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Songs like
Showing Off
by
Sir the Baptist
Based on a tempo of (+/- 10%) and a similar genre
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Judah Band
Up From Here
106 bpm • A Maj • 03:07 • -5.27db
10% Popularity • 65% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Jason Nelson
Shifting the Atmosphere
106 bpm • D Maj • 06:57 • -10.06db
25% Popularity • 42% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Uncle Reece
Confident
106 bpm • A# min • 03:24 • -5db
14% Popularity • 82% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Shekinah Glory Ministry
Praise Is What I Do
106 bpm • G# Maj • 05:56 • -8.77db
26% Popularity • 32% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Marvin Sapp
Live
105 bpm • C Maj • 05:18 • -6.49db
39% Popularity • 49% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Sir the Baptist
Showing Off
106 bpm • B min • 02:45 • -2.52db
15% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Rudy Currence
Vans X Adidas
107 bpm • E min • 03:53 • -7.67db
30% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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21:03
A Friend
107 bpm • D# Maj • 04:40 • -6db
15% Popularity • 29% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Chrystal Rucker
Take Your Burdens
105 bpm • F# Maj • 04:56 • -8db
27% Popularity • 63% Danceability • 82% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
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Charles Jenkins & Fellowship Chicago
Can't Turn Back
105 bpm • C# min • 05:47 • -4db
25% Popularity • 71% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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James Moss
I Wanna Be
107 bpm • C# Maj • 03:41 • -4.27db
33% Popularity • 63% Danceability • 97% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
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Earnest Pugh
God Did It
105 bpm • F# Maj • 04:44 • -4.1db
39% Popularity • 62% Danceability • 97% Energy • 96% Liveness
0% Instrumentalness • 62% Positiveness
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Coko
Clap Your Hands
105 bpm • D Maj • 03:15 • -4.18db
17% Popularity • 80% Danceability • 80% Energy • 5% Liveness
1% Instrumentalness • 92% Positiveness
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Sarah Téibo
Blessed
105 bpm • B min • 03:45 • -3.25db
28% Popularity • 84% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
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Karen Clark Sheard
Send It Down
107 bpm • F min • 04:20 • -4.37db
36% Popularity • 58% Danceability • 92% Energy • 70% Liveness
0% Instrumentalness • 83% Positiveness
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Lexi
In The Room - Urban Mix
105 bpm • B min • 04:16 • -5db
13% Popularity • 60% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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James Moss
Don't Pray & Worry
105 bpm • C# Maj • 03:55 • -5.04db
35% Popularity • 67% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Juan & Lisa Winans
It Belongs To Me
105 bpm • D Maj • 05:59 • -6db
22% Popularity • 48% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Maurette Brown Clark
Just Want to Praise You
107 bpm • C# Maj • 04:59 • -4.78db
49% Popularity • 47% Danceability • 88% Energy • 55% Liveness
0% Instrumentalness • 66% Positiveness
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Marvin Sapp
New Thing
105 bpm • F# Maj • 09:14 • -7.91db
25% Popularity • 48% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Donald Lawrence
The Voice of the Blood
105 bpm • F min • 06:17 • -5.23db
15% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Lexi
In The Room
105 bpm • F# min • 04:13 • -4db
28% Popularity • 63% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Evan and Eris
Juzz Do It
108 bpm • C# Maj • 02:58 • -8.8db
26% Popularity • 77% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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James Moss
Livin' 4
108 bpm • C Maj • 04:20 • -5.03db
26% Popularity • 73% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Gene Moore
Alright
104 bpm • A# min • 03:23 • -5.29db
20% Popularity • 66% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Tonéx
'Bout A Thang
104 bpm • D Maj • 03:26 • -3.65db
25% Popularity • 78% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Donald Lawrence & Company
In Him There Is No Sorrow
108 bpm • G min • 06:17 • -4.44db
32% Popularity • 52% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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J Moss
Good Day
104 bpm • F min • 03:58 • -4.16db
25% Popularity • 61% Danceability • 92% Energy • 94% Liveness
0% Instrumentalness • 70% Positiveness
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Kierra Sheard
You Don't Know
104 bpm • C min • 03:51 • -3.75db
33% Popularity • 87% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Myron Butler & Levi
Stronger
108 bpm • C# Maj • 03:38 • -2.96db
34% Popularity • 75% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Jabari Johnson
You're Good
104 bpm • A Maj • 07:53 • -8.02db
25% Popularity • 36% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Earnest Pugh
I Need Your Glory
104 bpm • C# Maj • 04:59 • -5.49db
