Songs like Shouting in a Bucket Blues - 2003 Remaster by Kevin Ayers
Based on a tempo of (+/- 10%) and a similar genre
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François Bayle
It
129 bpm • G Maj • 03:41 • -9.1db
2% Popularity • 48% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 48% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Brian Protheroe
Goodbye Surprise
129 bpm • G min • 02:30 • -11.18db
21% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Kevin Ayers
Shouting in a Bucket Blues - 2003 Remast...
129 bpm • C Maj • 03:44 • -11db
29% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Grace Slick
Sally Go 'Round the Roses
129 bpm • A# Maj • 06:32 • -16.07db
25% Popularity • 50% Danceability • 47% Energy • 68% Liveness
7% Instrumentalness • 68% Positiveness
25% Popularity • 50% Danceability • 47% Energy • 68% Liveness
7% Instrumentalness • 68% Positiveness
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Dr. John
Mama Roux
128 bpm • F Maj • 03:00 • -15.2db
40% Popularity • 84% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 84% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Crazy Horse
Look at All the Things
128 bpm • G Maj • 03:15 • -10.59db
19% Popularity • 51% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 51% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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13th Floor Elevators
Slip Inside This House - Mono LP Version
130 bpm • A min • 07:51 • -10.07db
25% Popularity • 57% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 57% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Scott Walker
Duchess
128 bpm • B Maj • 02:48 • -20db
41% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Kevin Ayers
Singing a Song in the Morning - 2003 Rem...
130 bpm • F# Maj • 02:55 • -9.93db
14% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Richard Lloyd
Alchemy
130 bpm • C Maj • 03:52 • -11.09db
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Michael Hurley
Sweet Lucy
128 bpm • D Maj • 04:06 • -13.05db
33% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Silver Apples
Ruby
130 bpm • D Maj • 02:34 • -8db
34% Popularity • 52% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
34% Popularity • 52% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
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Lady June
Everythingsnothing
127 bpm • D Maj • 04:25 • -19.3db
2% Popularity • 54% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
2% Popularity • 54% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
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Scott Walker
Black Sheep Boy
128 bpm • C# Maj • 02:36 • -16.01db
31% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Big Star
When My Baby's Beside Me
127 bpm • C Maj • 03:23 • -7.94db
34% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Kevin Ayers
Religious Experience (Singing a Song in...
130 bpm • F# Maj • 04:46 • -11.17db
27% Popularity • 58% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 58% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Spirit
Uncle Jack
127 bpm • C Maj • 02:43 • -6.65db
22% Popularity • 44% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 44% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Slapp Happy
Strayed
131 bpm • F# min • 01:53 • -10.05db
29% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Lady June
Tunion
127 bpm • B min • 04:16 • -20.93db
3% Popularity • 65% Danceability • 38% Energy • 8% Liveness
89% Instrumentalness • 69% Positiveness
3% Popularity • 65% Danceability • 38% Energy • 8% Liveness
89% Instrumentalness • 69% Positiveness
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Fred Neil
Cynicrustpetefredjohn Raga
131 bpm • D Maj • 08:12 • -13.53db
16% Popularity • 44% Danceability • 49% Energy • 30% Liveness
59% Instrumentalness • 50% Positiveness
16% Popularity • 44% Danceability • 49% Energy • 30% Liveness
59% Instrumentalness • 50% Positiveness
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Amanaz
I Am Very Far
127 bpm • G# Maj • 03:21 • -9.64db
32% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Kevin Ayers
Shouting In A Bucket Blues - Live At The...
