Songs like Sich Öffnen by Not From There
Based on a tempo of (+/- 10%) and a similar genre
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The Dandy Warhols
Solid
128 bpm • G Maj • 03:08 • -4.71db
26% Popularity • 66% Danceability • 92% Energy • 29% Liveness
13% Instrumentalness • 65% Positiveness
26% Popularity • 66% Danceability • 92% Energy • 29% Liveness
13% Instrumentalness • 65% Positiveness
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Pollyanna
Peachy Keen
128 bpm • D Maj • 02:21 • -6.03db
13% Popularity • 48% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 48% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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You Am I
Soldiers
128 bpm • C# Maj • 02:31 • -5db
29% Popularity • 41% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 41% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Not From There
Frisco Disco
128 bpm • D Maj • 03:26 • -5.67db
5% Popularity • 60% Danceability • 87% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
5% Popularity • 60% Danceability • 87% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
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Mclusky
Undress For Success
128 bpm • C# Maj • 02:42 • -4.59db
17% Popularity • 67% Danceability • 95% Energy • 8% Liveness
19% Instrumentalness • 98% Positiveness
17% Popularity • 67% Danceability • 95% Energy • 8% Liveness
19% Instrumentalness • 98% Positiveness
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Spiderbait
Tonite
128 bpm • A Maj • 04:21 • -11.46db
22% Popularity • 67% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
22% Popularity • 67% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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The Datsuns
Harmonic Generator
128 bpm • C# Maj • 03:03 • -3.76db
33% Popularity • 67% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 67% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
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Rail
Immune Deficiency
128 bpm • C Maj • 03:40 • -9.05db
8% Popularity • 33% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 33% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Ratcat
Tingles
129 bpm • C Maj • 03:26 • -7.4db
8% Popularity • 38% Danceability • 84% Energy • 34% Liveness
3% Instrumentalness • 71% Positiveness
8% Popularity • 38% Danceability • 84% Energy • 34% Liveness
3% Instrumentalness • 71% Positiveness
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Not From There
Sich Öffnen
128 bpm • G# Maj • 03:48 • -5.43db
21% Popularity • 46% Danceability • 96% Energy • 16% Liveness
31% Instrumentalness • 63% Positiveness
21% Popularity • 46% Danceability • 96% Energy • 16% Liveness
31% Instrumentalness • 63% Positiveness
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Fini Scad
Coppertone
129 bpm • E min • 03:39 • -8.99db
21% Popularity • 46% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 46% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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The Mavis's
Cry
127 bpm • A Maj • 04:13 • -5db
36% Popularity • 45% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 45% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Underground Lovers
Losin' It
127 bpm • A min • 05:03 • -9.8db
30% Popularity • 63% Danceability • 80% Energy • 11% Liveness
26% Instrumentalness • 96% Positiveness
30% Popularity • 63% Danceability • 80% Energy • 11% Liveness
26% Instrumentalness • 96% Positiveness
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Rebecca's Empire
Atomic Electric
129 bpm • A min • 03:58 • -7.59db
22% Popularity • 38% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
22% Popularity • 38% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Skunkhour
Home
129 bpm • F Maj • 03:18 • -4db
29% Popularity • 61% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 61% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Not From There
Sticky Wes
129 bpm • D# min • 04:09 • -5.7db
0% Popularity • 44% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
0% Popularity • 44% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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The Mutton Birds
Pulled Along by Love
127 bpm • G Maj • 04:30 • -6.83db
20% Popularity • 48% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Custard
Music Is Crap
129 bpm • C Maj • 03:07 • -7db
28% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Idlewild
A Film for the Future
127 bpm • G# Maj • 03:28 • -7.64db
17% Popularity • 47% Danceability • 96% Energy • 18% Liveness
16% Instrumentalness • 57% Positiveness
17% Popularity • 47% Danceability • 96% Energy • 18% Liveness
16% Instrumentalness • 57% Positiveness
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Gerling
Ghost Patrol
129 bpm • A Maj • 03:39 • -6db
11% Popularity • 31% Danceability • 85% Energy • 9% Liveness
11% Instrumentalness • 17% Positiveness
11% Popularity • 31% Danceability • 85% Energy • 9% Liveness
11% Instrumentalness • 17% Positiveness
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3Ds
Outer Space
129 bpm • E Maj • 03:14 • -8.43db
20% Popularity • 40% Danceability • 88% Energy • 39% Liveness
37% Instrumentalness • 71% Positiveness
20% Popularity • 40% Danceability • 88% Energy • 39% Liveness
37% Instrumentalness • 71% Positiveness
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Died Pretty
Godbless
126 bpm • D min • 03:28 • -2db
21% Popularity • 48% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 48% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Even
Don't Wait
130 bpm • A Maj • 04:10 • -8db
15% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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TISM
Greg! The Stop Sign!!
