Songs like Shosholoza by Soweto Gospel Choir
Based on a tempo of (+/- 10%) and a similar genre
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S.A.B.C. Choristers
Thato Ya Hao
99 bpm • F Maj • 04:14 • -13.4db
13% Popularity • 37% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 37% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Soweto Gospel Choir
Umoyo We Nkosi
99 bpm • E Maj • 03:01 • -8db
12% Popularity • 61% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 61% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Lalela Cape Town Choir
Rolihlahla
99 bpm • F# Maj • 01:43 • -10db
10% Popularity • 55% Danceability • 46% Energy • 80% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 55% Danceability • 46% Energy • 80% Liveness
0% Instrumentalness • 58% Positiveness
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Imilonji Kantu Choral Society
Thato Ya Hao
100 bpm • G Maj • 03:28 • -13.73db
24% Popularity • 39% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 39% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Thee Legacy
Inqaba Yam
100 bpm • E Maj • 03:47 • -12.37db
12% Popularity • 45% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 45% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Glowreeyah Braimah
Ufedo Ojo
100 bpm • A# Maj • 03:47 • -10.59db
11% Popularity • 31% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 31% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Christopher Tin
Iza Ngomso - "Come Tomorrow"
100 bpm • A# Maj • 04:06 • -14db
34% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Soweto Gospel Choir
Shosholoza
98 bpm • F# Maj • 03:10 • -11db
32% Popularity • 61% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 61% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Mercy Masika
Shule Yako
100 bpm • G min • 03:22 • -9db
35% Popularity • 68% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 68% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Lalela Cape Town Choir
Shosholoza
100 bpm • G Maj • 02:31 • -11db
9% Popularity • 44% Danceability • 34% Energy • 56% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 44% Danceability • 34% Energy • 56% Liveness
0% Instrumentalness • 78% Positiveness
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ICC Nairobi Worship
Karibu Hera
100 bpm • G Maj • 03:20 • -7.9db
7% Popularity • 53% Danceability • 68% Energy • 72% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 53% Danceability • 68% Energy • 72% Liveness
0% Instrumentalness • 73% Positiveness
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The King's Messengers Quartet
No One Ever Cared For Me Like Jesus
98 bpm • G# min • 02:18 • -13.31db
14% Popularity • 46% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 46% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Kabusa Oriental Choir
Stand Strong
98 bpm • F# Maj • 02:30 • -12.05db
33% Popularity • 47% Danceability • 53% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 47% Danceability • 53% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Mariechan
Love is the Answer
100 bpm • A Maj • 04:12 • -7db
7% Popularity • 66% Danceability • 52% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 66% Danceability • 52% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
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Dominic Messinger
That Joy Song
98 bpm • A# Maj • 04:02 • -9.64db
11% Popularity • 57% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 57% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 32% Positiveness
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Drakensberg Boys Choir
Shosholoza
100 bpm • G Maj • 02:41 • -5.88db
19% Popularity • 53% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 53% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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Worship Harvest Music
Anjagala
100 bpm • E Maj • 06:00 • -11.02db
13% Popularity • 61% Danceability • 54% Energy • 81% Liveness
1% Instrumentalness • 68% Positiveness
13% Popularity • 61% Danceability • 54% Energy • 81% Liveness
1% Instrumentalness • 68% Positiveness
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Johnny Clegg
Jongosi (Live)
98 bpm • D Maj • 04:08 • -8db
9% Popularity • 73% Danceability • 79% Energy • 67% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 73% Danceability • 79% Energy • 67% Liveness
0% Instrumentalness • 57% Positiveness
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Watoto Children's Choir
Beautiful Africa
100 bpm • D Maj • 03:35 • -6.27db
15% Popularity • 68% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 68% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Ohemaa Mercy
Wobeye Kese - Highlife
100 bpm • F Maj • 04:56 • -9.71db
32% Popularity • 74% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 74% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Megoybena
Higher
100 bpm • C# Maj • 03:04 • -5.12db
4% Popularity • 70% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
4% Popularity • 70% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
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Soweto Gospel Choir
Umandela Uthiyihlome
98 bpm • G Maj • 03:45 • -4.83db
11% Popularity • 63% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 63% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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Kurt Darren
Jabulani
98 bpm • A Maj • 04:22 • -4.62db
12% Popularity • 63% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 63% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
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Sonnie Badu
Ese Oluwa / Papa
100 bpm • A Maj • 06:48 • -6.74db
35% Popularity • 44% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 44% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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University Of Pretoria Camerata
Songs from Africa
100 bpm • F# Maj • 06:40 • -18.54db
11% Popularity • 22% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 22% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Tracy Joseph
The Son Of God
101 bpm • D# Maj • 03:22 • -11.56db
19% Popularity • 32% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 32% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Johnny Clegg
The Revolution Will Eat It's Children (A...
