Songs like Sicilienne - 1995 Remastered Version by Maria Theresia von Paradis
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act II...
85 bpm • D min • 03:15 • -24db
20% Popularity • 18% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
20% Popularity • 18% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
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Lili Boulanger
Nocturne
85 bpm • F Maj • 03:18 • -26db
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
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Modern Historics
Von Paradis Sicilienne: Historic
85 bpm • D# Maj • 03:25 • -9.78db
0% Popularity • 17% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 17% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
28% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
28% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
37% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
37% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Arvo Pärt
Pärt: Spiegel im Spiegel
85 bpm • F Maj • 09:04 • -26.91db
44% Popularity • 31% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 11% Positiveness
44% Popularity • 31% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 11% Positiveness
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Ennio Morricone
Gabriel's Oboe
85 bpm • D Maj • 03:42 • -16.07db
49% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
49% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Jules Massenet
Meditation
86 bpm • E min • 05:25 • -24db
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Maria Theresia von Paradis
Sicilienne in E-Flat Major
86 bpm • D# Maj • 01:57 • -24.78db
0% Popularity • 52% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 24% Positiveness
0% Popularity • 52% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 24% Positiveness
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Eleni Karaindrou
Je ne me consolerai jamais
84 bpm • E min • 01:21 • -22.66db
42% Popularity • 16% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Rentaro Taki
The Moon on the Ruined Castle (Arr. Cell...
84 bpm • C min • 01:13 • -32.06db
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Florence Beatrice Price
Adoration (Arr. for Cello & Orchestra by...
86 bpm • G Maj • 03:19 • -20.23db
42% Popularity • 16% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Dan Evmark
Désir
86 bpm • C Maj • 05:38 • -19.32db
27% Popularity • 29% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
27% Popularity • 29% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Charles Gounod
Ave Maria, CG 89a: arr. from Bach's Prel...
86 bpm • C Maj • 03:31 • -19.13db
19% Popularity • 15% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
19% Popularity • 15% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Manuel de Falla
Suite populaire Espagnole: 5. Nana (Arr....
86 bpm • A min • 02:00 • -36.72db
19% Popularity • 22% Danceability • 0% Energy • 8% Liveness
19% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 0% Energy • 8% Liveness
19% Instrumentalness • 7% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
48% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
48% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
84 bpm • E Maj • 02:51 • -23db
25% Popularity • 19% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
25% Popularity • 19% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Andrew Lloyd Webber
Cats: Memory
86 bpm • D Maj • 03:57 • -27db
40% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
40% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Luise Adolpha Le Beau
Cello Sonata in D Major, Op. 17: II. And...
86 bpm • B min • 04:30 • -24.14db
42% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Suite in E Minor: V. Les rappel des Oise...
84 bpm • E min • 03:05 • -33db
30% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
30% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 1, The Muse (Ar...
86 bpm • E min • 04:37 • -22.04db
21% Popularity • 19% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Alphonse Hasselmans
La source, Op. 44
86 bpm • F Maj • 03:59 • -25db
17% Popularity • 26% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Salut d' Amour, Op. 12
86 bpm • E Maj • 03:21 • -25.05db
33% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
33% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
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Valentin Silvestrov
Stille Musik: 3. Augenblicke der Serenad...
86 bpm • C Maj • 02:17 • -39db
58% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
58% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Chad Lawson
fields of forever
84 bpm • G min • 04:50 • -22db
31% Popularity • 15% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
6 Lieder, Op. 57: 5. Venetianisches Gond...
86 bpm • B min • 01:56 • -21.42db
29% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
29% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: VII. Träumerei (A...
86 bpm • F Maj • 03:05 • -30.97db
21% Popularity • 18% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in F M...
84 bpm • D Maj • 01:42 • -28.22db
41% Popularity • 36% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 39% Positiveness
41% Popularity • 36% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 39% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
49% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
49% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
40% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
40% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
39% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
39% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Salut d'amour, Op. 12 (Version fo...
83 bpm • D Maj • 02:53 • -22.32db
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Two Cellos in G Mi...
83 bpm • G min • 03:07 • -27.5db
25% Popularity • 10% Danceability • 2% Energy • 7% Liveness
16% Instrumentalness • 8% Positiveness
25% Popularity • 10% Danceability • 2% Energy • 7% Liveness
16% Instrumentalness • 8% Positiveness
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Amy Beach
Romance for Violin and Piano, Op. 23
87 bpm • A Maj • 06:08 • -13db
29% Popularity • 24% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
41% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
41% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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The Ayoub Sisters
Requiem: 5. Pie Jesu
87 bpm • A Maj • 03:18 • -19.74db
40% Popularity • 10% Danceability • 12% Energy • 8% Liveness
66% Instrumentalness • 5% Positiveness
40% Popularity • 10% Danceability • 12% Energy • 8% Liveness
66% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
58% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
33% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
33% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Nino Rota
Il Padrino (for Harp): Un poco liberamen...
