Songs like Showing You Off by Jake Miller
Based on a tempo of (+/- 10%) and a similar genre
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Deep Chills
Backfire
100 bpm • B Maj • 03:04 • -7.05db
31% Popularity • 81% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 81% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Johann Hedemann
over getting over you
100 bpm • A# Maj • 03:35 • -7db
9% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Justin Caruso
No Eyes On Me
100 bpm • F Maj • 03:21 • -3.67db
50% Popularity • 69% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 69% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Mitch James
Lay It On The Line
100 bpm • C# Maj • 03:05 • -7.71db
21% Popularity • 76% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 76% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Sture Zetterberg
Say What You Mean
100 bpm • E Maj • 03:07 • -6.69db
36% Popularity • 68% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 68% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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MKTO
Shoulda Known Better
100 bpm • C# min • 03:26 • -5.31db
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Jay Made
Feels Good
100 bpm • C Maj • 03:41 • -5.88db
31% Popularity • 77% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 77% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Jake Miller
Halfway
100 bpm • C# Maj • 02:26 • -8db
23% Popularity • 75% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 75% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Kiso
Another Friend
100 bpm • D Maj • 02:52 • -6.27db
20% Popularity • 66% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 66% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Clara Mae
Better Me Better You
100 bpm • F# Maj • 03:34 • -5db
32% Popularity • 73% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 73% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Mac Hunt
Doubts
100 bpm • G# Maj • 03:20 • -7.88db
25% Popularity • 74% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 74% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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EMMA WAHLIN
Technicolor
100 bpm • F Maj • 03:18 • -7.42db
41% Popularity • 72% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 72% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Charlie Puth
Empty Cups
100 bpm • E Maj • 02:50 • -6db
52% Popularity • 77% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 77% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Jake Miller
Showing You Off
100 bpm • B Maj • 03:09 • -5.09db
30% Popularity • 77% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 77% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Liv Dawson
Pushing 21
100 bpm • E Maj • 03:27 • -9.44db
30% Popularity • 78% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 78% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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MAXINE
I Like U, But I Love Me
100 bpm • E Maj • 02:28 • -5.25db
23% Popularity • 75% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 75% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Andrew Cardon
remedy
100 bpm • D Maj • 02:50 • -11.98db
20% Popularity • 69% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 69% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Mark Mendy
Hide & Seek
100 bpm • D# Maj • 03:20 • -6.74db
18% Popularity • 83% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 83% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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RYYZN
Out in the City
100 bpm • G Maj • 02:19 • -6.05db
35% Popularity • 84% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 84% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Jake Miller
Think About Us
100 bpm • C# Maj • 03:04 • -6.96db
24% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Maria Lynn
Drama Free
100 bpm • A# Maj • 03:05 • -5.04db
31% Popularity • 64% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 64% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Anja Kotar
Really Like You
100 bpm • F Maj • 02:25 • -6db
33% Popularity • 75% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 75% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Baasik
Meant to Be
100 bpm • E Maj • 03:13 • -7db
31% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The Vamps
Personal
100 bpm • C Maj • 03:13 • -4.52db
47% Popularity • 76% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 76% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Gavin Haley
The Way I Am
100 bpm • G Maj • 02:58 • -7.29db
33% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jake Miller
Hold On To This
100 bpm • G# Maj • 02:57 • -6.79db
19% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Anna Clendening
Bend & Break
100 bpm • A# min • 02:38 • -9db
25% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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EMMA WAHLIN
Who I Am
101 bpm • C Maj • 02:58 • -3.83db
28% Popularity • 63% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
28% Popularity • 63% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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MKTO
Monaco
99 bpm • B Maj • 03:47 • -5.13db
49% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Rixton
Beautiful Excuses
101 bpm • G# Maj • 04:09 • -5.95db
33% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jesse McCartney
Better with You
101 bpm • F# Maj • 03:18 • -4db
48% Popularity • 66% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 66% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Miller
Love Again
100 bpm • G# Maj • 03:11 • -9.8db
17% Popularity • 62% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 62% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Neptune
Shut Up I Love U
99 bpm • C# min • 02:38 • -10db
43% Popularity • 62% Danceability • 47% Energy • 40% Liveness
6% Instrumentalness • 6% Positiveness
43% Popularity • 62% Danceability • 47% Energy • 40% Liveness
6% Instrumentalness • 6% Positiveness
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BRDGS
San Diego
101 bpm • A Maj • 03:01 • -7.74db
33% Popularity • 71% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 71% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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MKTO
Goodbye Song
99 bpm • C Maj • 03:51 • -5.22db
44% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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In Real Life
Got Me Good
99 bpm • C Maj • 02:43 • -3.53db
24% Popularity • 83% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 83% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Evan Blum
Hurt The Ones We Love The Most
99 bpm • E Maj • 03:23 • -12db
31% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Jake Miller
LONDON LIGHTS
99 bpm • A# min • 02:52 • -5.04db
16% Popularity • 63% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 63% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Punch Parade
Cool About It
99 bpm • C Maj • 03:36 • -6.96db
27% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Charlie Puth
Does It Feel
99 bpm • G# min • 03:38 • -4.6db
49% Popularity • 61% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 61% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Fern.