130 bpm • C Maj • 03:28 • -8db
36% Popularity • 64% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 64% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Dave Graney & The Coral Snakes
Feelin' Kinda Sporty
130 bpm • D Maj • 03:10 • -4db
15% Popularity • 56% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 56% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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Machine Gun Fellatio
All of Them Ladies
130 bpm • B min • 04:33 • -7db
22% Popularity • 74% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 74% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Screamfeeder
Static
130 bpm • D Maj • 03:16 • -4.44db
8% Popularity • 30% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 30% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Gerling
Who's Ya Daddy?
130 bpm • G min • 03:46 • -6db
19% Popularity • 80% Danceability • 78% Energy • 16% Liveness
3% Instrumentalness • 86% Positiveness
19% Popularity • 80% Danceability • 78% Energy • 16% Liveness
3% Instrumentalness • 86% Positiveness
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Eskimo Joe
Planet Earth
126 bpm • D Maj • 03:20 • -5.11db
25% Popularity • 60% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 60% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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The Sleepy Jackson
Vampire Racecourse
130 bpm • D Maj • 03:10 • -3db
23% Popularity • 51% Danceability • 98% Energy • 28% Liveness
10% Instrumentalness • 62% Positiveness
23% Popularity • 51% Danceability • 98% Energy • 28% Liveness
10% Instrumentalness • 62% Positiveness
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Custard
Anatomically Correct
126 bpm • E Maj • 02:43 • -6.94db
24% Popularity • 72% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
24% Popularity • 72% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Machine Gun Fellatio
Summer
130 bpm • A Maj • 03:49 • -7db
13% Popularity • 51% Danceability • 85% Energy • 17% Liveness
41% Instrumentalness • 57% Positiveness
13% Popularity • 51% Danceability • 85% Energy • 17% Liveness
41% Instrumentalness • 57% Positiveness
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Tumbleweed
Sundial
126 bpm • C Maj • 02:45 • -10.54db
23% Popularity • 55% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 55% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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You Am I
Jaimme's Got a Gal
126 bpm • G Maj • 03:27 • -9db
24% Popularity • 51% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 51% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Headless Chickens
Gaskrankinstation
130 bpm • D# min • 04:32 • -15.76db
15% Popularity • 68% Danceability • 56% Energy • 13% Liveness
26% Instrumentalness • 79% Positiveness
15% Popularity • 68% Danceability • 56% Energy • 13% Liveness
26% Instrumentalness • 79% Positiveness
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The Sleepy Jackson
Come To This
130 bpm • F# Maj • 03:28 • -3.54db
28% Popularity • 53% Danceability • 95% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 53% Danceability • 95% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
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The Clouds
Bower Of Bliss
125 bpm • B Maj • 03:03 • -6.79db
9% Popularity • 47% Danceability • 90% Energy • 8% Liveness
15% Instrumentalness • 52% Positiveness
9% Popularity • 47% Danceability • 90% Energy • 8% Liveness
15% Instrumentalness • 52% Positiveness
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Machine Gun Fellatio
Rollercoaster
130 bpm • G Maj • 03:33 • -4.9db
38% Popularity • 70% Danceability • 92% Energy • 55% Liveness
1% Instrumentalness • 77% Positiveness
38% Popularity • 70% Danceability • 92% Energy • 55% Liveness
1% Instrumentalness • 77% Positiveness
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Lo-tel
Teenager Of The Year
131 bpm • A# Maj • 04:29 • -7.99db
32% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Spiderbait
Chest Hair
131 bpm • A Maj • 03:28 • -7db
22% Popularity • 30% Danceability • 80% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
22% Popularity • 30% Danceability • 80% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Pollyanna
Pale Grey Eyes
131 bpm • G# min • 04:51 • -13.34db
11% Popularity • 38% Danceability • 62% Energy • 22% Liveness
3% Instrumentalness • 32% Positiveness
11% Popularity • 38% Danceability • 62% Energy • 22% Liveness
3% Instrumentalness • 32% Positiveness
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Even
Stop and Go Man
131 bpm • C Maj • 02:40 • -6.86db
