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Shut Me Up
Songs like
Shut Me Up
by
Old Dominion
Based on a tempo of (+/- 10%) and a similar genre
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Cam
Half Broke Heart
152 bpm • B Maj • 03:03 • -3.43db
33% Popularity • 70% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Adam Doleac
Bigger Than Us
152 bpm • C# Maj • 03:21 • -3.46db
36% Popularity • 48% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Florida Georgia Line
Bumpin' The Night
152 bpm • C# Maj • 03:41 • -4db
37% Popularity • 46% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jerrod Niemann
Space
152 bpm • C# Maj • 03:44 • -5.91db
11% Popularity • 57% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Cole Taylor
Take a Drink
152 bpm • D Maj • 02:43 • -4.68db
17% Popularity • 57% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Old Dominion
Shut Me Up
152 bpm • G Maj • 02:51 • -4db
40% Popularity • 55% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Jana Kramer
Don't Touch My Radio
152 bpm • A Maj • 02:46 • -3.06db
21% Popularity • 58% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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LOCASH
Chase a Little Love
152 bpm • E Maj • 03:04 • -3.99db
19% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Brett Kissel
Cool with That
152 bpm • A Maj • 03:49 • -4.74db
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Chase Rice
50 Shades of Crazy
152 bpm • D# min • 03:10 • -5db
18% Popularity • 52% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Austin Webb
All Country on You
152 bpm • D Maj • 03:03 • -4db
23% Popularity • 54% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Cagle
I'd Find You
153 bpm • A Maj • 03:31 • -7db
30% Popularity • 51% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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David Fanning
Drink You Away
151 bpm • G Maj • 03:30 • -2.72db
23% Popularity • 43% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Blake Shelton
You Can't Make This Up
154 bpm • B Maj • 03:29 • -5.33db
31% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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River Town Saints
A Little Bit Goes a Long Way
150 bpm • A Maj • 03:16 • -2.28db
24% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Old Dominion
Goes Without Saying
150 bpm • F# Maj • 04:07 • -5.31db
33% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Blackjack Billy
Why God Made Summertime
150 bpm • D Maj • 03:11 • -4.18db
8% Popularity • 60% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
50% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Kane Brown
Lost More Than I Found
150 bpm • F# Maj • 03:31 • -4.74db
30% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Janson
Out There
154 bpm • A# Maj • 02:58 • -5.23db
28% Popularity • 53% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Florida Georgia Line
Anything Goes
154 bpm • C Maj • 03:38 • -3.79db
60% Popularity • 46% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Old Dominion
Dirt on a Road
154 bpm • C# Maj • 02:59 • -4.67db
38% Popularity • 66% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
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Brothers Osborne
Let's Go There
154 bpm • C Maj • 02:57 • -4db
35% Popularity • 57% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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William Michael Morgan
Vinyl
154 bpm • F Maj • 03:18 • -6db
35% Popularity • 57% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Keith Urban
Cop Car
154 bpm • C# Maj • 04:16 • -6.32db
57% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Outshyne
Moonlight Crush
150 bpm • G# Maj • 03:53 • -7db
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Blake Shelton
Just South of Heaven
150 bpm • A# Maj • 04:10 • -7.21db
32% Popularity • 64% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Canaan Smith
We Got Us
150 bpm • D Maj • 03:49 • -4db
27% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Robinette
For Awhile
150 bpm • G Maj • 03:23 • -6.33db
30% Popularity • 52% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Janson
Cut Me Some Slack
155 bpm • D Maj • 02:51 • -4db
27% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Kane Brown
Hit the Gas
156 bpm • G Maj • 02:54 • -3.72db
31% Popularity • 50% Danceability • 88% Energy • 33% Liveness
9% Instrumentalness • 41% Positiveness
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Chris Cagle
Just Love Me
156 bpm • F# Maj • 05:08 • -7db
31% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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LANCO
Win You Over
156 bpm • F# Maj • 03:16 • -5.12db
25% Popularity • 51% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Blake Shelton
It Ain't Easy
156 bpm • B Maj • 03:30 • -6.04db
30% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Ryan Hurd
We Do Us
148 bpm • G Maj • 03:16 • -7db
31% Popularity • 60% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Adam Sanders
Nothin' to Do but Drink
156 bpm • E Maj • 03:16 • -4.55db
37% Popularity • 50% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Drew Baldridge
Guns & Roses
156 bpm • B Maj • 02:51 • -5.12db
26% Popularity • 63% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Craig Morgan
We'll Come Back Around
156 bpm • A Maj • 02:58 • -3.87db
21% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Chase Rice
MMM Girl
156 bpm • F# Maj • 03:43 • -4.79db
11% Popularity • 46% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Hyatt
MGR (Me And A Girl And A Radio)
156 bpm • E Maj • 02:56 • -3.65db
11% Popularity • 59% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Mitchell Tenpenny
Truck I Drove in High School
148 bpm • F# Maj • 03:27 • -2.78db
33% Popularity • 61% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Old Dominion
Ain't Nothing Wrong With Love
156 bpm • C# Maj • 02:56 • -5.17db
31% Popularity • 55% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Brett Young
You Ain't Here To Kiss Me
148 bpm • C Maj • 03:37 • -7db
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tebey
Lightweight
148 bpm • D# min • 03:20 • -5.9db
7% Popularity • 48% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Schneider
Gimme a Red Light
148 bpm • G Maj • 03:09 • -5.12db