83 bpm • F min • 03:32 • -29.48db
35% Popularity • 29% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
35% Popularity • 29% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Amy Beach
3 Compositions, Op. 40: No. 2, Berceuse
87 bpm • D Maj • 03:47 • -29db
41% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
41% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
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Reynaldo Hahn
Chansons grises: V. L'heure exquise
83 bpm • D Maj • 03:32 • -37db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
55% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
55% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Hajime Mizoguchi
The Girl with the Flaxen Hair
83 bpm • G Maj • 03:02 • -27db
36% Popularity • 11% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Clarinet
87 bpm • D Maj • 03:22 • -11db
41% Popularity • 17% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
41% Popularity • 17% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Maria Theresia von Paradis
Sicilienne in E-Flat Major (Arr. A. de l...
87 bpm • F Maj • 03:26 • -27.85db
3% Popularity • 18% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
3% Popularity • 18% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
41% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op 34, No. 14
87 bpm • E min • 05:59 • -26.49db
33% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Joseph Haydn
Adagio in F Major, Hob. XVII:9
83 bpm • F Maj • 04:47 • -34.2db
24% Popularity • 38% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
24% Popularity • 38% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
G. I. Gurdjieff
Woman´s Prayer
83 bpm • F min • 01:58 • -30db
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Heitor Villa-Lobos
Bachianas Brasileiras: No. 5, Aria for C...
88 bpm • A min • 05:11 • -22db
16% Popularity • 26% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
16% Popularity • 26% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Vladimir Martynov
Martynov: "Come in!", Movement II
82 bpm • A Maj • 04:21 • -22db
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Joaquín Rodrigo
Fantasía para un Gentilhombre: IIa. Esp...
88 bpm • A min • 05:04 • -23.4db
39% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
39% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
► Preview
Sergei Rachmaninoff
Zdes' khorosho, Op. 21, No. 7
88 bpm • A Maj • 02:09 • -24.44db
24% Popularity • 21% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Tomaso Albinoni
Adagio Variation
82 bpm • G min • 03:12 • -19db
36% Popularity • 26% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
36% Popularity • 26% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
► Preview
Maurice Ravel
Deux mélodies hébraïques, M. A22: I. ...
82 bpm • C min • 04:59 • -20.98db
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
41% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Maria Theresia von Paradis
Paradis: Sicilienne
88 bpm • D# Maj • 02:54 • -20.45db
20% Popularity • 25% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 12% Positiveness
20% Popularity • 25% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 12% Positiveness
► Preview
Claude Debussy
No. 3, Clair de lune - Arr. for Cello an...
88 bpm • D Maj • 05:00 • -26.07db
11% Popularity • 18% Danceability • 5% Energy • 17% Liveness
86% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 17% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Cello Concerto in G Major, RV 414: II. L...
88 bpm • E min • 03:28 • -24db
35% Popularity • 17% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
35% Popularity • 17% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Pablo Casals
Song of the Birds
82 bpm • D Maj • 03:42 • -26.67db
36% Popularity • 15% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 2% Positiveness
36% Popularity • 15% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 2% Positiveness
► Preview
Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
54% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
54% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Gymnopédie No. 1 (Arr. for Cello and Gu...
89 bpm • G Maj • 02:49 • -11.44db
28% Popularity • 13% Danceability • 23% Energy • 11% Liveness
67% Instrumentalness • 12% Positiveness
28% Popularity • 13% Danceability • 23% Energy • 11% Liveness
67% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
63% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
63% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Léo Delibes
Lakmé: Flower Duet (Arr. for Violin and...
82 bpm • B Maj • 02:34 • -17.85db
45% Popularity • 22% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
45% Popularity • 22% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Howard Blake
Archangel's Lullaby
89 bpm • D min • 01:39 • -35.15db
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Mikhail Glinka
Nocturne in E-Flat Major
81 bpm • D# Maj • 04:21 • -27.67db
22% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
22% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Charles Gounod
Ave Maria: Arr. from Bach's Prelude No. ...
89 bpm • C Maj • 05:30 • -22.93db
27% Popularity • 10% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
27% Popularity • 10% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
35% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Domenico Monleone
Intermezzo (Cavalleria Rusticana)
89 bpm • F Maj • 03:26 • -8db
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. for violin and piano by...
81 bpm • D# Maj • 03:48 • -19.13db
0% Popularity • 17% Danceability • 9% Energy • 8% Liveness
17% Instrumentalness • 8% Positiveness
0% Popularity • 17% Danceability • 9% Energy • 8% Liveness
17% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Anonymous
Catalan Folksong - arr. Pablo Casals (18...
89 bpm • A min • 03:12 • -27.12db
39% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
43% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
43% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Felix Godefroid
Romance sans Paroles - Bonus Track
81 bpm • G# Maj • 02:25 • -37db
31% Popularity • 25% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
31% Popularity • 25% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Samuel Dushkin
Sicilienne in E-Flat Major (arr. for cel...
89 bpm • D# Maj • 03:09 • -22.36db
0% Popularity • 15% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
0% Popularity • 15% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Felix Mendelssohn
歌の翼に Op. 34-2(チェロ&ピア�...
81 bpm • G# Maj • 02:52 • -26.52db
40% Popularity • 17% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
40% Popularity • 17% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
45% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
45% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
Eric Whitacre
The Seal Lullaby (Arr. Parkin)
81 bpm • C# Maj • 03:38 • -24.16db
32% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
32% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
► Preview
Maria Theresia von Paradis
シチリアーノ(パラディス...
80 bpm • D# Maj • 02:58 • -24.27db
0% Popularity • 20% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 16% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 16% Positiveness
