Songs like Si yo fuera carpintero - If I Were a Carpenter by Waldo De Los Ríos
Based on a tempo of (+/- 10%) and a similar genre
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Al Caiola
Adelita
118 bpm • D# Maj • 02:07 • -13.17db
32% Popularity • 74% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 95% Positiveness
32% Popularity • 74% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 95% Positiveness
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Orquesta Instrumental Latinoamericana
Emmanuel
118 bpm • B min • 02:55 • -15db
34% Popularity • 54% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
34% Popularity • 54% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Orquestra Românticos de Cuba
Fascination / Ecstasy
118 bpm • C min • 02:36 • -4.25db
40% Popularity • 31% Danceability • 81% Energy • 29% Liveness
87% Instrumentalness • 32% Positiveness
40% Popularity • 31% Danceability • 81% Energy • 29% Liveness
87% Instrumentalness • 32% Positiveness
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Mantovani y Su Gran Orquesta
La Cumparsita
118 bpm • G min • 02:46 • -8.96db
25% Popularity • 56% Danceability • 27% Energy • 25% Liveness
80% Instrumentalness • 33% Positiveness
25% Popularity • 56% Danceability • 27% Energy • 25% Liveness
80% Instrumentalness • 33% Positiveness
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Waldo De Los RÃos
Serenata nº13 - Andante romanza
118 bpm • C Maj • 03:33 • -11.36db
15% Popularity • 42% Danceability • 37% Energy • 16% Liveness
90% Instrumentalness • 55% Positiveness
15% Popularity • 42% Danceability • 37% Energy • 16% Liveness
90% Instrumentalness • 55% Positiveness
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Roger Williams
Windmills Of Your Mind
119 bpm • F Maj • 02:13 • -14.99db
23% Popularity • 49% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
23% Popularity • 49% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Al Caiola
Jesusita En Chihuahua
119 bpm • F Maj • 02:12 • -12.34db
23% Popularity • 73% Danceability • 42% Energy • 28% Liveness
72% Instrumentalness • 89% Positiveness
23% Popularity • 73% Danceability • 42% Energy • 28% Liveness
72% Instrumentalness • 89% Positiveness
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Leroy Anderson
Blue Tango
119 bpm • D Maj • 03:04 • -22.71db
33% Popularity • 48% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
33% Popularity • 48% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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Orquestra Românticos de Cuba
Aquellos Ojos Verdes / Noche de Ronda
119 bpm • F Maj • 02:42 • -4.06db
42% Popularity • 34% Danceability • 80% Energy • 15% Liveness
83% Instrumentalness • 54% Positiveness
42% Popularity • 34% Danceability • 80% Energy • 15% Liveness
83% Instrumentalness • 54% Positiveness
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Johnny Pearson Y Su Orquesta
Asi hablaba Zarathustra
119 bpm • A Maj • 05:44 • -13db
12% Popularity • 40% Danceability • 40% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
12% Popularity • 40% Danceability • 40% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
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Waldo De Los RÃos
CaballerÃa ligera
117 bpm • A# Maj • 04:36 • -13.17db
18% Popularity • 32% Danceability • 48% Energy • 9% Liveness
82% Instrumentalness • 35% Positiveness
18% Popularity • 32% Danceability • 48% Energy • 9% Liveness
82% Instrumentalness • 35% Positiveness
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Botticelli
Forever and Ever
119 bpm • E Maj • 02:59 • -11.24db
25% Popularity • 39% Danceability • 45% Energy • 17% Liveness
79% Instrumentalness • 48% Positiveness
25% Popularity • 39% Danceability • 45% Energy • 17% Liveness
79% Instrumentalness • 48% Positiveness
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Martha de Los RÃos
La Shalaca
119 bpm • E Maj • 01:57 • -6.79db
1% Popularity • 56% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
1% Popularity • 56% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
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Mantovani y Su Gran Orquesta
Blue Tango
117 bpm • D Maj • 03:02 • -8.61db
24% Popularity • 57% Danceability • 43% Energy • 14% Liveness
24% Instrumentalness • 37% Positiveness
24% Popularity • 57% Danceability • 43% Energy • 14% Liveness
24% Instrumentalness • 37% Positiveness
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Saxo
Candilejas
117 bpm • A Maj • 03:20 • -13.57db
40% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
40% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
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Orquesta Romanticos de La Habana
Emmanuelle II
117 bpm • F min • 02:48 • -19.11db
24% Popularity • 56% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
24% Popularity • 56% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
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The Gino Marinello Orchestra
Song of Silence
116 bpm • D min • 01:48 • -15.22db
44% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
44% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
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Alessio Busanel And His Orchestra
E Luce Van Le Stelle
116 bpm • B min • 03:39 • -18.06db
19% Popularity • 17% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Jorge Espinoza Y Su Violin
Rosas Rojas Para Una Dama Triste
120 bpm • G Maj • 03:01 • -10db
44% Popularity • 45% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
44% Popularity • 45% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
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Das Orchester Claudius Alzner
Ich hab' die Liebe geseh'n - Sweet Lorra...