130 bpm • C Maj • 05:07 • -14.75db
7% Popularity • 58% Danceability • 50% Energy • 81% Liveness
34% Instrumentalness • 80% Positiveness
7% Popularity • 58% Danceability • 50% Energy • 81% Liveness
34% Instrumentalness • 80% Positiveness
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Spirit
Fresh-Garbage
131 bpm • D Maj • 03:11 • -13.53db
30% Popularity • 46% Danceability • 36% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
30% Popularity • 46% Danceability • 36% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
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Roxy Music
Re-Make/Re-Model
131 bpm • A# min • 05:14 • -7.18db
30% Popularity • 58% Danceability • 92% Energy • 32% Liveness
8% Instrumentalness • 54% Positiveness
30% Popularity • 58% Danceability • 92% Energy • 32% Liveness
8% Instrumentalness • 54% Positiveness
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Lady June
Bars
127 bpm • G Maj • 02:46 • -17.82db
1% Popularity • 76% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 93% Positiveness
1% Popularity • 76% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 93% Positiveness
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Link Wray
God Out West
127 bpm • C# Maj • 03:53 • -10.92db
27% Popularity • 72% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 72% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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The Left Banke
I've Got Something On My Mind
126 bpm • A Maj • 02:49 • -9db
32% Popularity • 60% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 60% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Kevin Ayers
Lay Lady Lay
130 bpm • A min • 04:37 • -7.07db
19% Popularity • 54% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 54% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Alexander 'Skip' Spence
Broken Heart
126 bpm • B Maj • 03:26 • -14.29db
17% Popularity • 39% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 39% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Roxy Music
Prairie Rose
126 bpm • F# Maj • 05:12 • -6.32db
27% Popularity • 42% Danceability • 95% Energy • 21% Liveness
53% Instrumentalness • 65% Positiveness
27% Popularity • 42% Danceability • 95% Energy • 21% Liveness
53% Instrumentalness • 65% Positiveness
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The Bonzo Dog Band
I Want to Be with You - 2007 Remaster
132 bpm • G Maj • 02:16 • -10.08db
23% Popularity • 58% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 58% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Mighty Baby
Egyptian Tomb
132 bpm • C min • 05:28 • -12.03db
23% Popularity • 36% Danceability • 69% Energy • 20% Liveness
6% Instrumentalness • 74% Positiveness
23% Popularity • 36% Danceability • 69% Energy • 20% Liveness
6% Instrumentalness • 74% Positiveness
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Kim Fowley
Bubble Gum
132 bpm • E min • 02:31 • -15db
22% Popularity • 37% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 37% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Kevin Ayers
Eleanor's Cake (Which Ate Her) - 2003 Re...
131 bpm • A Maj • 02:53 • -15.54db
19% Popularity • 38% Danceability • 21% Energy • 14% Liveness
41% Instrumentalness • 25% Positiveness
19% Popularity • 38% Danceability • 21% Energy • 14% Liveness
41% Instrumentalness • 25% Positiveness
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Silver Apples
I Have Known Love
126 bpm • F# min • 03:54 • -7.09db
31% Popularity • 34% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 84% Positiveness
31% Popularity • 34% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 84% Positiveness
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Flamin' Groovies
You Tore Me Down
126 bpm • D Maj • 02:52 • -11.53db
22% Popularity • 48% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 48% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Gong
Tried so Hard
132 bpm • A Maj • 04:36 • -15db
22% Popularity • 48% Danceability • 46% Energy • 11% Liveness
47% Instrumentalness • 32% Positiveness
22% Popularity • 48% Danceability • 46% Energy • 11% Liveness
47% Instrumentalness • 32% Positiveness
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Jeff Cowell
Lucky Strikes and Liquid Gold
125 bpm • G Maj • 03:38 • -8.56db
28% Popularity • 52% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
28% Popularity • 52% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
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Lady June
Some Day Silly Twenty Three
126 bpm • E Maj • 02:25 • -12.56db
4% Popularity • 61% Danceability • 50% Energy • 28% Liveness
17% Instrumentalness • 88% Positiveness
4% Popularity • 61% Danceability • 50% Energy • 28% Liveness
17% Instrumentalness • 88% Positiveness
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Kevin Ayers
Lunatics Lament - 2003 Remaster
131 bpm • B min • 04:53 • -8.27db
13% Popularity • 43% Danceability • 75% Energy • 11% Liveness
28% Instrumentalness • 48% Positiveness
13% Popularity • 43% Danceability • 75% Energy • 11% Liveness
28% Instrumentalness • 48% Positiveness
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Richard & Linda Thompson
Don't Renege on Our Love
133 bpm • G Maj • 04:18 • -14.83db
19% Popularity • 66% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
19% Popularity • 66% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Duncan Browne
Over the Reef - 2002 Remaster
125 bpm • E Maj • 05:34 • -12.35db
8% Popularity • 76% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
8% Popularity • 76% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
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Kevin Coyne
Talking To No One
133 bpm • C# Maj • 02:31 • -14.66db
13% Popularity • 57% Danceability • 32% Energy • 10% Liveness
11% Instrumentalness • 68% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 10% Liveness
11% Instrumentalness • 68% Positiveness
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The Kinks
Muswell Hillbilly
133 bpm • A Maj • 05:01 • -13.72db
24% Popularity • 60% Danceability • 46% Energy • 6% Liveness
8% Instrumentalness • 64% Positiveness
24% Popularity • 60% Danceability • 46% Energy • 6% Liveness
8% Instrumentalness • 64% Positiveness
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The Holy Modal Rounders
If You Want To Be A Bird, Wild Blue Yond...