38% Popularity • 48% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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NEEDTOBREATHE
Wasting Time
148 bpm • B Maj • 04:04 • -5.06db
47% Popularity • 44% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Pell
Pretty Close
148 bpm • C Maj • 03:00 • -2.88db
15% Popularity • 46% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Old Dominion
Wake up Loving You
148 bpm • G# Maj • 03:48 • -8.2db
43% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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LOCASH
Little Miss Crazyhot
156 bpm • A# Maj • 02:40 • -3.1db
21% Popularity • 56% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jerrod Niemann
I Can't Give in Anymore
148 bpm • A Maj • 03:42 • -5.6db
14% Popularity • 55% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Chuck Wicks
Us Again
148 bpm • C# Maj • 03:39 • -6.42db
25% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Brett Kissel
I Didn't Fall in Love with Your Hair
148 bpm • F Maj • 03:18 • -7.33db
32% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Homegrown Band
Summer Song
158 bpm • E Maj • 03:20 • -3.08db
8% Popularity • 41% Danceability • 88% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Blake Shelton
I Need My Girl
158 bpm • C Maj • 03:32 • -5.65db
31% Popularity • 58% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Tebey
Jealous of the Sun
158 bpm • C# Maj • 03:14 • -4db
27% Popularity • 46% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Stell
Better Than That
158 bpm • A min • 03:18 • -3.37db
33% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Thompson
Wanted Me Gone
158 bpm • G Maj • 03:11 • -5db
22% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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A Thousand Horses
(This Ain’t No) Drunk Dial
158 bpm • E Maj • 03:29 • -4.8db
20% Popularity • 40% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Josh Dorr
Rocket - Single
158 bpm • E Maj • 03:36 • -4.45db
14% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Eric Church
Guys Like Me
158 bpm • C Maj • 03:11 • -6.92db
55% Popularity • 45% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Jade Eagleson
Close
158 bpm • F Maj • 03:04 • -4db
40% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Brett Kissel
Raise Your Glass
158 bpm • C Maj • 03:51 • -5db
25% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Blake Shelton
Gonna
146 bpm • E Maj • 03:02 • -5.12db
47% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Chase Rice
Carolina Can
158 bpm • B Maj • 03:40 • -6.61db
19% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Hurd
Her Name Was Summer
146 bpm • E Maj • 03:24 • -6db
33% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Old Dominion
I'll Roll
146 bpm • G# min • 03:24 • -6.71db
32% Popularity • 57% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Brian Kelley
Made By The Water
146 bpm • F# Maj • 02:56 • -4.9db
40% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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John King
Tonight Tonight (Best Night of Our Lives...
146 bpm • G# Maj • 03:26 • -3.12db
13% Popularity • 47% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Hunter Brothers
El Dorado
146 bpm • F Maj • 03:06 • -2.85db
23% Popularity • 58% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Chase Rice
How She Rolls
146 bpm • E Maj • 02:59 • -5.27db
23% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Blake Shelton
My Eyes
145 bpm • E Maj • 03:10 • -7.58db
49% Popularity • 45% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Canaan Smith
Love You Like That
145 bpm • B Maj • 03:23 • -5db
58% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Jon Pardi
What I Can't Put Down
160 bpm • G Maj • 03:23 • -4db
61% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Urban
Little Bit Of Everything
160 bpm • G# Maj • 03:25 • -5.99db
45% Popularity • 62% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
44% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Chase Rice
Look at My Truck
160 bpm • A Maj • 03:16 • -5.32db
15% Popularity • 45% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Kelleigh Bannen
Smoke When I Drink
160 bpm • A Maj • 02:59 • -4.76db
20% Popularity • 55% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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James Barker Band
Summer Time
160 bpm • A Maj • 03:06 • -3.92db
39% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Keith Urban
Worry 'Bout Nothin'
160 bpm • D Maj • 03:50 • -5.97db
18% Popularity • 57% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Russell Dickerson
Billions
160 bpm • C# Maj • 03:18 • -5db
33% Popularity • 55% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Kane Brown
Don't Go City on Me
160 bpm • A Maj • 03:31 • -4.42db
35% Popularity • 52% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Chase Rice
U Turn
144 bpm • F Maj • 03:30 • -5.25db
11% Popularity • 59% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Dylan Schneider
50 Cent Lighter
144 bpm • D Maj • 02:58 • -5.01db
31% Popularity • 51% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Old Dominion
Smooth Sailing
144 bpm • G Maj • 03:35 • -5.28db
39% Popularity • 33% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Bryan
You And The Beach
144 bpm • G Maj • 03:18 • -4.72db
30% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Kane Brown
Wide Open
144 bpm • F# Maj • 03:05 • -6.05db
35% Popularity • 54% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Chase Rice
Beach Town
144 bpm • G Maj • 03:43 • -5.09db
8% Popularity • 49% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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John King
On Your Lips
162 bpm • C# Maj • 03:23 • -3.76db
10% Popularity • 42% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Old Dominion
Can't Get You - Live
143 bpm • G Maj • 03:15 • -4.67db
29% Popularity • 31% Danceability • 95% Energy • 54% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Dylan Schneider
Fireworks
162 bpm • G Maj • 03:13 • -7db
34% Popularity • 53% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Jana Kramer
Circles
162 bpm • F# Maj • 03:59 • -5db
36% Popularity • 52% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Shut Me Up