Wanna Dance with You
99 bpm • G Maj • 04:06 • -5.48db
27% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Marc E. Bassy
New Ting
101 bpm • C# Maj • 02:54 • -7db
40% Popularity • 82% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 82% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
50% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jake Miller
Keep Her
99 bpm • C Maj • 02:51 • -6.31db
19% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Maximillian
On My Mind
98 bpm • F min • 02:54 • -6.76db
52% Popularity • 76% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 76% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
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Lost Kings
Anti-Everything
102 bpm • C Maj • 03:03 • -7.29db
49% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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gnash
that one song
98 bpm • D# Maj • 03:13 • -8.46db
36% Popularity • 83% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 83% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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In Real Life
Hurt for Long
98 bpm • C# Maj • 03:17 • -4.89db
24% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Jay Bombay
Difficult
102 bpm • C Maj • 02:44 • -8.32db
35% Popularity • 68% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 68% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Mykyl
Wrong Direction
102 bpm • A Maj • 02:33 • -8.84db
53% Popularity • 76% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 76% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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CLNGR
Have in Mind
102 bpm • G# Maj • 03:02 • -5.52db
33% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Prince Woods
I'll Wait For You
102 bpm • A Maj • 03:23 • -9.16db
34% Popularity • 69% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 15% Positiveness
34% Popularity • 69% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 15% Positiveness
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Ethan Dufault
Kryptonite
98 bpm • E Maj • 03:10 • -7.28db
34% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Valley
Like 1999
98 bpm • G Maj • 02:24 • -7.96db
63% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
63% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Miavono
You Get Me
98 bpm • F# Maj • 03:46 • -10.89db
23% Popularity • 74% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 74% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Mykyl
Logic
98 bpm • C Maj • 02:30 • -6.81db
36% Popularity • 65% Danceability • 59% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 65% Danceability • 59% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Orlando
All These Parties
102 bpm • C Maj • 03:23 • -2.94db
34% Popularity • 81% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 81% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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DNCE
Truthfully
102 bpm • G# Maj • 03:02 • -6.86db
58% Popularity • 72% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 72% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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CADMIUM
Feel It Too
98 bpm • F# min • 03:18 • -5.78db
39% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Jake Miller
OCEAN AWAY
98 bpm • B Maj • 02:14 • -7.26db
22% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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LANY
they don't make 'em like you anymore
102 bpm • A Maj • 02:35 • -7.99db
51% Popularity • 69% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 69% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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ÊMIA
Teleprompter
102 bpm • D Maj • 04:12 • -7.93db
26% Popularity • 67% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 67% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Ethan Dufault
When I Know
102 bpm • B Maj • 03:03 • -9db
31% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Wildflowers
Young Stupid and in Love
98 bpm • G# Maj • 03:03 • -9.29db
32% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Abby Wolfe
Change My Mind
98 bpm • E Maj • 03:21 • -5.2db
29% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Miller
Permanent
98 bpm • E Maj • 03:19 • -7.48db
22% Popularity • 60% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 60% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Chung
Maybe It's Nothing
98 bpm • G Maj • 02:05 • -6.59db
41% Popularity • 88% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 88% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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李凱馨
Tattoo on My Face
98 bpm • B Maj • 03:17 • -6.45db
16% Popularity • 80% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 80% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Ethan Dufault
Kryptonite - Remix
98 bpm • B Maj • 03:35 • -5.06db
28% Popularity • 66% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 66% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Megan Lee
Me, Myself And I
98 bpm • D Maj • 03:42 • -8.7db