101 bpm • G# Maj • 03:49 • -8.03db
3% Popularity • 64% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 64% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 24% Positiveness
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Ndirande Anglican Voices
Zimandikwanira
97 bpm • D# Maj • 07:18 • -4.26db
22% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Holy Cross Choir
Siyathandaza
101 bpm • F# Maj • 04:13 • -9db
8% Popularity • 52% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 52% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Ishmael
Avulekile Amasango
101 bpm • C# Maj • 04:25 • -5.72db
25% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Kurt Darren
Shosholoza
97 bpm • G# Maj • 03:44 • -6.18db
16% Popularity • 62% Danceability • 50% Energy • 50% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 62% Danceability • 50% Energy • 50% Liveness
0% Instrumentalness • 63% Positiveness
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Vocals Of Praise
Neema
101 bpm • A Maj • 04:57 • -8.67db
7% Popularity • 76% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 76% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Umlazi Gospel Choir
Zimangele
101 bpm • G Maj • 05:15 • -3.84db
30% Popularity • 26% Danceability • 90% Energy • 82% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 26% Danceability • 90% Energy • 82% Liveness
0% Instrumentalness • 48% Positiveness
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Harmonious Chorale Ghana
Adom Noa
101 bpm • F Maj • 06:44 • -11.69db
25% Popularity • 40% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 40% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Holy Cross Choir
Khona Manje
101 bpm • G# Maj • 04:29 • -11db
15% Popularity • 70% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 70% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Soweto Gospel Choir
Malaika
97 bpm • E Maj • 03:32 • -11.12db
13% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lionel Peterson
Jabulani Africa (Rejoice Africa)
96 bpm • G Maj • 03:53 • -11.39db
20% Popularity • 48% Danceability • 80% Energy • 95% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 48% Danceability • 80% Energy • 95% Liveness
0% Instrumentalness • 60% Positiveness
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Saint Albert Choir UNIBEN/UBTH
Medley (Jesus Gbedu - Join Me Thank the ...
102 bpm • C# min • 03:39 • -8.18db
13% Popularity • 77% Danceability • 68% Energy • 13% Liveness
19% Instrumentalness • 72% Positiveness
13% Popularity • 77% Danceability • 68% Energy • 13% Liveness
19% Instrumentalness • 72% Positiveness
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Sipho Makhabane
The Devil Is a Liar
96 bpm • G# Maj • 03:03 • -8.87db
27% Popularity • 37% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 37% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Emmy Kosgei
Taunet Nelel
102 bpm • F Maj • 03:50 • -5db
25% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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African Cream Freedom Choir
Sobashiy Abazali
102 bpm • E Maj • 03:30 • -9.4db
9% Popularity • 36% Danceability • 38% Energy • 40% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 36% Danceability • 38% Energy • 40% Liveness
0% Instrumentalness • 66% Positiveness
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NTLO YA JEHOVA GOSPEL CHOIR
Bokang Modimo Wa Kganya
96 bpm • F# Maj • 03:54 • -8.59db
12% Popularity • 35% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 35% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Joyful Way Incorporated
Ghana Chorale Medley: Me Nim Nea M'agye ...