133 bpm • D Maj • 03:14 • -6db
19% Popularity • 42% Danceability • 79% Energy • 29% Liveness
10% Instrumentalness • 80% Positiveness
19% Popularity • 42% Danceability • 79% Energy • 29% Liveness
10% Instrumentalness • 80% Positiveness
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Kevin Ayers
Take Me to Tahiti - 2003 Remaster
131 bpm • F Maj • 03:36 • -11.37db
11% Popularity • 56% Danceability • 57% Energy • 10% Liveness
6% Instrumentalness • 62% Positiveness
11% Popularity • 56% Danceability • 57% Energy • 10% Liveness
6% Instrumentalness • 62% Positiveness
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Fred Neil
Bleecker & MacDougal
133 bpm • E Maj • 02:14 • -8.56db
22% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Trees
Nothing Special
133 bpm • D Maj • 04:31 • -6.13db
18% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Judy Henske
High Flying Bird
125 bpm • F# min • 02:58 • -10db
30% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Big Star
Try Again
133 bpm • G Maj • 03:32 • -11.45db
27% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Television
Glory - 2003 Remaster
125 bpm • A min • 03:11 • -6.64db
32% Popularity • 67% Danceability • 95% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
32% Popularity • 67% Danceability • 95% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
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Kevin Ayers
Hymn - 2003 Remaster
127 bpm • C Maj • 04:35 • -16.42db
17% Popularity • 64% Danceability • 28% Energy • 9% Liveness
63% Instrumentalness • 45% Positiveness
17% Popularity • 64% Danceability • 28% Energy • 9% Liveness
63% Instrumentalness • 45% Positiveness
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Arthur Russell
Nobody Wants A Lonely Heart
133 bpm • D Maj • 02:26 • -9.6db
32% Popularity • 53% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 53% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Marc Bolan
The Wizard - Unused stereo mix
133 bpm • C Maj • 01:45 • -7.05db
21% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Chapman
Small Stones - 2011 Remaster
124 bpm • D Maj • 03:04 • -8.19db
8% Popularity • 55% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 55% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Grin
Everybody's Missin' the Sun
125 bpm • G Maj • 02:41 • -10db
29% Popularity • 69% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 69% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Alan Price
O Lucky Man!
134 bpm • D Maj • 02:20 • -10db
25% Popularity • 51% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 51% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Kevin Ayers
Rheinhardt and Geraldine / Colores Para ...
127 bpm • E min • 05:40 • -14db
13% Popularity • 41% Danceability • 65% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
13% Popularity • 41% Danceability • 65% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
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Trees
Polly on the Shore
134 bpm • E Maj • 06:09 • -10.57db
18% Popularity • 44% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 44% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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MC5
Let Me Try
124 bpm • G Maj • 04:13 • -11.29db
34% Popularity • 75% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 75% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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The Bonzo Dog Band
Death Cab for Cutie - 2007 Remaster
124 bpm • C Maj • 02:54 • -10.34db
30% Popularity • 54% Danceability • 34% Energy • 18% Liveness
5% Instrumentalness • 57% Positiveness
30% Popularity • 54% Danceability • 34% Energy • 18% Liveness
5% Instrumentalness • 57% Positiveness
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Bobby Charles
Street People
123 bpm • A Maj • 03:44 • -9.49db
32% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Brinsley Schwarz
Surrender to the Rhythm
135 bpm • A Maj • 03:25 • -9.17db
24% Popularity • 57% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 57% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Kevin Ayers
Religious Experience (Singing a Song in ...
126 bpm • F# Maj • 02:51 • -9.91db
11% Popularity • 46% Danceability • 91% Energy • 88% Liveness
3% Instrumentalness • 76% Positiveness
11% Popularity • 46% Danceability • 91% Energy • 88% Liveness
3% Instrumentalness • 76% Positiveness
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Kim Fowley
California Summertime
135 bpm • D Maj • 02:34 • -6.66db
29% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Fred Neil
The Dolphins
123 bpm • D Maj • 04:05 • -14.46db
40% Popularity • 48% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
40% Popularity • 48% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Gene Clark
With Tomorrow
135 bpm • D Maj • 02:25 • -15db
39% Popularity • 54% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
39% Popularity • 54% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
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Big Star
The India Song
123 bpm • G Maj • 02:20 • -12.46db
29% Popularity • 58% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 58% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Lady June
Am I?
123 bpm • A# Maj • 02:33 • -18.21db
2% Popularity • 48% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 48% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Kevin Ayers
The Lady Rachel - Single Edit 1972; 2003...
125 bpm • A min • 04:51 • -13.45db
9% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Roxy Music
Three And Nine
123 bpm • C Maj • 04:04 • -9.95db
29% Popularity • 62% Danceability • 66% Energy • 25% Liveness
1% Instrumentalness • 73% Positiveness
29% Popularity • 62% Danceability • 66% Energy • 25% Liveness
1% Instrumentalness • 73% Positiveness
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Fred Neil
Other Side to This Life
136 bpm • G Maj • 02:56 • -10.85db
19% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Alan Hull
Justanothersadsong - 2005 Digital Remast...