20% Popularity • 61% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 61% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Heather Sommer
We Used To
98 bpm • C# min • 02:38 • -12.01db
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Hoodie Allen
Outta Reach
98 bpm • A min • 02:09 • -4.18db
33% Popularity • 81% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 81% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jane & The Boy
Electric
103 bpm • C Maj • 03:09 • -8db
38% Popularity • 70% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 70% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Justin Caruso
Don't Know You - Not Your Dope Remix
103 bpm • D Maj • 03:01 • -4.96db
3% Popularity • 72% Danceability • 71% Energy • 7% Liveness
25% Instrumentalness • 41% Positiveness
3% Popularity • 72% Danceability • 71% Energy • 7% Liveness
25% Instrumentalness • 41% Positiveness
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Cassette Tapes
Someone Better
97 bpm • A# Maj • 02:33 • -11.69db
32% Popularity • 86% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 86% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Ethan Dufault
Signs
97 bpm • B Maj • 03:24 • -6.33db
42% Popularity • 77% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 77% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Galavant
Never Gonna Let You
97 bpm • G min • 03:17 • -5.7db
26% Popularity • 63% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 63% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Dawin
Misbehaving
97 bpm • G Maj • 03:33 • -6.04db
19% Popularity • 86% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 86% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Matthew John Kurz
In Case You Miss Me
97 bpm • A Maj • 03:32 • -5db
13% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Justin Caruso
Don't Know You
103 bpm • B min • 03:10 • -9.02db
21% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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MAX
Circles
97 bpm • C# Maj • 02:27 • -7.4db
33% Popularity • 76% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 76% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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NLSN
Blue in My Eyes
97 bpm • G# Maj • 03:18 • -5.66db
35% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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WOOF! IT'S BILLY
LIGHT RAIN
97 bpm • C min • 03:39 • -6.41db
34% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Mason Murphy
Save Me - Acoustic
97 bpm • G Maj • 04:00 • -11.64db
24% Popularity • 76% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 76% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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New Rules
Love You Like That
104 bpm • E Maj • 02:24 • -4.51db
39% Popularity • 75% Danceability • 74% Energy • 20% Liveness
5% Instrumentalness • 93% Positiveness
39% Popularity • 75% Danceability • 74% Energy • 20% Liveness
5% Instrumentalness • 93% Positiveness
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pink roses
westside
104 bpm • G# Maj • 03:02 • -8db
23% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Cooper & Gatlin
Like You
104 bpm • D Maj • 02:50 • -5.6db
19% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Dahl
After Ours
104 bpm • A# Maj • 02:40 • -3.91db
34% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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MFMF.
Tonight
104 bpm • B min • 03:06 • -7.25db
31% Popularity • 58% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 58% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sture Zetterberg
Nobody Loves Me Better
104 bpm • F# Maj • 02:49 • -7.05db
52% Popularity • 70% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 70% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Jake Miller
Distraction
104 bpm • D Maj • 03:27 • -4.78db
16% Popularity • 87% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 87% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Bravo
Losing Daylight
104 bpm • D Maj • 03:00 • -7db
18% Popularity • 68% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 68% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Peder Elias
Back in the Game
96 bpm • D# Maj • 02:44 • -7.83db
26% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Zach Paradis
Parking Lot
96 bpm • F# Maj • 02:57 • -6.96db
26% Popularity • 79% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 79% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Wildflowers
I'm Falling In Love
96 bpm • E Maj • 03:04 • -4.85db
49% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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The Stolen
Rooftop
104 bpm • E Maj • 03:36 • -4.87db
15% Popularity • 59% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 59% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Alex Sampson
Stay Here
96 bpm • D Maj • 02:54 • -5db
35% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Kevin Chung
thought we were
96 bpm • B Maj • 02:19 • -9.34db
38% Popularity • 67% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 67% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