13% Popularity • 36% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 36% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Violetine
Any Day
125 bpm • G Maj • 03:14 • -6.76db
15% Popularity • 54% Danceability • 91% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
15% Popularity • 54% Danceability • 91% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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Super Furry Animals
The Man Don't Give a Fuck
125 bpm • A min • 04:43 • -2.37db
27% Popularity • 55% Danceability • 97% Energy • 52% Liveness
16% Instrumentalness • 25% Positiveness
27% Popularity • 55% Danceability • 97% Energy • 52% Liveness
16% Instrumentalness • 25% Positiveness
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Machine Gun Fellatio
Pussy Town
125 bpm • A Maj • 02:59 • -6.16db
31% Popularity • 69% Danceability • 63% Energy • 25% Liveness
48% Instrumentalness • 65% Positiveness
31% Popularity • 69% Danceability • 63% Energy • 25% Liveness
48% Instrumentalness • 65% Positiveness
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Gerling
Enter Spacecapsule - Radio Disko Remix
125 bpm • A Maj • 03:51 • -6.53db
27% Popularity • 69% Danceability • 76% Energy • 4% Liveness
45% Instrumentalness • 27% Positiveness
27% Popularity • 69% Danceability • 76% Energy • 4% Liveness
45% Instrumentalness • 27% Positiveness
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The Clouds
Hieronymus
125 bpm • G Maj • 03:47 • -6.39db
25% Popularity • 42% Danceability • 84% Energy • 36% Liveness
2% Instrumentalness • 43% Positiveness
25% Popularity • 42% Danceability • 84% Energy • 36% Liveness
2% Instrumentalness • 43% Positiveness
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The Dandy Warhols
Cool As Kim Deal
125 bpm • G Maj • 03:02 • -6.78db
30% Popularity • 36% Danceability • 57% Energy • 6% Liveness
40% Instrumentalness • 55% Positiveness
30% Popularity • 36% Danceability • 57% Energy • 6% Liveness
40% Instrumentalness • 55% Positiveness
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The Drones
Baby
131 bpm • A Maj • 03:34 • -3.72db
23% Popularity • 31% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 31% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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You Am I
Kick A Hole In The Sky
125 bpm • A Maj • 03:54 • -4.02db
18% Popularity • 46% Danceability • 89% Energy • 15% Liveness
23% Instrumentalness • 49% Positiveness
18% Popularity • 46% Danceability • 89% Energy • 15% Liveness
23% Instrumentalness • 49% Positiveness
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Rocket Science
Being Followed
131 bpm • C Maj • 03:49 • -5.7db
29% Popularity • 79% Danceability • 72% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
29% Popularity • 79% Danceability • 72% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
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Dead Flowers
I Wanna Know
132 bpm • E Maj • 02:48 • -7.04db
15% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Fur
Jimmy Rogers
132 bpm • C Maj • 03:46 • -4.67db
17% Popularity • 55% Danceability • 88% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
17% Popularity • 55% Danceability • 88% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
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Custard
Hit Song
124 bpm • G Maj • 02:22 • -5.12db
20% Popularity • 56% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 56% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
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Screamfeeder
Dart
132 bpm • D Maj • 02:50 • -6.1db
20% Popularity • 46% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 46% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Dave Graney & The Coral Snakes
Night of the Wolverine 1
124 bpm • A Maj • 04:45 • -16.04db
24% Popularity • 68% Danceability • 38% Energy • 17% Liveness
1% Instrumentalness • 42% Positiveness
24% Popularity • 68% Danceability • 38% Energy • 17% Liveness
1% Instrumentalness • 42% Positiveness
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Deadstar
Dont It Get You Down
124 bpm • G Maj • 03:33 • -6db
25% Popularity • 44% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 44% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Powderfinger
Like A Dog
124 bpm • F# min • 04:18 • -7.52db
34% Popularity • 56% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
34% Popularity • 56% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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The Fauves
Surf City Limits - Edit
132 bpm • G# Maj • 03:31 • -6.23db
21% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Offcutts
Break It Down James Brown
132 bpm • D Maj • 02:36 • -2.64db
