuck
Junk
91 bpm • A# Maj • 02:59 • -13.39db
35% Popularity • 56% Danceability • 17% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
35% Popularity • 56% Danceability • 17% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
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Oren Lavie
Did You Really Say No
91 bpm • F# min • 04:14 • -10.25db
31% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Leonard Cohen
Traveling Light
91 bpm • A min • 04:22 • -16db
45% Popularity • 58% Danceability • 22% Energy • 9% Liveness
10% Instrumentalness • 26% Positiveness
45% Popularity • 58% Danceability • 22% Energy • 9% Liveness
10% Instrumentalness • 26% Positiveness
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Kovacs
Play Me
90 bpm • C Maj • 03:29 • -4.91db
28% Popularity • 76% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 76% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Gordon Matthew Thomas Sumner
Sting: Fragile (Arr. for String Quartet ...
91 bpm • A min • 04:02 • -11db
33% Popularity • 26% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
33% Popularity • 26% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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Michelle Gurevich
Life Is Coming Back to Me
91 bpm • G min • 04:19 • -15.97db
31% Popularity • 80% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 80% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Iyeoka
Millionaire
92 bpm • D Maj • 04:01 • -4.93db
24% Popularity • 70% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 70% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
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No Blues
Long Legged Woman
92 bpm • A min • 04:25 • -5.5db
19% Popularity • 72% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 72% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Aloan
Invisible
92 bpm • A# min • 04:27 • -3db
34% Popularity • 77% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 77% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Kovacs
Foolish
92 bpm • G# Maj • 03:05 • -6db
35% Popularity • 58% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 58% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Brazzaville
Magura
92 bpm • B min • 03:43 • -7.57db
16% Popularity • 68% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 72% Positiveness
16% Popularity • 68% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 72% Positiveness
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Hugh Coltman
Nature Boy
93 bpm • D min • 04:01 • -12.18db
13% Popularity • 34% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
13% Popularity • 34% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Constance Amiot
Overdrive
93 bpm • G# min • 02:59 • -10.14db
37% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Talking Bugs
Like a Ship in the Sea
93 bpm • D Maj • 05:17 • -8.8db
15% Popularity • 80% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 80% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
