Songs like Shit Car by The Ribeye Brothers
Based on a tempo of (+/- 10%) and a similar genre
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The ROLF
The Blackbird
99 bpm • A Maj • 03:58 • -8.85db
22% Popularity • 53% Danceability • 62% Energy • 10% Liveness
7% Instrumentalness • 35% Positiveness
22% Popularity • 53% Danceability • 62% Energy • 10% Liveness
7% Instrumentalness • 35% Positiveness
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The Ribeye Brothers
Shit Car
99 bpm • G Maj • 03:22 • -5.08db
1% Popularity • 46% Danceability • 91% Energy • 9% Liveness
63% Instrumentalness • 52% Positiveness
1% Popularity • 46% Danceability • 91% Energy • 9% Liveness
63% Instrumentalness • 52% Positiveness
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Lorenzo Esquivel
Somebody Get Me a Beer
100 bpm • D Maj • 03:34 • -7.06db
20% Popularity • 53% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 53% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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The Mushniks
Be Whadda Want
100 bpm • F# min • 01:34 • -9.1db
9% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Keith and the Cockroaches
By The Crossroads
100 bpm • G Maj • 02:41 • -5.1db
7% Popularity • 62% Danceability • 80% Energy • 6% Liveness
28% Instrumentalness • 58% Positiveness
7% Popularity • 62% Danceability • 80% Energy • 6% Liveness
28% Instrumentalness • 58% Positiveness
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The Fluffy Jackets
The Well Is Dry
100 bpm • E min • 03:14 • -7.15db
20% Popularity • 48% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 48% Positiveness
20% Popularity • 48% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 48% Positiveness
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Barbarian Twins
Filthy Game
98 bpm • G min • 03:36 • -4.39db
7% Popularity • 53% Danceability • 85% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
7% Popularity • 53% Danceability • 85% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
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Thee Cha Cha Chas
Runnin' out of Time
98 bpm • G min • 01:46 • 0.65db
11% Popularity • 47% Danceability • 95% Energy • 43% Liveness
89% Instrumentalness • 41% Positiveness
11% Popularity • 47% Danceability • 95% Energy • 43% Liveness
89% Instrumentalness • 41% Positiveness
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The Routes
Do What's Right by You
98 bpm • E min • 02:28 • -2db
13% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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The Legal Immigrants
Tape It Together
97 bpm • C# min • 02:25 • -8.33db
13% Popularity • 52% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 52% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Napoleon Skillington
About
97 bpm • F min • 03:57 • -5.91db
24% Popularity • 25% Danceability • 60% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
24% Popularity • 25% Danceability • 60% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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86hope
Billy Joel
101 bpm • G Maj • 01:13 • -6.26db
11% Popularity • 40% Danceability • 89% Energy • 4% Liveness
5% Instrumentalness • 71% Positiveness
11% Popularity • 40% Danceability • 89% Energy • 4% Liveness
5% Instrumentalness • 71% Positiveness
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Free Pizza
Free Forty
97 bpm • G# min • 01:48 • -6.9db
8% Popularity • 51% Danceability • 92% Energy • 25% Liveness
81% Instrumentalness • 86% Positiveness
8% Popularity • 51% Danceability • 92% Energy • 25% Liveness
81% Instrumentalness • 86% Positiveness
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Dead Raze
In the House
97 bpm • A Maj • 02:48 • -8.63db
11% Popularity • 72% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 72% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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King Salami and the Cumberland Three
Pineapple Mama
96 bpm • F# min • 02:56 • -3.23db
8% Popularity • 38% Danceability • 97% Energy • 43% Liveness
4% Instrumentalness • 82% Positiveness
8% Popularity • 38% Danceability • 97% Energy • 43% Liveness
4% Instrumentalness • 82% Positiveness
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Howlin' Jaws
Through My Hands
102 bpm • A Maj • 02:25 • -5.38db
14% Popularity • 48% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 52% Positiveness
14% Popularity • 48% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 52% Positiveness
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Midair Dervish
Gargoyle's Night Off
102 bpm • B min • 02:35 • -6.17db
14% Popularity • 50% Danceability • 84% Energy • 16% Liveness
75% Instrumentalness • 28% Positiveness
14% Popularity • 50% Danceability • 84% Energy • 16% Liveness
75% Instrumentalness • 28% Positiveness
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Underdog
Blow Your Face Off
96 bpm • A min • 03:54 • -2.02db
11% Popularity • 40% Danceability • 78% Energy • 12% Liveness
92% Instrumentalness • 52% Positiveness