4% Popularity • 69% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
4% Popularity • 69% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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TISM
All Homeboys Are Dickheads
132 bpm • D Maj • 03:06 • -11.65db
19% Popularity • 88% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 88% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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George
Bastard Son
124 bpm • C Maj • 04:08 • -8.98db
20% Popularity • 53% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
20% Popularity • 53% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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Pollyanna
Lemonsuck
132 bpm • D# Maj • 03:36 • -14.52db
21% Popularity • 33% Danceability • 51% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
21% Popularity • 33% Danceability • 51% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
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Buffalo Tom
Summer
124 bpm • A# Maj • 04:02 • -5db
28% Popularity • 39% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 39% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Even
Shining Star
124 bpm • D Maj • 03:15 • -7db
10% Popularity • 50% Danceability • 68% Energy • 33% Liveness
15% Instrumentalness • 26% Positiveness
10% Popularity • 50% Danceability • 68% Energy • 33% Liveness
15% Instrumentalness • 26% Positiveness
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You Am I
Mr. Milk
132 bpm • C# min • 03:16 • -4.24db
26% Popularity • 43% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 43% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Not From There
The Hitching Post
132 bpm • F Maj • 04:16 • -9.25db
0% Popularity • 67% Danceability • 84% Energy • 24% Liveness
50% Instrumentalness • 58% Positiveness
0% Popularity • 67% Danceability • 84% Energy • 24% Liveness
50% Instrumentalness • 58% Positiveness
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Tumbleweed
Sweet Nothing
124 bpm • F Maj • 05:28 • -6.35db
8% Popularity • 48% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 48% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Pollyanna
Effervescence
132 bpm • D# Maj • 02:30 • -5.33db
19% Popularity • 35% Danceability • 73% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
19% Popularity • 35% Danceability • 73% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
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Skunkhour
Kick In The Door
124 bpm • G Maj • 03:04 • -5.03db
27% Popularity • 78% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 78% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Rebecca's Empire
So Rude
124 bpm • D Maj • 03:38 • -6.63db
17% Popularity • 49% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 59% Positiveness
17% Popularity • 49% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 59% Positiveness
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Died Pretty
D.C.
133 bpm • D Maj • 04:32 • -3.03db
30% Popularity • 55% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 55% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Not From There
Silence Among The Revolutionairies
132 bpm • G# Maj • 06:32 • -8.4db
0% Popularity • 48% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
0% Popularity • 48% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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You Am I
Good Mornin'
133 bpm • D# Maj • 04:12 • -4.27db
24% Popularity • 33% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 33% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Mavis's
Naughty Boy
133 bpm • D Maj • 03:13 • -7.57db
28% Popularity • 36% Danceability • 77% Energy • 10% Liveness
78% Instrumentalness • 38% Positiveness
28% Popularity • 36% Danceability • 77% Energy • 10% Liveness
78% Instrumentalness • 38% Positiveness
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Redd Kross
Jimmy's Fantasy
133 bpm • A Maj • 03:46 • -8db
22% Popularity • 28% Danceability • 83% Energy • 9% Liveness
70% Instrumentalness • 42% Positiveness
22% Popularity • 28% Danceability • 83% Energy • 9% Liveness
70% Instrumentalness • 42% Positiveness
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The Fauves
Bigger Than Tina
133 bpm • C Maj • 03:16 • -5.27db
12% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Arkarna
Eat Me
133 bpm • B min • 04:06 • -6.8db
19% Popularity • 65% Danceability • 84% Energy • 3% Liveness
1% Instrumentalness • 81% Positiveness
19% Popularity • 65% Danceability • 84% Energy • 3% Liveness
1% Instrumentalness • 81% Positiveness
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Machine Gun Fellatio
The Girl Of My Dreams Is Giving Me Night...