42% Popularity • 37% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 47% Positiveness
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Kurt Carr
With Thanksgiving
104 bpm • G# Maj • 05:58 • -3.62db
16% Popularity • 41% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
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Melvin Crispell III
He's Never Failed Me Yet
108 bpm • G# Maj • 04:17 • -6.63db
36% Popularity • 48% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Kierra Sheard
You
104 bpm • D min • 02:49 • -5.72db
22% Popularity • 78% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Marvin Sapp
Kind God
102 bpm • F Maj • 04:09 • -9db
33% Popularity • 34% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Isabel Davis
I Will Rejoice - Live
110 bpm • C# min • 04:34 • -4.71db
30% Popularity • 58% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Erica Campbell
Well Done Remix
104 bpm • C Maj • 04:16 • -6db
25% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Danielle Apicella
Why Oh Why
110 bpm • C Maj • 02:32 • -13.41db
40% Popularity • 75% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gene Moore
That God
110 bpm • F# min • 03:15 • -6.91db
19% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Maurette Brown Clark
Sovereign God
110 bpm • C Maj • 05:49 • -9db
40% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Marvin Sapp
Thank You For It All
102 bpm • C Maj • 04:24 • -8.16db
46% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Candy West
Watch God Work It Out
102 bpm • C Maj • 06:14 • -5.03db
15% Popularity • 61% Danceability • 89% Energy • 80% Liveness
0% Instrumentalness • 41% Positiveness
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George Huff
A Brighter Day
110 bpm • A# min • 03:22 • -4.44db
34% Popularity • 77% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Forever Jones
I See You
110 bpm • F Maj • 02:54 • -7db
14% Popularity • 61% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Gene Moore
Take Care
110 bpm • C# min • 04:03 • -5.39db
26% Popularity • 66% Danceability • 84% Energy • 75% Liveness
0% Instrumentalness • 84% Positiveness
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Donald Lawrence
Jehovah Sabaoth (God of Angel Armies)
110 bpm • C# Maj • 04:56 • -6.03db
29% Popularity • 37% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Yolanda Adams
Be Blessed
110 bpm • G# Maj • 05:45 • -6.8db
42% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Becca Folkes
Control
102 bpm • F min • 03:29 • -9db
29% Popularity • 69% Danceability • 53% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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Joshua Rogers
So Good
101 bpm • G min • 03:31 • -7db
40% Popularity • 68% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Tennessee State University
Going Going
110 bpm • D Maj • 03:21 • -5.3db
10% Popularity • 62% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 35% Positiveness
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Erica Campbell
Trust And Obey
111 bpm • C# Maj • 03:36 • -8.93db
29% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Melvin Crispell III
Jesus Is My Help
111 bpm • C# Maj • 07:00 • -6.76db
22% Popularity • 60% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Marvin Sapp
Listen
111 bpm • E Maj • 04:27 • -7.29db
48% Popularity • 55% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Smokie Norful
Um Good
101 bpm • F# Maj • 04:46 • -5.53db
28% Popularity • 39% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Darwin Hobbs
All Sides
101 bpm • C# min • 03:40 • -3.11db
14% Popularity • 74% Danceability • 78% Energy • 66% Liveness
0% Instrumentalness • 46% Positiveness
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Becca Folkes
12 Rounds
101 bpm • E min • 02:46 • -7.22db
21% Popularity • 72% Danceability • 61% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
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James Moss
Unto Thee
100 bpm • A# min • 03:41 • -7.37db
30% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Maurette Brown Clark
One God
100 bpm • C Maj • 04:54 • -4.82db
34% Popularity • 34% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Kirk Franklin & Mary Mary
Thank You
101 bpm • A# min • 04:40 • -5.68db
27% Popularity • 78% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Jackie Hill Perry
From Heaven (Interlude)
112 bpm • E Maj • 01:26 • -16.62db
32% Popularity • 53% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Jovonta Patton
Nothing to Worry About
100 bpm • F# min • 04:11 • -4.8db
30% Popularity • 47% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Darlene McCoy
If There Were No You
112 bpm • G Maj • 04:03 • -6.26db
27% Popularity • 57% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
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Gene Moore
Depending On You
100 bpm • G# Maj • 05:41 • -6.81db
30% Popularity • 32% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Walls Group
My Life
112 bpm • A Maj • 03:23 • -5db
38% Popularity • 73% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Erica Campbell
Feel Alright (Blessed)
112 bpm • G Maj • 04:29 • -6.16db
42% Popularity • 65% Danceability • 67% Energy • 81% Liveness
0% Instrumentalness • 67% Positiveness