102 bpm • G Maj • 09:23 • -7.41db
22% Popularity • 59% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 59% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Wambali
Muli Nane
96 bpm • B min • 06:19 • -13.4db
17% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Tope Alabi
Angeli Mi
95 bpm • A# Maj • 08:15 • -7.51db
33% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Emmy Kosgei
Ololo
96 bpm • D# Maj • 05:15 • -3.62db
19% Popularity • 62% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 62% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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The Joy
Baba Kulungile
103 bpm • D Maj • 02:27 • -8.81db
16% Popularity • 39% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 39% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Richard Nick Ngendahayo
Si Umuhemu
96 bpm • F# Maj • 04:01 • -4.44db
26% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Zabron Singers
Mkono Wa Bwana
103 bpm • A# Maj • 05:49 • -17.5db
36% Popularity • 71% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 71% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Zazi
Tswang Tswang
103 bpm • G# Maj • 03:17 • -7.74db
12% Popularity • 63% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 63% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Mahotella Queens
Mbube
95 bpm • G# Maj • 03:56 • -13.37db
25% Popularity • 79% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 79% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Samsong
Odogwu
95 bpm • C Maj • 04:16 • -2.55db
36% Popularity • 71% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 71% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Insingizi
Amasango
95 bpm • E Maj • 03:19 • -10.19db
17% Popularity • 40% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 40% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Shingisai
Gogodza
95 bpm • E min • 05:54 • -8.47db
21% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Soweto Gospel Choir
Ibambeni
95 bpm • D# Maj • 03:08 • -5.54db
11% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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The Spirituals
Something Inside So Strong - Live
95 bpm • C Maj • 04:02 • -8.07db
29% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Zithulele Khwela
Ubunzima
104 bpm • G# min • 02:02 • -10.73db
21% Popularity • 37% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 37% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Joepraize
Unchangeable
95 bpm • E Maj • 05:17 • -3.22db
42% Popularity • 75% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 75% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Joseph Godwin
Adonai Medley
94 bpm • C# Maj • 05:20 • -10.98db
10% Popularity • 27% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 27% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Christopher Tin
Waloyo Yamoni: IV. We Overcome the Wind ...
94 bpm • G Maj • 03:11 • -8.85db
26% Popularity • 23% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 23% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Soweto Gospel Choir
Ke Na Le Modisa
95 bpm • G Maj • 04:26 • -10.72db
29% Popularity • 38% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 38% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Nick Ngendahayo
Niwe
104 bpm • F Maj • 05:45 • -4.41db
19% Popularity • 25% Danceability • 69% Energy • 44% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 25% Danceability • 69% Energy • 44% Liveness
0% Instrumentalness • 48% Positiveness
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The Paul-Enenche Family
Turn It Around
104 bpm • F# Maj • 04:56 • -7.08db
21% Popularity • 76% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 76% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Clegg
Utshani Obulele (Zulu Version) (Live)
104 bpm • F# Maj • 03:31 • -8.11db
19% Popularity • 69% Danceability • 76% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 69% Danceability • 76% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
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Kelly Khumalo
Jehova
94 bpm • F min • 04:40 • -6.61db
36% Popularity • 60% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 60% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Hugh Masekela
Sechaba
104 bpm • G# Maj • 02:55 • -15.71db
37% Popularity • 56% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 56% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Soweto Gospel Choir
Somlandela
104 bpm • D Maj • 03:31 • -13.84db
23% Popularity • 30% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 30% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Janet Manyowa
Muchengeti
94 bpm • C Maj • 04:12 • -4.86db
29% Popularity • 55% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 55% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Tracy Joseph
Wangu
104 bpm • C Maj • 03:36 • -12.21db
18% Popularity • 34% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 34% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Sonnie Badu
Wonder God
94 bpm • B min • 05:54 • -6.7db
30% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Brandon Carrie
Tichazoro
105 bpm • E Maj • 03:01 • -14.5db
8% Popularity • 30% Danceability • 16% Energy • 86% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 30% Danceability • 16% Energy • 86% Liveness
0% Instrumentalness • 30% Positiveness
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Catholic Church Songs
Tsika DzouKristo
94 bpm • A Maj • 08:50 • -9.55db
11% Popularity • 56% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Insingizi
Ingoma
105 bpm • D# Maj • 02:42 • -8.73db
28% Popularity • 48% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 48% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Lusanda Spiritual Group
Uzundigcine
105 bpm • C# Maj • 04:07 • -6.77db
23% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Midnight Crew
Yin Baba Logo
105 bpm • D Maj • 04:10 • -2.92db
16% Popularity • 71% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 71% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Abathandwa
Mangisondele
105 bpm • B Maj • 04:13 • -7.5db
8% Popularity • 48% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 48% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Soweto String Quartet
Sikelela
105 bpm • C Maj • 04:03 • -8.94db
10% Popularity • 73% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 73% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Afrika Mamas
Uzulibonge
93 bpm • C Maj • 03:24 • -12.12db
12% Popularity • 62% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 62% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Pastor Wilson Bugembe
Katonda Y'abadde Mw'eno Ensonga
106 bpm • C# Maj • 03:16 • -6.81db
29% Popularity • 79% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 79% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Mzansi Youth Choir
Rise
106 bpm • C# Maj • 04:57 • -10.2db
14% Popularity • 67% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 67% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Holy Cross Choir
Lizwi
106 bpm • G Maj • 03:43 • -4db
27% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Cape Town Camerata
Wana Baraka
106 bpm • D Maj • 02:55 • -21db
17% Popularity • 31% Danceability • 14% Energy • 5% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 31% Danceability • 14% Energy • 5% Liveness
1% Instrumentalness • 21% Positiveness
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Minister Prudence
Oji Oku Eri Aja Worship Medley (Spontane...