11% Popularity • 40% Danceability • 78% Energy • 12% Liveness
92% Instrumentalness • 52% Positiveness
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The Ribeye Brothers
Good as New
102 bpm • D Maj • 03:03 • -4.92db
0% Popularity • 70% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 70% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Boo
All
96 bpm • F Maj • 02:41 • -5.75db
9% Popularity • 56% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 56% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Rupert Fuhrmeister
Beyond My Dream Of Youth
102 bpm • G Maj • 03:25 • -5.69db
18% Popularity • 33% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 33% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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The Ar-Kaics
Stone Love
102 bpm • E Maj • 04:51 • -5.15db
15% Popularity • 31% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
15% Popularity • 31% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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The Giant Robots
FUZZ YOU
95 bpm • D Maj • 02:06 • -6.69db
12% Popularity • 40% Danceability • 76% Energy • 26% Liveness
79% Instrumentalness • 92% Positiveness
12% Popularity • 40% Danceability • 76% Energy • 26% Liveness
79% Instrumentalness • 92% Positiveness
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Regurgitator
Wrong People
95 bpm • A Maj • 02:01 • -8.28db
21% Popularity • 57% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 57% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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The Ribeye Brothers
Gunga Din
96 bpm • C Maj • 04:57 • -4.52db
1% Popularity • 47% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
1% Popularity • 47% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Street Sweeper
Fallin' Outta Love (With Myself)
95 bpm • A min • 02:06 • -6.92db
13% Popularity • 37% Danceability • 96% Energy • 46% Liveness
10% Instrumentalness • 34% Positiveness
13% Popularity • 37% Danceability • 96% Energy • 46% Liveness
10% Instrumentalness • 34% Positiveness
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BANG
Welcome Back To Craziness
95 bpm • D Maj • 02:54 • -11.39db
20% Popularity • 54% Danceability • 77% Energy • 3% Liveness
1% Instrumentalness • 84% Positiveness
20% Popularity • 54% Danceability • 77% Energy • 3% Liveness
1% Instrumentalness • 84% Positiveness
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The Quays
Strangers
95 bpm • E min • 02:37 • -8.35db
9% Popularity • 51% Danceability • 48% Energy • 24% Liveness
3% Instrumentalness • 42% Positiveness
9% Popularity • 51% Danceability • 48% Energy • 24% Liveness
3% Instrumentalness • 42% Positiveness
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The Cowboys
Red Head Playa
94 bpm • C Maj • 02:12 • -6.42db
7% Popularity • 50% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 50% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Osbaldo Howell
The Big Blue Whale
104 bpm • E min • 04:26 • -12.54db
15% Popularity • 49% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 49% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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The Ribeye Brothers
From The Floor
96 bpm • D Maj • 03:14 • -7.22db
0% Popularity • 55% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 60% Positiveness
0% Popularity • 55% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 60% Positiveness
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The Venus Overload
Correlate
94 bpm • C Maj • 03:52 • -4db
8% Popularity • 12% Danceability • 94% Energy • 12% Liveness
78% Instrumentalness • 39% Positiveness
8% Popularity • 12% Danceability • 94% Energy • 12% Liveness
78% Instrumentalness • 39% Positiveness
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Zorton and the Cannibals
Headshrinking Twist
94 bpm • D min • 01:59 • -5db
14% Popularity • 48% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 48% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 42% Positiveness
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BreakTime
Mastermind
104 bpm • F# min • 03:22 • -12.58db
12% Popularity • 39% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 39% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Heck
Happy Birthday
94 bpm • A min • 01:30 • -7.09db
29% Popularity • 41% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 41% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Steve Conte
Decomposing A Song For You
105 bpm • C# min • 02:31 • -4.83db
9% Popularity • 62% Danceability • 60% Energy • 14% Liveness
16% Instrumentalness • 48% Positiveness
9% Popularity • 62% Danceability • 60% Energy • 14% Liveness
16% Instrumentalness • 48% Positiveness
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The Ribeye Brothers
Call of the Scrapheap
95 bpm • D Maj • 02:49 • -5db
0% Popularity • 47% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 47% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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bleach.