133 bpm • B Maj • 03:31 • -6.98db
38% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Ammonia
You're Not The Only One Who Feels This W...
123 bpm • F min • 03:53 • -8.21db
27% Popularity • 33% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 33% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Turnstyle
Spray Water On The Stereo
133 bpm • G Maj • 02:35 • -5.72db
15% Popularity • 64% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 64% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Llama Farmers
Get the Keys and Go
123 bpm • A Maj • 03:27 • -4.74db
11% Popularity • 42% Danceability • 93% Energy • 6% Liveness
8% Instrumentalness • 33% Positiveness
11% Popularity • 42% Danceability • 93% Energy • 6% Liveness
8% Instrumentalness • 33% Positiveness
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The Fauves
Give Up Your Day Job
133 bpm • A Maj • 03:17 • -4.78db
13% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Gerling
Dust Me Selecta
123 bpm • D# Maj • 04:13 • -4.84db
32% Popularity • 61% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 61% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Big Heavy Stuff
Bigmouth
133 bpm • A min • 02:35 • -7.37db
10% Popularity • 53% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 53% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Superette
Touch Me
123 bpm • G Maj • 02:50 • -13.29db
14% Popularity • 57% Danceability • 62% Energy • 10% Liveness
6% Instrumentalness • 80% Positiveness
14% Popularity • 57% Danceability • 62% Energy • 10% Liveness
6% Instrumentalness • 80% Positiveness
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Spiderbait
Jellybean Drifter
133 bpm • A min • 02:45 • -5.84db
17% Popularity • 53% Danceability • 82% Energy • 51% Liveness
4% Instrumentalness • 71% Positiveness
17% Popularity • 53% Danceability • 82% Energy • 51% Liveness
4% Instrumentalness • 71% Positiveness
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Elastica
Vaseline
133 bpm • A min • 01:25 • -6db
32% Popularity • 53% Danceability • 72% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
32% Popularity • 53% Danceability • 72% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Something For Kate
Clint
123 bpm • C# min • 05:19 • -5.33db
4% Popularity • 26% Danceability • 87% Energy • 9% Liveness
63% Instrumentalness • 30% Positiveness
4% Popularity • 26% Danceability • 87% Energy • 9% Liveness
63% Instrumentalness • 30% Positiveness
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Dallas Crane
Numb All Over
133 bpm • F# min • 03:04 • -2.41db
14% Popularity • 42% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 42% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Brakes
Ring a Ding Ding
134 bpm • C# Maj • 01:39 • -3.58db
12% Popularity • 52% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 52% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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You Am I
How Much Is Enough
123 bpm • D# Maj • 03:41 • -7.65db
21% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Dandy Warhols
Hard On For Jesus
134 bpm • B min • 04:36 • -8.03db
26% Popularity • 25% Danceability • 67% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
26% Popularity • 25% Danceability • 67% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
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Died Pretty
Winterland
123 bpm • C Maj • 04:28 • -6.33db
5% Popularity • 36% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 36% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Tumbleweed
This'll Be The End Of Me
134 bpm • G Maj • 03:22 • -7.33db
9% Popularity • 40% Danceability • 93% Energy • 10% Liveness
89% Instrumentalness • 54% Positiveness
9% Popularity • 40% Danceability • 93% Energy • 10% Liveness
89% Instrumentalness • 54% Positiveness
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Symposium
Farewell to Twilight
134 bpm • F Maj • 03:11 • -5.29db
13% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Spiderbait
Four On The Floor
122 bpm • A Maj • 03:07 • -4.52db
32% Popularity • 58% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 58% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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You Am I
Get Up
134 bpm • B Maj • 03:12 • -4.14db
18% Popularity • 50% Danceability • 86% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
18% Popularity • 50% Danceability • 86% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