92 bpm • B min • 09:06 • -13.31db
8% Popularity • 21% Danceability • 28% Energy • 58% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 21% Danceability • 28% Energy • 58% Liveness
0% Instrumentalness • 26% Positiveness
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Johnny Clegg
Thamela - Die Son Trek Water (Live)
92 bpm • F Maj • 04:05 • -8.33db
17% Popularity • 65% Danceability • 80% Energy • 91% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 65% Danceability • 80% Energy • 91% Liveness
0% Instrumentalness • 83% Positiveness
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Christopher Tin
Baba Yetu
92 bpm • D Maj • 03:29 • -15.33db
53% Popularity • 42% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 42% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Rwanda Catholic all stars
Twaje Mana Yacu
92 bpm • E min • 09:53 • -8.75db
8% Popularity • 61% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 61% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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The Soweto Memorial Choir
Baleka Vorster
107 bpm • F# min • 01:55 • -2.93db
3% Popularity • 51% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 51% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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African Children's Choir
Just as I Am
107 bpm • G# Maj • 02:58 • -8.57db
7% Popularity • 64% Danceability • 68% Energy • 14% Liveness
15% Instrumentalness • 64% Positiveness
7% Popularity • 64% Danceability • 68% Energy • 14% Liveness
15% Instrumentalness • 64% Positiveness
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Drakensberg Boys Choir
Ndawana
107 bpm • G Maj • 01:48 • -22.19db
9% Popularity • 47% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 21% Positiveness
9% Popularity • 47% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 21% Positiveness
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Soweto Gospel Choir
Muphulusi
107 bpm • C# Maj • 02:42 • -7.98db
10% Popularity • 63% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 63% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Imvuselelo Yase Natali
Wengelosi
107 bpm • F# Maj • 05:09 • -5.43db
8% Popularity • 30% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 30% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Vatican Choir
Rise And Sanctify
91 bpm • A# Maj • 04:44 • -5.84db
16% Popularity • 78% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 78% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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The Soweto Memorial Choir
Ayanqikaza Amagwala
107 bpm • D Maj • 02:13 • -2.63db
2% Popularity • 50% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 50% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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One Voice Choir Ghana
Powerful Highlife Medley
108 bpm • A# Maj • 10:37 • -9.23db
23% Popularity • 47% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 47% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Holy Cross Choir
Isizwe Sika Ndlovu
108 bpm • G# Maj • 02:58 • -10.93db
20% Popularity • 68% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
20% Popularity • 68% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
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Faith of our fathers
Naa ndi vho nnyi?
108 bpm • D Maj • 04:09 • -13.2db
10% Popularity • 37% Danceability • 24% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 37% Danceability • 24% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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University Of Pretoria Camerata
Bonk 'abaphandle
108 bpm • C# Maj • 02:16 • -18.21db
12% Popularity • 29% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 29% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Osei Boateng
Yesu Ka Wo Ho
91 bpm • E Maj • 04:14 • -9.72db
18% Popularity • 68% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 68% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