116 bpm • D# Maj • 03:06 • -14.64db
28% Popularity • 61% Danceability • 32% Energy • 34% Liveness
82% Instrumentalness • 66% Positiveness
28% Popularity • 61% Danceability • 32% Energy • 34% Liveness
82% Instrumentalness • 66% Positiveness
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Frank Chacksfield
Marylin
120 bpm • F Maj • 02:27 • -18db
31% Popularity • 37% Danceability • 13% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
31% Popularity • 37% Danceability • 13% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Johannes Brahms
Brahms: Symphony No. 1 in C Minor, Op. 6...
116 bpm • C Maj • 05:56 • -9.38db
6% Popularity • 35% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
6% Popularity • 35% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
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Richard Abel
Sérénade de Toselli
120 bpm • C Maj • 02:37 • -15.88db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
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Waldo De Los RÃos
Mañana, mañana - Tomorrow, manyana
120 bpm • F Maj • 03:18 • -13db
22% Popularity • 45% Danceability • 41% Energy • 13% Liveness
89% Instrumentalness • 68% Positiveness
22% Popularity • 45% Danceability • 41% Energy • 13% Liveness
89% Instrumentalness • 68% Positiveness
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Francis Dupont
Little serenade
120 bpm • A# Maj • 03:12 • -14db
29% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
29% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
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Billy Vaughn
El Choclo
116 bpm • E min • 02:07 • -11.92db
29% Popularity • 38% Danceability • 42% Energy • 13% Liveness
34% Instrumentalness • 77% Positiveness
29% Popularity • 38% Danceability • 42% Energy • 13% Liveness
34% Instrumentalness • 77% Positiveness
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Neil Diamond
Song Sung Blue
120 bpm • C Maj • 02:54 • -15.9db
20% Popularity • 55% Danceability • 22% Energy • 10% Liveness
53% Instrumentalness • 42% Positiveness
20% Popularity • 55% Danceability • 22% Energy • 10% Liveness
53% Instrumentalness • 42% Positiveness
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Mantovani y Su Gran Orquesta
Moon River
116 bpm • C Maj • 02:40 • -15.93db
39% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
39% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Jean Claude Borelly
Amarcord
116 bpm • B Maj • 02:29 • -8db
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
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Al Caiola
Wheels
120 bpm • C Maj • 02:07 • -12.99db
43% Popularity • 80% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 86% Positiveness
43% Popularity • 80% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 86% Positiveness
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Frank Mills
The Poet And I
116 bpm • F Maj • 03:40 • -15db
30% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
30% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
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Jorge Espinoza Carrizales
Llanuras
120 bpm • A Maj • 03:19 • -15.04db
30% Popularity • 57% Danceability • 42% Energy • 9% Liveness
57% Instrumentalness • 46% Positiveness
30% Popularity • 57% Danceability • 42% Energy • 9% Liveness
57% Instrumentalness • 46% Positiveness
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Giuseppe Verdi
Greensleeves
121 bpm • A# min • 03:45 • -7.59db
3% Popularity • 42% Danceability • 38% Energy • 11% Liveness
16% Instrumentalness • 16% Positiveness