SHEEP.
105 bpm • C Maj • 02:18 • -9.54db
7% Popularity • 46% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 46% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Fatbwoi 5
Love Once
105 bpm • D Maj • 02:41 • -4.34db
9% Popularity • 45% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 45% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Sugar Tradition
I'm Set Free
105 bpm • A Maj • 02:13 • -5.16db
10% Popularity • 30% Danceability • 90% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 30% Danceability • 90% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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Zorton and the Cannibals
Soft Tail
105 bpm • D Maj • 03:05 • -5.88db
11% Popularity • 53% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 53% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Sharon Dalton
Narcissus
105 bpm • F Maj • 01:50 • -8.26db
19% Popularity • 33% Danceability • 79% Energy • 35% Liveness
88% Instrumentalness • 50% Positiveness
19% Popularity • 33% Danceability • 79% Energy • 35% Liveness
88% Instrumentalness • 50% Positiveness
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The Ribeye Brothers
Coming Down
94 bpm • A min • 03:34 • -8.56db
0% Popularity • 55% Danceability • 55% Energy • 65% Liveness
10% Instrumentalness • 78% Positiveness
0% Popularity • 55% Danceability • 55% Energy • 65% Liveness
10% Instrumentalness • 78% Positiveness
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Scrum Force
Pittsburgh
93 bpm • A Maj • 01:42 • -4.11db
8% Popularity • 39% Danceability • 96% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 39% Danceability • 96% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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Duff Thompson
Stranger
93 bpm • F Maj • 03:00 • -4.95db
25% Popularity • 37% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 37% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Erin Vetter
Hold Me In Your Arms
106 bpm • G Maj • 03:11 • -11.03db
16% Popularity • 80% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 80% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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2Hurt
Dark Shadows Fall
106 bpm • D Maj • 03:57 • -2.79db
21% Popularity • 37% Danceability • 94% Energy • 34% Liveness
90% Instrumentalness • 58% Positiveness
21% Popularity • 37% Danceability • 94% Energy • 34% Liveness
90% Instrumentalness • 58% Positiveness
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Chris Bullinger
Roll Your Own
106 bpm • G Maj • 04:21 • -7.42db
16% Popularity • 48% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 48% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Mark Colety
Emerald City Women #12 & 35 (Remastered ...
92 bpm • C Maj • 03:29 • -6.07db
19% Popularity • 53% Danceability • 87% Energy • 20% Liveness
3% Instrumentalness • 29% Positiveness
19% Popularity • 53% Danceability • 87% Energy • 20% Liveness
3% Instrumentalness • 29% Positiveness
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GLASS
Viper Mad
92 bpm • D Maj • 02:17 • -4.14db
28% Popularity • 36% Danceability • 97% Energy • 38% Liveness
88% Instrumentalness • 20% Positiveness
28% Popularity • 36% Danceability • 97% Energy • 38% Liveness
88% Instrumentalness • 20% Positiveness
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Zorton and the Cannibals
Never Get Her
107 bpm • G Maj • 03:03 • -5.51db
11% Popularity • 51% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 51% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Howlin' Jaws
Safety Pack
92 bpm • A Maj • 02:37 • -6.38db
13% Popularity • 49% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 49% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Ronelles
(Well) I Love You
107 bpm • G Maj • 01:46 • -5.16db
32% Popularity • 39% Danceability • 84% Energy • 29% Liveness
1% Instrumentalness • 66% Positiveness
32% Popularity • 39% Danceability • 84% Energy • 29% Liveness
1% Instrumentalness • 66% Positiveness
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The ROLF
Ditch that Dude
91 bpm • C min • 03:24 • -8.79db
22% Popularity • 47% Danceability • 62% Energy • 38% Liveness
6% Instrumentalness • 36% Positiveness
22% Popularity • 47% Danceability • 62% Energy • 38% Liveness
6% Instrumentalness • 36% Positiveness
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The Dropkicks
Get Home Late
108 bpm • E min • 02:42 • -8.16db
18% Popularity • 33% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 33% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Dangereens
Streets of Doom
91 bpm • A Maj • 01:57 • -6.67db
16% Popularity • 29% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 29% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Purple Look Play
Heart Attack
108 bpm • C Maj • 03:07 • -6.03db
