Songs like Si Tout Les Cocus… by Georges Milton
Based on a tempo of (+/- 10%) and a similar genre
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Georges Milton
Si Tout Les Cocus…
133 bpm • G# Maj • 02:37 • -6.67db
4% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
4% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jean-Claude Pascal
Le Temps de l'amour
133 bpm • B Maj • 02:17 • -12.91db
8% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Georgius
La plus bath des javas
133 bpm • G# Maj • 02:52 • -12.6db
5% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
5% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Jean Gabin
Vive les grosses dames
133 bpm • C Maj • 01:03 • -13.03db
20% Popularity • 79% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 79% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Maurice Chevalier
Ca fait d'excellents français
133 bpm • A# Maj • 03:10 • -13db
10% Popularity • 67% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 67% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Michel Galabru
Le canard
133 bpm • G# Maj • 02:11 • -17.58db
8% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Annie Cordy
C'est d'la faute à Napoléon (de l’op...
133 bpm • E Maj • 02:43 • -13.11db
8% Popularity • 60% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 60% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Guy Béart
Qui suis-je ? - Version 1970
133 bpm • C min • 03:02 • -12db
8% Popularity • 50% Danceability • 30% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Fréhel
Ou est-il donc ?
134 bpm • C Maj • 03:13 • -7.73db
10% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Les Prout
Le picheloure
132 bpm • F# Maj • 01:34 • -11.11db
9% Popularity • 64% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 64% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Luis Mariano
La fleur de tes cheveaux
132 bpm • G Maj • 02:47 • -12db
9% Popularity • 48% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 48% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Georges Milton
T'en fais pas Bouboule
132 bpm • D Maj • 03:23 • -9.51db
2% Popularity • 72% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 72% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Georges Guétary
C'est l'amour
134 bpm • C Maj • 03:21 • -9db
4% Popularity • 30% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 30% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
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Rina Ketty
Sombrero et mantilles
134 bpm • C Maj • 03:06 • -12db
17% Popularity • 64% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 64% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Annie Cordy
C'est autre chose
132 bpm • C# Maj • 01:57 • -13db
10% Popularity • 58% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 58% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Line Renaud
Le Bal aux Baléares
131 bpm • A Maj • 02:25 • -7db
18% Popularity • 69% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 69% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Les Frères Jacques
La confiture
131 bpm • C Maj • 03:55 • -14db
14% Popularity • 50% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 50% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 70% Positiveness
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Georges Milton
La fille du bédouin
132 bpm • F min • 02:57 • -10db
13% Popularity • 68% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 68% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Boby Lapointe
Framboise
135 bpm • D Maj • 02:40 • -8.56db
31% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Fréhel
Ohé ! Les copains !
131 bpm • D Maj • 02:23 • -11.47db
12% Popularity • 74% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 74% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Rina Ketty
Montevideo
135 bpm • A Maj • 03:23 • -8db
8% Popularity • 60% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 60% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Luis Mariano
Bayonne mon amour
131 bpm • F Maj • 02:27 • -11db
14% Popularity • 70% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 70% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Bourvil
On est poète
135 bpm • C# Maj • 02:18 • -10.57db
7% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Georges Milton
Si j'étais chef de gare
134 bpm • G# Maj • 02:52 • -10.18db
0% Popularity • 82% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 82% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Boby Lapointe
L'hélicon
135 bpm • G# Maj • 01:50 • -13db
25% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Gilbert Bécaud
Mé-qué, mé-qué - Remasterisé en 201...
135 bpm • G Maj • 02:26 • -9.3db
5% Popularity • 84% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 84% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Ventura
Tout va très bien madame la marquise
136 bpm • F Maj • 03:25 • -14db
34% Popularity • 73% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 73% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Fréhel
Où est-il donc ?
136 bpm • G Maj • 03:12 • -12db
11% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Joséphine Baker
Sur deux notes
130 bpm • A Maj • 03:19 • -15.88db
10% Popularity • 45% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 45% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Georges Milton
Si tous les cocus (Revue "La Parade du N...
132 bpm • G# Maj • 02:37 • -8.24db
0% Popularity • 76% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 76% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Georges Chelon
Le Chien
136 bpm • F min • 01:48 • -9db
16% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Gabrielle Ristori
L'Auberge du Cheval Blanc, Acte I: "Pour...
130 bpm • D# Maj • 03:12 • -12.24db
0% Popularity • 45% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 45% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Les Quatre Barbus
Auprés de ma blonde
130 bpm • G# Maj • 02:08 • -12db
19% Popularity • 82% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 82% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Maurice Chevalier
La Chanson du maçon
136 bpm • B Maj • 03:09 • -15.79db
9% Popularity • 80% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 80% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Alain Barrière
Mon Vieux Joe - Remastered
130 bpm • D Maj • 02:41 • -8.05db
9% Popularity • 62% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 62% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
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Georges Milton
La fille du Bédouin
132 bpm • F min • 02:57 • -7.18db
0% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Henri Jossy
Ah ! Que la France est belle
130 bpm • E min • 02:18 • -8.46db
9% Popularity • 64% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 64% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Guy Béart
Le matin je m'éveille en chantant - BOF...