3% Popularity • 42% Danceability • 38% Energy • 11% Liveness
16% Instrumentalness • 16% Positiveness
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Orquestra Românticos de Cuba
Besame Mucho / Dos Almas
121 bpm • D min • 03:26 • -5.86db
42% Popularity • 53% Danceability • 60% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
42% Popularity • 53% Danceability • 60% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
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Laurens van Rooyen
Song For Piano
115 bpm • A min • 02:43 • -18.3db
32% Popularity • 49% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
32% Popularity • 49% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Volare
121 bpm • C Maj • 03:04 • -12.12db
42% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
42% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Richard Abel
Marina
115 bpm • D Maj • 03:19 • -10db
24% Popularity • 76% Danceability • 76% Energy • 8% Liveness
78% Instrumentalness • 96% Positiveness
24% Popularity • 76% Danceability • 76% Energy • 8% Liveness
78% Instrumentalness • 96% Positiveness
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Gomez Carrillo
La Shalaka
115 bpm • D# min • 03:10 • -10db
1% Popularity • 64% Danceability • 54% Energy • 8% Liveness
70% Instrumentalness • 63% Positiveness
1% Popularity • 64% Danceability • 54% Energy • 8% Liveness
70% Instrumentalness • 63% Positiveness
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Angel Roque
Cierro Mis Ojos
115 bpm • D Maj • 03:26 • -10db
34% Popularity • 63% Danceability • 41% Energy • 26% Liveness
76% Instrumentalness • 51% Positiveness
34% Popularity • 63% Danceability • 41% Energy • 26% Liveness
76% Instrumentalness • 51% Positiveness
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Jorge Espinoza Y Su Violin
Al Ritmo De La Lluvia
115 bpm • E Maj • 02:16 • -6.06db
48% Popularity • 75% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
48% Popularity • 75% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
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Ballroom Dance Orchestra
Red Roses for a Blue Lady
115 bpm • C Maj • 02:24 • -11.97db
38% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
38% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Y la Amo
115 bpm • C# min • 02:44 • -8.77db
45% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Pop Strings Orchestra
Un Hombre y una Mujer
121 bpm • F# min • 03:23 • -7.83db
29% Popularity • 61% Danceability • 53% Energy • 9% Liveness
68% Instrumentalness • 26% Positiveness
29% Popularity • 61% Danceability • 53% Energy • 9% Liveness
68% Instrumentalness • 26% Positiveness
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Saxo
Emmanuelle
122 bpm • C min • 02:59 • -18db
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Mantovani y Su Gran Orquesta
La Paloma
115 bpm • D Maj • 02:53 • -9.09db
27% Popularity • 36% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
27% Popularity • 36% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Jean Claude Borelly
Le temps des fleurs
122 bpm • A min • 02:53 • -7.86db
23% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
23% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
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Francis Lai
Générique (de "Bilitis")
115 bpm • C# Maj • 03:26 • -25.37db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Ronald Valentino
Marcha Turca
122 bpm • A min • 02:35 • -6db
46% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
46% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Eine kleine Nachtmusik, K. 525: ...