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Casey J
One Day
112 bpm • E min • 03:41 • -4.91db
30% Popularity • 59% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Weston
Making A Way - Radio Edit
100 bpm • D Maj • 04:00 • -5.6db
19% Popularity • 47% Danceability • 79% Energy • 92% Liveness
0% Instrumentalness • 33% Positiveness
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Fresh Start Worship
Have It All
100 bpm • A Maj • 03:34 • -5.21db
38% Popularity • 54% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Deon Kipping
Prove
100 bpm • C# Maj • 04:04 • -5.89db
13% Popularity • 81% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Maurette Brown Clark
I See Good
100 bpm • F min • 06:07 • -3.64db
37% Popularity • 61% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Melvin Crispell III
Alright
100 bpm • A# min • 03:55 • -6.06db
25% Popularity • 58% Danceability • 92% Energy • 94% Liveness
0% Instrumentalness • 38% Positiveness
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Casey J
Let It Be Known
100 bpm • C# min • 05:03 • -6db
28% Popularity • 60% Danceability • 96% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
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Uncle Reece
I Ain't Worried Ain't a Thing
100 bpm • G Maj • 04:10 • -3.43db
14% Popularity • 78% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Jekalyn Carr
You're Bigger
112 bpm • F min • 07:26 • -5.43db
46% Popularity • 40% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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James Moss
Psalm 150
113 bpm • C# min • 04:21 • -5.06db
42% Popularity • 71% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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Maurette Brown Clark
I See Good - Radio Edit
100 bpm • G# Maj • 03:58 • -3.59db
24% Popularity • 58% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Sir the Baptist
Jesus In The Ghetto
113 bpm • B Maj • 02:54 • -9.31db
20% Popularity • 57% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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KlarKent
Oh My God
113 bpm • B min • 03:44 • -7db
27% Popularity • 73% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Amber Bullock
We Must Praise
100 bpm • C Maj • 04:10 • -6db
37% Popularity • 51% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Lecrae
Worth It
99 bpm • F min • 04:54 • -7.43db
39% Popularity • 49% Danceability • 67% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
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Darlene McCoy
I Believe
113 bpm • C# Maj • 04:05 • -3.79db
14% Popularity • 76% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Casey J
Grace Wouldn't Leave Me
113 bpm • F Maj • 03:07 • -6.11db
17% Popularity • 68% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Sir the Baptist
Good Ole Church Girl
113 bpm • F Maj • 03:27 • -6.24db
5% Popularity • 76% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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James Moss
You Brought Me
99 bpm • B min • 04:30 • -2.7db
23% Popularity • 91% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Sarah Téibo
Lead the Way
99 bpm • G Maj • 04:00 • -5.8db
15% Popularity • 73% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Jovonta Patton
God’s Got It
99 bpm • B Maj • 03:48 • -4db
34% Popularity • 57% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 58% Positiveness
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Charlene Nash
Answer
114 bpm • A min • 02:43 • -8db
35% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Cory Ard
Roller Coaster
99 bpm • F# min • 03:12 • -4.23db
13% Popularity • 58% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Sir & Saint
Adam & Eve'n
99 bpm • F min • 02:05 • -6.75db
29% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Maurette Brown Clark
It Ain't Over
114 bpm • F# Maj • 06:51 • -6db
45% Popularity • 43% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Jor'dan Armstrong
Look at Me Now
99 bpm • B Maj • 04:09 • -5db
13% Popularity • 45% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Kirk Franklin & The Family
My Desire
98 bpm • G min • 04:17 • -5.29db
39% Popularity • 70% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Fresh Start Worship
Mention
114 bpm • D# Maj • 06:49 • -9db
29% Popularity • 43% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Martha Munizzi
Your Latter Will Be Greater
115 bpm • D# Maj • 06:25 • -5.39db
25% Popularity • 31% Danceability • 82% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
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Makpo
Spirit Move
98 bpm • B Maj • 04:02 • -7.44db
13% Popularity • 72% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Jekalyn Carr
Greater is Coming
98 bpm • F min • 06:39 • -3.48db
38% Popularity • 43% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Willie "PDub" Moore Jr.
Feel Like Praising
98 bpm • G# Maj • 03:54 • -6.72db
23% Popularity • 72% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Uncle Reece
Until I Pass Out
98 bpm • C# Maj • 04:39 • -7.64db
24% Popularity • 55% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Charles & Taylor
Still Gonna Pray
98 bpm • A# Maj • 04:30 • -5db
23% Popularity • 73% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Showing Off