137 bpm • F Maj • 02:16 • -10db
11% Popularity • 70% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 70% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Pierre Perret
Les baisers
129 bpm • E Maj • 03:24 • -6.18db
14% Popularity • 63% Danceability • 61% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 63% Danceability • 61% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
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Maurice Chevalier
Paris sera toujours Paris
130 bpm • G Maj • 03:14 • -14.49db
35% Popularity • 61% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 61% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Line Renaud
Itsi bitsi petit bikini - Remasterisé e...
129 bpm • G Maj • 02:16 • -9db
19% Popularity • 76% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 76% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Georges Milton
Nous, les français
131 bpm • D Maj • 02:57 • -12.03db
1% Popularity • 76% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 76% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Rina Ketty
Sombreros et mantilles
137 bpm • F Maj • 03:00 • -8db
10% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Raoul de Godewarsvelde
Perds pas l'nord
129 bpm • G Maj • 03:06 • -10db
8% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Mistinguett
Oui je suis de Paris
129 bpm • D Maj • 02:59 • -19db
12% Popularity • 66% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 66% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Maurice Chevalier
Marché de Ménilmontant
129 bpm • C Maj • 02:45 • -11.56db
10% Popularity • 72% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 72% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Marie-Paule Belle
Moujik Russe
137 bpm • D Maj • 03:06 • -6db
10% Popularity • 50% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Georges Milton
Je suis
134 bpm • A# Maj • 03:05 • -9.65db
0% Popularity • 76% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 76% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Bourvil
Abonné au gaz (vas donc, eh patate)
129 bpm • G min • 03:14 • -12.28db
11% Popularity • 83% Danceability • 34% Energy • 72% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 83% Danceability • 34% Energy • 72% Liveness
0% Instrumentalness • 82% Positiveness
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Lucienne Delyle
Le Tango des jours heureux
129 bpm • C# Maj • 02:27 • -11.93db
17% Popularity • 37% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 37% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Marcelle Bordas
Boire un petit coup
138 bpm • C# min • 03:07 • -7.63db
8% Popularity • 67% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 67% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Luis Mariano
Sous le ciel de Grenade
129 bpm • G min • 02:53 • -15.61db
8% Popularity • 47% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 47% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Jean-Claude Pascal
Sacree Fille
128 bpm • A# min • 02:31 • -14db
8% Popularity • 71% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 71% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Georges Milton
On Se Fait Pouèt-Pouète
136 bpm • C Maj • 01:59 • -11.15db
0% Popularity • 82% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 82% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Line Renaud
Les enchainés - Remasterisé en 2013
128 bpm • G# Maj • 02:21 • -5.4db
11% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Georges Guétary
La Route fleurie
138 bpm • D Maj • 02:53 • -10.18db
11% Popularity • 50% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 50% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Claude Nougaro
Où
128 bpm • A# Maj • 02:43 • -10.82db
7% Popularity • 75% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 75% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Maurice Chevalier
Y'a d'la joie
138 bpm • E Maj • 02:48 • -8db
12% Popularity • 78% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 78% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Ray Ventura
A la mi-Aoüt
128 bpm • A min • 02:36 • -5db
17% Popularity • 83% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 83% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Georges Milton
Pouêt ! Pouêt !
136 bpm • C Maj • 01:57 • -11.01db
0% Popularity • 82% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 82% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Reda Caire
Si Tu Reviens
128 bpm • G Maj • 02:47 • -12db
17% Popularity • 45% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 45% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Francis Lemarque
Le petit cordonnier
128 bpm • F Maj • 02:48 • -13db
25% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Colette Renard
Ça, c'est Paris
128 bpm • D# Maj • 01:51 • -13db
26% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Maurice Chevalier
Valentine
138 bpm • G Maj • 02:31 • -17db
18% Popularity • 73% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 73% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Les Frères Jacques
Fredo
138 bpm • E min • 03:13 • -14db
15% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Georges Milton
Si vous connaissiez papa
130 bpm • F Maj • 01:58 • -10.72db
0% Popularity • 81% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 81% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Mistinguett
Je cherche un millionnaire
128 bpm • D# Maj • 03:07 • -15db
18% Popularity • 64% Danceability • 28% Energy • 19% Liveness
87% Instrumentalness • 63% Positiveness
18% Popularity • 64% Danceability • 28% Energy • 19% Liveness
87% Instrumentalness • 63% Positiveness
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Les Quatre Barbus
Marie trempe ton pain
127 bpm • D Maj • 01:00 • -13db
16% Popularity • 80% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 80% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Colette Renard
Pigalle
139 bpm • G Maj • 02:42 • -14db
23% Popularity • 47% Danceability • 21% Energy • 59% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 47% Danceability • 21% Energy • 59% Liveness
0% Instrumentalness • 50% Positiveness
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Maurice Chevalier
Fleur de Paris
139 bpm • C Maj • 02:33 • -13db
22% Popularity • 71% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 71% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Andre Bourvil
Scotto: Caroline, Caroline
127 bpm • A Maj • 03:01 • -9.5db
2% Popularity • 73% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 73% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Georges Milton
T'en Fais Pas Bouboule
130 bpm • D Maj • 03:28 • -10.29db
0% Popularity • 78% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 78% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Line Renaud
Quand Madelon (du film "La Madelon") - R...