114 bpm • G Maj • 04:01 • -17db
1% Popularity • 64% Danceability • 60% Energy • 29% Liveness
14% Instrumentalness • 82% Positiveness
1% Popularity • 64% Danceability • 60% Energy • 29% Liveness
14% Instrumentalness • 82% Positiveness
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Los Violines de Villafontana
El Amor Es Triste (Love Is Blue)
122 bpm • C Maj • 03:52 • -12.37db
22% Popularity • 31% Danceability • 31% Energy • 30% Liveness
5% Instrumentalness • 23% Positiveness
22% Popularity • 31% Danceability • 31% Energy • 30% Liveness
5% Instrumentalness • 23% Positiveness
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Al Caiola
Quien Sena (Sway)
114 bpm • E min • 01:56 • -12.79db
26% Popularity • 57% Danceability • 40% Energy • 22% Liveness
74% Instrumentalness • 67% Positiveness
26% Popularity • 57% Danceability • 40% Energy • 22% Liveness
74% Instrumentalness • 67% Positiveness
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Waldo De Los RÃos
Qué es el amor -Voi che sapete- - Aria ...
114 bpm • A# Maj • 03:00 • -11db
15% Popularity • 47% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 47% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Mantovani y Su Gran Orquesta
Amapola
114 bpm • A min • 02:52 • -10.11db
39% Popularity • 42% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
39% Popularity • 42% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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Orquesta Romanticos de La Habana
Amore Grande Amore Libero
123 bpm • F Maj • 03:36 • -13.94db
42% Popularity • 42% Danceability • 24% Energy • 15% Liveness
13% Instrumentalness • 11% Positiveness
42% Popularity • 42% Danceability • 24% Energy • 15% Liveness
13% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
113 bpm • D Maj • 06:02 • -15db
15% Popularity • 33% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 33% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
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Juan Torres Y Su Organo Melodico
Picolissima Serenata
123 bpm • C Maj • 02:28 • -12.85db
46% Popularity • 65% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
46% Popularity • 65% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
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Al Caiola
The Guns Of Navarone
123 bpm • D Maj • 02:38 • -7.5db
41% Popularity • 59% Danceability • 65% Energy • 22% Liveness
82% Instrumentalness • 80% Positiveness
41% Popularity • 59% Danceability • 65% Energy • 22% Liveness
82% Instrumentalness • 80% Positiveness
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Diego De Cossio
Cuando Calienta el Sol
113 bpm • C Maj • 03:17 • -10db
48% Popularity • 69% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
48% Popularity • 69% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
Broma Musical [Single Version]
113 bpm • G Maj • 03:47 • -16db
1% Popularity • 75% Danceability • 67% Energy • 9% Liveness
16% Instrumentalness • 57% Positiveness
1% Popularity • 75% Danceability • 67% Energy • 9% Liveness
16% Instrumentalness • 57% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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Billy Vaughn
Wheels
123 bpm • D Maj • 02:08 • -10.92db
42% Popularity • 75% Danceability • 40% Energy • 23% Liveness
40% Instrumentalness • 87% Positiveness
42% Popularity • 75% Danceability • 40% Energy • 23% Liveness
40% Instrumentalness • 87% Positiveness
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Ballroom Dance Orchestra
Never on Sunday
113 bpm • A# Maj • 02:34 • -11.01db
31% Popularity • 34% Danceability • 36% Energy • 18% Liveness
90% Instrumentalness • 73% Positiveness
31% Popularity • 34% Danceability • 36% Energy • 18% Liveness
90% Instrumentalness • 73% Positiveness
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Al Caiola
Guns of Navarone
123 bpm • D Maj • 02:40 • -10.21db
31% Popularity • 56% Danceability • 47% Energy • 22% Liveness
96% Instrumentalness • 82% Positiveness
31% Popularity • 56% Danceability • 47% Energy • 22% Liveness
96% Instrumentalness • 82% Positiveness
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Waldo De Los RÃos
Mendelssohn: Overture to A Midsummer Nig...