11% Popularity • 64% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 64% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Rupert Fuhrmeister
Gloria Storper
108 bpm • G Maj • 04:03 • -4.81db
18% Popularity • 42% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 42% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Artie Norton
All Hallows' Eve
108 bpm • D Maj • 04:11 • -6.84db
8% Popularity • 57% Danceability • 71% Energy • 23% Liveness
3% Instrumentalness • 64% Positiveness
8% Popularity • 57% Danceability • 71% Energy • 23% Liveness
3% Instrumentalness • 64% Positiveness
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Napoleon Skillington
Feel
91 bpm • A# Maj • 02:43 • -5.86db
24% Popularity • 20% Danceability • 73% Energy • 52% Liveness
79% Instrumentalness • 60% Positiveness
24% Popularity • 20% Danceability • 73% Energy • 52% Liveness
79% Instrumentalness • 60% Positiveness
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Chris Bullinger
Outrunnin’ Love
90 bpm • E min • 02:45 • -7.04db
11% Popularity • 39% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 39% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Robot Civil War
She Said She's From New Jersey
90 bpm • G Maj • 03:08 • -6.89db
13% Popularity • 46% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 46% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Eddie Mackerel
Jizz On You
90 bpm • F# Maj • 02:52 • -6.53db
13% Popularity • 35% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 35% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Johnny Boo
Bar In Bangkok
90 bpm • G Maj • 04:28 • -4.73db
7% Popularity • 66% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
7% Popularity • 66% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
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BANG
Right Now
90 bpm • C Maj • 03:57 • -11.19db
16% Popularity • 67% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
16% Popularity • 67% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Underdog
Mallus Maleficarum
90 bpm • A min • 04:04 • 1.04db
11% Popularity • 10% Danceability • 94% Energy • 18% Liveness
93% Instrumentalness • 33% Positiveness
11% Popularity • 10% Danceability • 94% Energy • 18% Liveness
93% Instrumentalness • 33% Positiveness
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Grover Larkin
The Smell Of Flowers
109 bpm • A Maj • 03:36 • -5.07db
31% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Excess Express
If This Was The Wild West (I Would Have ...
109 bpm • D Maj • 03:21 • -5.28db
9% Popularity • 71% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 71% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 91% Positiveness
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Keith and the Cockroaches
Touch and Gone
110 bpm • F Maj • 03:10 • -3.49db
28% Popularity • 44% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
28% Popularity • 44% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
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Steve Conte
All Tied Up
110 bpm • D Maj • 03:04 • -3.88db
16% Popularity • 61% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 61% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Ribeye Brothers
Rictus
110 bpm • C Maj • 02:03 • -3.34db
0% Popularity • 48% Danceability • 90% Energy • 33% Liveness
43% Instrumentalness • 75% Positiveness
0% Popularity • 48% Danceability • 90% Energy • 33% Liveness
43% Instrumentalness • 75% Positiveness
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The Giant Robots
Tell Me Something New
110 bpm • C Maj • 02:26 • -4.03db
8% Popularity • 38% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 38% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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13
Anthem
89 bpm • G Maj • 01:26 • -5.84db
13% Popularity • 52% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 52% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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solaris
Catsong
111 bpm • A# min • 04:31 • -7.77db
17% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Under a New Sun
Upside Down
111 bpm • G# min • 03:35 • -6.73db
35% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Steve Conte
Hey Hey Hey (Aren't You The One)
110 bpm • E Maj • 02:39 • -3.23db
12% Popularity • 55% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 55% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Ribeye Brothers
Worm's Eye View
110 bpm • D Maj • 03:02 • -5.04db
0% Popularity • 52% Danceability • 97% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
0% Popularity • 52% Danceability • 97% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Bag of Cans
Vasectomy
111 bpm • C# min • 02:03 • -6.17db
20% Popularity • 46% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 46% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Payne Nahum
