Songs like Shoot Me In the Smile by The Matches
Based on a tempo of (+/- 10%) and a similar genre
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Motion City Soundtrack
Feel Like Rain
158 bpm • B Maj • 03:34 • -4.13db
36% Popularity • 48% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 48% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Matches
Shoot Me In the Smile
158 bpm • B min • 03:31 • -2.97db
17% Popularity • 53% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 53% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Bayside
Tortures Of The Damned
158 bpm • B min • 03:28 • -5.45db
40% Popularity • 45% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 45% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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AFI
Narrative Of Soul Against Soul
158 bpm • B min • 02:29 • -5.1db
34% Popularity • 23% Danceability • 99% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 23% Danceability • 99% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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The Lawrence Arms
Quincentuple Your Money
158 bpm • G Maj • 03:01 • -6.97db
32% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Bad Astronaut
Single
158 bpm • B Maj • 03:01 • -2.02db
14% Popularity • 20% Danceability • 93% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 20% Danceability • 93% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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The Flatliners
Shithawks
157 bpm • G# min • 03:55 • -2.85db
22% Popularity • 38% Danceability • 100% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 38% Danceability • 100% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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The Matches
Shoot Me In the Smile
158 bpm • D Maj • 03:29 • -5.05db
11% Popularity • 52% Danceability • 79% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 52% Danceability • 79% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
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Alkaline Trio
Jaked on Green Beers
157 bpm • F# Maj • 03:27 • -4.22db
37% Popularity • 23% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 23% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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AFI
Lower It
157 bpm • F min • 02:18 • -3.43db
22% Popularity • 35% Danceability • 99% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 35% Danceability • 99% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Audio Karate
Hey Maria
157 bpm • F min • 04:41 • -5.65db
10% Popularity • 31% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 31% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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New Found Glory
At Least I'm Known For Something
159 bpm • E Maj • 03:30 • -4.63db
41% Popularity • 53% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 53% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Sugarcult
She's the Blade
157 bpm • C# Maj • 02:59 • -5db
49% Popularity • 46% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 46% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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The Matches
Papercut Skin
157 bpm • F# min • 03:25 • -4.09db
24% Popularity • 51% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 51% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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AM Taxi
Shake, Rattle and Stall
157 bpm • B Maj • 03:15 • -5.26db
17% Popularity • 65% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 65% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Scatter The Ashes
From The Tops Of Trees
157 bpm • F min • 03:42 • -4.77db
11% Popularity • 27% Danceability • 95% Energy • 53% Liveness
86% Instrumentalness • 25% Positiveness
11% Popularity • 27% Danceability • 95% Energy • 53% Liveness
86% Instrumentalness • 25% Positiveness
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AFI
Sacrifice Theory
159 bpm • A Maj • 01:58 • -3.48db
39% Popularity • 25% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 25% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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I Am The Avalanche
Holy Fuck
160 bpm • A Maj • 02:58 • -2.77db
30% Popularity • 36% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 36% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Midtown
Give It Up
160 bpm • A# min • 03:39 • -2.17db
44% Popularity • 45% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 45% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Matches
Borderline Creep
156 bpm • G min • 02:35 • -3.69db
23% Popularity • 45% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 45% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Motion City Soundtrack
Make Out Kids
160 bpm • G# Maj • 03:04 • -3.91db
35% Popularity • 52% Danceability • 87% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 52% Danceability • 87% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
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NOFX
No Fun In Fundamentalism
160 bpm • G Maj • 01:50 • -2.73db
21% Popularity • 58% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 58% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Millencolin
Bowmore
160 bpm • D Maj • 03:51 • -3.23db
8% Popularity • 36% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 36% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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I Am The Avalanche
Brooklyn Dodgers
160 bpm • F# min • 03:05 • -2.22db
24% Popularity • 32% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 32% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Movielife
Keep Never Changing
156 bpm • C# Maj • 03:02 • -3.93db
16% Popularity • 27% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 27% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Hot Rod Circuit
The Pharmacist
156 bpm • A Maj • 02:37 • -5.06db
34% Popularity • 45% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 45% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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AFI
A Single Second
160 bpm • F min • 02:12 • -4.59db
47% Popularity • 30% Danceability • 98% Energy • 23% Liveness
89% Instrumentalness • 72% Positiveness
47% Popularity • 30% Danceability • 98% Energy • 23% Liveness
89% Instrumentalness • 72% Positiveness
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Sugarcult
You're The One
161 bpm • F# min • 01:49 • -4db
32% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 52% Positiveness
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Against Me!