127 bpm • A# Maj • 03:04 • -2db
16% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Henri Garat
Avoir un bon copain
127 bpm • A min • 02:34 • -13db
22% Popularity • 76% Danceability • 40% Energy • 14% Liveness
27% Instrumentalness • 74% Positiveness
22% Popularity • 76% Danceability • 40% Energy • 14% Liveness
27% Instrumentalness • 74% Positiveness
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Georgius
Au lycée Papillon
139 bpm • E Maj • 03:19 • -13db
10% Popularity • 81% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 81% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Anne Sylvestre
Philomene
139 bpm • F Maj • 02:07 • -13.03db
3% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Boby Lapointe
Aragon et Castille
139 bpm • C Maj • 02:09 • -11db
33% Popularity • 76% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 76% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Georges Milton
Pouet pouet!
136 bpm • C Maj • 01:55 • -7.95db
0% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Maurice Chevalier
Valentine
139 bpm • G Maj • 02:27 • -11db
9% Popularity • 72% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 72% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Fréhel
Comme une fleur
127 bpm • D Maj • 03:20 • -13db
9% Popularity • 51% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 51% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Henri Salvador
Le loup, la biche et le chevalier
127 bpm • C# Maj • 02:25 • -17.58db
3% Popularity • 83% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
3% Popularity • 83% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Ventura
Ca vaut mieux que d'attraper la scarlati...
139 bpm • F Maj • 03:23 • -7db
18% Popularity • 72% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 72% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Antoine Ciosi
Pace e salute
127 bpm • C min • 01:59 • -6.2db
9% Popularity • 58% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 58% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Georges Milton
Emilienne
130 bpm • A Maj • 02:55 • -13.31db
0% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Lys Gauty
J'aime Tes Grands Yeux
127 bpm • C# Maj • 02:58 • -11.47db
14% Popularity • 53% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 53% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Luis Mariano
L'amour est un bouquet de violettes
127 bpm • F Maj • 03:28 • -11db
26% Popularity • 36% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 36% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Mistinguett
C'est vrai
127 bpm • G Maj • 02:50 • -18.17db
12% Popularity • 60% Danceability • 32% Energy • 21% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 60% Danceability • 32% Energy • 21% Liveness
1% Instrumentalness • 89% Positiveness
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Ray Ventura
Vive les bananes
126 bpm • G# Maj • 02:32 • -11db
11% Popularity • 75% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 75% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Bourvil
La tactique du gendarme
126 bpm • A Maj • 02:59 • -6.35db
15% Popularity • 77% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 77% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Georges Milton
Pouet! Pouet!
136 bpm • C Maj • 01:55 • -11.36db
1% Popularity • 72% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
1% Popularity • 72% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Line Renaud
Les plus jolies choses de la vie - Remas...
126 bpm • F Maj • 03:06 • -12.26db
14% Popularity • 58% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 58% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Les Frères Jacques
Les tics
140 bpm • D Maj • 02:03 • -13.5db
8% Popularity • 79% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 79% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Andre Bourvil
La tactique du gendarme
126 bpm • A Maj • 03:00 • -10db
14% Popularity • 76% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 76% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Mark Lemanche
Il patinait merveilleusement
126 bpm • D min • 01:14 • -14.47db
31% Popularity • 42% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 49% Positiveness
31% Popularity • 42% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 49% Positiveness
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Patachou
Rue Lepic
141 bpm • C Maj • 02:35 • -8db
13% Popularity • 49% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Georges Milton
Les artichauts
129 bpm • E Maj • 02:38 • -9.09db
4% Popularity • 66% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 66% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Line Renaud
Ma cabane au Canada - Remasterisé en 20...
126 bpm • G Maj • 02:55 • -5db
26% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Boris Vian
Cinématographe
126 bpm • D# Maj • 02:44 • -14.06db
3% Popularity • 77% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 77% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