Drift Off
112 bpm • F Maj • 04:18 • -11.21db
23% Popularity • 63% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 63% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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The Real Losers
My Rocket Radio
87 bpm • A min • 02:09 • -3.43db
9% Popularity • 28% Danceability • 93% Energy • 36% Liveness
42% Instrumentalness • 42% Positiveness
9% Popularity • 28% Danceability • 93% Energy • 36% Liveness
42% Instrumentalness • 42% Positiveness
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Napoleon Skillington
Shilly
112 bpm • G Maj • 04:18 • -5.69db
24% Popularity • 32% Danceability • 75% Energy • 10% Liveness
55% Instrumentalness • 55% Positiveness
24% Popularity • 32% Danceability • 75% Energy • 10% Liveness
55% Instrumentalness • 55% Positiveness
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Cabana Man
I Love My Tiki God
113 bpm • C Maj • 04:39 • -9.27db
16% Popularity • 52% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 52% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Ribeye Brothers
DWI
111 bpm • A Maj • 02:37 • -6.88db
0% Popularity • 50% Danceability • 80% Energy • 30% Liveness
87% Instrumentalness • 82% Positiveness
0% Popularity • 50% Danceability • 80% Energy • 30% Liveness
87% Instrumentalness • 82% Positiveness
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Graeme Jonez
The Flood! (Radio Edit)
113 bpm • A Maj • 02:59 • -3.7db
9% Popularity • 50% Danceability • 94% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
9% Popularity • 50% Danceability • 94% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
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The Hi-End
God Complex
87 bpm • A min • 02:27 • -5.52db
16% Popularity • 50% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
16% Popularity • 50% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Theodore Buck
Holiday
114 bpm • C Maj • 03:51 • -10.28db
31% Popularity • 29% Danceability • 80% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
31% Popularity • 29% Danceability • 80% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
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Valley Lodge
Trouble
114 bpm • G# min • 03:11 • -4.12db
12% Popularity • 55% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 55% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Colbert Armstrong
The Good Time
114 bpm • C min • 05:10 • -13.47db
30% Popularity • 56% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 56% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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The Ribeye Brothers
Death Or Greyhound
88 bpm • C Maj • 03:56 • -5db
0% Popularity • 44% Danceability • 69% Energy • 27% Liveness
1% Instrumentalness • 25% Positiveness
0% Popularity • 44% Danceability • 69% Energy • 27% Liveness
1% Instrumentalness • 25% Positiveness
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Graeme Jonez
The Flood!
114 bpm • A Maj • 04:06 • -3.64db
7% Popularity • 51% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
7% Popularity • 51% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Reverend Gromberg
Givin The Dog A Bone (2023)
115 bpm • G Maj • 02:46 • -8.82db
33% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Darts (U.S.)
Night
115 bpm • A min • 02:42 • -7.09db
10% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Debra Hollon
Doorbell
115 bpm • A# Maj • 03:29 • -6db
27% Popularity • 57% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 57% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Rupert Fuhrmeister
Leave My Mind
115 bpm • C Maj • 03:17 • -5.15db
18% Popularity • 49% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 49% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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The Ribeye Brothers
Circle Sky
111 bpm • D Maj • 02:25 • -3.79db
0% Popularity • 46% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 46% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Kalamity Rising
Last Day
115 bpm • F Maj • 04:13 • -4.29db
12% Popularity • 42% Danceability • 80% Energy • 10% Liveness
7% Instrumentalness • 39% Positiveness
12% Popularity • 42% Danceability • 80% Energy • 10% Liveness
7% Instrumentalness • 39% Positiveness
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The Caezars
Lovin' up a Storm
115 bpm • F Maj • 02:47 • -7.6db
8% Popularity • 46% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 46% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Tierce
Cast Your Stone
116 bpm • A Maj • 03:48 • -2.07db
12% Popularity • 54% Danceability • 99% Energy • 16% Liveness
82% Instrumentalness • 24% Positiveness
12% Popularity • 54% Danceability • 99% Energy • 16% Liveness
82% Instrumentalness • 24% Positiveness