From Her Lips to God's Ears (The Energiz...
156 bpm • F# min • 02:35 • -5.79db
29% Popularity • 29% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 29% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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I Am The Avalanche
New Disaster
160 bpm • A# min • 03:46 • -5db
23% Popularity • 39% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 39% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Strike Anywhere
To The World
161 bpm • D Maj • 03:22 • -4.91db
33% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Audio Karate
Rosemead
155 bpm • A# Maj • 03:13 • -4db
15% Popularity • 31% Danceability • 96% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 31% Danceability • 96% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
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Reggie And The Full Effect
The Fuck Stops Here
155 bpm • D Maj • 03:43 • -4.4db
16% Popularity • 62% Danceability • 87% Energy • 13% Liveness
22% Instrumentalness • 90% Positiveness
16% Popularity • 62% Danceability • 87% Energy • 13% Liveness
22% Instrumentalness • 90% Positiveness
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theHELL
Vas Te Faire Foutre
161 bpm • C Maj • 02:28 • -4.81db
23% Popularity • 43% Danceability • 96% Energy • 15% Liveness
77% Instrumentalness • 77% Positiveness
23% Popularity • 43% Danceability • 96% Energy • 15% Liveness
77% Instrumentalness • 77% Positiveness
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Motion City Soundtrack
Everything Is Alright
161 bpm • G# Maj • 03:27 • -3.87db
61% Popularity • 44% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 44% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Say Anything
Belt
155 bpm • C# min • 04:59 • -4.23db
38% Popularity • 29% Danceability • 95% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 29% Danceability • 95% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
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Bad Religion
News From The Front
161 bpm • A# min • 02:22 • -3.74db
14% Popularity • 35% Danceability • 100% Energy • 35% Liveness
1% Instrumentalness • 31% Positiveness
14% Popularity • 35% Danceability • 100% Energy • 35% Liveness
1% Instrumentalness • 31% Positiveness
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Gatsbys American Dream
Theatre
161 bpm • E min • 02:50 • -6.11db
27% Popularity • 52% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 52% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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AFI
Wester
161 bpm • G# Maj • 03:02 • -3.55db
37% Popularity • 25% Danceability • 96% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
37% Popularity • 25% Danceability • 96% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
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Riverboat Gamblers
Black Nothing Of A Cat
162 bpm • D Maj • 03:37 • -3.96db
14% Popularity • 19% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
14% Popularity • 19% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
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Chronic Future
Time And Time Again
154 bpm • C# Maj • 03:30 • -3db
41% Popularity • 44% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 44% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Alkaline Trio
Queen Of Pain
162 bpm • F# Maj • 03:57 • -6.08db
33% Popularity • 40% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 40% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Masked Intruder
Unrequited Love
162 bpm • D Maj • 02:58 • -5.77db
20% Popularity • 45% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 45% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Motion City Soundtrack
When You're Around
162 bpm • A Maj • 02:50 • -3.67db
44% Popularity • 40% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 40% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Saves The Day
Diseased
162 bpm • G# Maj • 02:12 • -3.3db
20% Popularity • 43% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 43% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Thursday
Signals Over The Air
162 bpm • A min • 04:10 • -3.39db
43% Popularity • 43% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 43% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Head Automatica
Dance Party Plus
154 bpm • B min • 03:21 • -4.6db
24% Popularity • 40% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 40% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Reggie And The Full Effect
What The Hell Is Stipulation
162 bpm • D Maj • 03:48 • -3.17db
19% Popularity • 54% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 54% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Lawrence Arms
Like a Record Player
154 bpm • C Maj • 02:02 • -5db
36% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Matches
It's My Day
153 bpm • G Maj • 03:01 • -7.19db
9% Popularity • 56% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 56% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Motion City Soundtrack
Disappear
153 bpm • C# Maj • 03:12 • -3.2db
38% Popularity • 45% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 45% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Home Grown
Get A Job
153 bpm • A Maj • 03:33 • -5.59db
19% Popularity • 27% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 27% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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AFI
The Despair Factor
164 bpm • E min • 03:54 • -5.24db
31% Popularity • 26% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
31% Popularity • 26% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Midtown
Help Me Sleep
164 bpm • F# min • 03:02 • -5.85db
13% Popularity • 55% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 55% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Reggie And The Full Effect
Get Well Soon
152 bpm • G# min • 03:33 • -2.61db
39% Popularity • 46% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 46% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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The Matches
Between Halloweens
154 bpm • F# Maj • 03:57 • -3.64db
27% Popularity • 51% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 51% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Some Girls
I Need Drugs
152 bpm • C# min • 01:01 • -4.37db
9% Popularity • 14% Danceability • 97% Energy • 17% Liveness
41% Instrumentalness • 23% Positiveness
9% Popularity • 14% Danceability • 97% Energy • 17% Liveness
41% Instrumentalness • 23% Positiveness
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Bad Astronaut
Ghostwrite
152 bpm • A Maj • 03:56 • -5.06db
19% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Audio Karate
Senior Year
165 bpm • C Maj • 03:32 • -4.01db
12% Popularity • 25% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 25% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Alkaline Trio
I Was a Prayer
165 bpm • G Maj • 02:36 • -5.96db
32% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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None More Black
Under My Feet
165 bpm • F# Maj • 02:24 • -6.45db
26% Popularity • 24% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 24% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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The Matches
Clouds Crash
153 bpm • F# Maj • 02:12 • -11.13db
29% Popularity • 51% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 51% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Sugarcult
Bouncing Off The Walls
151 bpm • F# Maj • 02:21 • -6db
56% Popularity • 47% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 47% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Midtown
Direction
151 bpm • F Maj • 02:32 • -6.02db
20% Popularity • 49% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 49% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Falcon
Feed the Monkey, Drown the Worm or Goin'...
166 bpm • C Maj • 02:35 • -2.53db
10% Popularity • 30% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 30% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Holy Mess
Within the Range of a Raven
166 bpm • C# min • 02:53 • -6.98db
26% Popularity • 30% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
26% Popularity • 30% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Reggie And The Full Effect
Girl, Why'd You Run Away
150 bpm • F Maj • 02:31 • -3.55db
23% Popularity • 36% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 36% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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The Matches
Future Tense
152 bpm • C Maj • 03:09 • -3.34db
6% Popularity • 50% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
6% Popularity • 50% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Smoke Or Fire
This Sinking Ship
150 bpm • C Maj • 03:24 • -6.24db
11% Popularity • 35% Danceability • 91% Energy • 5% Liveness
2% Instrumentalness • 70% Positiveness
11% Popularity • 35% Danceability • 91% Energy • 5% Liveness
2% Instrumentalness • 70% Positiveness
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Midtown
Like A Movie
150 bpm • G# Maj • 03:32 • -4db
30% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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AFI
Clove Smoke Catharsis
150 bpm • D Maj • 04:38 • -6.61db
30% Popularity • 47% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 47% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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The Lawrence Arms
Presenting: The Dancing Machine (The Rob...