123 bpm • B Maj • 05:53 • -13.58db
6% Popularity • 49% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
6% Popularity • 49% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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The Romantic Sound Orchestra
Kleine Nachtmusik (Romance)
112 bpm • C Maj • 03:06 • -14.06db
28% Popularity • 24% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
28% Popularity • 24% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Sergio Golwarz
Orfeo Negro
112 bpm • D min • 02:57 • -9db
33% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jorge Espinoza Y Su Violin
Que Sera
124 bpm • C Maj • 03:45 • -12.22db
37% Popularity • 46% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Glen Lucas
Blue Bayou
112 bpm • A# Maj • 03:26 • -13db
37% Popularity • 63% Danceability • 33% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
37% Popularity • 63% Danceability • 33% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
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Luis Siu Riveron
Siboney - Instrumental
124 bpm • C Maj • 02:17 • -13db
43% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
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Waldo De Los RÃos
Broma Musical
112 bpm • F Maj • 02:30 • -5.86db
17% Popularity • 52% Danceability • 84% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
17% Popularity • 52% Danceability • 84% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
41% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
41% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Ronald Valentino
New York New York
112 bpm • F Maj • 02:53 • -7db
48% Popularity • 76% Danceability • 44% Energy • 6% Liveness
95% Instrumentalness • 58% Positiveness
48% Popularity • 76% Danceability • 44% Energy • 6% Liveness
95% Instrumentalness • 58% Positiveness
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Leroy Anderson
Blue Tango
124 bpm • D Maj • 02:49 • -22db
45% Popularity • 33% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
45% Popularity • 33% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
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Ron Goodwin
Morning Train
125 bpm • A min • 02:44 • -16db
26% Popularity • 58% Danceability • 32% Energy • 4% Liveness
4% Instrumentalness • 82% Positiveness
26% Popularity • 58% Danceability • 32% Energy • 4% Liveness
4% Instrumentalness • 82% Positiveness
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Frank Chacksfield & His Orchestra
Warsaw Concerto
112 bpm • E Maj • 07:57 • -12.83db
18% Popularity • 31% Danceability • 27% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 31% Danceability • 27% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Horst Jankowski
A Lover's Concerto
125 bpm • C min • 02:49 • -10.5db
33% Popularity • 51% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
33% Popularity • 51% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
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Ronnie Aldrich
All Those Years Ago
125 bpm • D Maj • 03:08 • -12.7db
28% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
28% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
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Orquesta Romanticos de La Habana
Bilitis
125 bpm • C# Maj • 03:25 • -18.5db
24% Popularity • 32% Danceability • 3% Energy • 10% Liveness
62% Instrumentalness • 8% Positiveness
24% Popularity • 32% Danceability • 3% Energy • 10% Liveness
62% Instrumentalness • 8% Positiveness
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Tony Mottola y Su Orquesta
Dominiqui
126 bpm • G# Maj • 02:17 • -11.17db
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Richard Abel
La Paloma
111 bpm • C Maj • 03:07 • -11db
32% Popularity • 62% Danceability • 47% Energy • 16% Liveness
95% Instrumentalness • 64% Positiveness
32% Popularity • 62% Danceability • 47% Energy • 16% Liveness
95% Instrumentalness • 64% Positiveness
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Orquesta Casino De La Habana
La Paloma
126 bpm • C Maj • 03:03 • -19.78db
44% Popularity • 66% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 88% Positiveness
44% Popularity • 66% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 88% Positiveness
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Al Caiola
Bonanza
126 bpm • C Maj • 02:18 • -9db
23% Popularity • 43% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 90% Positiveness
23% Popularity • 43% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 90% Positiveness
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Ricci Ferra
Adagio By Albinoni
111 bpm • C min • 04:03 • -14.62db
21% Popularity • 19% Danceability • 28% Energy • 19% Liveness
42% Instrumentalness • 8% Positiveness
21% Popularity • 19% Danceability • 28% Energy • 19% Liveness
42% Instrumentalness • 8% Positiveness
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Billy Vaughn
Tracy's Theme
111 bpm • C Maj • 02:53 • -11db
39% Popularity • 58% Danceability • 30% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
39% Popularity • 58% Danceability • 30% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
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MelodÃas Mágicas
La Playa
110 bpm • D min • 02:21 • -15.93db
54% Popularity • 63% Danceability • 20% Energy • 27% Liveness
82% Instrumentalness • 34% Positiveness
54% Popularity • 63% Danceability • 20% Energy • 27% Liveness
82% Instrumentalness • 34% Positiveness
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Ronnie Aldrich and his 2 pianos
A Man Without Love
110 bpm • C Maj • 03:37 • -10.18db
21% Popularity • 51% Danceability • 51% Energy • 19% Liveness
84% Instrumentalness • 57% Positiveness
21% Popularity • 51% Danceability • 51% Energy • 19% Liveness
84% Instrumentalness • 57% Positiveness
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Wolfgang Amadeus Mozart
Obertura 492 (Figaro in the House) [From...
126 bpm • D Maj • 04:35 • -14.73db
1% Popularity • 67% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
1% Popularity • 67% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
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Al Caiola
Bonanza
126 bpm • C Maj • 02:19 • -8.08db
37% Popularity • 48% Danceability • 70% Energy • 15% Liveness
38% Instrumentalness • 84% Positiveness
37% Popularity • 48% Danceability • 70% Energy • 15% Liveness
38% Instrumentalness • 84% Positiveness
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Pop Strings Orchestra
Et Maintenant
110 bpm • F min • 03:20 • -8db
33% Popularity • 57% Danceability • 49% Energy • 14% Liveness
66% Instrumentalness • 63% Positiveness
33% Popularity • 57% Danceability • 49% Energy • 14% Liveness
66% Instrumentalness • 63% Positiveness
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André Popp
Beer Barrel Polka
126 bpm • F Maj • 02:40 • -9db
31% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Ricci Ferra
La Guitarra Romantica
110 bpm • E min • 02:52 • -12.77db
37% Popularity • 65% Danceability • 38% Energy • 22% Liveness
96% Instrumentalness • 52% Positiveness
37% Popularity • 65% Danceability • 38% Energy • 22% Liveness
96% Instrumentalness • 52% Positiveness
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Ronald Valentino
Solamente una Vez
110 bpm • D# Maj • 02:45 • -11db
46% Popularity • 77% Danceability • 53% Energy • 8% Liveness
92% Instrumentalness • 80% Positiveness
46% Popularity • 77% Danceability • 53% Energy • 8% Liveness
92% Instrumentalness • 80% Positiveness
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Jean Claude Borelly
Dont't Cry for Me Argentina
110 bpm • D# Maj • 03:03 • -7.1db
26% Popularity • 40% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
26% Popularity • 40% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
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Richard Abel
Por una Cabeza
110 bpm • C Maj • 03:19 • -9.03db
20% Popularity • 60% Danceability • 41% Energy • 4% Liveness
22% Instrumentalness • 46% Positiveness
20% Popularity • 60% Danceability • 41% Energy • 4% Liveness
22% Instrumentalness • 46% Positiveness
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Waldo De Los RÃos
SinfonÃa nº 6, Patetica - Tchaikovsky
110 bpm • D Maj • 05:24 • -8.32db
10% Popularity • 36% Danceability • 50% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
10% Popularity • 36% Danceability • 50% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
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Ronnie Aldrich
Key Largo
110 bpm • G Maj • 03:12 • -15.11db
24% Popularity • 51% Danceability • 26% Energy • 7% Liveness
75% Instrumentalness • 34% Positiveness
24% Popularity • 51% Danceability • 26% Energy • 7% Liveness
75% Instrumentalness • 34% Positiveness
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Waldo De Los Rios And His Symphony-Pop Orchestra
Ob-La-Di, Ob-La-Da
127 bpm • A# Maj • 02:06 • -7.5db
10% Popularity • 73% Danceability • 88% Energy • 30% Liveness
94% Instrumentalness • 98% Positiveness
10% Popularity • 73% Danceability • 88% Energy • 30% Liveness
94% Instrumentalness • 98% Positiveness