122 bpm • A Maj • 02:55 • -13.35db
13% Popularity • 69% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 69% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Ronnie Wood
Mystifies Me
136 bpm • A Maj • 03:19 • -11.47db
31% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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The Incredible String Band
Painting Box - 2010 Remaster
136 bpm • G Maj • 04:00 • -12db
25% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Kevin Ayers
The Lady Rachel - Extended First Mix
125 bpm • A min • 06:42 • -12.99db
12% Popularity • 37% Danceability • 43% Energy • 18% Liveness
4% Instrumentalness • 20% Positiveness
12% Popularity • 37% Danceability • 43% Energy • 18% Liveness
4% Instrumentalness • 20% Positiveness
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Heron
Madman
122 bpm • G Maj • 04:37 • -6.71db
15% Popularity • 72% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 72% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 97% Positiveness
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Hackamore Brick
Oh! Those Sweet Bananas
136 bpm • E Maj • 02:18 • -11.99db
9% Popularity • 76% Danceability • 67% Energy • 6% Liveness
12% Instrumentalness • 97% Positiveness
9% Popularity • 76% Danceability • 67% Energy • 6% Liveness
12% Instrumentalness • 97% Positiveness
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Captain Beefheart & His Magic Band
Plastic Factory
122 bpm • A Maj • 03:07 • -9db
27% Popularity • 61% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
27% Popularity • 61% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
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Sopwith Camel
Hello, Hello
137 bpm • C Maj • 02:34 • -19db
23% Popularity • 69% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 69% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Kevin Coyne
Eastbourne Ladies
137 bpm • F# Maj • 04:38 • -13db
24% Popularity • 57% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 57% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Kevin Ayers
Red Green and You Blue - 2003 Remaster
124 bpm • C Maj • 03:53 • -11.56db
12% Popularity • 55% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 55% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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The Incredible String Band
The Minotaur's Song - 2010 Remaster
122 bpm • G Maj • 03:16 • -8.65db
18% Popularity • 56% Danceability • 54% Energy • 76% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 56% Danceability • 54% Energy • 76% Liveness
0% Instrumentalness • 53% Positiveness
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The Feelies
Slipping (Into Something)
137 bpm • G Maj • 05:58 • -10db
11% Popularity • 40% Danceability • 70% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
11% Popularity • 40% Danceability • 70% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
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The Mothers Of Invention
Trouble Every Day
121 bpm • D Maj • 05:50 • -13db
39% Popularity • 31% Danceability • 78% Energy • 90% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 31% Danceability • 78% Energy • 90% Liveness
0% Instrumentalness • 48% Positiveness
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13th Floor Elevators
I Had to Tell You - Stereo LP Version
121 bpm • G Maj • 02:26 • -8.38db
13% Popularity • 58% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 58% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Kevin Coyne
Marlene
137 bpm • B Maj • 02:43 • -15db
28% Popularity • 56% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 56% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Kevin Ayers
Oh My - 1999 Remaster
121 bpm • C Maj • 02:59 • -9.49db
14% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Robert Wyatt
Free Will And Testament
137 bpm • E min • 04:12 • -12.75db
24% Popularity • 42% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 42% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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John Martyn
Dreams By The Sea
121 bpm • G# Maj • 03:17 • -10.05db
30% Popularity • 52% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Pete Molinari
I Don't Like The Man I Am
121 bpm • F# min • 03:34 • -8db
35% Popularity • 70% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 70% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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David Crosby
What Are Their Names - 2021 Remaster
121 bpm • B min • 04:13 • -15.42db
13% Popularity • 49% Danceability • 37% Energy • 8% Liveness
8% Instrumentalness • 24% Positiveness
13% Popularity • 49% Danceability • 37% Energy • 8% Liveness
8% Instrumentalness • 24% Positiveness
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Kevin Coyne
Eastbourne Ladies - 2010 Digital Remaste...
137 bpm • C# min • 05:57 • -9.2db
10% Popularity • 61% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 61% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Smog
Cold Blooded Old Times
121 bpm • B Maj • 04:14 • -10db
43% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kevin Ayers
Clarence in Wonderland - 2003 Remaster
124 bpm • C Maj • 02:06 • -12.12db
12% Popularity • 54% Danceability • 55% Energy • 18% Liveness
5% Instrumentalness • 74% Positiveness
12% Popularity • 54% Danceability • 55% Energy • 18% Liveness
5% Instrumentalness • 74% Positiveness
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Scott Walker
Montague Terrace (In Blue)
138 bpm • A min • 03:27 • -19.86db
30% Popularity • 43% Danceability • 14% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 43% Danceability • 14% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
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Robert Lester Folsom
Biding My Time
138 bpm • A Maj • 03:28 • -12.6db
21% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Captain Beefheart & His Magic Band
Dropout Boogie
121 bpm • A min • 02:31 • -10.85db
28% Popularity • 57% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 57% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