150 bpm • E Maj • 01:27 • -5.7db
30% Popularity • 18% Danceability • 97% Energy • 33% Liveness
76% Instrumentalness • 37% Positiveness
30% Popularity • 18% Danceability • 97% Energy • 33% Liveness
76% Instrumentalness • 37% Positiveness
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Head Automatica
Beating Heart Baby
150 bpm • G# Maj • 03:23 • -4.55db
52% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Strike Anywhere
Infared
150 bpm • A Maj • 03:28 • -4.87db
32% Popularity • 38% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 38% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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NOFX
Fermented and Flailing
150 bpm • D Maj • 02:40 • -4.11db
9% Popularity • 45% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 45% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Broadway Calls
Election Night
167 bpm • B Maj • 03:12 • -4.84db
14% Popularity • 38% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 38% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Boys Night Out
Medicating
167 bpm • B min • 04:00 • -5.19db
36% Popularity • 46% Danceability • 93% Energy • 71% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 46% Danceability • 93% Energy • 71% Liveness
0% Instrumentalness • 78% Positiveness
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Sugarcult
Memory
167 bpm • C# Maj • 03:46 • -3.89db
66% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Smoke Or Fire
Melatonin
167 bpm • D Maj • 02:10 • -5.83db
22% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Vendetta Red
Opiate Summer
167 bpm • E min • 03:36 • -5.14db
13% Popularity • 41% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 41% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Hot Rod Circuit
Radiation Suit
168 bpm • G Maj • 02:42 • -3.33db
22% Popularity • 26% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 26% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
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Allister
Westbound
168 bpm • F Maj • 02:13 • -4.96db
18% Popularity • 33% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 33% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Dead To Me
A Day Without a War
148 bpm • D Maj • 02:29 • -5db
23% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Midtown
Let Go
148 bpm • E Maj • 02:54 • -6.59db
25% Popularity • 61% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 61% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
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Riverboat Gamblers
The Curse Of The Ivory Coast
169 bpm • D Maj • 03:12 • -3.98db
13% Popularity • 28% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 28% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Rufio
Pirate
169 bpm • B min • 02:43 • -3.46db
16% Popularity • 21% Danceability • 98% Energy • 6% Liveness
8% Instrumentalness • 71% Positiveness
16% Popularity • 21% Danceability • 98% Energy • 6% Liveness
8% Instrumentalness • 71% Positiveness
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Armor For Sleep
Car Underwater
147 bpm • D Maj • 03:48 • -5db
50% Popularity • 44% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 44% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Flatliners
Carry the Banner
169 bpm • G Maj • 02:57 • -3.52db
27% Popularity • 34% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 34% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Dead To Me
I Dare You
148 bpm • A Maj • 02:01 • -6.39db
8% Popularity • 59% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 59% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Movielife
Takin' It Out And Choppin' It Up
147 bpm • G# Maj • 03:03 • -4.2db
19% Popularity • 25% Danceability • 93% Energy • 23% Liveness
1% Instrumentalness • 71% Positiveness
19% Popularity • 25% Danceability • 93% Energy • 23% Liveness
1% Instrumentalness • 71% Positiveness
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AFI
Wake-Up Call
169 bpm • C Maj • 01:42 • -6.65db
34% Popularity • 33% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 33% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Less Than Jake
Welcome to the New South
147 bpm • A min • 02:46 • -2.69db
30% Popularity • 18% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 18% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Goldfinger
The City With Two Faces
169 bpm • E min • 01:46 • -8.59db
22% Popularity • 34% Danceability • 90% Energy • 60% Liveness
1% Instrumentalness • 61% Positiveness
22% Popularity • 34% Danceability • 90% Energy • 60% Liveness
1% Instrumentalness • 61% Positiveness
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The Matches
Didi (My Doe part 2)
147 bpm • E Maj • 03:11 • -4db
17% Popularity • 59% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 59% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Motion City Soundtrack
Attractive Today
170 bpm • B Maj • 01:42 • -4db
42% Popularity • 35% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 35% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Direct Hit!
Kingdom Come
170 bpm • D# min • 02:01 • -5.02db
18% Popularity • 48% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 48% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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I Am The Avalanche
Dead And Gone
170 bpm • D# Maj • 03:41 • -6.12db
18% Popularity • 52% Danceability • 61% Energy • 67% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 52% Danceability • 61% Energy • 67% Liveness
0% Instrumentalness • 51% Positiveness
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Piebald
The Jealous Guy Blues
170 bpm • A Maj • 03:06 • -3.24db
19% Popularity • 18% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 18% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness